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2010 Joint Conference of the National Popular Culture and American Culture Associations
2010 Joint Conference of the National Popular Culture and American Culture Associations March 31 – April 3, 2010 Rennaisance Grand Hotel St. Louis Delores F. Rauscher, Editor & PCA/ACA Conference Coordinator Jennifer DeFore, Editor & Assistant Coordinator Michigan State University Elna Lim, Wiley-Blackwell Editor Additional information about the PCA/ACA available at www.pcaaca.org 2 Table of Contents The 2009 National Conference Popular Culture Association & American Culture Association Area Chairs ___________________ 5 PCA/ACA Board Members _______________________________ 13 Officers _______________________________________________ 13 Executive Officers ______________________________________ 13 Past & Future Conferences _______________________________ 14 Conference Papers for Sale; Benefits Endowment _____________ 15 Exhibit Hours __________________________________________ 15 Business & Board Meetings _______________________________ 16 Film Screenings ________________________________________ 18 Dinners, Get-Togethers, Receptions, & Tours ________________ 23 Roundtables ___________________________________________ 25 Special Sessions ______________________________________________ 29 Schedule Overview ______________________________________ 33 Saturday ____________________________________________________ 54 Daily Schedule _________________________________________ 77 Wednesday, 12:30 P.M. – 2:00 P.M. ____________________________ 77 Wednesday, 2:30 P.M. – 4:00 P.M. ____________________________ 83 Wednesday, 4:30 P.M. – 6:00 P.M. ____________________________ -
Issueinterim201005.Pdf
CANADIAN INEMATOGRAPHER C CANADIAN SOCIETY OF CINEMATOGRAPHERS $4 May 2010 www.csc.ca THE 2 010 CSC AWARDS GALA BRENDAN STEacY csc The Geoff Boyle BFKS Interview V02 #02 Making of a Freelance 02 Cameraman 0 56698 94903 9 The Canadian Film Centre Adapts to the Future CANADIAN INEMATOGRAPHER C A publication of the Canadian Society of Cinematographers The Canadian Society of Cinematographers FEATURES – VOLUME 2, NO. 2 MAY 2010 (CSC) was founded in 1957 by a group of Toronto, Montreal and Ottawa cameramen. Since then over 800 cinematographers and persons in associated occupations have joined the organization. The purpose of the CSC is to promote the art and craft of cinematography in Canada. And to provide tangible recognition of the common bonds that link film and video professionals, from the aspiring student and camera assistant to the news veteran and senior director of photography. 10 The 2010 CSC Awards Gala: An Evening of Emotion, Elegance We facilitate the dissemination and and Records By Guido Kondruss exchange of technical information and endeavor to advance the knowledge and status of our members within the industry. As an organization dedicated to furthering technical assistance, we maintain contact with non-partisan groups in our industry but have no political or union affiliation. CORPORATE SPONSORS All Axis Remote Camera Systems Amplis Foto Inc. Applied Electronics Arri Canada Ltd. 16 Geoff Boyle BFKS Talks about 3D By Lance Carlson Canon Canada Inc. CinequipWhite Inc. Clairmont Camera Cooke Optics Ltd. Creative Post Inc. D.J. Woods Productions Inc. Deluxe Toronto FUJIFILM Canada Inc. Image Media Farms Inc Kingsway Motion Picture Ltd. -
The Role of a Chief Executive Officer
The Role of a Chief Executive Officer An extended look into the role & responsibilities of a CRO Provided by: Contents 1 Chief Revenue Officer Role within the Corporate Hierarchy 1 1.1 Chief revenue officer ......................................... 1 1.1.1 Roles and functions ...................................... 1 1.1.2 The CRO profile ....................................... 1 1.1.3 References .......................................... 2 1.2 Corporate title ............................................. 2 1.2.1 Variations ........................................... 2 1.2.2 Corporate titles ........................................ 4 1.2.3 See also ............................................ 8 1.2.4 References .......................................... 9 1.2.5 External links ......................................... 9 1.3 Senior management .......................................... 9 1.3.1 Positions ........................................... 10 1.3.2 See also ............................................ 11 1.3.3 References .......................................... 11 2 Areas of Responsibility 12 2.1 Revenue ................................................ 12 2.1.1 Business revenue ....................................... 12 2.1.2 Government revenue ..................................... 13 2.1.3 Association non-dues revenue ................................. 13 2.1.4 See also ............................................ 13 2.1.5 References .......................................... 13 2.2 Revenue management ........................................ -
