TODD CATTELL SAG/AFTRA/AEA He I G H T : 6’ We I G H T : 165 L B S

Total Page:16

File Type:pdf, Size:1020Kb

TODD CATTELL SAG/AFTRA/AEA He I G H T : 6’ We I G H T : 165 L B S TODD CATTELL SAG/AFTRA/AEA HEIG H T : 6’ WEIG H T : 165 LBS . EYES : BLUE HAIR : BRO W N FILM SECOND BORN Lead Galeano Productions dir. Evan Galeano GENTLEMEN’S FURY Supporting Gold Door Films dir. Ben Sharples UPMT phone: 818-810-5104 WHAT ‘S YOUR OPINION OF MEMORY Lead Cloud 9 Filmworks dir. Glenn Thomas ISLE OF THE DEAD Supporting The Asylum dir. Nick Lyon TWO NOCTURNES Lead CS Pictures dir. Ien Chi LOST TIME Supporting King Kai Production dir. Christian Sesma THE TERRAIN Lead/Producer Moon Blind Films dir. Brian Durkin STAY GOLDEN PONY BOY Lead Raising Caine Films dir. Aaron Christian Kane THE GOODBYE PROMISE Supporting Glimpse Of Dreams Prods. dir. David Branin TILL DEATH Lead Marion Knott Studios dir. Elliott Cattell THREE THOUSAND SIX HUNDRED AND FIFTY DAYS Supporting Mule Head Films (Emmy/DGA winner) d.p. Reed Morano FORGET ME NOT Lead A Good Hurt Production dir. Abel Gonzalez DON’T LISTEN TO THE COOKIE FRANKLIN Lead Moon Blind Films dir. Brian Durkin IN THE WEEDS Supporting In the Weeds/LLC dir. Michael Rauch KRIPPENDORF’S TRIBE Supporting Disney/Touchstone dir. Todd Holland STAND-INS Supporting First Look Pictures dir. Harvey Keith CAMOUFLAGE Lead Desert Thunder Films dir. Devin Crowley OUT IN THE COLD Lead Sub-Zero Productions dir. Paul Bolles DOWN THE ROAD Lead Lake Effect Films, Inc. dir. Paul Ettore THE INTRUDER Lead Stalker Productions dir. Brian Stalker TELEVISION JUSTIFIED Co-Star FX dir. Fred Keller THREE RIVERS Co-Star CBS dir. Christine Moore THE YOUNG AND THE RESTLESS Recurring CBS dir. Various KEEP DREAMING(Pilot) Series Regular GCC Films dir. Matthew Klein TRUE STORY Lead Looking Glass Films (Pulitzer Prize Winner) dir. David Mamet THE UNIT Co-Star CBS dir. Steve Gomer THE CLOSER Co-Star TNT dir. Michael M. Robin NIP/TUCK Guest Star FX (Golden Globe Winner) dir. Ryan Murphy 24 Co-Star IMAGINE/FOX (Emmy Winner) dir. Jon Cassar DAYS OF OUR LIVES Recurring NBC dir. Various JAG Co-Star CBS dir. Bradford May CHARMED Guest Star WB dir. Robert Ginty SECOND NATURE(Pilot) Co-Star IMAGINE/FOX dir. Patrick Norris BALL AND CHAIN(Pilot) Co-Star FOX (Emmy Winner) dir. Todd Holland GENERAL HOSPITAL Recurring ABC dir. Various SPECIAL UNIT 2 Guest Star UPN dir. Oscar Costo TOM CLANCY’S NETFORCE Guest Star ABC(Mini Series) dir. Rob Lieberman WALKER, TEXAS RANGER Guest Star CBS dir. Jerry Jameson AMERICA’S MOST WANTED Guest Lead FOX (Academy Award Winner) dir. Bobby Houston PASSIONS Recurring NBC dir. Various PACIFIC BLUE Guest Star USA dir. Gary Winters ALL MY CHILDREN Recurring ABC dir. Various THEA T RE ASPIRIN AND ELEPHANTS The Santa Monica Playhouse (LA Times Critic’s Choice) dir. Chris Decarlo NEW JERUSALEM The Pico Playhouse dir. Elina De Santos COME ALONE Rogue Machine dir. Ron Bottitta SOME GIRLS The Geffen Playhouse dir. Neil Labute NATIONAL PASTIME Fremont Centre Theatre dir. James Reynolds DISTANT FIRES Circle in the Square dir. Clark Gregg PIECES SHINE Eighth Avenue Actor’s Theatre dir. Michael McMurphy THE FIFTH OF JULY American Conservatory Theatre dir. John Lauchman FOOL FOR LOVE American Conservatory Theatre dir. Joseph Chaikin DANNY & THE DEEP BLUE SEA American Conservatory Theatre dir. Larry Hecht THE LOWER ROOMS The Kennedy Center, Washington D.C. dir. Paula Vogel/David Savran DESIRE UNDER THE ELMS Eugene O’Neill Festival, Rhode Island dir. Tory Haring Smith FOREST JOURNEY Brown University dir. Adam Bock THE AIR WE BREATHE Brown University dir. Scott Poulson Bryant SIZE FOUR Brown University dir. Sam Michaels PLAY AU JUS Brown University dir. Hyram Pines COMMER C IAL TRAINING KILLIAN MCHUGH Commercial Improv KILLIAN