DOCSLIB.ORG

Vol. 13 Jemf Quarterly Summer

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Vol. 13 Jemf Quarterly Summer JEMF QUARTERLY VOL. 13 SUMMER 1977 Number 46 CONTENTS Letters Folk and Hillbilly Music: Further Thoughts on Their Relation, by Anne & Norm Cohen Spatial Diffusion of the All-Country Music Radio Stations in the United States, 1971-74, by George 0. Carney The Hit Song Writer That Nashville Forgot (But Not the Rest of Us), by Johnny Bond Commercial Music Graphics, #41: Brunswick's Folksong Discs, 1928, by Archie Green Tex Ritter in the Twilight Years, by Texas Jim Cooper A Bibliography of Fiddling in North America (Part 6), by Michael Mendelson Jim and Jesse: A Review Essay on Fan Historiography, by Scott Hambly Abstracts of Academic Dissertations: The Carter Family: Sources for Song, by Margaret A~neBolger Book Reviews: The Tex Ritter Story, by Johnny Bond (reviewed by Norm Cohen); Working Women's Music, by Evelyn Alloy (Norm Cohen Bibliographic Notes Record Reviews Works in Progress Members of the Friends of the JEMF receive the JEMF Quarterly as part of their $8.50 (or more) annual membership dues. Individual subscriptions are $8.50 per year for the current year; Li- brary subscription rates are $10.00 per year. Back issues of Volumes 6-11 (Numbers 17 through 40) are available at $2.00 per copy. (Xerographic and microform copies of JEMFQ are available from University Microfilms, Ann Arbor, Mich.) The JEMF Quarterly is edited by Norm Cohen. Manuscripts that fall within the area of the JEMF's activities and goals (see inside front cover) are invited, but should be accompanied by an ad- dressed, stamped return envelope. All manuscripts, books and records for review, and other com- munications should be addressed to: Editor, JEMPQ, John Edwards Memorial Foundation, at the Folklore & Mythology Center, University of California, Los Angeles, CA., 90024. A BIBLIOGRAPHY OF FIDDLING IN NORTH AMERICA (Part 6) Compiled and Annotated by Michael Mendelson I [For discussion of the format of this bibliography, see introduction to Part I in JEMFQ #38 (Summer 19751.1 MAIN ENTRIES - 23 ABRAMS, MAX. +The Book of Django. Los Angeles: Max Abrams, 1973. Primarily a bio-discography of jazz guitarist Django Reinhart, but with much informtion about his partner, violinist Stephan Grapelli. Conversations with Fred Cockerhan ALDEN, RAY. +"Tales of Two Fiddlers" --Banjo Newsletter 3, no. 10 (Aug. 1976), 21. I and Fiddlin' Doc Roberts. ARTIS, BOB. +Bluegrass. New York: Hawthorn Books, 1975. History and survey of the music. BAKER, M. BRYAN. +"'Goodbye Ron" E, no. 26 (1 Sept. 1974), 48-53. Tribute to fiddler Ron Hughey. +"'Bascorn Lamar Lunsford Dies" -DB, no. 23 (1 Oec. 1973), 37-38. Short biography and tribute to North Carolina musician. BASSIN, BILL. +*"Scott Stoneman" 4, no. 6 (Dec. 1969), 11. Bluegrass fiddler. BATES, FLORENCE. +"The Bates Dance Orchestra" Stone Walls 2, no. 1 (1976?), 30-32. Massachusetts musical organization. BLAUSTEIN, RICHARD. +*"Preservation of Old Time Fiddling As A Living Force" E, no. 13 (5 Sept. 1970), 6-8. What is "traditional" music? . +"'Some Thoughts Concerning the Old Time Fiddlers' Association Movement" E, no 19 (1 Dec. 1972), 32-33. +*"A Cohboy Fiddling Contest in the Dakotas - 1882" DBE. no. 4 (1 Dec. 1976), 40-42. +*"Bristol Tennessee Fiddle Contest, 1928" E, no. 20 (1 Mar. 1973), 13-14. Excerpts from Bristol, Tennessee Herald I Courier, 1928. I BURCHAM, TERRY. +"'Sixth Annual Tennessee Valley Old Time Fiddlers' Association Convention" -DB, no. 19 (1 Dec. I 1972), 36-39. +*"The Eighth Annual TVOTFA Concention" E, no. 27 (1 Dec. 1974), 3-7. +*"Monte Sano Crowder: Tennessee Valley Fiddler" s,no. 27 (1 Dec. 1974), 28-32. Biography of early Alabama fiddler. CARLSON, NORW. +*"Vernon Derrick" BLl4, no. 6 (Dec. 1969). 10. Fiddler/mandolinist with Jimie Martin's Sunny I Mountain Boys. +*"Letters to the Editor" 10, no. 4 (1 Dec. 1976), 46-48. Two accounts of fiddling in New York I State in the mid-1800s. CHRISCO, MRS. J. D. +*"One-Armed Fiddle Player Plays for Carl Story" EXJ?, no. 3 (Sept. 1970), 11-12. Frank Hamilton of North Carolina. CLAGHORN, CHARLES EUGENE. +"The Mocking -Bird:" ---The Life and -of ---its Author, %. Winner. Philadelphia: The Magee Press, 1937. I +*"Country Fiddling in Australia"E, no. 23 (1 Dec. 1973), 35 +*"Country Fiddling - Wally Bryson Style" 10, no. 4 (1 Dec. 1976), 13-14. Short personality sketch of Tennessee fiddler. CREADICK, NOWELL. +"'Old Time Music in the College Curriculum" E, no. 17 (1 June 1972), 2-3. Sumary of course taught at Kings College, Bristol , Tennessee. L . +*"What Is Old Time Music" E, no. 21 (1 June 1973), 2-3. DAVIS, STtPHEN F. +*"The Collector and His Role in Furthering Fiddling and Old-Time Country Music" E, no. 14 (3 April 1971), 9-11. Record collections and old-time music. +*"Seventh Annual Tennessee Valley Old Time Fiddlers' Association Convention" E, no. 23 (1 Dec. 1973), 4-6. +*"Uncle Bert Lane" DB, no. 26 (1 Sept. 1974), 19-27. Biography with photos of Arkansas-born fid- dler who recorded with the skil1eEicker.s and with Bert Layne's Melody Boys. DOUGLAS, BOB. +*"Bob Douglas and the Allen Brothers - The Story of 1928" E, no. 17 (1 June 1972), 20. Short account of 1928 recording session. DUNNAVANT, BOB. +*"Country Music Today: The Hudson Family" E, no. 20 (1 Mar. 1973), 2-4. Short account ofdthens, Georgia musical family. DURFEE, CHARLES AND ALAN JABBOUR. +""Old Sledge', 'Mississippi Sawyer', and Related Matters" E, no. 24 (1 Mar. 1974), 6-8. Origins of some fiddle tune titles. EMMERSON, GEORGE. Scotland Through Her Country Dances. London: Johnson Publications, Ltd., 1967. FAILS, SHIRLEY H. "Arlin Hughes: His Message Is Music." BLJU, no. 4 (Oct. 1976) 28-29. Arkansas fiddler. +*"Fifth Annual Convention and Contest Notes" E, no. 16 (15 Feb. 1972), 2-3. 1971 Tennessee Valley Old Time Fid- dlers' Association Contest. "Folk Songs G Fiddle Tunes" Shetland Folk Book 4 (1964), 23-30. FOOTE, TOM. +*"The National Fiddler's Championship at Weiser, Idaho" -BU -6, no. 3 (Sept. 1971), 19-20. FORD, MR. & MRS. HENRY. +'Good Morning': ---Music, Calls, and Directions for Old-Time Dancing as Revived by Mr. 5 Mrs. Henry Ford. ~earborn-chi~an: (no. pub.) 1943. (4th edn.) - - FOSTER, ALICE. +*"Sam Bush" E4, no. 5 (Nov. 1969), 11-12. Short sketch of young bluegrass fiddler. +*"Fourth Annual Convention Notes and Winners" E, no. 14 (3 Apr. 1971), 2-4. Tennessee valley Old Time Fiddlers' Association Contest. +*"From Classical Violinist to Country Fiddler: The Story of New Zealand's Colleen Trenwith" E, no. 23 (1 Dec. 1973). 