Visitor Guide WELCOME to MARYHILL MUSEUM of ART Continued to Exert an Influence on the Museum for Nearly Two Decades

Total Page:16

File Type:pdf, Size:1020Kb

Visitor Guide WELCOME to MARYHILL MUSEUM of ART Continued to Exert an Influence on the Museum for Nearly Two Decades Visitor Guide WELCOME TO MARYHILL MUSEUM OF ART continued to exert an influence on the museum for nearly two decades. Today Maryhill welcomes thousands annually Maryhill Museum of Art was originally planned as a private to the museum and gardens, and protects and preserves residence for Northwest businessman Sam Hill. In 1907 he Hill’s ranch, leasing a fraction of it to ranchers and farmers, purchased 5,300 acres to start an agricultural community he fulfilling Hill’s vision for the property. named after his daughter, Mary. Around the same time, Hill developed lasting friendships with famed dancer Loïe Fuller, The Mary and Bruce Stevenson Wing was dedicated Queen Marie of Romania and San Francisco sugar heiress May 13, 2012. Designed by GBD Architects and built by Alma Spreckels. When his planned farm did not materialize, Schommer & Sons, it was awarded a Gold certification from Fuller convinced Hill to convert his unfinished house into an the U.S. Green Building Council’s Leadership in Energy and art museum. During the dedication in 1926, Queen Marie said, Environmental Design (LEED®) program. It is a vital step “There is much more than concrete in this structure. There is toward furthering the museum’s mission to collect, present a dream built into this place, a dream for today and especially and preserve art and historical and natural resources and for tomorrow.” Although neither Hill nor Fuller lived to see to enrich and educate residents and visitors of the Pacific the museum open to the public May 13, 1940, Spreckels Northwest. EXHIBITIONS IN 2020 CURRENT SPECIAL EXHIBITIONS A Particular Beauty: Romanian Folk Clothing March 15 – November 15 LAURA AND JOHN CHENEY GALLERY Théodore Rivière: Sculpture March 15 – November 15 MARYHILL FAVORITES GALLERY STONEHENGE MEMORIAL Animals are not allowed in the museum. Maryhill Favorites: Art by Women Four miles east of the museum is Hill’s Please do not leave animals in your car. Celebrating the Centennial of the 19th replica of the Neolithic Stonehenge built Summer temperatures can reach over Amendment as a World War I Memorial. Open daily, 7 100 degrees at Maryhill; even on a mild day, March 15 – November 15 a.m. to dusk. Nearby is the Klickitat County a car’s interior can become overheated in Memorial to those who die in the service of minutes. M.J. MURDOCK CHARITABLE TRUST their country since WWI. Free admission. EDUCATION CENTER Photography: We invite you to shoot photos and videos for your personal use during your BECOME A MEMBER Queen Marie of Romania- The Irresistible visit unless you see this sign . Please no Ambassador of Romania When you become a member of Maryhill flash, tripods or monopods. Please register March 15 – April 10 Museum of Art TODAY, the price of your at the admissions desk for press, commercial Washington Art Education Association admission will be refunded. Free admission or special photography requests. Teachers as Artists is just one of the many benefits you will Taking Selfies at Maryhill? Why not share enjoy as a member. Join us. April 14 – May 26 them by tagging them with the hashtag The Influence of Women with the Aristides PLEASE . #maryhillmuseum? Atelier, Seattle LoÏe’s: The Museum Café is open 10:30 a.m. June 1 – July 19 Visitors need to check all backpacks, briefcases, umbrellas, and other parcels until 4:30 p.m. Loïe’s is located at the south Pacific Northwest Plein Air end of the Lower Level of the Mary and larger than 11" x 14" at the entrance desk. in the Columbia River Gorge Bruce Stevenson wing. August 2 – 22 Eating and drinking are permitted only in The Museum Store is open during The Exquisite Gorge Revisited Loïe’s: The Museum Café. Picnic tables are available in shaded areas throughout the museum hours and offers art books and August 28 - September 30 gardens for personal use. an interesting selection of gifts. Members Oregon Art Educators Association receive a 10% discount. Please do not