MCHUGH 4 week intensive adult on camera workshop STUART K. ROBINSON 5 week intensive on camera technique TRAINING MARTIN LANDAU Acting The Actors Studio JAMES ECKHOUSE The Work BGB Studio AMERICAN CONSERVATORY THEATRE Advanced Training Program San Francisco ELAINE AIKEN Scene Study New York City UTA HAGEN Scene Study New York City ANNA STRASBERG The Master Class Los Angeles LEE STRASBERG THEATRE INSTITUTE IMPROV (Long Form) Los Angeles ARENA STAGE/THE LIVING STAGE IMPROV/Character Creation Washington D.C. BROWN UNIVERSITY Advanced Acting/Directing Providence, RI BROWN UNIVERSITY B.A. In English Literature (With Honors) Providence, RI . Thesis: Stanislavsky, Strasberg & Meisner: The History & Development of the American Actor Special Skills ATHLETIC : Yoga, Tennis, Lacrosse, Baseball, Cross Training, Hiking, Climbing, Wrestling, Alpine Skiing, Cross Country Skiing, Water Skiing, Mountain Biking, Juggling, Horseback Riding Dialects: British/Australian/Southern/Midwestern/Brooklyn/ Boston/ Standard American.
Recommended publications
  • Composer/Songwriter/Producer 1989
    FRANK FITZPATRICK [email protected] 310.453.6853 Composer/Songwriter/Producer 1989 - Present Santa Monica-based Music Producer, Songwriter and Film Composer providing award-winning original music, creative direction, production services and multi-media content for Film, Television and Advertising. Select Film & Television Credits FILM CAST CREDITS Hurricane Season Forest Whitaker, Isaiah Washington Songwriter/Producer Soul Men Sam Jackson, Bernie Mac, Isaac Hayes Songwriter/Producer Jump In! Kiki Palmer, Corbin Bleu Composer/Songwriter/Producer Proud Family Movie Arsenio Hall, Omarian, Lisa Raye Composer/Songwriter/Producer Scary Movie 3 & 4 Leslie Nielson, Charlie Sheen, Latifah Music Supervisor/Songwriter Queen of the Damned Aalyiah, Stuart Townsend Music Supervisor/Songwriter In too Deep Omar Epps, LL Cool J, Stanley Tucci Music Supervisor/Songwriter Love Song Monica, Christian Kane Composer/Songwriter/Producer Stanley’s Gig Faye Dunaway, Marla Gibbs Composer/Songwriter/Producer Lani Loa: The Passage Angus McFadden, Leo Akana Composer/Songwriter/Producer The Players Club Jamie Fox, Ice Cube, Bernie Mack Composer/Supervisor/Producer Pirates of Silicon Valley Noah Wyle, Anthony Michael Hall Composer Friday Chris Tucker, Ice Cube, Nia Long Composer/Music Supervisor Nuns on the Run Eric Idle, Robbie Coltrane Composer/Music Supervisor Bad Company Lawrence Fishburne, Ellen Barkin Music Supervisor/Songwriter Raising Cain John Lithgow, Steve Bauer Music Supervisor Heartbreak Hotel David Keith, Tuesday Weld Music Supervisor/Songwriter
    [Show full text]
  • Abstract the Fear of the Known: Horror Media And
    ABSTRACT THE FEAR OF THE KNOWN: HORROR MEDIA AND THE USE OF FEAR TO MAINTAIN POWER Dana Peterson, MA. Department of Sociology Northern Illinois University, 2018 Diane Rodgers, Director A new subgenre has begun emerging in the horror genre: “woke horror.” Texts within this subgenre reflect the increased awareness of injustices against minority groups in American society. Prior research on horror has long connected the fears presented onscreen with real-life social anxieties of the time. Utilizing an intersectional framework that is concerned with racial, gender, and sexual orientation minorities, I engaged in a discourse analysis of three woke horror texts from 2017: American Horror Story: Cult, The Handmaid’s Tale, and Get Out. Through multiple rounds of coding, I was able to uncover a variety of themes that distinguish who holds the power in these horror texts, who is subordinate, and how the new fears of the woke horror genre are used to control groups within the texts. The codes also revealed who in these texts are able to be the saviors of