1980S Tv and Radio
1980s Tv And Radio It is the flagship television station of Cox Enterprises and is co-owned alongside the Atlanta Journal-Constitution and the WSB radio stations (although all three entities are operated independently of each other). With the lifting of advertising rules that governed radio some months ago, a Boston station put on commercials for vodka. Radio S TV. With the Fall TV season just getting underway, we combed the Hot 100 to find the last 30 years. KCBS is often regarded as the very first commercial radio station in the country, but there are others that produced regular radio programming and other services around the same decade. Today, those old radio programs are classified as "juvenile adventure" shows, and are frequently 15- or 30- minute serialized episodes, where the hero is left in a precarious predicament at the end of. Instead of the 1980s shows, entire shows from the 1970s were made available for radio stations to air. Radio S1 ti omogućava da slušaš više pesama koje voliš gde god da se nalaziš. So, he had staked out a good spot just beyond the player. So, he had staked out a good spot just beyond the player. Coming Up - Paul McCartney 8. RTÉ Home Page - RTÉ Ireland's National Television and Radio Broadcaster. Television and Radio. from their original launch. Valerie Harper left "Valerie" due to contract issues and Joan Rivers was removed from her late night gig due to poor ratings. Even the Stones went disco and dabbled with rap. Jeff Davis broadcasting live from Old Chicago (which would close it's doors just months later in March 1980). -
Newsletter 13/07 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 13/07 DIGITAL EDITION Nr. 210 - Juni 2007 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 3 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 13/07 (Nr. 210) Juni 2007 editorial Hallo Laserdisc- und DVD-Fans, High-Def-Releases zu, die aufgrund ihres noch NET TERROR, der einen Monat später in den liebe Filmfreunde! geringen Marktanteils mit geringerer Priorität deutschen Kinos ausgewertet wird. DEATH Einen richtig fetten Brocken haben wir Ihnen hergestellt werden als die Standard-DVDs. PROOF ist ein typisches Tarantino ”Brain mit Ausgabe 210 unseres Newsletters anzubie- Haben auch Sie eine Meinung zu oben genann- Child”: Unheimlich viele Dialoge und dann ein ten. Auf gigantischen 97 Seiten präsentieren tem Thema? Dann schreiben Sie uns doch ein- urplötzlicher Ausbruch extremer Gewalt. Si- wir Ihnen dieses Mal Neues aus Deutschland fach ein paar Worte dazu. Gerne veröffentlichen cherlich nichts für schwache Gemüter, aber ein (über 200 Neuveröffentlichungen), den USA wir Ihre Meinung dazu in unserem Newsletter. Muss für Fans der etwas härteren Gangart, für (fast 1000 Neuankündigungen) und Japan Aber vielleicht liegt Ihnen ja auch ein ganz die Tarantino stets augenzwinkernd immer wie- (mehr als 200 Titel). Trotz dieser Titelflut ha- anderes Thema sehr viel mehr am Herzen, zu der noch eines draufsetzt. DEATH PROOF ist ben wir darauf verzichtet, den Newsletter in dem Sie uns und unseren Lesern gerne etwas als Hommage an die üblen Trash-Filme der zwei Ausgaben aufzuteilen. -
Broadcasting Dec 2
The Fifth Estate R A D I O T E L E V I S I O N C A B L E S A T E L L I T E Broadcasting Dec 2 thanks you for another outstanding season 7:4 WEBSTER FIRST-RUN D. rHr,a GSOLIOLD EmliammulamiEs 7*sbuea YEAR 6 YEAR 5 _FEATURES_ . DOMESTIC TELEVISION AND vIDEO PROGRAMMING 2119£ lv Ab-hß`1MOW NOT113S 17)3r 1VIb7IS 'ONC, _: +17 S .01V>443 T1 O V 59/3?(3 )ill.l 7P1ciirönI12719£ a{ ia Iy sTARglig?OLA C Created and Produced by Richard S. Kline O in Association with Blair Entertainment. S2350 191 0 vd : Everyone wants to strike it rich. To win and win big. Now, cameras just to capture all the action and excitement. your chance is here. With "Strike It Rich." The new game And wait till you catch host Joe Garagiola in action. show that's going to make you a winner. He's enthusiastic. Personable. Energetic. And brings "Strike It Rich" dazzles. It pulsates. It sizzles. And it's with him a proven network track record. full of non -stop action. Every day of the week. For sheer excitement, continuous energy and total It's more than just a game of luck. It's a game of risks. audience involvement, you'll strike it big with "Strike It Of bold strategy. And quick thinking. Where players must Rich." decide whether to bank their winnings... Or go for it all! It's the one new show so spectacular, it makes ratings And "Strike It Rich" features high technology at its success no contest. -
Hands on Media History;A New Methodology in the Humanities And
