Issueinterim201005.Pdf
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Broadcasting Taste: a History of Film Talk, International Criticism, and English-Canadian Media a Thesis in the Department of Co
Broadcasting Taste: A History of Film Talk, International Criticism, and English-Canadian Media A Thesis In the Department of Communication Studies Presented in Partial Fulfillment of the Requirements For the Degree of Doctor of Philosophy (Communication Studies) at Concordia University Montreal, Quebec, Canada December 2016 © Zoë Constantinides, 2016 CONCORDIA UNIVERSITY SCHOOL OF GRADUATE STUDIES This is to certify that the thesis prepared By: Zoë Constantinides Entitled: Broadcasting Taste: A History of Film Talk, International Criticism, and English- Canadian Media and submitted in partial fulfillment of the requirements for the degree of PhD in Communication Studies complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Signed by the final examining committee: __________________________________________ Beverly Best Chair __________________________________________ Peter Urquhart External Examiner __________________________________________ Haidee Wasson External to Program __________________________________________ Monika Kin Gagnon Examiner __________________________________________ William Buxton Examiner __________________________________________ Charles R. Acland Thesis Supervisor Approved by __________________________________________ Yasmin Jiwani Graduate Program Director __________________________________________ André Roy Dean of Faculty Abstract Broadcasting Taste: A History of Film Talk, International Criticism, and English- Canadian Media Zoë Constantinides, -
Ionisphere 16
IONISPHERE 16 JOURNAL OF THE NATIONAL FANTASY FAN FEDERATION FAN-PRO COORDINATING BUREAU APRIL 2019 Ionisphere’s editor is John Thiel, who resides at 30 N. 19th Street, Lafayette, Indiana 47904. The editor’s and Ionisphere’s email address is [email protected] . Ionisphere (may be abbreviated as IO) is a bi-monthly publication distributed by the N3F. All correspondence is welcome; send it to the editorial address. STAFF MEMBERS John Thiel, bureau head. Jefferson Swycaffer, pro contact, POB 15373, San Diego, CA 92175-5373. Email [email protected] Jon Swartz, fan contact, 12115 Missel Thrush Ct., Austin, TX 78150. Email [email protected] John Polselli, ground adjutant, 861 Sebastiani Court, Las Vegas, Nevada 89123. Jeffrey Redmond, promo, 1335 Beadwood NE, Grand Rapids, MI 49505. Email [email protected] A row of Js there. Join our bureau and help break the spell. IO’s purpose is improvement in fan-pro relations, and it is also an interchange with the membership. CONTENTS Editorial, page three Facebook SF Groups, JT, page four Behind the Scenes, column by Jeffrey Redmond, page five Space Is the Place, by Daniel Slaten, page twelve Back From Space, by John Thiel, page fourteen Letters, page twelve Ad Astra, by Will Mayo, page sixteen It’s a Pleasure Doing fan activity is considered a lot of work, with a lot of problems involved, and with scant reward. I’d like to present some disagreement with that. Since becoming involved with the N3F, I’ve gotten two bureaus to work with, and have been put on the recruitment activity, as well as being a director, which might be considered taking on a work overload, especially with time so priceless in the course of a day. -
Newsletter 22/06 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 22/06 DIGITAL EDITION Nr. 193 - Oktober 2006 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 3 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 22/06 (Nr. 193) Oktober 2006 editorial Hallo Laserdisc- und DVD-Fans, diesem Sinne sind wir guten Mutes, unse- liebe Filmfreunde! ren Festivalbericht in einem der kommen- Kennen Sie das auch? Da macht man be- den Newsletter nachzureichen. reits während der Fertigstellung des einen Newsletters große Pläne für den darauf Aber jetzt zu einem viel wichtigeren The- folgenden nächsten Newsletter und prompt