35-36. GARELICK, BURNEY. +"'Presenting the California State Old-Time Fiddlers Association" E, no. 21 (1 June 1973), 28-31. +"'An Old-Time Fiddle Contest" E?,no. 1 (1 Mar. 1975), 31-35. Picturesque account of the 1974 (?) California State contest. +*"The Fiddler from Hangtown: Ray Park and Friends Entertain at the Freight and Salvage" DL 2, no. 3 (1 Sept. 1975), 10-15. Arkansas fiddler now living in California. GENTRY. LINNELL. +'A History and Encyclopedia of Country, Western, and Gospel Music. Nashville: Clairmont Corp., 1969 (second edn., completely revised.) GODBEY, FRANK AND MARTY. +"'Paul Mullins: Musician, Disc Jockey and Bluegrass Influence" sg,no. 6 (Dec. 1975), 20-25. Fiddler with various groups. GREEN, DOUGLAS B. +*"Wilma Lee and Stoney Cooper" BU!, no. 9 (Mar. 1974), 25-27. Country duo with Stoney on the fiddle. +'Country Roots: The Origins of Country Music. New York: Hawthorn Books, 1976. HAGER, JULIA. +*"Old Time Fiddling - An Interview with R. P. Christeson" --DB 10, no. 3 (1 Sept. 1976), 14-20. Author of The Old Time Fiddler's Repertory. HAGER, JULIA AND JIM OLIN. +*"An Interview with Tip McKinney" DB?, no. 4 (1 Dec. 1975), 23-40. Member of Pope's Arkansas Mountaineers, who recorded in 1928. Reprinted from Missouri Friends of the Folk Arts Newsletter. HANDY, W. C. Father Of the Blues. New York: Macmillan Co., 1941. HARRIS, PERRY F. +*"The Annual Grand Masters Fiddling Contest" E, no. 25 (1 June 1974), 50-52. Brief description of annual invitational contest in Nashville. HARRISON, BILL. +*"TVOTFA Vignette No. 1: Bob Douglas, 1969-1970 Tennessee Valley Fiddle King" E, no. 12 (25 May 1970), 8-9. Short personality sketch. +*"TVOTFA Vignette No. 2: Frazier Moss, 1968-1969 Tennessee Valley Fiddle King" E, no. 13 (5 Sept. 1970), 5. Reprinted in E, no. 23 (1 Dec. 1973). +*"More About Henry Ford: His Fiddle Collection" E, no. 13 (5 Sept. 1970), 8-10. Excerpted from William C. Richards' The Last Billionaire, Henry Ford. +*"The Atlanta Fiddlers' Convention Revisited" E, no. 15 (20 Aug. 1971), 8-9. Reminiscences of the 1914 contest by Gid Tanner's son, Cordon. +*"The Uncle Bunt Stephens - Uncle Jimmy Thompson Memorial Project" E, no. 19 (1 Dec. 1972), 3-4. Short biographies and a proposal for grave monuments for these early recording fiddlers. +*"J. T. Perkins" 08, no. 22 (1 Sept. 1973) 11-12. Short personality sketch of contemporary Alabama fiddler. +*"Grand Masters Fiddlers Contest - 1973" @ 22 (1 Sept. 1973), 31-33. +*"Bill Mitchell - The Fiddling Sherriff" DBZ, no. 4 (1 Dec. 1975), 44-45. Short biographical sketch of Mississippi fiddler. HARRISON, RICHARD. +*"Fiddling Around At College" --DB 10, no. 3 (1 Sept. 1976), 21-24. 1976 National Collegiate Fid- dler's Festival. HATCHER, MRS. J. B. +*"Fiddling Dud Vance" 20 (1 Mar. 1973), 9-12. Short biography and recording history, discog- raphy, photos of early recording fiddler. +*"The Vance Family: A Pictorial Account" E, no. 27 (1 June 1974), 39-42. Photos of East Ten- nessee fiddler, Dud Vance, and his family. HENDRICKS, KAW. +*"Fourth Annual Renfro Valley Fiddlers Convention and Old Timers Reunion" E, no. 26 (1 Sept. 19741, 62-63. HICKS, BILL. +*"The Hollow Rock String Band" E, no.
