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The Schooltime Performance Series Nutcracker
teacher resource guide schooltime performance series the nutcracker National Ballet Theatre of Odessa about the meet the cultural A short history on ballet and promoting performance composer connections diversity in the dance form Prepare to be dazzled and enchanted by The Nutcracker, a Pyotr Ilyich Tchaikovsky (1840–1893) was an important Russian timeless and beloved ballet performance that is perfect for children composer who is famous for his romantic, melodic and emotional Ballet’s roots In the 20th century, ballet continued to evolve with the emergence of of all ages and adults who have grown up watching it during the musical works that are still popular and performed to this day. He Ballet has its roots in Italian Renaissance court pageantry. During notable figures, such as Vaslav Nijinsky, a male ballet dancer virtuoso winter holiday season. is known for his masterful, enchanting compositions for classical weddings, female dancers would dress in lavish gowns that reached their who could dance en pointe, a rare skill among male dancers, and George Balanchine, a giant in ballet choreography in America. The Nutcracker, held all over the world, varies from one production ballet, such as The Nutcracker, Swan Lake and The Sleeping Beauty. ankles and dance before a crowd of aristocrats, wealthy merchants, and company to another with different names for the protagonists, Growing up, he was clearly musically gifted; Tchaikovsky politically-connected financiers, such as the Medici family of Florence. Today, ballet has morphed to include many different elements, besides traditional and classical. Contemporary ballet is based on choreography, and even new musical additions in some versions. -
Alternative Data – Use Cases (Edition 6)
This report is sponsored by Standard Media Index (SMI). SMI captures monthly advertising revenue results for internet names such as FB, Instagram, GOOG, YouTube, Twitter, SNAP, ROKU, Amazon, Pandora, Spotify and traditional media companies such as Fox, Disney, Sinclair, Trip Advisor and 300+ other public equities across the US, UK and AU markets. Clients couple SMI’s data with its machine learning model for FB which has an establish track-record that correlates within 1% of a print typically. SMI releases its data monthly and distributes its FB forecast 6-weeks ahead of a print to its active roster of funds. Table of Contents SECTION 1: EXECUTIVE SUMMARY ....................................................................................................... 4 SECTION 2: ALTERNATIVE DATA .......................................................................................................... 6 SECTION 2.1: DEFINITION AND BENEFITS ....................................................................................................... 6 SECTION 2.2: DRIVERS OF ADOPTION ............................................................................................................ 8 SECTION 3: DATASETS IN DEMAND (PROPRIETARY ANALYTICS) ................................................... 14 SECTION 3.1: EAGLE ALPHA DATABASE CLICK-THROUGH ANALYTICS ............................................................. 14 SECTION 3.2: 1-ON-1 MEETING ANALYTICS ................................................................................................. -
6005302247.Pdf
The UnRules The UnRules Man, Machines and the Quest to Master Markets IGOR TULCHINSKY This edition first published 2018 © 2018 Igor Tulchinsky Registered office John Wiley & Sons Ltd, The Atrium, Southern Gate, Chichester, West Sussex, PO19 8SQ, United Kingdom For details of our global editorial offices, for customer services and for information about how to apply for permission to reuse the copyright material in this book please see our website at www.wiley.com. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, except as permitted by the UK Copyright, Designs and Patents Act 1988, without the prior permission of the publisher. Wiley publishes in a variety of print and electronic formats and by print-on- demand. Some material included with standard print versions of this book may not be included in e-books or in print-on-demand. If this book refers to media such as a CD or DVD that is not included in the version you purchased, you may download this material at http://booksupport.wiley.com. For more information about Wiley products, visit www.wiley.com. Designations used by companies to distinguish their products are often claimed as trademarks. All brand names and product names used in this book are trade names, service marks, trademarks or registered trademarks of their respective owners. The publisher is not associated with any product or vendor mentioned in this book. Limit of Liability/Disclaimer of Warranty: While the publisher and author have used their best efforts in preparing this book, they make no representations or warranties with respect to the accuracy or completeness of the contents of this book and specifically disclaim any implied warranties of merchantability or fitness for a particular purpose. -
