N09001-01A Nut Study Guide Season 9
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Children's Books & Illustrated Books
CHILDREN’S BOOKS & ILLUSTRATED BOOKS ALEPH-BET BOOKS, INC. 85 OLD MILL RIVER RD. POUND RIDGE, NY 10576 (914) 764 - 7410 CATALOGUE 94 ALEPH - BET BOOKS - TERMS OF SALE Helen and Marc Younger 85 Old Mill River Rd. Pound Ridge, NY 10576 phone 914-764-7410 fax 914-764-1356 www.alephbet.com Email - [email protected] POSTAGE: UNITED STATES. 1st book $8.00, $2.00 for each additional book. OVERSEAS shipped by air at cost. PAYMENTS: Due with order. Libraries and those known to us will be billed. PHONE orders 9am to 10pm e.s.t. Phone Machine orders are secure. CREDIT CARDS: VISA, Mastercard, American Express. Please provide billing address. RETURNS - Returnable for any reason within 1 week of receipt for refund less shipping costs provided prior notice is received and items are shipped fastest method insured VISITS welcome by appointment. We are 1 hour north of New York City near New Canaan, CT. Our full stock of 8000 collectible and rare books is on view and available. Not all of our stock is on our web site COVER ILLUSTRATION - #307 - ORIGINAL ART BY MAUD HUMPHREY FOR GALLANT LITTLE PATRIOTS #357 - Meggendorfer Das Puppenhaus (The Doll House) #357 - Meggendorfer Das Puppenhaus #195 - Detmold Arabian Nights #526 - Dr. Seuss original art #326 - Dorothy Lathrop drawing - Kou Hsiung (Pekingese) #265 - The Magic Cube - 19th century (ca. 1840) educational game Helen & Marc Younger Pg 3 [email protected] THE ITEMS IN THIS CATALOGUE WILL NOT BE ON RARE TUCK RAG “BLACK” ABC 5. ABC. (BLACK) MY HONEY OUR WEB SITE FOR A FEW WEEKS. -
The Schooltime Performance Series Nutcracker
teacher resource guide schooltime performance series the nutcracker National Ballet Theatre of Odessa about the meet the cultural A short history on ballet and promoting performance composer connections diversity in the dance form Prepare to be dazzled and enchanted by The Nutcracker, a Pyotr Ilyich Tchaikovsky (1840–1893) was an important Russian timeless and beloved ballet performance that is perfect for children composer who is famous for his romantic, melodic and emotional Ballet’s roots In the 20th century, ballet continued to evolve with the emergence of of all ages and adults who have grown up watching it during the musical works that are still popular and performed to this day. He Ballet has its roots in Italian Renaissance court pageantry. During notable figures, such as Vaslav Nijinsky, a male ballet dancer virtuoso winter holiday season. is known for his masterful, enchanting compositions for classical weddings, female dancers would dress in lavish gowns that reached their who could dance en pointe, a rare skill among male dancers, and George Balanchine, a giant in ballet choreography in America. The Nutcracker, held all over the world, varies from one production ballet, such as The Nutcracker, Swan Lake and The Sleeping Beauty. ankles and dance before a crowd of aristocrats, wealthy merchants, and company to another with different names for the protagonists, Growing up, he was clearly musically gifted; Tchaikovsky politically-connected financiers, such as the Medici family of Florence. Today, ballet has morphed to include many different elements, besides traditional and classical. Contemporary ballet is based on choreography, and even new musical additions in some versions. -
The Adventurous Inner Child Programm (Denise Grocke)
1 Programmanalyse Christine Kukula The Adventurous Inner Child Programm (Denise Grocke) Das Programm, die Programmgestalterin 1 Für wen ist das Programm geeignet 64 2 Analyse des Programms im Überblick 65 3 Aufbau des Programms 67 4 Schlussfolgerung 5 Die Stücke im Einzelnen 68 5.1 Tschaikovsky: The Nutcracker Op. 71a, March 5.2 Brahms: Piano Concerto n° 2 in B Major, Op. 83 71 5.3 Tschaikovsky:The Nutcracker Op. 71a, Trepak-Russian Dance 76 5.4 Shostakovich: Ballet Suite Nr. 1, Pizzicato 78 5.5 Brahms: Waltz in A-Flat, Op. 39/15 81 6 Literatur/Referenzen 82 Das Programm (17 Min): (*11:33) Tschaikovsky: The Nutcracker, Op. 71, March 2:35 (*2:27) Brahms: Piano Concerto Nr. 2 B Flat, Op. 83 9:21 (*4:51) Tschaikovsky: The Nutcracker, Op. 71 - Trepak Russian Dance 1:11 (*1:06) Shostakovich: Ballet Suite Nr. 1, Pizzicato 1:56 (*1:39) Brahms: Waltz in A Flat, Op. 39/15 1:38 (*1:30) (* Zeitangaben der Programmgestalterin) Die Programmgestalterin The Adventurous Inner Child Programm wurde von Prof. Dr. Denise Grocke gestaltet. Denise Grocke lebt in Australien und ist Professorin und Leiterin der Musiktherapieabteilung an der Musikfakultät der Universität Melbourne. 