Load more

Recommended publications
  • Greenup County, You Have a of June in Pike County
    J.D. Crowe Table of Contents US23CountryMusicHighway......................4 The Future Stars of Country Music.................5 “More Than Music” US 23 Driving Tour.............8 Billy Ray Cyrus........................................9 Greenbo Lake State Resort Park...................10 Jesse Stuart..........................................11 The Judds.............................................12 Boyd County Tourism.................................13 Ricky Skaggs.........................................15 Lawrence County Tourism............................16 Larry Cordle..........................................18 Loretta Lynn & Crystal Gayle.......................19 US 23: John Boy’s Country .....................20 Hylo Brown...........................................21 Johnson County Tourism..............................22 Dwight Yoakam.......................................23 Map....................................................24 The Jenny Wiley Story.............................27 Presonsburg Tourism..................................28 Elk in Eastern Kentucky..............................30 Patty Loveless.......................................33 Pikeville/Pike County Tourism........................37 The banjo on the cover of this year’s magazine is a Hatfields and McCoys...............................38 Gibson owned by JD Crowe.JDwasbornandraisedin Gary Stewart........................................39 Lexington, Kentucky, and was one of the most influential Marion Sumner.......................................39 bluegrass musicians.
    [Show full text]
  • 1997Festivalofameric00festival.Pdf
    ,j iVJ I t n 3 o ri i a r \j ;J ^_ j. r\ r\ r \ 1 r r -1 L_ U > \J j_ Members of the Ethiopian Christian community participate in an annual candlelight ceremony called Maskal (cross finding) at Malcolm X Park in the District of Columbia. Photo by Harold Dorwin, © Smithsonian Institution 6 Smithsonian Institution Festival of American Folklife On the National Mall WASHINGTON, D.C. June25— 29&July2— Cosponsored by the National Park Service 1997 Festival of American Folklife Hazel Dailey from Columbia, Louisiana, works with the insert to the pressure cooker she uses in canning produce. Photo by Sylvia Frantom Tradition-based social occasions like this coffee ceremony at the Washing- On the Cover ton, D.C., home ofHermela Kebede reinforce ties between generations of At this baptism at Lake Providence, Louisiana, in the Delta region, the minister Ethiopian women living in the United repeats a prayer as each candidate, dressed in traditional robe and headgear, States. Photo by Harold Dorwin, is immersed. The baptized are then received by members of the church and ©Smithsonian Institution taken away to change. Photo © Susan Roach At a gathering of the lion Christian Church in South Africa's northern province ofMoria, the men of Site Map on the Back Cover Mokhukhu dance as an expression of faith. Photo © T. J. Lemon The Carolina Tar Heels (left to right, Clarence [Torn! Ashley, Doc Walsh, Owen Foster), ca. 1930. Photo courtesy CFPCS Archive Crop dusting cotton fields in the Mississippi Delta. L Photo © Maida Owens 27 1997 Festival of American Folklife
    [Show full text]
  • National Historic Landmark Nomination Ryman Auditorium
    NATIONAL HISTORIC LANDMARK NOMINATION NPS Form 10-9 USDI/NPS NRHP Registration Form (Rev. 8-S OMBNo. 1024-0018 RYMAN AUDITORIUM Page 1 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form 1. NAME OF PROPERTY Historic Name: Ryman Auditorium Other Name/Site Number: Union Gospel Tabernacle 2. LOCATION Street & Number: 116 Fifth Avenue North Not for publication:__ City/Town: Nashville Vicinity:__ State: TN County: Davidson Code: 037 Zip Code: 37219 3. CLASSIFICATION Ownership of Property Category of Property Private: X Building(s): X Public-Local: _ District: __ Public-State: _ Site: __ Public-Federal: Structure: __ Object: __ Number of Resources within Property Contributing Noncontributing 1 ___ buildings ___ sites ___ structures ___ objects 1 Total Number of Contributing Resources Previously Listed in the National Register: 1 Name of related multiple property listing: NPS Form 10-9 USDI/NPS NRHP Registration Form (Rev. 8-S OMBNo. 1024-0018 RYMAN AUDITORIUM Page 2 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form 4. STATE/FEDERAL AGENCY CERTIFICATION As the designated authority under the National Historic Preservation Act of 1966, as amended, I hereby certify that this ___ nomination ___ request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property ___ meets ___ does not meet the National Register Criteria. Signature of Certifying Official Date State or Federal Agency and Bureau In my opinion, the property ___ meets ___ does not meet the National Register criteria.