the rest of the subordinate group. The present study offers an important update to the literature on horror, both in the continuation of the connections between on-screen fears and real life, as well as an introduction to what is sure to continue to be a growing subgenre. NORTHERN ILLINOIS UNIVERSITY DE KALB, ILLINOIS MAY 2018 THE FEAR OF THE KNOWN: HORROR MEDIA AND THE USE OF FEAR TO MAINTAIN POWER BY DANA PETERSON ©2018 Dana Peterson A THESIS SUBMITTED TO THE GRADUATE SCHOOL IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE MASTER OF ARTS DEPARTMENT OF SOCIOLOGY Thesis Director: Diane M.
    [Show full text]
  • Christmas TV Schedule 2020
    ChristmasTVSchedule.com’s Complete Christmas TV Schedule 2020 • All listings are Eastern time • Shows are Christmas themed, unless noted as Thanksgiving • Can’t-miss classics and 2020 Christmas movie premieres and are listed in BOLD • Listings are subject to change. We apologize for any inaccurate listings • Be sure to check https://christmastvschedule.com for the live, updated listing Sunday, November 8 5:00am – Family Matters (TBS) 5:00am – NCIS: New Orleans (Thanksgiving) (TNT) 6:00am – Once Upon a Holiday (2015, Briana Evigan, Paul Campbell) (Hallmark) 6:00am – A Christmas Miracle (2019, Tamera Mowry, Brooks Darnell) (Hallmark Movies) 7:00am – The Mistle-Tones (2012, Tori Spelling) (Freeform) 8:00am – 12 Gifts of Christmas (2015, Katrina Law, Aaron O’Connell) (Hallmark) 8:00am – Lucky Christmas (2011, Elizabeth Berkley, Jason Gray-Stanford) (Hallmark Movies) 9:00am – Prancer Returns (2001, John Corbett) (Freeform) 10:00am – A Christmas Detour (2015, Candace Cameron-Bure, Paul Greene) (Hallmark) 10:00am – The Christmas Train (2017, Dermont Mulroney, Kimberly Williams-Paisley) (Hallmark Movies) 10:00am – Sweet Mountain Christmas (2019, Megan Hilty, Marcus Rosner) (Lifetime) 12:00pm – Pride, Prejudice, and Mistletoe (2018, Lacey Chabert, Brendan Penny) (Hallmark) 12:00pm – Christmas in Montana (2019, Kellie Martin, Colin Ferguson) (Hallmark Movies) 12:00pm – Forever Christmas (2018, Chelsea Hobbs, Christopher Russell) (Lifetime) 2:00pm – Holiday Baking Championship (Thanksgiving) (Food) 2:00pm – Snow Bride (2013, Katrina Law, Patricia
    [Show full text]
  • Thomas Hardy: Scripting the Irrational
    1 Thomas Hardy: Scripting the Irrational Alan Gordon Smith Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds York St John University School of Humanities, Religion and Philosophy April 2019 2 3 The candidate confirms that the work submitted is his own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. The right of Alan Gordon Smith to be identified as Author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. 4 5 Acknowledgements I am extremely grateful to have been in receipt of the valuable support, creative inspiration and patience of my principal supervisor Rob Edgar throughout my period of study. This has been aided by Jo Waugh’s meticulous attention to detail and vast knowledge of nineteenth-century literature and the early assistance of big Zimmerman fan JT. I am grateful to the NHS for still being on this planet, long may its existence also continue. Much thought and thanks must also go to my late, great Mother, who in the early stages of my life pushed me onwards, initially arguing with the education department of Birmingham City Council when they said that I was not promising enough to do ‘O’ levels. Tim Moore, stepson and good friend must also be thanked for his digital wizardry. Finally, I am immensely grateful to my wife Joyce for her valued help in checking all my final drafts and the manner in which she has encouraged me along the years of my research; standing right beside me as she has always done when I have faced other challenging issues.
