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Economic Impact of the Recorded Music Industry in India September 2019
Economic impact of the recorded music industry in India September 2019 Economic impact of the recorded music industry in India Contents Foreword by IMI 04 Foreword by Deloitte India 05 Glossary 06 Executive summary 08 Indian recorded music industry: Size and growth 11 Indian music’s place in the world: Punching below its weight 13 An introduction to economic impact: The amplification effect 14 Indian recorded music industry: First order impact 17 “Formal” partner industries: Powered by music 18 TV broadcasting 18 FM radio 20 Live events 21 Films 22 Audio streaming OTT 24 Summary of impact at formal partner industries 25 Informal usage of music: The invisible hand 26 A peek into brass bands 27 Typical brass band structure 28 Revenue model 28 A glimpse into the lives of band members 30 Challenges faced by brass bands 31 Deep connection with music 31 Impact beyond the numbers: Counts, but cannot be counted 32 Challenges faced by the industry: Hurdles to growth 35 Way forward: Laying the foundation for growth 40 Conclusive remarks: Unlocking the amplification effect of music 45 Acknowledgements 48 03 Economic impact of the recorded music industry in India Foreword by IMI CIRCA 2019: the story of the recorded Nusrat Fateh Ali-Khan, Noor Jehan, Abida “I know you may not music industry would be that of David Parveen, Runa Laila, and, of course, the powering Goliath. The supercharged INR iconic Radio Ceylon. Shifts in technology neglect me, but it may 1,068 crore recorded music industry in and outdated legislation have meant be too late by the time India provides high-octane: that the recorded music industries in a.
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Brand Babu Release Date
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The Show Must Go on 2 VISION 2025: the Show Must Go On
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Whatsapp Confirms ‘Snooping’ on Details of Indians Formation Day on Friday
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Here, Effect SIMCA Challenges the Copyright Board Right Constitution
INTERVIEW F George Brooks SOUND Sajid-Wajid REGULARS F Offbeat: Strum the Junk! Venue Watch: BOXFebruary 2011 I Volume 1 I Issue 7 I ` 150 Bflat, Bengaluru Watch Tower: Bengaluru ww Right E Clause and Here, Effect SIMCA challenges the Copyright Board Right constitution Now E Sing Along! Are we about to witness the boom of karaoke in the country? E E E Rajya Sabha MP, script writer, lyricist and now, crusader for the creative fraternity. Saptak, Javed Akhtar on why he is convinced the Baajaa Gaajaa Indian Copyright Act should be amended 2011 kicks off with interesting music fests across the country I Publisher’s Note SOUND Final Act? BOX n a few days’ time, on February 21, both Houses of the Indian parliament February 2011 I Volume 1 I Issue 7 Iwill reconvene for the Budget session. MASTHEAD It remains to be seen whether parliamentary business will be struck by the same state of paralysis that characterized the Winter session a few months back. However, indications are that the government has been goaded into a PUBLISHER Nitin Tej Ahuja more flexible and accommodative stance on the opposition’s main demand of [email protected] a JPC investigation into the telecom spectrum auction controversy. Therefore, EDITOR it is possible that we may have a normal parliamentary session. Of course, Aparna Joshi the word ‘normal’ is used here rather generously given our parliamentarians’ [email protected] propensity for drama and shenanigans. CREATIVE DIRECTOR Sajid Moinuddin www.hbdesign.in From the music industry’s perspective, the million dollar question undoubtedly is whether this session will see the coming into law of the very CORRESPONDENTS Anita Iyer contentious amendments to the Copyright Act.
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