    [Show full text]
  • ~Tate of \Lrennessee
    ~tate of \lrennessee HOUSE JOINT RESOLUTION NO. 518 By Representatives Beck, Powell, Russell, Reedy, Cepicky, Todd, Helton, Gillespie, Carr, Curcio, Weaver, Moody, Tim Hicks, Littleton, Keisling, Clemmons, Terry, Gloria Johnson, Camper and Senators Campbell, Gilmore, Kyle, Yarbro A RESOLUTION to recognize and honor the Grand Ole Opry on its 5,000th Saturday night broadcast. WHEREAS, the members of this General Assembly are proud to specially recognize a legendary institution that has contributed significantly to the country music industry and brought acclaim to the State of Tennessee the world over; and WHEREAS, on October 30, 2021, the Grand Ole Opry will send over the airwaves its 5,000th Saturday night broadcast, a momentous occasion in the history of this touchstone of American culture; and WHEREAS, "the show that made country music famous" began on Saturday, November 28, 1925, when a young announcer on Nashville radio station WSM introduced an eighty-year­ o!d fiddle player, Uncle Jimmy Thompson, as the first performer on a new show called The WSM Barn Dance; and WHEREAS, announcer George D. Hay, who labeled himself "The Solemn Old Judge," but was neither old nor a judge, realized he had started a good thing that fateful night; and WHEREAS, this acclaimed radio show followed an NBC network radio program on Saturday nights called The Music Appreciation Hour, in 1928, Mr. Hay announced on the air, "For the past hour we have been listening to music taken largely from the Grand Opera, but now we will present the Grand Ole Opry"; the
    [Show full text]
  • Off the Beaten Track
    Off the Beaten Track To have your recording considered for review in Sing Out!, please submit two copies (one for one of our reviewers and one for in- house editorial work, song selection for the magazine and eventual inclusion in the Sing Out! Resource Center). All recordings received are included in “Publication Noted” (which follows “Off the Beaten Track”). Send two copies of your recording, and the appropriate background material, to Sing Out!, P.O. Box 5460 (for shipping: 512 E. Fourth St.), Bethlehem, PA 18015, Attention “Off The Beaten Track.” Sincere thanks to this issue’s panel of musical experts: Richard Dorsett, Tom Druckenmiller, Mark Greenberg, Victor K. Heyman, Stephanie P. Ledgin, John Lupton, Angela Page, Mike Regenstreif, Seth Rogovoy, Ken Roseman, Peter Spencer, Michael Tearson, Theodoros Toskos, Rich Warren, Matt Watroba, Rob Weir and Sule Greg Wilson. that led to a career traveling across coun- the two keyboard instruments. How I try as “The Singing Troubadour.” He per- would have loved to hear some of the more formed in a variety of settings with a rep- unusual groupings of instruments as pic- ertoire that ranged from opera to traditional tured in the notes. The sound of saxo- songs. He also began an investigation of phones, trumpets, violins and cellos must the music of various utopian societies in have been glorious! The singing is strong America. and sincere with nary a hint of sophistica- With his investigation of the music of tion, as of course it should be, as the Shak- VARIOUS the Shakers he found a sect which both ers were hardly ostentatious.
