The Obelisks of Hatshepsut
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Functions and Uses of Egyptian Myth Fonctions Et Usages Du Mythe Égyptien
Revue de l’histoire des religions 4 | 2018 Qu’est-ce qu’un mythe égyptien ? Functions and Uses of Egyptian Myth Fonctions et usages du mythe égyptien Katja Goebs and John Baines Electronic version URL: http://journals.openedition.org/rhr/9334 DOI: 10.4000/rhr.9334 ISSN: 2105-2573 Publisher Armand Colin Printed version Date of publication: 1 December 2018 Number of pages: 645-681 ISBN: 978-2-200-93200-8 ISSN: 0035-1423 Electronic reference Katja Goebs and John Baines, “Functions and Uses of Egyptian Myth”, Revue de l’histoire des religions [Online], 4 | 2018, Online since 01 December 2020, connection on 13 January 2021. URL: http:// journals.openedition.org/rhr/9334 ; DOI: https://doi.org/10.4000/rhr.9334 Tous droits réservés KATJA GOEBS / JOHN BAINES University of Toronto / University of Oxford Functions and Uses of Egyptian Myth* This article discusses functions and uses of myth in ancient Egypt as a contribution to comparative research. Applications of myth are reviewed in order to present a basic general typology of usages: from political, scholarly, ritual, and medical applications, through incorporation in images, to linguistic and literary exploitations. In its range of function and use, Egyptian myth is similar to that of other civilizations, except that written narratives appear to have developed relatively late. The many attested forms and uses underscore its flexibility, which has entailed many interpretations starting with assessments of the Osiris myth reported by Plutarch (2nd century AD). Myths conceptualize, describe, explain, and control the world, and they were adapted to an ever-changing reality. Fonctions et usages du mythe égyptien Cet article discute les fonctions et les usages du mythe en Égypte ancienne dans une perspective comparatiste et passe en revue ses applications, afin de proposer une typologie générale de ses usages – applications politiques, érudites, rituelles et médicales, incorporation dans des images, exploitation linguistique et littéraire. -
YERBILIMLERI Bulletin for Earth Sciences
YERBILIMLERI Bulletin for Earth Sciences ISSN: 2687 - 2978 Yerbilimleri, 2020, 41 (2), 169-182, DOI:10.17824/yerbilimleri.630560 Hacettepe Üniversitesi Yerbilimleri Uygulama ve Araştırma Merkezi Bülteni Bulletin of the Earth Sciences Application and Research Centre of Hacettepe University Structural evaluation for the preservation of an ancient Egyptian Obelisk in Istanbul, Turkey Istanbul’da eski bir Mısır dikilitaşının koruma amaçlı yapısal değerlendirilmesi GÜLTEN POLAT *1, ÖZDEN SAYGILI 1 1 Department of Civil Engineering, Yeditepe University, Istanbul, Turkey Geliş (received): 4 Ekim (October) 2019 Kabul (accepted) : 10 Ağustos (August) 2020 ABSTRACT The "Obelisk of Theodosius" is one of the most important monuments located in the former Hippodrome in Istanbul, Turkey. The Obelisk with its sculpted base is 24.77 meters in height today, but historical recordings indicate that it was evidently higher originally. Additionally, the recordings show that some of the parts were left behind in Egypt due to transportation. The Obelisk has been exposed to many natural devastating events, particularly strong earthquakes. The monument is in a seismically very active region, Istanbul, located near one of the most devastating active faults of Turkey, the North Anatolian Fault. For the preservation of this obelisk, it is important to evaluate its seismic performance. For this purpose, in this study, the structural dynamic characteristics and the response of the obelisk were investigated. To achieve this aim, a numerical model was created using a finite element approach. In addition to this, real ground motion data were analyzed in this study. The most important finding of the study is that although the obelisk had experienced devastating earthquakes for a long time, revealed deformation is not noticeable. -
William Greenwalt