touch. Works of art are very Teachers as Artists fragile. To minimize the possibility of an Left to right: Sam Hill (1857-1931), Queen Marie of October 3 - November 15 accident, please keep back at least one foot. Romania (1875-1938), Alma de Bretteville Spreckels (1882-1968), Loïe Fuller (1862-1928) AMERICAN CLASSICAL UPPER LEVEL REALISM A PARTICULAR BEAUTY: ROMANIAN FOLK CLOTHING RECENT THÉÂTRE DE LA MODE ACQUISITIONS WILLIAM AND 35 Maryhill Museum Drive THE DISCOVER ENTRY LEVEL CATHERINE DICKSON ROOM SCULPTURE PARK Goldendale, WA 98620 MARYHILL SAM Outside on the grounds 509-773-3733 FAVORITES HILL www.maryhillmuseum.org FIND US ON: PARKING > ENTRY/EXIT ONLY QUEEN MARIE Sign up for our E-News on our website OF ROMANIA Post about your visit using the hashtag #maryhillmuseum! GROUND LEVEL ENTRY LEVEL ENTRY/EXIT ONLY QUEEN MARIE OF ROMANIA AUGUSTE INDIGENOUS PEOPLES RODIN OF NORTH AMERICA MUSEUM STORE SAM HILL HISTORY LOÏE FULLER ORTHODOX ICONS MARYHILL FAVORITES MASTER GLASSMAKERS ENTRANCE TO THE DISCOVER ROOM STEVENSON WING UPPER LEVEL THÉÂTRE DE LA MODE, MARY HOYT THÉODORE STEVENSON FOUNDATION GALLERY RIVIÈRE: SCULPTURE A PARTICULAR BEAUTY: ROMANIAN FOLK CLOTHING DISCOVER AMERICAN CLASSICAL REALISM Begin discovering Maryhill’s collections in THE DISCOVER ROOM in the Northwest RECENT ACQUISITIONS GALLERY corner of the Entry Level. The program is sponsored by a generous gift from GROUND LEVEL Judith A. Lackstrom and Robert E. Morrow. INDIGENOUS PEOPLES OF NORTH AMERICA LOÏE FULLER, JUDY CARLSON KELLEY AND FAMILY GALLERY LOWER LEVEL WILLIAM AND CATHERINE DICKSON AUGUSTE RODIN SCULPTURE PARK Outside, throughout the gardens, walks and ENTRANCE TO THE MARY AND BRUCE STEVENSON WING (NO EXITS) plazas you will find the William and Catherine Dickson Sculpture Park where LAURA AND JOHN CHENEY GALLERY visitors can enjoy an installation of PRISCILLA AND WALLY STEVENSON VIEW ALCOVE large-scale outdoor sculpture from the museum’s permanent collection. The park LOWER LEVEL includes work by Mel Katz, Matt Cartwright, Leon Wright, Devin Laurence Field, Julian ART DODD & DIANE PLUMRIDGE LIBRARY (By Appointment) Voss-Andreae, Ken Hall, Tom Herrera, Alisa GEORGE E. MUEHLECK JR. GALLERY Looney, Jill Torberson, Don Wilson, Jeffery OF INTERNATIONAL CHESS SETS EDUCATION CENTER Weitzel, James Lee Hansen and a THE M.J. MURDOCK CHARITABLE TRUST EDUCATION CENTER site-specific work by noted architect Brad Cloepfil. BROUGHTON AND MARY BISHOP FAMILY TERRACE LOÏE’S: THE MUSEUM CAFE WILLIAM AND CATHERINE DICKSON LOÏE’S SCULPTURE PARK(IN GARDENS AND GROUNDS) CAFE WATER FOUNTAIN BROUGHTON AND MARY BISHOP RESTROOMS ELEVATORS FAMILY TERRACE.
Recommended publications
  • Summer 2019 Director’S Letter
    Summer 2019 Director’s Letter Dear Members, Summer in the Northwest is a glorious time of year. It is also notoriously busy. If you are like most people, you are eager fill your weekends with fun and adventure. Whether you are re-visiting some of your favorite places or discovering new ones, I hope Maryhill is on your summer short list. We certainly have plenty to tempt you. On July 13 we open the special exhibition West Coast Woodcut: Contemporary Relief Prints by Regional Artists, which showcases some of the best printmakers of the region. The 60 prints on view feature masterfully rendered landscapes, flora and fauna of the West coast, along with explorations of social and environmental issues. Plein air artists will be back in action this summer when the 2019 Pacific Northwest Plein Air in the Columbia River Gorge kicks off in late July; throughout August we will exhibit their paintings in the museum’s M.J. Murdock Charitable Trust Education Center. The show is always a delight and I look forward to seeing the Gorge through the eyes of these talented artists. Speaking of the Gorge — we are in the thick of it with the Exquisite Gorge Project, a collaborative printmaking effort that has brought together 11 artists to create large-scale woodblock prints reflective of a 220-mile stretch of the Columbia River. On August 24 we invite you to participate in the culmination of the project as the print blocks are inked, laid end-to-end and printed using a steamroller on the grounds at Maryhill.