    [Show full text]
  • Texas Ruby Owens
    Texas Ruby Owens Ruby Agnes “Texas Ruby” Owens. Country singer born in Wise County, Texas, on June 6, 1910, and died on March 3, 1963. She is buried at Franklin Cemetery in Franklin, Texas. Owens was raised in a musical family with nine sisters and two brothers. One of her brothers, Doie Hensley, went on to country music fame as “Tex” Owens, the radio cowboy. As a young girl, Ruby accompanied her father and brothers on a cattle drive to Fort Worth, Texas. One morning, as they sat waiting at one of the cattle buying centers, she and her brothers began singing some old cowboy songs to pass the time. During this impromptu sing-a-long, a crowd of cowboys and cattle buyers gathered around to listen. Soon, a radio station stock holder from Kansas City, who happened to be in the crowd, offered Owens her first spot on national radio. Texas Ruby, as she came to be called, would be a pioneering figure among female performers within a mostly male-dominated country music industry. Labeled the “Sophie Tucker of the Feminine Folk Singers,” she sang mostly honky-tonk material in a strong, distinct voice and wrote many of her own songs. In 1937, at the Texas Centennial Celebration in Wise County, Texas, Owens met famous “trick fiddler,” Curly Fox (born Arnim LeRoy Fox.) The couple married that same year and formed a popular husband-and-wife team that performed on stage and radio throughout the country and eventually signed with Columbia Records. From 1944 to 1948, the couple appeared frequently at the Grand Ole Opry and were regular stars of the nationally popular Saturday Night Grand Ole Opry.
    [Show full text]
  • HOUSE JOINT RESOLUTION 790 by Beck a RESOLUTION To
    <BillNo> <Sponsor> HOUSE JOINT RESOLUTION 790 By Beck A RESOLUTION to recognize and honor the Grand Ole Opry on the celebration of its ninety-fifth anniversary. WHEREAS, the members of this General Assembly are proud to specially recognize a legendary institution that has contributed significantly to the country music industry and brought acclaim to the State of Tennessee the world over; and WHEREAS, no mass media event is more associated with the State of Tennessee than the WSM radio program known as The Grand Ole Opry. Not only is The Grand Ole Opry the longest-running radio show in U.S. history, but it is renowned as the cornerstone for the dynamic commercial art form of country music; and WHEREAS, the Grand Ole Opry and its offspring comprise, or are affiliated with, the State's major tourist attractions, and the Opry's commercial power and attraction have been the primary reasons for Nashville's emergence as a music recording center; and WHEREAS, the saga of the Grand Ole Opry began on the night of November 28, 1925, when a young announcer on Nashville radio station WSM introduced an eighty-year-old fiddle player, Uncle Jimmy Thompson, as the first performer on a new show called The WSM Barn Dance; and WHEREAS, announcer George D. Hay, who labeled himself "The Solemn Old Judge," but was neither old nor a judge, realized he had started a good thing that fateful night; and WHEREAS, now, ninety-five years later, the radio show Mr. Hay started is still going strong; the Opry is the foundation for a huge entertainment and resort complex and has been instrumental in Nashville claiming the title of Music City U.S.A.; and WHEREAS, this acclaimed radio show followed an NBC network radio program on Saturday nights called The Music Appreciation Hour; in 1928, Mr.
