The Documentary Handbook
The Documentary Handbook The Documentary Handbook takes a thematic approach to documentary, including chapters on the many myriad forms we watch today – from the cinematic releases of Michael Moore to low-budget internet efforts like Video Nation, from ‘shock docs’ to reality television. The Documentary Handbook is a critical introduction to the documentary film, its theory and changing practices. The book charts the evolution of the documentary from screen art to core television genre, its metamorphosis into many different types of factual TV programmes and its current emergence in forms of new media. It analyses those pathways and the transformation of means of production through economic, technical and editorial changes. The Documentary Handbook explains the documentary process, skills and job specifica- tions for everyone from industry entrants to senior personnel, and shows how the industrial evolution of television has relocated the powers and principles of decision-making. Through the use of professional ‘expert briefings’ it gives practical pointers about programme- making, from researching, developing and pitching programme ideas to their production and delivery through a fast-evolving multi-platform universe. Peter Lee-Wright is a documentary filmmaker with 30 years’ experience working for the BBC and Channel 4. He is currently Senior Lecturer in Media and Communications at Goldsmiths, University of London. His most recent writing includes critical overviews of sports documentary and trade union documentary in Encyclopedia of the Documentary Film (2005) and analysis of the changes taking place in multimedia news, notably in New Media, Old News (edited by Natalie Fenton, 2009). Media Practice Edited by James Curran, Goldsmiths, University of London The Media Practice handbooks are comprehensive resource books for students of media and journalism, and for anyone planning a career as a media professional.
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