    [Show full text]
  • Winter 2011–2012 Dear Members & Friends
    Winter 2011–2012 Dear Members & Friends, It’s trulY NOT AN UNDERSTATEMENT to say that Maryhill Museum of Art has had a monumental year. Last fall we received a generous challenge grant from the M.J. Murdock Charitable Trust and in February held a groundbreaking for the first expansion in the museum’s history. On hand for the occasion were numerous members, donors and museum supporters who have worked hard to make the expansion project – many years in the making – a reality. Capital Campaign co-chair Laura Cheney, whose mother, Mary Hoyt Stevenson, provided the $2.6 million lead gift that made this new wing possible, was there to hoist a golden shovel and spoke eloquently about her mother’s dream for Maryhill. Top and bottom right: The Mary and Bruce Stevenson Wing Mary Stevenson became involved at Maryhill first as a volunteer expansion. Drawings by Craig Holmes. and later as a financial supporter of the museum. She served on the museum’s Board of Trustees for nearly 10 years and supported Maryhill Hits Halfway Mark Maryhill through gifts to exhibits, programs, the endowment to Meet M.J. Murdock and Fund for the Future, which she began in 1993 with a gift of Charitable Trust Challenge $1 million. Other gifts followed, many through the Mary Hoyt In January 2011, Maryhill Museum Stevenson Foundation. Mary’s love of art extended beyond of Art’s capital campaign received Maryhill. She served two terms on the Washington State Arts a substantial boost in the form of Commission and on the board of Portland’s Contemporary a 2:1 matching grant from the M.J.
    [Show full text]
  • 2014 Annual Report
    2014 ANNUAL REPORT Maryhill Museum of Art and the Mary and Bruce Stevenson Wing. Photograph by Steve Grafe, Curator of Art 1 | Page Overview of Accomplishments in 2014 In 2014 the Maryhill Museum of Art welcomed nearly 40,000 people through its doors. Visitors enjoyed brilliant exhibitions, partook of dozens of learning opportunities and enjoyed the gardens and grounds, Loïe’s: The Museum Café, the Museum Store and sites on the ranch such as Stonehenge Memorial or the historic Maryhill Loops Road. While Maryhill enjoyed its second season in the Mary Mission and Bruce Stevenson Wing, the museum continued to address plans to round out the new wing. These included From the unique Columbia River Gorge, continued improvement of the museum’s collection Maryhill Museum of Art collects, presents storage system in the Brim Family Research Center, and preserves art and historical and natural progress made on the west side landscaping plan, and resources to enrich and educate residents improvements in the M.J. Murdock Charitable Trust and visitors of the Pacific Northwest. Education Center. With the support of Weinstein Vision Associates, and technology consultant, Kent Heighton, Maryhill Museum of Art is foremost an the museum was able to install museum-wide Wi-Fi. educational institution delivering quality This was immediately used by visitors, volunteers, exhibits and educational programming trustees, committee members, friends and staff. related to its collections and its history. In The museum met a water challenge in 2014 by studying doing so, it provides opportunities for the museum’s main water system to better serve the people of all ages and backgrounds to needs of the museum building and gardens.
    [Show full text]
  • Mission: from the Unique Columbia River Gorge, Maryhill Museum of Art Collects, Presents and Preserves Art and Historical and Na
    Mission: From the unique Columbia River Gorge, Maryhill Museum of Art collects, presents and preserves art and historical and natural resources to enrich and educate residents and visitors of the Pacific Northwest. Values: Accountability · Diversity · Enjoyment · Innovation · Integrity · Welcoming · Quality · Stewardship · Sustainability The Year 2011 at Maryhill Museum of Art ANNUAL REPORT Maryhill Museum of Art, located in Goldendale, Washington is a thriving organization serving Columbia River Gorge residents as well as visitors from Washington, Oregon, and beyond. The museum offers an appealing mix of temporary exhibits, often featuring Northwest artists and contemporary work, with priceless works of American, European, and Native American art from its permanent collection. It provides a diverse range of educational programs directed at thousands of students, families, young adults, and adult learners. It is financially healthy with diversified revenue sources, a growing endowment, and an engaged staff and board. In 2011 it welcomed over 36,000 guests through its doors. It presented several seasonal exhibits and its permanent exhibits featuring the museum’s collections. The museum offered dozens of programs throughout the year. The year was momentous in that construction on the Mary and Bruce Stevenson Wing began. This $10 million dollar addition brings an additional 25,000 square feet to the museum. Key features include a dedicated art education center for a wide range of public programming; a centralized collections suite to house the museum’s world-class collections; an outdoor plaza where visitors can better enjoy Maryhill’s extraordinary setting and outdoor sculpture; and a new café with terrace seating and stunning views of the Columbia River Gorge.