    [Show full text]
  • Bill Harrison Collection 97-050
    BILL HARRISON COLLECTION 97-050 1921-1997 [Bulk: 1965-1985] 28.5 linear feet The Center for Popular Music Middle Tennessee State University, Murfreesboro, TN Processed by David Jellema, September 1998 Revised by Lucinda P. Cockrell, March 2006 Revised by Rachel K. Morris, June 2011 BILL HARRISON COLLECTION 97-050 Table of Contents Creator Type of Material Physical Description Dates Abstract (Descriptive Summary) Access/Restrictions Provenance and Acquisition Information Subject/Index Terms Agency History/Biographical Sketch............................................................3 Scope and Content..........................................................................................4 Series Description............................................................................................5 Collection Contents (Folder/Box List)...........................................................9 Materials Cataloged Separately Arrangement……………………………………………..…………….……17 Location Related Materials………………………………………………………...….18 2 BILL HARRISON COLLECTION 97-050 Creator: Harrison, Bill, 1920- Type of Material: Books, Sound Recordings, Trade Catalogs, Newspaper Clippings, Performance Documents, Manuscripts, Photographs, Serials Physical Description: 28.5 linear feet, including audio recordings, photographs, and manuscript papers Dates: 1921-1997, bulk 1965-1985 Abstract (Descriptive Summary): This collection documents Bill Harrison’s work in organizing the Tennessee Valley Old Time Fiddlers Association, music festivals, and events and conventions
    [Show full text]
  • GRASS CLIPPINGS Volume 18 Issue 3 August 2013/September 2013 Editor’S Note: I Received the Following As an Email from Mike on June 22Nd
    DESERT BLUEGRASS ASSOCIATION GRASS CLIPPINGS Volume 18 Issue 3 August 2013/September 2013 Editor’s Note: I received the following as an email from Mike on June 22nd. Mike subsequently gave me permission to publish in the Newsletter. A CURVE IN THE ROAD By Mike Headrick Dear Friends, I have heard it said that life is what happens while you are making other plans. That certainly describes our last couple of weeks. We were planning to transition to our life in Portland for the summer - meeting friends & family at the Grass Valley Bluegrass festival on the way. Instead we are still here in Tucson. I have been diagnosed with colon cancer and will be getting treatment here. Friday June 8th started normally enough – I was scheduled to donate blood at the Red Cross before we left for Portland on the 12th. However, the hemoglobin screen showed that my iron level was too low to donate. I took that as a warning that I might be leaking blood and called my doctor. We very quickly arranged for a colonoscopy on Monday the 10th (yeah our 46th wedding anniversary). The colonoscopy showed a large mass in the ascending colon suspected to be cancer. This was a surprise since my last colonoscopy just 3 years ago was ok. We immediately canceled our travel plans and went into medical mode which is basically hurry up and wait. Eventually, the biopsy confirmed the doctor’s opinion – adenocarcinoma. It was “poorly differentiated” which tends to be a more aggressive subtype. In the mean time we had been arranging for a consultation with a surgeon, getting a CT scan and numerous blood tests.
    [Show full text]
  • April CALENDAR of EVENTS
    April CALENDAR 2013 OF EVENTS 2020 Addison Street • Berkeley, California • (510) 644-2020 • www.freightandsalvage.org SUNDAY MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY Concert for Sue Draheim eric & Suzy Thompson, Good Ol’ David Olive & Barbara Higbie, Jody Stecher & kate brislin, Freight laurie lewis & Tom rozum, kathy kallick, Persons Wilcox the Dirty Linda Tillery Open Mic California bluegrass the best of pop Gerry Tenney & the Hard Times orchestra, pay your dues, trailblazers’ reunion and folk aesthetics Martinis, & Laurie Lewis Golden bough, live oak Ceili band with play and shmooze Hills to Hollers the Patricia kennelly irish step dancers, Girl Named T album release show Tempest, Will Spires, Johnny Harper, rock ‘n’ roots fundraiser don burnham & the