ma. Denn wer von uns in den vergangenen wird einem ein Strich durch die Rechnung Wochen bereits die limitierte Steelbook- gemacht. So in unserem Fall. Der für die Edition der SCANNERS-Trilogie erwor- jetzt vorliegende Ausgabe 193 vorgesehene ben hat, der darf seinen ursprünglichen Bericht über das Karlsruher Todd-AO- Ärger über Teil 2 der Trilogie rasch ver- Festival musste kurzerhand wieder auf Eis gessen. Hersteller Black Hill ließ Folgen- gelegt werden. Und dafür gibt es viele gute des verlautbaren: Gründe. Da ist zunächst das Platzproblem. Im wahrsten Sinne des Wortes ”platzt” der ”Käufer der Verleih-Fassung der Scanners neue Newsletter wieder aus allen Nähten. Box haben sicherlich bemerkt, dass der Wenn Sie also bislang zu jenen Unglückli- 59 prall gefüllte Seiten - und das nur mit zweite Teil um circa 100 Sekunden gekürzt chen gehören, die SCANNERS 2 nur in anstehenden amerikanischen Releases! Des ist. -
Getting a on Transmedia
® A PUBLICATION OF BRUNICO COMMUNICATIONS LTD. SPRING 2014 Getting a STATE OF SYN MAKES THE LEAP GRIon transmediaP + NEW RIVALRIES AT THE CSAs MUCH TURNS 30 | EXIT INTERVIEW: TOM PERLMUTTER | ACCT’S BIG BIRTHDAY PB.24462.CMPA.Ad.indd 1 2014-02-05 1:17 PM SPRING 2014 table of contents Behind-the-scenes on-set of Global’s new drama series Remedy with Dillon Casey shooting on location in Hamilton, ON (Photo: Jan Thijs) 8 Upfront 26 Unconventional and on the rise 34 Cultivating cult Brilliant biz ideas, Fort McMoney, Blue Changing media trends drive new rivalries How superfans build buzz and drive Ant’s Vanessa Case, and an exit interview at the 2014 CSAs international appeal for TV series with the NFB’s Tom Perlmutter 28 Indie and Indigenous 36 (Still) intimate & interactive 20 Transmedia: Bloody good business? Aboriginal-created content’s big year at A look back at MuchMusic’s three Canadian producers and mediacos are the Canadian Screen Awards decades of innovation building business strategies around multi- platform entertainment 30 Best picture, better box offi ce? 40 The ACCT celebrates its legacy Do the new CSA fi lm guidelines affect A tribute to the Academy of Canadian 24 Synful business marketing impact? Cinema and Television and 65 years of Going inside Smokebomb’s new Canadian screen achievements transmedia property State of Syn 32 The awards effect From books to music to TV and fi lm, 46 The Back Page a look at what cultural awards Got an idea for a transmedia project? mean for the business bottom line Arcana’s Sean Patrick O’Reilly charts a course for success Cover note: This issue’s cover features Smokebomb Entertainment’s State of Syn. -
Livret Enseignant
Capricci Éditions Camille Pollas et Maxime Werner | Rédacteur du dossier publication la de Directrice « Dans l'espace, personne ne vous entend crier » prévient l'accroche d'Alien. Nous sommes en 1979, et l'industrie Scott Ridley hollywoodienne est alors en pleine mutation : les succès — 103 rue Sainte Catherine – 33000 Bordeaux lm de des Dents de la mer et de La Guerre des étoiles tirent le cinéma f : Frédérique Bredin | Propriété | Bredin Frédérique : de genre sur le devant de la scène, obligeant les studios à revoir Un leurs priorités. Dorénavant, il s'agit donc de faire crier le public (comme dans Les Dents de la mer) et de l'emporter dans l'espace (comme dans La Guerre des étoiles). Mais ce programme opportuniste détermine-t-il complètement le succès d'Alien ? Quarante ans après sa sortie, la fascination exercée par le flm : Louis Blanchot | Iconographe : Centre national du cinéma et de l'image animée — — animée l'image de et cinéma du national Centre : demeure en tout cas intacte. Il faut dire qu'au-delà de sa réussite technique et artistique, Alien est une expérience intime, presque www.capricci.fr– | Achevé d'imprimer par IME by Estimprim une épreuve initiatique, permettant aux spectateurs d'explorer toutes les facettes émotionnelles de l'angoisse – curiosité, attente, stress, choc, panique, traumatisme. Terrifant à nul autre ALIEN, LE HUITIÈME PASSAGER pareil, le flm est paradoxalement une œuvre sur le désir – : Capricci Éditions | Révision le désir d'avoir peur. 159 291 bld Raspail, 75675 Paris Cedex 14 Cedex Paris 75675 Raspail, bld 291 dossier enseignant : Capricci Éditions | Conception graphique | Conception Éditions : Capricci : septembre 2018 : septembre LYCÉENS ET APPRENTIS AU CINÉMA - HAUTS-DE-FRANCE Dispositif national mis en œuvre avec le soutien du Ministère de la Culture (DRAC Hauts- de-France), de la Région Hauts-de-France et du Centre national du cinéma et de l’image animée. -