    [Show full text]
  • NIC LAWSON GBCT Director of Photography
    NIC LAWSON GBCT Director of Photography Selected credits Feature Films Date Production Director / Production Company 2018 THE RHYTHM SECTION (2nd Unit) Reed Morano / Eon Productions 2017 ON CHESIL BEACH (Additional Cinematography) Dominic Cooke / Number 9 Films 2017 A MIDSUMMER NIGHT’S DREAM Sasha Bennett / MSND Films 2016 THAT GOOD NIGHT (2nd Unit) Eric Styles / GSP Studios 2014 ROCK THE KASBAH (2nd Unit) Barry Levinson / Dune Films 2013 BYZANTIUM (2nd Unit) Neil Jordan / Byzantium Films 2012 OUTSIDE BET Sacha Bennett / Gateway Films 2011 HYSTERIA (2nd Unit) Tanya Wexler / Forthcoming Films 2011 THE HOLDING Susan Jacobson / Pistachio Pictures (Winner Best Cinematography – British Horror Film Awards) 2010 THE TORMENT Andy Cull / Authentic Films 2009 St TRINIANS II (2nd Unit) Oliver Parker, Barnaby Thompson / More Mayhem Ltd 2009 ONDINE (2nd Unit) Neil Jordan / LW Film Productions 2009 LESBIAN VAMPIRE KILLERS (2nd Unit) Phil Claydon / Skyline Ltd 2008 ROCKNROLLA (2nd Unit) Guy Ritchie / Toff Guy Ltd 2008 TU£SDAY Sacha Bennett / Hangman Films Co. 2007 MRS RATCLIFFE’S REVOLUTION (2nd Unit) Bille Eltringham / Assassin Films 2007 THE BAKER (2nd Unit) Gareth Lewis / Picture Farm 2006 THE SITUATION (2nd Unit) Philip Hass / The Situation Ltd 2006 CARGO (2nd Unit) Clive Gordon / Slate Films TV Drama Date Production Director / Production Company 2017 DEEP STATE (Season 1, Episodes 4-8) Matthew Parkhill / Endor Productions 2015 MIDSOMMER MURDERS (Additional Photography) Matt Carter / Bentley Productions 2015 DR WHO (2nd Unit) Ed Bazalgette / BBC
    [Show full text]
  • John Lithgow ‑‑ "The Crown"
    AWARD 1 Supporting Actor – Drama John Lithgow ‑‑ "The Crown" JOHN LITHGOW: Well, this is fantastic. I feel so lucky to have won this in the company of my fellow nominees. You guys, so many of you are my friends and former cast mates. I can congratulate all of you. Congratulations. You deserve this. "The Crown" just keeps on giving, and this is just the last of its gifts. Once again, I have to thank Peter Morgan, Stephen Daldry, Andy Harries, Ted Sarandos of Netflix, my reps, my wife, the magnificent English crew and company of actors led by the wonderful Claire Foy. (Applause.) But most of all, I have to thank Winston Churchill. In these crazy times, his life, even as an old man, reminds us what courage and leadership in government really looks like. I thank Winston Churchill. I thank the Academy. And I thank all of you.This is simply wonderful. AWARD 2 OUTSTANDING SUPPORTING ACTRESS IN A COMEDY SERIES KATE MCKINNON ‑ "SATURDAY NIGHT LIVE" KATE McKINNON: Yikes. Well, I can't ‑‑ thank you so much. Being part of this season of "Saturday Night Live" was the most meaningful thing that I will ever do. So I should probably just stop now. Thank you so much to Lorne Michaels for letting me be a part of this and for everything else in my life. Congratulations to our incredible cast, especially Vanessa, Leslie, and Alec. Love you all so much. Thank you to our crew and thank you to our amazing writers. It's all about the writing, you guys.