1978 gründete sie die Musiktherapieausbildung und koordiniert verschiedene musiktherapeutische Ausbildungsprogramme sowie die Ausbildung mit Abschluss Graduiertendiplom in GIM. Zweimal im Jahr veranstaltet sie Forschungstrainingskurse, zu denen sie Gastwissenschaftler einlädt, ihre Arbeiten vorzustellen und zu unterrichten. Sie war zwei Perioden lang Präsidentin der Australischen Musiktherapeutischen Gesellschaft. Sie ist Primary Trainerin und Fellow der AMI US und promovierte über Guided Imagery and Music. Drei Mal hatte sie den Vorsitz in der Kommission für Bildung und Akkreditierung der World Federation of Music Therapiy und war die Präsidentin der World Federation of Music Therapy von 1999 - 2002. -
A SEASON of Dance Has Always Been About Togetherness
THE SEASON TICKET HOLDER ADVANTAGE — SPECIAL PERKS, JUST FOR YOU JULIE KENT, ARTISTIC DIRECTOR 2020/21 A SEASON OF Dance has always been about togetherness. Now more than ever, we cannot“ wait to share our art with you. – Julie Kent A SEASON OF BEAUTY DELIGHT WONDER NEXTsteps A NIGHT OF RATMANSKY New works by Silas Farley, Dana Genshaft, Fresh, forward works by Alexei Ratmansky and Stanton Welch MARCH 3 – 7, 2021 SEPTEMBER 30 – OCTOBER 4, 2020 The Kennedy Center, Eisenhower Theater The Harman Center for the Arts, Shakespeare Theatre The Washington Ballet is thrilled to present an evening of works The Washington Ballet continues to champion the by Alexei Ratmansky, American Ballet Theatre’s prolific artist-in- advancement and evolution of dance in the 21st century. residence. Known for his musicality, energy, and classicism, the NEXTsteps, The Washington Ballet’s 2020/21 season opener, renowned choreographer is defining what classical ballet looks brings fresh, new ballets created on TWB dancers to the like in the 21st century. In addition to the 17 ballets he’s created nation’s capital. With works by emerging and acclaimed for ABT, Ratmansky has choreographed genre-defining ballets choreographers Silas Farley, dancer and choreographer for the Mariinsky Ballet, the Royal Danish Ballet, the Royal with the New York City Ballet; Dana Genshaft, former San Swedish Ballet, Dutch National Ballet, New York City Ballet, Francisco Ballet soloist and returning TWB choreographer; San Francisco Ballet, The Australian Ballet and more, as well as and Stanton Welch, Artistic Director of the Houston Ballet, for ballet greats Nina Ananiashvili, Diana Vishneva, and Mikhail energy and inspiration will abound from the studio, to the Baryshnikov. -
Spring Performances Celebrate Class of 2018
Fall 2018 Spring Performances Celebrate Class of 2018 The Morris and Elfriede Stonzek Spring Performances, presented last May, served as a fitting celebration of the 2018 graduating class and a wonderful way to kick off Memorial Day weekend. In keeping with tradition, the performances opened with a presentation of the fifteen seniors who would receive their diplomas the following week—HARID’s largest-ever graduating class. Alex Srb photo © Srb photo Alex The program opened with The Fairy Doll Pas de Trois, staged by Svetlana Osiyeva and Meelis Pakri. Catherine Alex Srb © Alex Doherty sparkled as the fairy doll, in an exquisite pink tutu, while David Rathbun and Jaysan Stinnett (cast as the two A scene from the Black Swan Pas de Deux, Swan Lake, Act III pierrots competing for her attention) accomplished the challenging technical elements of the ballet while endearingly portraying their comedic characters. The next work on the program was the premiere of It Goes Without Saying, choreographed for HARID by resident choreographer Mark Godden. Set to music by Nico Muhly and rehearsed by Alexey Kulpin, this work stretched the artistic scope of the dancers by requiring them to speak on stage and move in unison to music that is not always melodically driven. The ballet featured a haunting pas de Alex Srb photo © Srb photo Alex deux, performed maturely by Anna Gonzalez and Alexis Alex Srb © Alex Valdes, and a spirited, playful duet for dancers Tiffany Chatfield and Chloe Crenshaw. The Fairy Doll Pas de Trois The second half of the program featured Excerpts from Swan Lake, Acts I and III. -