Tabla 1:Festivales Y Premios Cinematográficos
Tabla 1:Festivales y premios American Choreography Arts and Entertainment Critics cinematográficos Awards, USA Awards, Chile http://www.imdb.com/Sections/ American Cinema Editors, USA Artur Brauner Award Awards/Events American Cinema Foundation, Ashland Independent Film USA Festival American Cinematheque Gala Asia-Pacific Film Festival 2300 Plan 9 Tribute Asian American Arts 30th Parallel Film Festival American Comedy Awards, Foundation 7 d'Or Night USA Asian American International American Film Institute, USA Film Festival - A – American Independent Film Asianet Film Awards Festival Aspen Filmfest A.K.A. Shriekfest American Indian Film Festival Aspen Shortsfest ABC Cinematography Award American Movie Awards Association for Library Service ACTRA Awards American Screenwriters to Children AFI Awards, USA Association, USA Athens Film Festival, Georgia, AFI Fest American Society of USA AGON International Meeting of Cinematographers, USA Athens International Film Archaeological Film Amiens International Film Festival ALMA Awards Festival Athens International Film and AMPIA Awards Amnesty International Film Video Festival, Ohio, USA ARIA Music Awards Festival Athens Panorama of European ARPA International Film Amsterdam Fantastic Film Cinema Festival Festival Atlanta Film Festival ASCAP Film and Television Amsterdam International Atlantic City Film Festival Music Awards Documentary Film Festival Atlantic Film Festival ASIFA/East Animation Festival Anchorage International Film Atv Awards, Spain ATAS Foundation College Festival Aubagne International -
Conversations with Two Canadian Film Artists
Conversations with Two Canadian Film Artists By Gerald Pratley Spring 1994 Issue of KINEMA MICHELINE LANCTÔT AND COLM FEORE TALK TO GERALD PRATLEY (1) MICHELINE LANCTÔT wrote and directed wrote and directed wrote and directed Deux Actrices (Two Can Play), with Pascale Bussières, Pascale Paroissien, Louise Latraverse, François Delisle, Suzanne Garceau; a drama of re-conciliation between two estranged sisters, the charm and intrigue of which soon becomes a nightmare, with the actual narrative being interspersed with real-life scenes of the two actresses at work.(1) Pratley: Ms. Lanctôt, what inspired you to film this subject in a somewhat unusual way? Lanctôt: It came about from an idea I had a long time ago. I teach ”Directing Actors” at Concordia University in Montréal -- I always had trouble explaining what ”character” is on a screen to my students, and how actors approach a character. And I had long been tempted by the notion of doing something involving an actor and his character to try -- not to illustrate or demonstrate -- but just get the feeling of what the relationship is between an actor and a character. That was 10 years ago. And then in one of my classes I had this woman, who was a student of mine, whose face was very interesting, and the idea came to me that I should put her in the same film with Pascale Bussières and that I should involve them as actresses. It evolved pretty much from that woman and the idea of a character that she gave me and the situation that came out of it. -
2010 Joint Conference of the National Popular Culture and American Culture Associations
