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Pressbook Marina Abramovic.Pdf
WITH Bob Wilson Marina Abramovic Willem Dafoe Antony Hegarty a film by GIADA COLAGRANDE DIRECTED BY Giada Colagrande PRODUCER Max Brun CO-PRODUCER Guido Cella PRODUCED BY CINEMATOGRAPHER Art + Vibes Tommaso Borgstrom IN COLLABORATION WITH EDITOR Collateral Films Natalie Cristiani WITH THE SUPPORT OF SOUND MIX Galleria Lia Rumma Pino Pischetola SINOSSI SYNOPSIS “BOB WILSON’S LIFE & DEATH OF MARINA ABRAMOVIC” “BOB WILSON’S LIFE & DEATH OF MARINA ABRAMOVIC” segue l’incontro del regista Robert Wilson, della performance artist follows the coming together of director Robert Wilson, performance Marina Abramovic, del cantante e compositore Antony Hegarty e artist Marina Abramovic, singer and composer Antony Hegarty and dell’attore Willem Dafoe, da cui nasce l’opera teatrale sulla performer Willem Dafoe, to create the experimental opera based biografia di Marina Abramovic. on Marina Abramovic’s biography. Attraverso riprese delle prove e interviste degli artisti al lavoro, Through rehearsal footage and interviews with the artists as they esploriamo dall’interno questa collaborazione unica, tracciando un are making the piece, we get an insight into this unique intimo ritratto che rivela dinamiche, entusiasmi e paure di ognuno collaboration: an intimate portrait that reveals the dynamics, di loro durante la messa in scena di questo spettacolo così poetico excitement and insecurities of making such a poetic and visually e visivamente straordinario. stunning theatre work. NOTE DIRECTOR’S DI REGIA STATEMENT Quando ho saputo che Robert Wilson avrebbe diretto un’opera When I heard that Robert Wilson was going to make an opera on sulla biografia di Marina Abramovic, mi sono chiesta “dove Marina Abramovic’s biography, I wondered “where will the master s’incontreranno il maestro dell’artificio e la madrina del reale? of artifice meet the mother of reality? Will they marry theatre with Sposeranno il teatro con la performance art o sarà una lotta tra performance art or will it be a fight between titans?”. -
Ficm Cat16 Todo-01
Contenido Gala Mexicana.......................................................................................................125 estrenos mexicanos.............................................................................126 Homenaje a Consuelo Frank................................................................... 128 Homenaje a Julio Bracho............................................................................136 ............................................................................................................ introducción 4 México Imaginario............................................................................................ 154 ................................................................................................................. Presentación 5 Cine Sin Fronteras.............................................................................................. 165 ..................................................................................... ¡Bienvenidos a Morelia! 6 Programa de Diversidad Sexual...........................................................172 ..................................................... Mensaje de la Secretaría de Cultura 7 Canal 22 Presenta............................................................................................... 178 Mensaje del Instituto Mexicano de Cinematografía ������������9 14° Festival Internacional de Cine de Morelia.............................11 programas especiales........................................................................ 179 -
PASOLINI a Film by Abel Ferrara
presents PASOLINI A film by Abel Ferrara **Official Selection | Venice Film Festival** **Official Selection | New York Film Festival** **Official Selection | Toronto International Film Festival** France, Belgium, Italy / 2014 / 84 minutes / Color / 1.85:1 / English Publicity Contact: David Ninh, [email protected] Distributor Contact: Chris Wells, [email protected] Kino Lorber, Inc., 333 West 39th St., Suite 503, New York, NY 10018 (212) 629-6880 Synopsis: Pasolini, directed by Abel Ferrara, stars frequent collaborator Willem Dafoe as Italian poet and film director Pier Paolo Pasolini and chronicles his final hours on November 2, 1975. The film follows him as he works on