QCF Examinations Information, Rules & Regulations
Specifications for qualifications regulated in England, Wales and Northern Ireland incorporating information, rules and regulations about examinations, class awards, solo performance awards, presentation classes and demonstration classes This document is valid from 1 July 2018 1 The Royal Academy of Dance (RAD) is an international teacher education and awarding organisation for dance. Established in 1920 as the Association of Operatic Dancing of Great Britain, it was granted a Royal Charter in 1936 and renamed the Royal Academy of Dancing. In 1999 it became the Royal Academy of Dance. Vision Leading the world in dance education and training, the Royal Academy of Dance is recognised internationally for the highest standards of teaching and learning. As the professional membership body for dance teachers it inspires and empowers dance teachers and students, members, and staff to make innovative, artistic and lasting contributions to dance and dance education throughout the world. Mission To promote and enhance knowledge, understanding and practice of dance internationally by educating and training teachers and students and by providing examinations to reward achievement, so preserving the rich, artistic and educational value of dance for future generations. We will: communicate openly collaborate within and beyond the organisation act with integrity and professionalism deliver quality and excellence celebrate diversity and work inclusively act as advocates for dance. Examinations Department Royal Academy of Dance 36 Battersea Square London SW11 3RA Tel +44 (0)20 7326 8000 [email protected] www.rad/org.uk/examinations © Royal Academy of Dance 2017 ROYAL ACADEMY OF DANCE, RAD, and SILVER SWANS are registered trademarks® of the Royal Academy of Dance in a number of jurisdictions. -
Crimestoppers Offer Reward for Info, on Sex Offender
VOLUME 30-NUMBER 46 SCOTCH PLAINS-FANWGOD, N.J. NOVEMBER *19, 1987 30 CENTS in flOFVTiKi'-i I-;,^TO-7, y^r-.m? it'tiSn /.V.W'^i'. ^Xs i /C^T- V . \> {'-I L.1& WANTED Crimestoppers offer reward for info, on sex offender Crimestoppers reward Hotline (654-TIPS) with forced his way in when she or call the Crimestoppers money is waiting for the information leading to ar- answered the doorbell, number without giving tipster who can provide in- rest and indictment in police said. your name," the detective formation in the case of a serious crime cases. Detective Howard said, adding that all infor- Fanwood woman who was Fanwood Police are in- Drewes, releasing a com- mation received will be sexually assaulted inside vestigating the Oct. 16 in- posite photo of the suspect handled on a strictly con- her home last month. cident, which occurred today, said the rapist was fidential basis. Law enforcement of- around 8 p.m. when a described as a black male, Detective Drewes said it ficials are hoping to enlist 31-year-old woman was about 45 years old, six- is very possible that there the aid of concerned attacked inside her living feet two inches tall, about may be similar cases which citizens, who can qualify room. The victim had just 180 lbs., clean shaven with have gone unreported. He for up to $5,000 in reward returned home from shop- grey specks in his hair and is urging women to report money by calling the ping and was sexually brown eyes with a yellow- any such attacks and re- 24-hour Crimestoppers assaulted by a man who ed condition consistent main anonymous if they with jaundice or hepatitis. -
Russian Dance Trepak from the Nutcracker Sheet Music