WILLIAM STEVEN GREENWALT DEPARTMENT OF CLASSICS, SANTA CLARA UNIVERSITY SANTA CLARA, CA. 95053 Education Ph.D. Ancient Greek and Roman History, University of Virginia, May 1985 M.A. Ancient Greek and Roman History, University of Virginia, August 1978 B.A. History and English with High Distinction, University of Virginia, May 1975 Dissertation The Development of Royal Authority in Argead Macedonia Academic Honors, Awards and Distinctions Profiled as a Macedonian Scholar of note in Volume One of the journal, Karanos. Member, the Scott R. Jacobs Fund: endowing graduate students and junior faculty for the study of Alexander the Great and his ancient legacy (2010-). Chair, Department of Classics (2013-14). Director of the Honors Program, Lead Scholars Program and the Office of Fellowships, (2008-12). Chair, Department of Classics, 2000-2006. Teaching Award for Summer Excellence, 2005. Durham Summer Program Professor, 2004. University of California at Berkeley, Visiting Professor, 2004. Faculty Director, Alpha Learning Community, 2003-2006. College of Arts and Sciences Special Recognition Award for Energy, Vision, and Leadership in Pioneering Residential Learning Communities, 2002. College of Arts and Sciences Tenure Committee for the Arts and Humanities. Chair, 2003-2004; Committee Member, 2001-04. Brutocao Award for Teaching Excellence, 2001-2002. Promoted to Full Professor, 2001. Chair, Session III (“The Thracian Kings”), Eighth International Congress of Thracian Studies, Sophia, Bulgaria, 2000. Faculty Founder and Director, Communitas Learning Community, 1999-2003. College of Arts and Sciences David E. Logothetti Teaching Award, 1998-1999. College of Arts and Sciences Tenure Committee for the Arts and Humanities Chair, 1995-1996; Committee Member, 1993-1996. -
Catch a Falling Obelisk
Catch a Falling Obelisk Mark Barahman, Dan Feldman, Jeremy Lyons, & Michelle Plastrik MHC 3: Science and Technology of New York City, Fall 2009 Professor: Sophia Perdikaris Technical Advisor: Gregory Donovan Abstract The future of the ancient world is at a crossroads, for polluon and climate threaten the preservaon of anquies. This global problem can be found in our own backyard, New York City, where the Egypan obelisk is slowly deteriorang, as is its twin in London. Our project sheds light on the dangers facing monumental works of art and the technology being used to stop the ravages of me and polluon. To compare the condions of the obelisks, and invesgate corrosion mechanisms of granite, we studied atmospheric composion in terms of air‐borne molecules and chemicals, data about weather and precipitaon, and the impact of organisms on exposed granite. We invesgated past and present preservaon methods, and evaluated what must be done in the future to best maintain the obelisks. We idenfied which preservaon techniques are most effecve in protecng the obelisks, and determined the efficiency of these methods. London Obelisk A Brief History (6) •The New York and London Egypan obelisks, known popularly as Cleopatra’s Needles, are twins (2) New York Obelisk •Both were created in the Egypan city Heliopolis around 1500 BCE and later stood in Alexandria (2) (5) •In 1801 the Egypan government presented one of these obelisks to the Brish (9) •It was finally erected in London in 1878, aer a hazardous journey by sea (2) •Later in the 19th century Egypt gave -
Sphinx Sphinx
SPHINX SPHINX History of a Monument CHRISTIANE ZIVIE-COCHE translated from the French by DAVID LORTON Cornell University Press Ithaca & London Original French edition, Sphinx! Le Pen la Terreur: Histoire d'une Statue, copyright © 1997 by Editions Noesis, Paris. All Rights Reserved. English translation copyright © 2002 by Cornell University All rights reserved. Except for brief quotations in a review, this book, or parts thereof, must not be reproduced in any form without permission in writing from the publisher. For information, address Cornell University Press, Sage House, 512 East State Street, Ithaca, New York 14850. First published 2002 by Cornell University Press Printed in the United States of America Library of Congress Cataloging-in-Publication Data Zivie-Coche, Christiane. Sphinx : history of a moument / Christiane Zivie-Coche ; translated from the French By David Lorton. p. cm. Includes bibliographical references and index. ISBN 0-8014-3962-0 (cloth : alk. paper) 1. Great Sphinx (Egypt)—History. I.Tide. DT62.S7 Z58 2002 932—dc2i 2002005494 Cornell University Press strives to use environmentally responsible suppliers and materials to the fullest extent possible in the publishing of its books. Such materi als include vegetable-based, low-VOC inks and acid-free papers that are recycled, totally chlorine-free, or partly composed of nonwood fibers. For further informa tion, visit our website at www.cornellpress.cornell.edu. Cloth printing 10 987654321 TO YOU PIEDRA en la piedra, el hombre, donde estuvo? —Canto general, Pablo Neruda Contents Acknowledgments ix Translator's Note xi Chronology xiii Introduction I 1. Sphinx—Sphinxes 4 The Hybrid Nature of the Sphinx The Word Sphinx 2. -
