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Dancing Into the Chthulucene: Sensuous Ecological Activism In
Dancing into the Chthulucene: Sensuous Ecological Activism in the 21st Century Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Kelly Perl Klein Graduate Program in Dance Studies The Ohio State University 2019 Dissertation Dr. Harmony Bench, Advisor Dr. Ann Cooper Albright Dr. Hannah Kosstrin Dr. Mytheli Sreenivas Copyrighted by Kelly Perl Klein 2019 2 Abstract This dissertation centers sensuous movement-based performance and practice as particularly powerful modes of activism toward sustainability and multi-species justice in the early decades of the 21st century. Proposing a model of “sensuous ecological activism,” the author elucidates the sensual components of feminist philosopher and biologist Donna Haraway’s (2016) concept of the Chthulucene, articulating how sensuous movement performance and practice interpellate Chthonic subjectivities. The dissertation explores the possibilities and limits of performances of vulnerability, experiences of interconnection, practices of sensitization, and embodied practices of radical inclusion as forms of activism in the context of contemporary neoliberal capitalism and competitive individualism. Two theatrical dance works and two communities of practice from India and the US are considered in relationship to neoliberal shifts in global economic policy that began in the late 1970s. The author analyzes the dance work The Dammed (2013) by the Darpana Academy for Performing Arts in Ahmedabad, -
Vikram Sarabhai the Legend Unveiled
Vikram Sarabhai The Legend Unveiled Vikram Sarabhai The Legend Unveiled August 2017 Contents Preface ......................................................................................... ix ................................................................................... xi 1. Introduction ...................................................................... 1 2. Vikram’s Family and Childhood ................................... 7 3. Vikram’s Education and his Persona .......................... 17 4. Vikram’s Early Organisational Activities ................... 27 5. The Birth of the Space Age in India ............................. 37 6. The Evolution of Indian Space Research .................... 45 7. The Success Story of ISRO Continues ......................... 53 8. Vikram Assuming Homi Bhabha’s Chair ................... 80 9. Vikram’s Last Days ........................................................ 90 10. Vikram’s Achievements: .............................................. 94 A “Leap-Frogging” Cascade 11. Glossary ........................................................................... 98 Preface There are scientists who burn mid night oil in lab, immerse themselves in experiments and uncover some extraordinary reasoning behind natural phenomena, other kind of scientists are research managers who through networking and coordination come up with solution to a problem society is facing and there are rare scientists who built organisations of international repute serving the motherland through Science and Technology. Dr Vikram -
Textile History and Practice, a Team Approach
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Symposium Proceedings Textile Society of America 10-2020 India in Situ: Textile History and Practice, a Team Approach Annin Barrett Carol Bier Anna Jolly Louise W. Mackie Barbara Setsu Pickett Follow this and additional works at: https://digitalcommons.unl.edu/tsaconf Part of the Art and Materials Conservation Commons, Art Practice Commons, Fashion Design Commons, Fiber, Textile, and Weaving Arts Commons, Fine Arts Commons, and the Museum Studies Commons This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Symposium Proceedings by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. India in Situ: Textile History and Practice, a Team Approach Annin Barrett, Carol Bier, Anna Jolly, Louise W. Mackie, Barbara Setsu Pickett [email protected], [email protected], [email protected], [email protected], [email protected] Introduction Barbara Setsu Pickett Like in planetary formation, our research team coalesced. We were five individuals swirling around, busy in our own orbits. The Textile Society of America Symposium in Vancouver, BC, in 2018 brought us together with common interests surrounding my paper “Rahul Jain’s Reimagined Indian Velvet Drawloom.” In attendance were Annin Barrett, Carol Bier and Louise Mackie. At the end of my talk, Louise proposed a return trip to India: our separate, nebulous plans took form. We knew each other to varying degrees. In my case, Annin is a longtime friend and valued colleague: we both are textile educators and artists based in Oregon. -
Exhibition Details