    [Show full text]
  • Movie Catalog Movie
    On-Board March/April 2020 | 2020 March/April MOVIE CATALOG © 2020 Disney Enterprises Inc. © & T.M. 2020 Lucasfilm Ltd © 2020 Lions Gate Films Inc., and MRC II Distribution Company LP. All Rights Reserved. 1.877.660.7245 | swank.com/on-board-movies 1.877.660.7245 © 2020 Paramount Pictures © 2020 Paramount Pictures © 2020 CTMG, Inc. All Rights Reserved. © 2020 CTMG, Inc. All Rights Reserved. © 2020 Warner Bros. Ent. All rights reserved. © 2020 LUCITE DESK LLC AND LIONS GATE FILMS INC. ALL RIGHTS RESERVED. WINNERS GLOBE GOLDEN WINNERS OSCAR © 2020 Universal City Studios Productions LLLP. All Rights Reserved. © 2020 Warner Bros. Ent. All rights reserved. © 2020 STORYTELLER DISTRIBUTION CO., LLC. All Rights Reserved. 2020 WINNERS © 2020 Universal Studios and Storyteller Distribution Co., LLC. All Rights Reserved. © 2020 Lions Gate Entertainment Inc. All Rights Reserved. Best Cinematography Best Sound Mixing Best Actress Best Visual Effects © 2020 NEON Rated, LLC. All Rights Reserved Best Picture Best Director © 2020 WBEI TM & DC Comics © 2020 CTMG, Inc. All Rights Reserved. Best Original Screenplay Best International Film Best Actor Best Supporting Actor Best Original Score Best Production Design © 2020 Disney/Pixar © 2020 CTMG, Inc. All Rights Reserved. © 2020 Paramount Pictures © 2020 LUCITE DESK LLC AND LIONS GATE FILMS INC. ALL RIGHTS RESERVED. © 2020 LUCITE DESK LLC AND LIONS GATE © 2020 Columbia Pictures Industries, Inc. Best Animated Best Costume Best Original Best Makeup & Best Animated Feature Design Song Hairstyling Short All trademarks belong to their respective owners.” Movie Availability Guide APRIL MARCH AVAILABLE NOW © 2020 STORYTELLER DISTRIBUTION CO., LLC. All Rights Reserved. © 2020 Warner Bros. Ent. All rights reserved.
    [Show full text]
  • Olivia Wilde
    www.hamiltonhodell.co.uk Olivia Wilde Talent Representation Telephone Christian Hodell +44 (0) 20 7636 1221 [email protected], Address [email protected], Hamilton Hodell, [email protected] 20 Golden Square London, W1F 9JL, United Kingdom Film Title Role Director Production Company RICHARD JEWELL Kathy Scruggs Clint Eastwood Warner Bros LIFE ITSELF Abbey Dan Fogelman Amazon Studios LOVE THE COOPERS Eleanor Jessie Nelson CBS Films MEADOWLAND Sarah Reed Morano Bron Studios THE LAZARUS EFFECT Zoe David Gelb Relativity Studios BLACK DOG, RED DOG Sunshine Various RabbitBandini Productions THE LONGEST WEEK Beatrice Fairbanks Peter Glanz Armian Pictures Geoff Moore/David Occupant Entertainment/Altus BETTER LIVING THROUGH CHEMISTRY Elizabeth Roberts Posamentier Productions THIRD PERSON Anna Paul Haggis Corsan/Hwy61 HER Blind Date Spike Jonze Warner Bros RUSH Suzy Miller Ron Howard Universal DRINKING BUDDIES Kate Joe Swanberg Burn Later Productions THE INCREDIBLE BURT WONDERSTONE Jane Don Scardino New Line Cinema Brian Klugman/Lee THE WORDS Danielle Serena Films Sterthal PEOPLE LIKE US Hannah Alex Kurtzman DreamWorks DEADFALL Liza Stefan Ruzowitzky Magnolia Pictures ON THE INSIDE Mia Conlon D. W. Brown Mike Wittlin Productions IN TIME Rachel Salas Andrew Niccol Regency Enterprises BUTTER Brooke Swinkowski Jim Field Smith Vandalia Films THE CHANGE-UP Sabrina McArdle David Dobkin Big Kid Pictures COWBOYS AND ALIENS Ella Jon Favreau DreamWorks TRON: LEGACY Quorra Joseph Kosinski Disney THE NEXT THREE DAYS Nicole Paul
    [Show full text]
  • Case Study the Handmaids Tale.Pages