The Inventory Stele: More Fact Than Fiction
Archaeological Discovery, 2018, 6, 103-161 http://www.scirp.org/journal/ad ISSN Online: 2331-1967 ISSN Print: 2331-1959 The Inventory Stele: More Fact than Fiction Manu Seyfzadeh1, Robert M. Schoch2 1Independent Researcher, Lake Forest, CA, USA 2Institute for the Study of the Origins of Civilization, College of General Studies, Boston University, Boston, MA, USA How to cite this paper: Seyfzadeh, M., & Abstract Schoch, R. M. (2018). The Inventory Stele: More Fact than Fiction. Archaeological The Inventory Stele tells a story about Khufu and the Great Sphinx which Discovery, 6, 103-161. contradicts the current mainstream narrative of when the Sphinx was carved. https://doi.org/10.4236/ad.2018.62007 The story’s historical relevance has long been challenged based on its mention of names and certain details which are believed to be anachronistic to the time Received: March 6, 2018 Accepted: April 16, 2018 of Khufu. Here, we address the elements commonly cited by the critics one by Published: April 19, 2018 one and find that they are largely based on misconceptions in part due to er- rors and oversights contained in the two commonly referenced translations Copyright © 2018 by authors and and based on a missing context which relates to the economics and symbolism Scientific Research Publishing Inc. of supplying provisions to the royal house. We reconstruct a more plausible This work is licensed under the Creative Commons Attribution International scenario of why and when the text may have been originally composed and License (CC BY 4.0). who its target audience was. From our analysis we conclude that while we http://creativecommons.org/licenses/by/4.0/ cannot rule out a couple of minor modifications of names from the original Open Access th written version we date to the 5 Dynasty, there is no plausible reason to dis- miss the entire account recorded in this Late Period version on those grounds alone and that the events it describes appear more factual than fictitious. -
Pharaohs in Egypt Fathi Habashi
Laval University From the SelectedWorks of Fathi Habashi July, 2019 Pharaohs in Egypt Fathi Habashi Available at: https://works.bepress.com/fathi_habashi/416/ Pharaohs of Egypt Introduction Pharaohs were the mighty political and religious leaders who reigned over ancient Egypt for more than 3,000 years. Also known as the god-kings of ancient Egypt, made the laws, and owned all the land. Warfare was an important part of their rule. In accordance to their status as gods on earth, the Pharaohs built monuments and temples in honor of themselves and the gods of the land. Egypt was conquered by the Kingdom of Kush in 656 BC, whose rulers adopted the pharaonic titles. Following the Kushite conquest, Egypt would first see another period of independent native rule before being conquered by the Persian Empire, whose rulers also adopted the title of Pharaoh. Persian rule over Egypt came to an end through the conquests of Alexander the Great in 332 BC, after which it was ruled by the Hellenic Pharaohs of the Ptolemaic Dynasty. They also built temples such as the one at Edfu and Dendara. Their rule, and the independence of Egypt, came to an end when Egypt became a province of Rome in 30 BC. The Pharaohs who ruled Egypt are large in number - - here is a selection. Narmer King Narmer is believed to be the same person as Menes around 3100 BC. He unified Upper and Lower Egypt and combined the crown of Lower Egypt with that of Upper Egypt. Narmer or Mena with the crown of Lower Egypt The crown of Lower Egypt Narmer combined crown of Upper and Lower Egypt Djeser Djeser of the third dynasty around 2670 BC commissioned the first Step Pyramid in Saqqara created by chief architect and scribe Imhotep. -
The Allure of Ancient Egyptian Jewelry