The Women's Foundation of Colorado Announces Special Guest Misty Copeland, New Live-Interview Format for Annual Denver
Media Contact Lisa Christie Phone: 303-285-2961 Cell: 917-609-0839 [email protected] For Immediate Release The Women’s Foundation of Colorado Announces Special Guest Misty Copeland, New Live-Interview Format for Annual Denver Luncheon Copeland Broke Through Racial, Economic, and Body Image Barriers to Become American Ballet Theatre’s First African American Principal Dancer in Company’s 75-Year History DENVER (June 2, 2016) – The Women’s Foundation of Colorado (WFCO) announced today that Principal Ballerina Misty Copeland will be the special guest at its Annual Denver Luncheon on September 21, 2016. In 2015, Copeland made headlines and broke barriers when she became the first African American woman promoted to principal dancer for the renowned American Ballet Theatre (ABT) in the company’s 75-year history. “Misty danced right through the racial, economic, and body image barriers that keep many women from pursuing their dreams and reaching their full potential,” said Lauren Y. Casteel, president and CEO of WFCO. “Despite messages that she did not fit the mold of a traditional ballerina, she persevered and has become a symbol of hope, possibility, and perseverance for women everywhere. We believe all girls and women have the right to feel hopeful about their futures and there’s no one better than Misty to look to for inspiration.” Recent highlights from Misty Copeland’s career include: Soaring to new heights as the first African American female principal dancer at American Ballet Theatre Debuting on Broadway as Ivy Smith/Miss Turnstiles in -
A Global Early Warning System for Pandemics Mobilizing Surveillance for Emerging Pathogens
A Global Early Warning System for Pandemics Mobilizing Surveillance for Emerging Pathogens ESTHER KROFAH, CARLY GASCA, AND ANNA DEGARMO About the Milken Institute The Milken Institute is a nonprofit, nonpartisan think tank. For the past three decades, the Milken Institute has served as a catalyst for practical, scalable solutions to global challenges by connecting human, financial, and educational resources to those who need them. Guided by a conviction that the best ideas, under-resourced, cannot succeed, we conduct research and analysis and convene top experts, innovators, and influencers from different backgrounds and competing viewpoints. We leverage this expertise and insight to construct programs and policy initiatives. These activities are designed to help people build meaningful lives in which they can experience health and well-being, pursue effective education and gainful employment, and access the resources required to create ever-expanding opportunities for themselves and their broader communities. About FasterCures FasterCures, a center of the Milken Institute, is working to build a system that is effective, efficient, and driven by a clear vision: patient needs above all else. We believe that transformative and lifesaving science should be fully realized and deliver better treatments to the people who need them. ©2021 Milken Institute This work is made available under the terms of the Creative Commons Attribution-NonCommercial- NoDerivs 3.0 Unported License, available at creativecommons.org/licenses/by-nc-nd/3.0/. CONTENTS -
Misty Copeland
Prima ballerina MISTY COPELAND spoke to Brunswick’s david sutphen and mallory merge about staying true to her values and the discipline that keeps her career at center stage LESSONS DAIn June 2015, misty copeland NCEthe pop culture scene as the star of a broke one of the dance world’s last Prince video, capturing the attention remaining color barriers by becoming of millions of new fans. the first African American woman to Copeland’s artistic accomplishments be promoted to Principal Dancer in allowed her to break new ground the American Ballet Theatre’s 75-year in the business world as well. She history – just one remarkable step in is the first ballet dancer to secure an extraordinary career journey. endorsement deals from brands like At age 13, comparatively old to American Express, Dannon Oikos, begin ballet training, Copeland was Seiko and Under Armour. Her “I Will discovered at the Boys & Girls Club What I Want” campaign for Under in San Pedro, California. At the time, Armour has garnered over 10 million she and five siblings were living in a views on YouTube to date. motel room with their single mother. White House honors, a one-on-one By 2000, only five years later, she had special with President Obama, and a joined the American Ballet Theatre’s bestselling memoir, Life in Motion: An Studio Company. In 2001, she joined Unlikely Ballerina, have only bolstered the main company’s corps de ballet. her impact and influence. In 2015, She was promoted to Soloist in 2007 Time Magazine named her one of the and became the first black woman to world’s 100 most influential people. -
Misty Copeland Pdf, Epub, Ebook