Russian Dance Trepak From The Nutcracker Sheet Music Download russian dance trepak from the nutcracker sheet music pdf now available in our library. We give you 5 pages partial preview of russian dance trepak from the nutcracker sheet music that you can try for free. This music notes has been read 10638 times and last read at 2021-09-26 23:46:08. In order to continue read the entire sheet music of russian dance trepak from the nutcracker you need to signup, download music sheet notes in pdf format also available for offline reading. Instrument: Cello, Viola, Violin Ensemble: String Quartet Level: Intermediate [ Read Sheet Music ] Other Sheet Music Trepak Russian Dance From The Nutcracker Trepak Russian Dance From The Nutcracker sheet music has been read 11381 times. Trepak russian dance from the nutcracker arrangement is for Intermediate level. The music notes has 6 preview and last read at 2021-09-23 12:16:00. [ Read More ] The Nutcracker Suite 4 Russian Dance Trepak The Nutcracker Suite 4 Russian Dance Trepak sheet music has been read 11382 times. The nutcracker suite 4 russian dance trepak arrangement is for Advanced level. The music notes has 1 preview and last read at 2021-09-26 05:56:00. [ Read More ] Russian Dance Trepak From Tchaikovskys Nutcracker Ballet Suite Russian Dance Trepak From Tchaikovskys Nutcracker Ballet Suite sheet music has been read 10751 times. Russian dance trepak from tchaikovskys nutcracker ballet suite arrangement is for Intermediate level. The music notes has 2 preview and last read at 2021-09-24 16:18:00. -
Iolanta Bluebeard's Castle
iolantaPETER TCHAIKOVSKY AND bluebeard’sBÉLA BARTÓK castle conductor Iolanta Valery Gergiev Lyric opera in one act production Libretto by Modest Tchaikovsky, Mariusz Treliński based on the play King René’s Daughter set designer by Henrik Hertz Boris Kudlička costume designer Bluebeard’s Castle Marek Adamski Opera in one act lighting designer Marc Heinz Libretto by Béla Balázs, after a fairy tale by Charles Perrault choreographer Tomasz Wygoda Saturday, February 14, 2015 video projection designer 12:30–3:45 PM Bartek Macias sound designer New Production Mark Grey dramaturg The productions of Iolanta and Bluebeard’s Castle Piotr Gruszczyński were made possible by a generous gift from Ambassador and Mrs. Nicholas F. Taubman general manager Peter Gelb Additional funding was received from Mrs. Veronica Atkins; Dr. Magdalena Berenyi, in memory of Dr. Kalman Berenyi; music director and the National Endowment for the Arts James Levine principal conductor Co-production of the Metropolitan Opera and Fabio Luisi Teatr Wielki–Polish National Opera The 5th Metropolitan Opera performance of PETER TCHAIKOVSKY’S This performance iolanta is being broadcast live over The Toll Brothers– Metropolitan Opera International Radio Network, sponsored conductor by Toll Brothers, Valery Gergiev America’s luxury in order of vocal appearance homebuilder®, with generous long-term marta duke robert support from Mzia Nioradze Aleksei Markov The Annenberg iol anta vaudémont Foundation, The Anna Netrebko Piotr Beczala Neubauer Family Foundation, the brigit te Vincent A. Stabile Katherine Whyte Endowment for Broadcast Media, l aur a and contributions Cassandra Zoé Velasco from listeners bertr and worldwide. Matt Boehler There is no alméric Toll Brothers– Keith Jameson Metropolitan Opera Quiz in List Hall today. -
TCV 151215 Broad Layout 1
VIFE Spend a presents merry free Berkeley morning Christmas City with Santa Concert Ballet’s ‘Nutcracker’ Page 20 Page 19 Page 39 Scan for our FREE App or Search App Store for TCV 510-494-1999 [email protected] www.tricityvoice.com December 15, 2015 Vol. 14 No. 50 eginning Wednesday, December 16, the Filipino BCatholic community will gather for nine consecutive mornings in a series of liturgical masses called “Simbang Gabi” (Night Mass). Simbang Gabi is observed by Filipinos all over the world in anticipation of Christmas and to honor the Blessed Virgin Mary. As a traditional practice, the masses are held between the early hours of 4 a.m. to 6 a.m. or during late evenings. “It’s a tradition to help wel- come the birth of our Lord and Savior Jesus Christ in the days leading up to Christmas,” says Mark Bilbao, a devoted Catholic who has been attending Simbang Gabi masses with his extended family for about 20 years now. continued on page 39 Photo by Robbie Menor SUBMITTED BY MICHELLE POWELL for all the work they do for our community! Finger food and drinks will be available, as well Fremont Bank and Union City Chamber of as a chance to win a holiday gift donated by Commerce will be hosting a “Holiday Party our Chamber members. with the Cops” on Thursday, December 17. We will also be collecting canned food for The community is invited to enjoy wonderful Centro de Servicios, if attendees would like to holiday music while socializing with Chamber donate. members, Union City Police and City Offi- Set aside December 17 to join us at the Fre- cials, and other Union City residents. -