Aegyptiaca. Journal of the History of Reception of Ancient Egypt The Allure of Ancient Egyptian Jewelry Yvonne J. Markowitz Rita J. Kaplan and Susan B. Kaplan Curator Emerita of Jewelry, Museum of Fine Arts, Boston For centuries, the West has been attracted to the exotic lands of the East and the cultures of the ancient world. One of the most intriguing is ancient Egypt, an African civilization that flourished during the third through the first millennium BC. In its prime, it was respected, revered, and sometimes feared. Neighboring lands were in awe of its powerful leadership, majestic architectural wonders, imposing statuary, and sophisticated decorative arts with its curious iconography and even stranger hieroglyphics. For many, Egypt held the key to understanding the world’s deepest mysteries. It was the Phoenicians (ca. 1500-300 BC), a seafaring people who lived along the Mediterranean coast in city-states now part of Lebanon, Syria, and northern Israel, who first capitalized on the fascination with all things Egyptian, especially those small objects that were easily shipped and traded. Early entrepreneurs, they served as middlemen stopping at ports in North Africa, Cyprus, Crete, the Cyclades, mainland Greece, and parts of Mesopotamia. Among the goods they bartered were raw materials, Phoenician-made glass, and an array of Egyptian adornments composed of beads and amulets fabricated from metal, stone, faience, and glass. Amuletic forms that especially resonated with Phoenician trading partners were representations of household gods, the healing (sacred) eye of Horus, and the scarab. The latter was a potent symbol of rebirth and rejuvenation based on the life-cycle of the dung beetle (scarabaeus sacer) whose activities the Egyptians associated with the life-giving sun. -
Investigating the Revival of Ancient Egyptian Artifacts As a Symbol of Power Through Their Occupation of European Public Spaces: a Chrono-Morphological Study
Athens Journal of Mediterranean Studies - Volume 7, Issue 3, July 2021 – Pages 187-200 Investigating the Revival of Ancient Egyptian Artifacts as a Symbol of Power through their Occupation of European Public Spaces: A Chrono-Morphological Study By Mohamed Raslan*, István Bartók± & Zoltán Szécsi Numerous architectural styles have been explored in recent years (Pakkanen 2018). However, Egyptian revival did not obtain the consideration it deserved till lately, when there was a remarkable flow of attention coursed by various significant ancient Egyptian exhibitions all over the world, which led to the publications of books and articles tackling the Egyptian revival (Curl 2013). In this paper the researcher will try to investigate the chronological change of form and shape of ancient Egyptian architectural features that were revived in European public spaces to signify power, sovereignty, and authority. Curl (2013) charts the argument of the persistence of Egyptian motifs in design from Greco- Roman Antiquity, through the Mediaeval, Baroque, and Neo-Classical periods. Our hypothesis is that Ancient Egypt is a central source, rather than peripheral, to the development of considerable volume of European urbanistic and architectural features. We will distinguish manifestations with Egyptian connotations based on literature reviewed, field observation and the methodology of Curl (2013). Aiming only on three ancient Egyptian sources, the Sphinx, the obelisk, and the temple. Keywords: Egyptian revival, Ancient Egyptian artifacts, morphological regeneration, space occupation, public spaces Introduction The civilization of the West that progressed from the Greco-Roman realm, later from the intricate organization of the Christian Church and its direct connections with secular power and the legitimizing of that power, depicted profoundly on the religion of Ancient Egypt and the authority given to religion people of the Pharaoh, a statement that is often overlooked, or proclaimed as ‘extravagant’ by reviewers (Curl 2013). -
Portrait Versus Ideal Image فن تصوير الوجه (البورتريه)
PORTRAIT VERSUS IDEAL IMAGE فن تصوير الوجه (البورتريه) Dimitri Laboury EDITORS WILLEKE WENDRICH Editor-in-Chief Area Editor Material Culture University of California, Los Angeles JACCO DIELEMAN Editor University of California, Los Angeles ELIZABETH FROOD Editor University of Oxford JOHN BAINES Senior Editorial Consultant University of Oxford Short Citation: Laboury, 2010, Portrait versus Ideal Image. UEE. Full Citation: Laboury, Dimitri, 2010, Portrait versus Ideal Image. In Willeke Wendrich (ed.), UCLA Encyclopedia of Egyptology, Los Angeles. http://digital2.library.ucla.edu/viewItem.do?ark=21198/zz0025jjv0 1141 Version 1, October 2010 http://digital2.library.ucla.edu/viewItem.do?ark=21198/zz0025jjv0 PORTRAIT VERSUS IDEAL IMAGE فن تصوير الوجه (البورتريه) Dimitri Laboury Porträt versus Idealbildnis Portrait ou image idéal(isé)e