bolos, Tony marcus for the rex Foundation $28.50 adv/ $4.50 adv/ $20.50 adv/ $24.50 adv/ $20.50 adv/ $22.50 adv/ $30.50 door monday, April 1 $6.50 door Apr 2 $22.50 door Apr 3 $26.50 door Apr 4 $22.50 door Apr 5 $24.50 door Apr 6 Gautam UC Jazz Brittany Haas, Alan Celebrating House The Earl Songwriters Tejas Ensembles Paul Kowert Senauke with Jacks Brothers Zen folk musician, Caren Armstrong, “the rock band Outlaw Hillbilly Ganeshan Spring & Jordan Tice featuring Keith Greeninger without album release show Carnatic music string fever Jon Sholle, instruments” with distinction Concert from three Chad Manning, & Steve Meckfessel and inimitable style featuring the Advanced young virtuosos Suzy & Eric Thompson, Combos and big band Kate Brislin $20.50/$22.50 Apr 7 $14.50/$16.50 Apr
    [Show full text]
  • Summer 2013 and Music Club Snape and Potiphar’S Apprentices
    NNootteess The Newsletter of Readifolk Issue 18 Reading's folk song Summer 2013 and music club Snape and Potiphar’s Apprentices. You can read all about these me two acts, as well as all the other artists who are appearing at Welco the club during the coming quarter, in the preview section on pages 4 and 5. to another Readifolk Do make a special note of our Grand Charity Concert on 14 newsletter July which features our very own band Rye Wolf. Rye Wolf play a mix of traditional and self­penned songs in true folk style and Rumblings from the Roots are rapidly making a name for themselves in the local area and further afield. The concert is in support of the local community Welcome to the Summer edition of Notes. radio station, Reading4U, which is of course where many of the band performers and others from Readifolk broadcast the Once again our editor has managed to put together a weekly Readifolk Radio Show (Friday evenings 6 ­ 8 pm on newsletter packed with interesting articles and information www.reading4u.co.uk). Reading Community Radio is run which we hope you will enjoy reading. We thank all of the entirely by volunteers ­ there are no paid employees, and it contributors to this issue of Notes for their considerable efforts. relies on donations, sponsorship etc. for its funding. We hope that with your help this concert will be able to make a sizeable As usual you will find on the back page the full programme of contribution to those funds. events at Readifolk during the next three months.
    [Show full text]
  • Jim Shumate and the Development of Bluegrass Fiddling
    JIM SHUMATE AND THE DEVELOPMENT OF BLUEGRASS FIDDLING A Thesis by NATALYA WEINSTEIN MILLER Submitted to the Graduate School Appalachian State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2018 Center for Appalachian Studies JIM SHUMATE AND THE DEVELOPMENT OF BLUEGRASS FIDDLING A Thesis by NATALYA WEINSTEIN MILLER May 2018 APPROVED BY: Sandra L. Ballard Chairperson, Thesis Committee Gary R. Boye Member, Thesis Committee David H. Wood Member, Thesis Committee William R. Schumann Director, Center for Appalachian Studies Max C. Poole, Ph.D. Dean, Cratis D. Williams School of Graduate Studies Copyright by Natalya Weinstein Miller 2018 All Rights Reserved Abstract JIM SHUMATE AND THE DEVELOPMENT OF BLUEGRASS FIDDLING Natalya Weinstein Miller, B.A., University of Massachusetts M.A., Appalachian State University Chairperson: Sandra L. Ballard Born and raised on Chestnut Mountain in Wilkes County, North Carolina, James “Jim” Shumate (1921-2013) was a pioneering bluegrass fiddler. His position at the inception of bluegrass places him as a significant yet understudied musician. Shumate was a stylistic co-creator of bluegrass fiddling, synthesizing a variety of existing styles into the developing genre during his time performing with some of the top names in bluegrass in the 1940s, including Bill Monroe in 1945 and Lester Flatt & Earl Scruggs in 1948. While the "big bang" of bluegrass is considered to be in 1946, many elements of the bluegrass fiddle style were present in Bill Monroe's Blue Grass Boys prior to 1945. Jim Shumate’s innovative playing demonstrated characteristics of this emerging style, such as sliding double-stops (fingering notes on two strings at once) and syncopated, bluesy runs.
    [Show full text]