    THE HANDMAID’S TALE DATES ON TV: April 2017 - ? NETWORK: Hulu Original STUDIO: MGM Television FORMAT: One Hour Drama, Serialized GENRE: SciFi / Drama / Dystopian Future CREATED BY: Bruce Miller KEY WRITERS: Bruce Miller, Ilene Chaiken PRODUCERS: Bruce Miller, Warren Littlefield, Reed Morano BASED ON: Novel by Margaret Atwood, 1986 PILOT DIRECTOR: Reed Morano CAST: Elizabeth Moss, Joseph Fiennes, Yvonne Strahovski, Max Minghella, Samira Wiley SERIES CONCEPT: In a dystopian future where the human race is dying off, the few women who remain fertile must serve as ‘Handmaids’ to the country’s religious elite. RELEVANT COMPARISONS: ‘Man in the High Castle’ (Amazon) presents a similarly dark ‘alternative reality’ in America although it’s nowhere near as good. George Orwell’s 1984 is the other obvious comparison (see the feature film, starring John Hurt). THE WORLD OF THE SERIES: In a ‘near future’ the world has experienced a dramatic plunge in human fertility rates. The cause is never specified in the series, but strong allusions are made to environmental degradation, pollution, and the lascivious morals that this new regime, a religious theocracy known as GILEAD, arose to stamp out. Under the guise of moral imperatives, this ‘Army of God’ slaughtered the U.S. Congress and took over the majority of the country, which they hold with military force and an every present army of black-clad soldiers and spies. Case Study: The Handmaid’s Tale - Gibbs - page !1 of !10 Whether or not its religious beliefs are genuine, the army of Gilead has a decidedly Fascist tone. Through a network of spies and civilian collaborators (known as ‘eyes’) they arrest and make ‘disappear’ any who speaks against them.
    [Show full text]
  • Gerry Gavigan 1St Assistant Director
    Gerry Gavigan 1st Assistant Director Credits include: THE RHYTHM SECTION Director: Reed Morano Action Mystery Thriller Producers: Barbara Broccoli, Michael G Wilson Additional Photography Featuring: Blake Lively, Jude Law, Sterling K Brown Production Co: Babieka / Eon Productions / Paramount Pictures ANGEL HAS FALLEN Director: Vic Armstrong Action Thriller Producers: Gerard Butler, Mark Gill, Matt O’Toole Action Unit Alan Siegel, Les Weldon Featuring: Gerard Butler, Morgan Freeman, Piper Perabo Production Co: CB Films / Eclectic Pictures / G-BASE / Millennium Films A STREET CAT NAMED BOB Director: Roger Spottiswoode Drama Producer: Adam Rolston Featuring: Ruta Gedmintas, Luke Treadaway Production Co: Shooting Script Films GUILT Director: Gary Fleder Crime Thriller Exec Producers: Steve McPherson, Nichole Millard, Kathryn Price Featuring: Katrina Law, Daisy Head, Billy Zane Production Co: Lionsgate / ABC FALLEN Director: Scott Hicks Romantic Fantasy Thriller Producers: Mark Ciardi, Gordon Gray, Bill Johnson Featuring: Addison Timlin, Joely Richardson, Jeremy Irvine Production Co: Lotus Entertainment / Mayjem Pictures MALEFICENT Director: Robert Stromberg Adventure Fantasy Thriller Producers: Don Hahn, Joe Roth Additional Photography Featuring: Angelina Jolie, Elle Fanning, Brenton Thwaites Production Co: MPC / Roth Films / Walt Disney MIDNIGHT SUN Director: Roger Spottiswoode Adventure Drama Producers: Rob Heydon, Karine Martin, Brando Quilici, Kim Todd Featuring: Bridget Moynahan, Dakota Goyo, Goran Visnjic Production Co: Hyde Park Entertainment/Original
    [Show full text]
  • Kate Lush CV 0921