2010 Joint Conference of the National Popular Culture and American Culture Associations March 31 – April 3, 2010 Rennaisance Grand Hotel St. Louis Delores F. Rauscher, Editor & PCA/ACA Conference Coordinator Jennifer DeFore, Editor & Assistant Coordinator Michigan State University Elna Lim, Wiley-Blackwell Editor Additional information about the PCA/ACA available at www.pcaaca.org 2 Table of Contents The 2009 National Conference Popular Culture Association & American Culture Association Area Chairs ___________________ 5 PCA/ACA Board Members _______________________________ 13 Officers _______________________________________________ 13 Executive Officers ______________________________________ 13 Past & Future Conferences _______________________________ 14 Conference Papers for Sale; Benefits Endowment _____________ 15 Exhibit Hours __________________________________________ 15 Business & Board Meetings _______________________________ 16 Film Screenings ________________________________________ 18 Dinners, Get-Togethers, Receptions, & Tours ________________ 23 Roundtables ___________________________________________ 25 Special Sessions ______________________________________________ 29 Schedule Overview ______________________________________ 33 Saturday ____________________________________________________ 54 Daily Schedule _________________________________________ 77 Wednesday, 12:30 P.M. – 2:00 P.M. ____________________________ 77 Wednesday, 2:30 P.M. – 4:00 P.M. ____________________________ 83 Wednesday, 4:30 P.M. – 6:00 P.M. ____________________________ -
1951 Year Book Canadian Motion Picture Industry
YEAR BOOK CANADIAN MOTION PICTURE INDUSTRY Edited by HYE BOSSIN That's high tribute from the men "behind the show." That's what projectionists everywhere are saying about the . The Projectionist's PROJECTOR Sold By GENERAL THEATRE SUPPLY Co. Limited SAINT JOHN MONTREAL TORONTO WINNIPEG VANCOUVER Coast to Coast Theatre Television, Sound & Projection Service LX* 7 everybody's Book Sho>, / I 317 W. 6th - L. A, 900)« 6t :■ fi MA. 3-1032 1921 1951 s4&&ocicitecl Seneca IfecM limited Montreal — Toronto A COMPLETE LABORATORY SERVICE 35 MM — 16 MM CONTACT AND REDUCTION PRINTING COLOUR — BLACK <5, WHITE Producers of • The famous CANADIAN CAMEO Series of theatrical shorts Released in Canadian theatres and throughout the World. • Commercial & non-theatrical Motion Pictures tor Industrial Sales-Training and Consumer use. • Theatre trailers of every description Made to your order or from Stock. • Tailored sound tracks Recorded and synchronized to silent films—16MM or 35 MM. Distributors of Q motion picture cameras, projectors, screens and all types of photographic accessories and supplies through BENOGRAPH, REG'D, a division of ASSOCIATED SCREEN NEWS. "JtatuHuzl Service 'Pkmi (fatet fo (?<KUt i CANADA'S FINEST THEATRE SEATING Kroehler Push Back Chairs, and Chair No, 301 Manufactured and Distributed by CANADIAN THEATRE CHAIR CO. LTD. 40-42 ST. PATRICK ST. TORONTO, CANADA 2 1951 YEAR BOOK CANADIAN MOTION PICTURE INDUSTRY FILM PUBLICATIONS of Canada, Ltd, 175 BLOOR ST. EAST TORONTO 5, ONT. CANADA Editor: HYE BOSSIN Assistants: Miss E. Silver and Ben Halter LARGEST INDEPENDENT CONCESSIONAIRES IN CANADA POPCORN, POPCORN EQUIPMENT AND SUPPLIES, CANDY MACHINES, DRINK MACHINES, CANDY SUPPLIES ★ We Will Build and Operate a Complete Candy Bar Setup CANADIAN AUTOMATIC CONFECTIONS LIMITED 119 SHERBOURNE ST. -
Samy Inayehcsc Brings CORONER to Life
CANADIAN SOCIETY OF CINEMATOGRAPHERS $4 February 2020 www.csc.ca Samy Inayeh CSC Brings CORONER to Life Jim Westenbrink CSC: Letterkenny Jeff Wheaton: Murmur A publication of the Canadian Society of Cinematographers FEATURES – VOLUME 11, NO. 9 FEBRUARY 2020 Fostering cinematography in Canada since 1957. The Canadian Society of Cinematographers was founded by a group of Toronto, Montreal and Ottawa cameramen. Since then over 800 cinematographers and persons in associated occupations have joined the organization. The CSC provides tangible recognition of the common bonds that link film and digital professionals, from the aspiring student and camera assistant to the news veteran and senior director of photography. We facilitate the dissemination and exchange of technical