Exhibition Details Christian Boltanski 15 May – 6 September 2009 Content 1. Facts and Figures 2 2. Publications 3 3. On the Exhibition 4 4. Christian Boltanski: Biography 7 5. Calendar of Events 8 6. Address, Contact, Opening Hours 9 Kunstmuseum Liechtenstein Telefon +423 235 03 00 Städtle 32 Telefax +423 235 03 29 Postfach 370 [email protected] FL-9490 Vaduz www.kunstmuseum.li FACTS AND FIGURES Title Christian Boltanski. La vie possible Duration 15 Mai – 6 September 2009 Curator Dr. Friedemann Malsch, Direktor Kunstmuseum Liechtenstein Production Kunstmuseum Liechtenstein Subsequently shown - Number of works 23 Exhibition rooms Complete upper floor, 4 rooms Seite 2/9 Kunstmuseum Liechtenstein Telefon +423 235 03 00 Städtle 32 Telefax +423 235 03 29 Postfach 370 [email protected] FL-9490 Vaduz www.kunstmuseum.li CATALOGUE Title Christian Boltanski. La vie possible Editor Kunstmuseum Liechtenstein Publisher Kunstmuseum Liechtenstein Language German / English Year 2009 Dimensions 140 x 205 mm Pages 44 pages Illustrations numerous photos in b/w and colour ISBN 978-3-906790-16-9 Price CHF 18.- / EUR 12.- Title Christian Boltanski und Catherine Grenier Das mögliche Leben des Christian Boltanski Editor Barbara Catoir Publisher Verlag der Buchhandlung Walther König, Köln Language German, from French by Barbara Catoir Year 2009 Dimensions 140 x 205 mm Pages 272 pages Illustrations 25 photos in b/w ISBN 978-3-86560-607-5 Price CHF 29.70 / EUR 19.80 Seite 3/9 Kunstmuseum Liechtenstein Telefon +423 235 03 00 Städtle 32 Telefax +423 235 03 29 Postfach 370 [email protected] FL-9490 Vaduz www.kunstmuseum.li ON THE EXHIBITION A multitude of differently sized white dots on a dark ground, like the starry expanses of the night sky, turns out on closer inspection to be the swirls of foam formed in a running stream. -
British Art Studies February 2020 British Art Studies Issue 15, Published 27 February 2020
British Art Studies February 2020 British Art Studies Issue 15, published 27 February 2020 Cover image: Laura Grace Ford, Alpha, Isis, Eden, installation photograph, 1 February – 18 March 2017, multi-media installation made in collaboration with sound engineer Jack Latham.. Digital image courtesy of Laura Grace Ford. PDF generated on 21 July 2021 Note: British Art Studies is a digital publication and intended to be experienced online and referenced digitally. PDFs are provided for ease of reading offline. Please do not reference the PDF in academic citations: we recommend the use of DOIs (digital object identifiers) provided within the online article. Theseunique alphanumeric strings identify content and provide a persistent link to a location on the internet. A DOI is guaranteed never to change, so you can use it to link permanently to electronic documents with confidence. Published by: Paul Mellon Centre 16 Bedford Square London, WC1B 3JA https://www.paul-mellon-centre.ac.uk In partnership with: Yale Center for British Art 1080 Chapel Street New Haven, Connecticut https://britishart.yale.edu ISSN: 2058-5462 DOI: 10.17658/issn.2058-5462 URL: https://www.britishartstudies.ac.uk Editorial team: https://www.britishartstudies.ac.uk/about/editorial-team Advisory board: https://www.britishartstudies.ac.uk/about/advisory-board Produced in the United Kingdom. A joint publication by Contents Postindustrialism and the Long Arts And Crafts Movement: between Britain, India, and the United States Of America, Sria Chatterjee Postindustrialism and the Long Arts And Crafts Movement: between Britain, India, and the United States Of America Sria Chatterjee Abstract This article is part of the Objects in Motion series in British Art Studies, which is funded by the Terra Foundation for American Art. -
Mallika's Mahabharata
20 TEHELKA, THE PEOPLE’S PAPER TEHELKA EXCLUSIVE SATURDAY FEBRUARY 28, 2004 MALLIKA’S MAHABHARATA A great family of nation-builders, scientists, artists. So why is Narendra Modi hounding Mallika Sarabhai? asks MIRA KAMDAR t is impossible in considerable status not for Gujarat these days to personal gain but in defence avoid the smiling face of the core values that once of Chief Minister made Gujarat truly great— Narendra Modi. In the quest for truth, justice Ithis pre-election season, his and a life of dignity for all— image is everywhere, domi- is inconceivable. She is a nating shining posters that living rebuke to a society now adorn even the small- gone cynically corrupt. est villages. Varsh ek. Siddi “People can’t understand unek (One year. Many why I’m not on the take, on achievements), extolls the the make,” Sarabhai mused legend below Modi’s tower- when we last met. “They ing figure. can’t understand why I Modi is nothing if not an don’t keep all my money as image-master. The Gujarat a dancer…” Government’s website is a The Modi government for- hymn of unbridled celebra- gets that Mallika embodies tion of “the leading state in the proud Gujarati tradition, the country”. Modi is por- the Gandhian tradition, cer- trayed as a modest, “mid- tainly, but also that of her in- dle-class” man, devoted to domitable ancestor, Ansuya the people of Gujarat; a Sarabhai. hard-working technocrat When Martin Luther King, whose “closest companion” Jr. visited India, he is said to is his laptop computer.