MISTY COPELAND PDF, EPUB, EBOOK Gregg Delmann | 144 pages | 27 Sep 2016 | Rizzoli International Publications | 9780847849710 | English | New York, United States Misty Copeland PDF Book Retrieved December 13, May 10, Bazaar Bride. The Huffington Post. Ballet was just the one thing that brought me to life. And, Vanity Fair included Copeland in the International Best Dressed List, because she looks good in ball gowns, leotards, and teal flowy skirt things alike. But she was hooked. But, now those young dancers can look up to Misty Copeland and that's pretty huge. Misty overcomes her fears with the help of her new-found dancing friends and together they have a beautiful performance. American Ballet Theatre. However, the most important part of Romanek's job was Copeland's walk-in closet, which was formerly a bedroom. Copeland became a strong advocate for diversifying the field of ballet and creating access for dancers of varying racial and economic backgrounds. Retrieved August 23, Continues Copeland, "I felt this is a great opportunity for us to come together, but also for the world to see the beauty and the strength in coming together and supporting one another in times like this. So when her middle-school drill-team coach suggested dance classes, she took the tip and eventually studied at San Francisco Ballet School. In this photo, Misty Copeland looks natural and beautiful. When her training became more intensive, Copeland moved in with Bradley and her family in order to be closer to the studio. Girlfriend is just muscle. Ballet Theatre Foundation, Inc. All this to say, there's something for everyone this month. -
Fifty Leading Women in Hedge Funds 2020
Fifty Leading Women in Hedge Funds 2020 I N A S S O C I A T I O N W I T H 50 LEADING WOMEN IN HEDGE FUNDS 2020 50 LEADING WOMEN IN HEDGE FUNDS 2020 Introduction HAMLIN LOVELL, CONTRIBUTING EDITOR, THE HEDGE FUND JOURNAL his is the eighth edition of our managers of all time – according to LCF Edmond 50 Leading Women in Hedge de Rothschild analysis – namely Bridgewater Funds report and is published Associates and Lone Pine. The two Lone Pine in association with EY for the women in this year’s report are two of the three seventh time. Whilst Covid-19 portfolio managers who succeeded Lone Pine’s has denied us the opportunity founder Steve Mandel. Three of the report’s to host accompanying events discretionary equity portfolio managers specialize in London and New York, at in the healthcare and biotechnology sector, which least this year, the professional achievements has attracted more attention this year for obvious Tof the women featured in this year’s report reasons. Four of the investment professionals shine through, nonetheless. We are so pleased work for systematic and quantitative hedge fund An analysis of the S&P to be publishing this report just a few days after managers, which is notable given the general Kamala Harris made history by becoming the dearth of women in STEM. Another noteworthy first female, first black and first Asian-American cluster is three women managing multi-billion Composite 1500 found US Vice-President-elect. s the leading global evidence is clear. Having more amounts in liquid credit strategies. -
Academic Catalog and Student Handbook
Academic Catalog and Student Handbook December 1, 2020 – December 31, 2021 201 St. Charles Avenue, Suite 2500, New Orleans, LA 70170 Phone: (504) 662-1946 https://wqu.org WorldQuant University – Academic Catalog and Student Handbook Board of Directors Daphne Kis Chief Executive Officer WorldQuant University Igor Tulchinsky Founder and CEO WorldQuant, LLC Jeffrey Blomberg Chief Administrative Officer and General Counsel WorldQuant, LLC Jonathan Marom Chief Financial Officer WorldQuant, LLC Administration Daphne Kis Chief Executive Officer Gabriella Maiello, PhD Academic Dean Anne Elbert Program Manager Heather Crawford Registrar Kasarah Swart-Kaushal Technology Coordinator WQU Page 2 of 55 WorldQuant University – Academic Catalog and Student Handbook Instructional Team Kenneth Abbott MSc, Statistics and Operations Research, Stern School of Business (NYU), New York, NY - 1994 MA, Economics, New York University, New York, NY - 1991 BA, Economics with honors, Harvard University, Cambridge, MA - 1983 Ritabrata Bhattacharyya MSc, Engineering and Computational Biology, Indian Institute of Technology, Bombay, India - 2004 Dr. Ivan Blanco PhD, Finance and Quantitative Methods – University Carlos III, Madrid, Spain - 2016 MSc, Finance and Quantitative Methods - University Carlos III, Madrid, Spain - 2012 MBA, EOI & EM Lyon Business School, Madrid (Spain) and Lyon (France) – 2008 B.S, M.S Aerospace Engineering, Universidad Politécnica Madrid, Spain - 2006 Dr. Joe Byers PhD, Finance – Oklahoma State University, Stillwater, OK - 2004 MBA. Emphasis: Finance - Fort Hays State University. Hays, KS – 1995 BSc, Mathematics - Fort Hays State University. Hays, KS – 1987 Gregory Ciresi MSc, Mathematics in Finance, Courant Institute, New York University, New York, NY - 2004 BSc, Physics, Drew University, Madison, NJ – 1991 Dr. Sergio Garcia PhD, Finance – University Carlos III, Madrid, Spain - 2016 MSc, Finance - University Carlos III, Madrid, Spain - 2012 BBA, University of Cantabria, Santander, Spain – 2011 Dr. -
AM ABT Featured Film Interviewees and Dances FINAL