information and endeavor to advance the knowledge and status of our members within the industry. As an organization dedicated to furthering technical assistance, we maintain contact Dead Men’s Tales: Samy Inayeh csc Brings Coroner to Life By Fanen Chiahemen with non-partisan groups in our industry 12 but have no political or union affiliation. The CSC is a not-for-profit organization run by volunteer board members of the society. Thank you to our sponsors for their continued support. CORPORATE SPONSORS AC Lighting Inc. All Axis Remote Camera Systems Applied Electronics Limited Arri Canada Ltd. Canon Canada Inc. Cinetx Inc. Codes Pro Media Cooke Optics Deluxe Toronto Credit: Amanda Matlovich Credit: DMG Lumière FUJIFILM, North America Corporation Letterkenny: Small-Town Life Goes Big with Jim Westenbrink CSC FUJIFILM, Optical Devices Division 18 By Fanen Chiahemen Fusion Cine Grandé Camera Henry’s Camera HD Source Inspired Image Keslow Camera Kino Flo Lee Filters Mole-Richardson MOSS LED Inc. -
The BG News September 19, 1986
Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 9-19-1986 The BG News September 19, 1986 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The BG News September 19, 1986" (1986). BG News (Student Newspaper). 4553. https://scholarworks.bgsu.edu/bg-news/4553 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. Falcons prepare for Central Michigan, story pg. 8 THE BG NEWS Vol. 69 Issue 15 Bowling Green, Ohio Friday, September 19,1986 Frenchman UNDERGRADUATE SERB rejects killed in STUDENT GOVERNMENT union petition Lebanon petition will not be a problem. Kelley was unavailable for BEIRUT (AP) - A lone assas- by Melissa McGUUvray staff reporter comment. sin using a silencer-equipped "I really don't think there's a pistol killed the French military A petition for an election that crisis," she said. "I really can't attache outside the French Em- would give classified staff mem- see why the date is that impor- bassy yesterday. It was the lat- bers the opportunity to unionize tant." est of a series of terrorist has been denied because the No blank is provided on the attacks on French targets in election intent cards were in- card for the date, she said, and Beirut and in Paris. -
Jess Hall BSC / Ghost in the Shell - British Cinematographer 4/29/17, 7)02 PM
Jess Hall BSC / Ghost In The Shell - British Cinematographer 4/29/17, 7)02 PM WIRED AND WONDERFUL JESS HALL BSC / GHOST IN THE SHELL 2029: NIIHAMA PREFECTURE. THE MAJOR, A CYBORG COUNTER-CYBERTERRORIST POLICEWOMAN, AND HER SPECIAL-OPS TASK FORCE ARE CHARGED WITH THWARTING THE ACTIVITIES OF A NEFARIOUS CYBER-CRIMINAL GANG. THIS IS AN AGE WHEN COMPUTER TECHNOLOGY AND PROSTHETICS HAVE ADVANCED TO THE POINT THAT BIOLOGICAL BRAINS AND CYBERNETIC COMPONENTS ARE FREELY INTERCHANGEABLE, ENABLING A PERSON TO BECOME A CYBORG. CAN THE MAJOR FOIL THE CYBER VILLAINS BEFORE THEY HACK HER AND TROUBLE REALLY ESCALATES? https://britishcinematographer.co.uk/jess-hall-bsc-ghost-shell/ Page 1 of 10 Jess Hall BSC / Ghost In The Shell - British Cinematographer 4/29/17, 7)02 PM Paramount Pictures/Dreamworks’ $120m production of Ghost In The Shell, directed by Rupert Sanders, is based on the Japanese manga comic and anime film of the same name by Masamune Shirow. Written by Jamie Moss, William Wheeler and Ehren Kruger, it stars Scarlett Johansson as The Major, along with Michael Pitt, Pilou Asbæk, Chin Han and Juliette Binoche. Releasing in 2D, 3D and IMAX 3D and Dolby Vision HDR, the creative and technical task of converting the script into images, while paying homage to the original manga and anime versions, fell to cinematographer Jess Hall BSC, Sanders’ collaborator on several short films and multiple commercials. After an intensive 12-week prep, principal photography on the production was undertaken at Peter Jackson’s Stone Street Studios, in Wellington, New Zealand, between February and June 2016, where large, futuristic sets of the fictional Niihama Prefecture were built on the backlot and sound stages.