Reutlinger Photography Studio, Paris, Loïe Fuller in Butterfly Gown, C
Reutlinger Photography Studio, Paris, Loïe Fuller in Butterfly Gown, c. 1898. Gift of Margaret Haile Harris, Maryhill Museum of Art. Permanent exhibition Fire and Ice: The Magic of Loïe Fuller. See page 7. CONTINUING EXHIBITIONS: THE MIDDLE COLUMBIA RIVER REGION extends downriver nearly 200 miles from the mouth of the Snake River to present-day Bonneville Dam. Celebrated for their unique stone, wood, horn, and bone carvings, for basketry, and for their beadwork, the Indian peoples who lived along this expanse of river figured prominently in the writings of 19th-century explorers and early pioneers. During the 20th century, these same peoples were photographed by regional photographers. Between 1900 and the late 1950s, three of them—Lee Moorhouse of Pendleton, Oregon, Thomas H. Rutter of Yakima, Washington, and J.W. Thompson of Seattle, Washington—captured nearly 6,000 images of Indian life along the Middle Columbia River. They also Images and Art of the photographed Columbia River peoples who were relocated to communities on the nearby Yakama, Warm Springs, and Umatilla Indian Reservations. Mid-Columbia Indians Beside the Big River: Images and Art of the Mid-Columbia Indians presents July 16 – November 15, 2011 40 Moorhouse, Rutter and Thompson photographs of regional Indian life, and select examples of Indian art worked in a variety of mediums. Left: J.W. Thompson, Ella Jean Billy, Mavis George, Matilda Howtopat and Mabel Shike at the Rock Creek Longhouse, c. 1955. J.W. Thompson Collection, Maryhill Museum of Art. Right: Klikitat, Wedding Veil, c. 1875, glass and metal beads, dentalium shells, thimbles, bells and Chinese coins, 22” x 10”.
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