his controversial classic, Salò, or the 120 Days of Sodom and leads up to his brutal murder on the beach in Ostia on the outskirts of the city. Facing resistance and persecution from the public, politicians, censors and critics, Pasolini visits with his beloved mother and friends, including actress Laura Betti (played by Maria de Madeiros) and continues his work on an ambitious new novel and screenplay - all the while cruising in his Alfa Romeo for adventure and connections with beautiful younger males in the dark streets of Rome. Director’s Note: In search of the death of the last poet only to find the killer inside me Sharpening his tools of ignorance on the memories of never forgotten acts of kindness in words and deeds, ideas impossible to comprehend. in a school in Casarsa I sit at my teacher’s feet yearning then hearing the music of the waves that wash the feet of the messiah on the beach at Idroscalo, those who weave their spell in silver are forever bound to the lithe body of Giotto constantly in search of the creation of the winning goal forever offside forever in the lead of the faithful of which I am one. -
Willem Dafoe As Pier Paolo Pasolini
Synopsis One day, one life. Rome, the night of November 2nd 1975, the great Italian poet and filmmaker Pier Paolo Pasolini is murdered. Pasolini is the symbol of an art that’s fighting against power. His writings are scandalous, his films are persecuted by the censors, many people love him and many hate him. The day of his death, Pasolini spends his last hours with his beloved mother and later on, with his dearest friends, before finally going out into the night in his Alfa Romeo in search of adventure in the Eternal City. At dawn, Pasolini is found dead on a beach in Ostia on the outskirts of the city. In a film dreamlike and visionary, a blend of reality and imagination, Abel Ferrara reconstructs the last day in the life of this great poet with frequent collaborator Willem Dafoe as Pier Paolo Pasolini. Director’s note In search of the death of the last poet only to find the killer inside me Sharpening his tools of ignorance on the memories of never forgotten acts of kindness in words and deeds, ideas impossible to comprehend. In a school in Casarsa I sit at my teacher’s feet yearning then hearing the music of the waves that wash the feet of the messiah on the beach at Idroscalo, those who weave their spell in silver are forever bound to the lithe body of Giotto constantly in search of the creation of the winning goal forever offside forever in the lead of the faithful of which I am one. Abel Ferrara Rome 2014 EL: Much in the same way that I’ve been a student of both of yours, of your films. -
Production Notes Publicity Contacts
PRODUCTION NOTES PUBLICITY CONTACTS LA NATIONAL HAYLEY PERRY JONATHAN EPSTEIN ADELAIDE EVESLAGE CBS FILMS STRATEGY PR CBS FILMS (310) 575-7468 (516)319-6280 (310) 575-7025 [email protected] [email protected] [email protected] NY NATIONAL TOM PIECHURA TODD NICKELS 42 WEST 42 WEST (212) 277-7552 (212) 774-3685 [email protected] [email protected] REGIONAL ANNE COLLINS STEFAN MIHAILOVIC CBS FILMS CBS FILMS (310) 575-7032 (310) 575-7028 [email protected] [email protected] DIGITAL GREY MUNFORD CLAY DOLLARHIDE CBS FILMS GINSBERG LIBBY (310) 575-7425 (323) 645-6818 [email protected] [email protected] RELEASE DATE OPENING IN NEW YORK & LOS ANGELES 11/16 EXPANSION IN SELECT MARKETS 11/21 RUNNING TIME: 111 MINUTES For additional press materials, please visit CBSFilmsPublicity.com TABLE OF CONTENTS DIRECTOR’S STATEMENT...............................4 ABOUT THE CAST ........................................... 17 ABOUT THE FILMMAKERS ........................... 27 END CREDITS .................................................33 3 DIRECTOR’S STATEMENT “This movie is an accumulation of scenes based on painter Vincent van Gogh’s letters, common agreement about events in his life that parade as facts, hearsay, and scenes that are just plain invented. The making of art gives an opportunity to make a palpable body that expresses a reason to live, if such a thing exists. Even with all the violence and tragedy that has been associated with Van Gogh’s life, there is no doubt, his was a life lived rich with magic, profound communication with nature and the wonder of being. His unique perspective is one whose belief and vision make visible and physical the inexpressible.