    KATE LUSH Kate is an intimacy coordinator and teacher with ‘Safe Sets’ in South Africa on TV/Film and in theatre. In South Africa she has intimacy coordinated for ShowMax, Amazon Prime & HBO, amongst others. Previously in the UK she was working with Intimacy on Set, during which time she worked for NBC/Amblin, Sky Atlantic & HBO and various theatre companies. Kate is also co-founder of IPSA (Intimacy Practitioners South Africa who were key contributors to the Protocols for Working with Intimate Content - South Africa), The IPG (Intimacy Practitioners’ Guild EU/UK) and represents Intimacy Coordinators for the UK Union BECTU in their Intimacy Coordinators Branch. In addition, Kate is an award nominated actor and movement teacher having gained a 1st Class Degree in Performing Arts from the University of Hertfordshire and an MA in Acting (physical theatre) from Manchester Metropolitan University having trained in Poland with Teatr Pieśń Kozła (Song of the Goat). Qualifications: 1996 - 1999 BA (Hons) 1st Class – Performing Arts, The University of Hertfordshire 2002 1 Year Part time physical theatre course with Blue Inc. (Peter Bramley) 2004 – 2005 MA Acting – Manchester Metropolitan University – training in Poland with Song of the Goat Theatre (Teatr Pieśń Kozła) 2012 PTTLS - Preparing to teach in the Lifelong Learning Sector 2019 Intimacy Coordinator Training and Mentorship with Ita O’Brien and Intimacy on Set - 1 Year 2020/21 Certificate of Completion - Confronting Sexual Harassment and Sexual Harassment Training Covid Health and Safety, Bullying and Harassment for employees, Conflict Resolution, Equality and Diversity, Mental Health Awareness, Mental Health First Aid, Bystander Intervention & Consent, Creative Industries Safety Passport.
    [Show full text]
  • The American Archivist Reviews Date Posted: December 20, 2018
    The American Archivist Reviews Date posted: December 20, 2018 http://reviews.americanarchivist.org They’re Digging in the Wrong Place: The Influence of Indiana Jones on the Archives Reviewed by Samantha Cross, CallisonRTKL, Inc. Tell me if this sounds familiar: you’re chatting with friends, family members, maybe complete strangers and the subject of professions pops up. They ask you what you do for a living, and you reply with, “I’m an archivist.” Their response, “Oh, like in Indiana Jones?” Now, there are a few ways to handle this situation. One, flip every table you can find and drop to your knees shouting at superhero-level “NO!” before setting fire to an expensive coat and leaving a you-shaped Bugs Bunny-esque hole in the wall as you disappear into the wilderness. Two, internalize their ignorance and drive it deep down into the void that was once your soul before everyone started making that same statement. Or three, take the more contemplative approach and explain what an archivist is and why the comparison to Indiana Jones isn’t accurate. I’d recommend the third option, mainly because it’s less psychologically damaging and you’re less likely to be arrested for property damage. But to each their own. Kidding aside, the truth of the matter is that I’ve gotten the Indiana Jones remark more times than I can count, which led me to wonder why that reference is so prevalent. Is it because archaeologist, Indy’s actual profession in the films, and archivist contain the same arch- root word? For the record, archive comes from the Greek arkheia meaning “public records,” which stems from arkhē meaning “government” while archaeology stems from the Greek arkhaios meaning “ancient.”1 Or, is it a genuine misconception due to the fact that the closing scene of Raiders of the Lost Ark is the only pop culture frame of reference most people have of archives? From what I can tell, it’s a combination of the two.
    [Show full text]