HANDS ON MEDIA HISTORY Hands on Media History explores the whole range of hands on media history techniques for the first time, offering both practical guides and general perspectives. It covers both analogue and digital media; fi lm, television, video, gaming, photography and recorded sound. Understanding media means understanding the technologies involved. The hands on history approach can open our minds to new perceptions of how media technologies work and how we work with them. Essays in this collection explore the difficult questions of reconstruction and historical memory, and the issues of equipment degradation and loss. Hands on Media History is concerned with both the professional and the amateur, the producers and the users, providing a new perspective on one of the modern era’s most urgent questions: what is the relationship between people and the technologies they use every day? Engaging and enlightening, this collection is a key reference for students and scholars of media studies, digital humanities, and for those interested in models of museum and research practice. Nick Hall lectures in film, television and media technologies at Royal Holloway, University of London. His fi rst book, The Zoom: Drama at the Touch of a Lever, was published in 2018. He has also been published in the journals Technology & Culture and the Historical Journal of Film, Radio and Television. John Ellis is a professor at Royal Holloway, University of London. He wrote Visible Fictions (1982), Seeing Things (2000) and Documentary: Witness and Self-Revelation (2012). Between 1982 and 1999 he ran the independent production company Large Door, making documentaries for Channel 4 and the BBC. -
Heroes Saturday, October 18 • 11:00-4:00
Set Decorators Society of America Summer/Fall 2008 The Emmys MAD MEN IRON MAN pushing daisies The Mummy: Tomb of the Dragon Emperor $5.95 www.setdecor.com HEROES SATURDAY, OCTOBER 18 • 11:00-4:00 Town & Country Event Rentals 7700 Airport Business Park Way “You want to be there!” Van Nuys, CA. 91406 Free Admission Info: www.setdecorators.org contents 40 30 20 14 44 12 Television decor 12 EMMY NOMINATIONS 60th Annual Emmy© Awards 20 PUSHING DAISIES Halina Siwolop ® ATAS/NATAS Forensic fairy tale’s magic touch of color 30 MAD MEN Amy Wells Madison Avenue in the height of the Advertising Age 40 THE BRONX IS BURNING Jacqueline Jacobson NY Yankees in the sizzling Summer of ‘77 44 HEROES Ron Franco Extraordinary global perspectives 6 SET DECOR SUMMER/FALL 2008 contents 60 72 67 54 Television decor (continued) 54 EVERYBODY HATES CHRIS Laura Richarz Chris Rock’s teen years in Bed-Stuy Brooklyn 60 DO NOT DISTURB Peter Gurski Sneak peek! Film decor 67 THE MUMMY: TOMB OF THE DRAGON EMPEROR Anne Kuljian Historic & mythic China on a grand scale 72 IRON MAN Lauri Gaffin Stark contrasts: from high-tech luxe to primitive isolation In every issue: 81 SDSA News 82 Events Cover: HEROES Set Decorator Ron Franco SDSA Academy of Motion Picture Arts & Sciences Exhibition: Production Designer Ruth Ammon NBC Pulling Back the Drapes: Set Decoration Revealed Photo: Ken Haber © 2008 86 Resources Cover © 2008 SETDECOR All Rights Reserved 8 SET DECOR SUMMER/FALL 2008 inside set decor Set Decorators Society of America Summer/Fall 2008 Issue 16 contributors Executive Editors Rosemary Brandenburg Lisa Dare is a freelance photographer, but her original training was as an Jan Pascale academic, with a specialty in film history. -
The AWA Review
The AWA Review Volume 30 • 2017 Published by THE ANTIQUE WIRELESS ASSOCIATION PO Box 421, Bloomfield, NY 14469-0421 http://www.antiquewireless.org Devoted to research and documentation of the history of wireless communications. THE ANTIQUE WIRELESS ASSOCIATION PO Box 421, Bloomfield, NY 14469-0421 http://www.antiquewireless.org Founded 1952. Chartered as a non-profit corporation by the State of New York. The AWA Review EDITOR Eric P. Wenaas, Ph.D. ASSOCIATE EDITORS William (Bill) V. Burns, B.Sc. Joe A. Knight FORMER EDITORS Robert M. Morris W2LV, (silent key) Brian C. Belanger, Ph.D. William B. Fizette, Ph.D., W2GDB Robert P. Murray, Ph.D. Ludwell A. Sibley, KB2EVN Eric P. Wenaas, Ph.D. Thomas B. Perera, Ph.D., W1TP David P. Bart, BA, MBA, KB9YPD OFFICERS OF THE ANTIQUE WIRELESS ASSOCIATION DIRECTOR: Tom Peterson, Jr. DEPUTY DIRECTOR: Robert Hobday, N2EVG SECRETARY: William Hopkins, Ph.D., AA2YV TREASURER: Stan Avery, WM3D AWA MUSEUM CURATOR: Bruce Roloson, W2BDR ©2017 by the Antique Wireless Association, ISBN 978-0-9890350-4-0 Cover Images: The cover page of Marconi’s Ocean Radio News distributed circa 1914 appears on the front cover of this issue (courtesy of Joe Knight), and the back page of an edition of the Wireless News distributed on the RMS Makura appears on the back cover of this issue. Both images are taken from “The Wireless News” by Bart Lee. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the copyright owner.