The City Secrets Travel Series Arts & Letters Series About City Secrets

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The City Secrets Travel Series Arts & Letters Series About City Secrets

FANG DUFF KAHN PUBLISHERS 611 BROADWAY, FL 4 FANGDUFFKAHN.COM P. 212-473-0098 F. 212-353-1933 THE CITY SECRETS TRAVEL SERIES “The best literary gift to Italian travelers since the Baedeker and Henry James.” —Financial Times “This idiosyncratic guide helps jaded visitors see the Eternal City anew.”—New York Times “The future of guidebooks.”—Good Magazine “City Secrets New York City, the latest installment in architect Robert Kahn’s invaluable series of insider guides for travelers, comprises recommendations from more than 300 writers, artists, historians, gourmands, and other notables . ”—New York Magazine “Escape from the crowds and chaos can be a challenge in Rome, but help comes in the form of City Secrets Rome. Architect and former resident Robert Kahn has collected the wisdom of his artist and writer friends in a guide that peels back the layers of the city’s charms.”—Condé Nast Traveler ARTS & LETTERS SERIES “A wonderfully subjective little guide to the best films of all time.” —Graydon Carter, Vanity Fair “What a superb literary map . within, even the most jaded readers can find marvels.”—Junot Diaz “Movies: The Ultimate Insider’s Guide is an offbeat, expertly curated compendium of hundreds of movies you may have missed.” — Veryshortlist.com “Two new clothbound handbooks, Movies: The Ultimate Insider’s Guide and Books: The Essential Insider’s Guide, are page-turning compendiums of overlooked great works, the latest from the coveted City Secrets series of guidebooks.”—PaperMagazine.com ABOUT CITY SECRETS City Secrets Travel and City Secrets Arts & Letters is based on one concept: each book is a compilation of short essays written by notable contributors about overlooked or underappreciated places, movies, or books. Among many others, contributors include Pulitzer Prize winning authors Oscar Hijuelos and Jane Smiley; award-winning playwright John Guare; filmmakers Wes Anderson, Martin Scorsese, Milos Forman, Barbara Kopple, Sidney Lumet, and Arthur Hiller; actors Alec Baldwin and Anjelica Huston; lead singer of the Counting Crows Adam Duritz; New Yorker columnist Alec Wilkinson; poet laureates Mark Strand and Robert Pinsky; NPR and Los Angeles Times film critic Kenneth Turan; historian and New Yorker art and culture critic Simon Schama; Village Voice columnist Michael Musto; novelists Michael Cunningham and Rick Moody; journalists Anna Quindlen and Kurt Andersen; neurologist Oliver Sacks; and architect Richard Meier. .

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Examining the Magazine Industry Standard
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Extensions of Remarks E1692 HON. BLAINE LUETKEMEYER HON
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DAVID TEDESCHI Editor
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HOF Program 2013
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Martin Scorsese and Film Culture
Martin Scorsese and Film Culture: Radically Contextualizing the Contemporary Auteur by Marc Raymond, B.A., M.A. A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Doctor of Philosophy Institute of Comparative Studies in Literature, Art and Culture: Cultural Mediations Carleton University Ottawa, Canada January, 2009 > 2009, Marc Raymond Library and Bibliotheque et 1*1 Archives Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-47489-1 Our file Notre reference ISBN: 978-0-494-47489-1 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library permettant a la Bibliotheque et Archives and Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par Plntemet, prefer, telecommunication or on the Internet, distribuer et vendre des theses partout dans loan, distribute and sell theses le monde, a des fins commerciales ou autres, worldwide, for commercial or non sur support microforme, papier, electronique commercial purposes, in microform, et/ou autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in et des droits moraux qui protege cette these. this thesis. Neither the thesis Ni la these ni des extraits substantiels de nor substantial extracts from it celle-ci ne doivent etre imprimes ou autrement may be printed or otherwise reproduits sans son autorisation.
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J 335F Magazine Writing/Production 07785 Fall 2019 Prerequisites
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How to Make Enemies and Influence People
BG CONVERSATION didn’t want to tell you, but I was a great friend of Lucan’s, and nobody has ever found out [what TT: Awful. So he calls me up and we have a chat. He asked if Vanity Fair paid for the party. I said, happened]. Everybody knows, had the statute of limitations run out, I would have spilled the beans. “Don’t put this in the paper; nobody paid for the party.” Nevertheless they ran it. [Hardcastle’s item R E I cast doubt on Taki’s denial and claimed Carter helped draw up the guest list. In a subsequent col- L BG: This was when you wrote about Lucan for Vanity Fair, Nick? E umn, he described Dunne as an “octagenarian lounge lizard,” Taki as a “furtive, olive-skinned crea- H C DD: Yes. ture,” his guests as “grotesque Eurotrash rabble,” and the resulting article as “a two sickbags mas- R ? A terpiece of sycophancy.”] That’s typically English. You tell them black, they write white, and vice- Y M TT: B I had volunteered to go and take care of that killer who murdered Nick’s daughter, who went E versa. Nothing very surprising. Which doesn’t matter at all. When the tax people come after me, H D free, and I really meant it, because I was so…I’d just had a daughter, and I was so upset when I P K I’ll just tell them there’s nothing to tell! A C read the story that Nick had written about it [Dunne’s debut as a writer, in 1982, decried the R I R G BG: T three-year sentence his daughter’s killer received] that I said to him that I could kill that S.O.B.
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