Ancient Egyptian art’s concern with individualized human representation has generated much debate among Egyptologists about the very existence of portraiture in Pharaonic society. The issue has often—if not always—been thought of in terms of opposition between portrait and ideal image, being a major topic in the broader question of realism and formal relation to reality in ancient Egyptian art. After a brief analysis of the problem from a theoretical point of view, the article deals with the Egyptological reception of the subject and considers the concepts involved in the notion of portrait within the context of ancient Egyptian thought. A few significant cases selected from the corpus of royal statuary are then investigated in order to elucidate the motives and modalities of the interaction between portrait and ideal image in ancient Egyptian individualized representations. إن إھتمام الفن المصري القديم بتصوير اﻹنسان بطريقة فردية مصدر لكثير من الجدل ما بين علماء المصريات حول وجود فن تصوير الوجه (البورتريه) بالمجتمع الفرعوني. -
Ancient Egyptian Chronology and the Book of Genesis
Answers Research Journal 4 (2011):127–159. www.answersingenesis.org/arj/v4/ancient-egyptian-chronology-genesis.pdf Ancient Egyptian Chronology and the Book of Genesis Matt McClellan, [email protected] Abstract One of the most popular topics among young earth creationists and apologists is the relationship of the Bible with Ancient Egyptian chronology. Whether it concerns who the pharaoh of the Exodus was, the background of Joseph, or the identity of Shishak, many Christians (and non-Christians) have wondered how these two topics fit together. This paper deals with the question, “How does ancient Egyptian chronology correlate with the book of Genesis?” In answering this question it begins with an analysis of every Egyptian dynasty starting with the 12th Dynasty (this is where David Down places Moses) and goes back all the way to the so called “Dynasty 0.” After all the data is presented, this paper will look at the different possibilities that can be constructed concerning how long each of these dynasties lasted and how they relate to the biblical dates of the Great Flood, the Tower of Babel, and the Patriarchs. Keywords: Egypt, pharaoh, Patriarchs, chronology, Abraham, Joseph Introduction Kingdom) need to be revised. This is important During the past century some scholars have when considering the relationship between Egyptian proposed new ways of dating the events of ancient history and the Tower of Babel. The traditional dating history before c. 700 BC.1 In 1991 a book entitled of Ancient Egyptian chronology places its earliest Centuries of Darkness by Peter James and four of dynasties before the biblical dates of the Flood and his colleagues shook the very foundations of ancient confusion of the languages at Babel. -
Obelisks at 7Th Pylon
Obelisks at 7th Pylon Originally built by Thutmose III - 1479 BCE to 1425 BCE Other works initiated by Thutmose III: Akhmenu, Contra Temple, Wadjet Hall, 7th Pylon, Thutmose III Shrine, Enclosures and Gates, Sacred Lake, 6th Pylon and Court, 5th Pylon and Court, Station of the King and Corridor, Obelisks of Festival Hall Center Pair, Central Bark Shrine, Palace of Ma’at, Obelisks of Wadjet Hall, Pylon and Festival Court of Thutmose II, East Exterior Wall Other obelisks: Obelisk Unique, Obelisks at Contra Temple, Obelisks at Eastern Gate, Obelisks of Festival Hall Center Pair, Obelisks of Festival Hall East Pair, Obelisks of Festival Hall West Pair, Obelisks of Wadjet Hall Introduction These obelisks originally stood to the south of pylon 7. The western obelisk was removed by a Roman emperor (possibly Constantius) in the 4th century CE and eventually sent to Constantinople, the capital of the Roman Empire in the east, present day Istanbul, Turkey. It now adorns the Hippodrome. The tip of the second obelisk was recovered at Karnak. Measurements: The obelisk in Istanbul measures 20m, but only its upper portion survives. It would have originally stood almost 29m, not including a base of more than 1m. Phase: Thutmose III Thutmose III erected these obelisks in front of his new pylon entrance along the temple’s north/south processional route (the seventh pylon). Interestingly, while only the upper portion of this obelisk survives, its inscription is very similar to an obelisk depicted in a relief scene of Thutmose III. Its full size and text has been hypothesized based on this image.