Swan Lake Audience Guide
February 16 - 25, 2018 Benedum Center for the Performing Arts, Pittsburgh Choreography: Marius Petipa and Lev Ivanov Staging: Terrence S. Orr Music: Peter Ilyich Tchaikovsky Swan Lake Sponsors: The Benter Foundation, The Pittsburgh Foundation, Eden Hall Foundation, Anonymous Donor February 16 - 25, 2018 Benedum Center for the Performing Arts | Pittsburgh, PA PBT gratefully acknowledges the following organizations for their commitment to our education programming: Allegheny Regional Asset District Henry C. Frick Educational Fund of The Buhl Anne L. and George H. Clapp Charitable Foundation Trust BNY Mellon Foundation Highmark Foundation Claude Worthington Benedum Foundation Peoples Natural Gas Eat ‘n Park Hospitality Group Pennsylvania Council on the Arts Edith L. Trees Charitable Trust Pennsylvania Department of Community ESB Bank and Economic Development Giant Eagle Foundation PNC Bank Grow up Great The Grable Foundation PPG Industries, Inc. Hefren-Tillotson, Inc. Richard King Mellon Foundation James M. The Heinz Endowments and Lucy K. Schoonmaker Cover Photo: Duane Rieder Artist: Amanda Cochrane 1 3 The Setting and Characters 3 The Synopsis 5 About Swan Lake 6 The Origins of the Swan Lake Story 6 Swan Lake Timeline 7 The Music 8 The Choreography 9 The Dual Role of Odette + Odile 9 Acts 1 & 3 10 Spotlight on the Black Swan Pas de Deux 10 The Grand Pas Explained 11 What’s a fouette? 11 Acts 2 & 4 12 Dance of the Little Swans 13 The White Act 13 Costumes and Scenic Design 13 Costumes By the Numbers 14 The Tutus 14 A Few Costume Tidbits! 15 Did You Know? Before She was the Black Swan 16 Programs at the Theater 17 Accessibility 2 The Setting The ballet takes place in and near the European castle of Prince Siegfried, long ago. -
Spotlight Ballet Rules* Ballet Students Who Will Be Attending a Dance
Spotlight Ballet Rules* Ballet students who will be attending a dance program away from home and outside of Southern California during the Spotlight year and whose parent(s) still live in Southern California may participate in Spotlight as long as they attend auditions, rehearsal and final performance if advancing to Grand Finale Performance. Proof of study will be required from dance program. You may not be an apprentice or full time member of a professional ballet company and participate in Spotlight. What’s required of me for my Ballet Preliminary 1 video audition? All students begin with a Preliminary 1 video audition. Those scoring highest will advance to Preliminary 2 live auditions in February 2019. Those scoring highest after Preliminary 2 will advance to the Semifinals Please record yourself performing one solo from the required list below If selected to advance to Preliminary 2, you will perform two solos for your live audition. You can change your variations if you advance to Preliminary 2 In choosing a variation for your video recording, we encourage you to choose a solo that best reflects your current stage of technical and artistic abilities. It is not necessary to perform an Etoile or Principal variation if you are not quite ready to tackle it. Choose a solo variation that best fits where you are in your studies and allows you to shine! Some examples of soloist variations that might be good choices are: Princess Florine from The Sleeping Beauty Act lll or any of The Sleeping Beauty fairies, the Peasant pas de deux from Giselle (Act I) or Cupid from Paquita, Friends of Kitri from Don Quixote (Act I), Fairy Doll, Harlequinade, Odalisques from Le Corsaire (Act I), Flames of Paris or the pas de trois from Swan Lake (Act I).