Press Contact: Natasha Padilla, WNET, 212.560.8824, [email protected] Press Materials: http://pbs.org/pressroom or http://thirteen.org/pressroom Websites: http://pbs.org/americanmasters , http://facebook.com/americanmasters , @PBSAmerMasters , http://pbsamericanmasters.tumblr.com , http://youtube.com/AmericanMastersPBS , http://instagram.com/pbsamericanmasters , #ABTonPBS #AmericanMasters American Masters American Ballet Theatre: A History Premieres nationwide Friday, May 15, 2015 at 9 p.m. on PBS (check local listings) Film Interviewees and Featured Dances Film Interviewees (in alphabetical order) Alicia Alonso , dancer, ABT (1940-1960) Clive Barnes , dance critic, The New York Times (1965-1977); now deceased Mikhail Baryshnikov , principal dancer (1974-1978) & artistic director (1980-1989), ABT (archival) Lucia Chase , founding member & co-director (1945-1980), ABT; now deceased (archival) Misty Copeland , dancer, ABT (2001-present); third African-American female soloist and first in two decades at ABT Herman Cornejo , dancer, ABT (1999-present) Agnes de Mille , choreographer, charter member, ABT; now deceased (archival) Frederic Franklin , stager & guest artist, ABT (1997-2012); dancer; co-founder, Slavenska- Franklin Ballet; founding director, National Ballet of Washington, D.C.; now deceased Marcelo Gomes , dancer, ABT (1997-present) Jennifer Homans , author, Apollo’s Angels: A History of Ballet; founder and director, The Center for Ballet and the Arts at New York University Susan Jaffe , dancer (1980-2002) & ballet master (2010-2012), -
Programs and Events at HCNY
Programs and Events at HCNY Here is just a sampling of our speakers Business Leaders/CEOs Legal Roger Ferguson, CEO, TIAA-CREF Preet Bharara, U.S. Attorney for the Southern Hank Greenberg, former CEO, AIG District of New York Jim Cramer, CNBC Professor Cass Sunstein, legal policy expert, Robin Hayes, CEO, JetBlue social engineer Dave MacLennan, CEO, Cargill NYC Prominent Figures Education Raymond Kelly, NYC Police Commissioner Dr. Pasi Sahlberg, Finland’s Minister Robert Tierney, NYC Landmarks of Education Preservation Chair Dennis Walcott, NYC Schools Chancellor Chief Robert Boyce, Chief of Detectives, NYPD Edward Cardinal Egan, American Cardinal of the Environment Roman Catholic Church Mark Tercek, CEO, The Nature Conservancy Musical Events Economics St. John the Divine Choir Jeffrey Sachs, economics professor Simone Dinnerstein, pianist Aletheia Piano Trio Fashion Designers The Leipzig String Quartet Donna Karan Yoonie Han, pianist Tommy Hilfiger The Alexander String Quartet International Affairs/Foreign Policy Nobel Laureates Prince Turki Al Faisal, former Ambassador to the Martti Ahtisaar, Nobel Laureate for Peace US and member of the Saudi royal family Martin Chalfie, Nobel Laureate in Chemistry Mohammad Javad Zarif, Foreign Minister of Iran Joseph Stiglitz, Nobel Laureate in Economics Fareed Zakaria, host of CNN’s flagship foreign affairs show Performing Arts/Arts Ambassador Zahir Tanin, representative from Misty Copeland, principal dancer with the Afghanistan to the UN American Ballet Theatre Oh Joon, South Korean Ambassador to the UN Leah Dickerman, MOMA Curator Annie Leibovitz, American portrait photographer Journalists Nicholas Kristof and Sheryl Wu Dunn, United States Government Officials The New York Times David Gergen, Presidential Advisor Jeffrey Toobin, CNN Donald Rumsfeld, former Secretary of Defense We also feature wine tastings, museum tours, family events and young alumni events such as the monthly Stein Club. -
Misty Copeland
Misty Copeland Beginning ballet at 13 is considered late. However, there are some dancers who will defy the odds. Such is the case with Misty Copeland. Misty Danielle Copeland was born on September 10, 1982 in Kansas City, Missouri and raised in San Pedro, California. She lived with her single mother, along with her five siblings. Her childhood was unstable. At times, her mom fell on hard financial times and lived in a motel. Misty’s talents were first realized when she participated on the drill team in Middle school. Her coach recognized Misty’s raw talents. She was encouraged to take ballet classes at the local Boys & Girls club. Misty’s gift of dance captured the attention of dance instructor, Cynthia Bradley. She was then enrolled in an intensive dance program at the San Pedro Ballet School. Due to an intense schedule, Misty would be given permission by her mom to live with the Bradley family. This move would allow Misty to be trained at a higher level. At 15, Misty won the Los Angeles Music Center’s Spotlight Award. During that summer, she accepted a full scholarship into the intensive summer program at the San Francisco Ballet. A custody dispute between the Bradley’s and her mom had Misty returning home. In 2000, Misty won a full scholarship to American Ballet Theater’s (ABT) intensive summer program. In the same year, she was named ABT’s National Coca-Cola Scholar. She was invited to join the ABT studio in New York City. During this time, she would find herself immersed in a new world of cattiness, highly competitive, emaciated white dancers.