    [Show full text]
  • Théodore Rivière: Sculpture
    Théodore Rivière: Sculpture Théodore Rivière: Sculpture Théodore Louis Auguste Rivière (French, 1857‒1912) was born in Toulouse and received his art education there at the School of Fine Arts. He then attended the National School of Fine Arts of Paris. As a young man, Rivière studied under François Jouffroy (French, 1806‒1882), Antonin Mercié (French, 1845‒1916), and Alexandre Falguière (French, 1851‒1900)—who had been a student of both Jouffroy and Albert-Ernest Carrier-Belleuse (French, 1824‒1887). Carrier- Belleuse is known to Maryhill Museum of Art patrons through his Diana, Goddess of the Hunt (1886), which stands opposite the museum’s public entrance. Rivière is remembered for his bronze sculptures, but he also worked in other mediums. His creations are generally associated with the Art Nouveau style and he was a leading French sculptor of Oriental subjects. Rivière drew inspiration from Greek and Roman mythology, biblical narratives, literary texts, and his travels in North Africa, the Far East, and elsewhere. He lived for a while in Carthage (Tunisia), and there completed two Orientalist groups based on Gustave Flaubert’s 1862 novel about Salammbô. These were exhibited to acclaim at the 1894 and 1895 Paris Salons. Maryhill Museum of Art’s Théodore Rivière collection has an interesting—even unusual—history. In 1949, Alma de Bretteville Spreckels wrote to the museum’s director and reported that she had acquired the sculptures in 1915, through Loïe Fuller. Chicago businessman and philanthropist Julius Rosenwald (1862–1932), who was an owner and executive of Sears, Roebuck and Company, was also interested in them, but Alma “begged” Loïe to let her have the works.
    [Show full text]
  • Discover, Dally, Dawdle, Dufur, the Dalles View This Map Online At
    MARYHILL MUSEUM OF ART 36 Discover, Dally, Dawdle, HOURS in the Dufur, The Dalles COLUMBIA RIVER • F r i d ay • GORGE 4 p.m. SLEEP iN THE LaST CENTUry While TEH HiS oriC BaLCH HoTEL in Dufur (population 600) is under two hours from either Portland MARYHILL MUSEUM or the Tri-Cities area in Washington. Owners Jeff and Samantha, along with their dog Kahlua and resident OF ART feline Tucker, will see to your every need, including a and the captivating scrumptious breakfast made to order (included with your region around it is stay). Built in 1907 by rancher and druggist Charles P. Balch, the three-story Italianate hotel is made of bricks a short, scenic drive from Balch’s ranch. When it opened on January 17, 1908 rooms cost $0.50 to from many places $1.25, touting “hot and cold water in every room, electric lights and steam heat.” Today the hotel boasts 20 refurbished rooms, each with unique furnishings and in the Northwest, the décor. Some have private baths, but none have TVs or phones. The hotel has spectacular setting, wireless Internet. Please no pets. Relax. high on the bluffs of the Reconnect. Rejuvenate. Columbia River Gorge, makes it easy to feel worlds away. Lively towns and diversions abound for a 36-hour getaway filled with explorations of local 6:30 p.m. history, wine tasting, HoMESTyLE diNNEr museums and more. For diNNEr, cross the street to the Dufur PaSTiME SaLooN and join the locals for a tasty burger and brew. The food is honest if not elegant: homemade sausage and French fries, and crispy fried chicken.
    [Show full text]
  • SUMMER 2016 Dear Friends
    SUMMER 2016 Dear Friends, Summer is in full swing at Maryhill, and the museum is bustling inside and out. Galleries are awash with visitors enjoying our new exhibitions and outside, they are sizing up the views, exploring the sculpture garden, and soaking up all Maryhill has to offer. Maryhill’s incredible setting is the “secret sauce” that makes it a one- of-a-kind destination. And with that in mind, our summer programming takes full advantage of our beautiful outdoor spaces. On July 30 we’ll once again host Portland Actors Ensemble, who will delight audiences with a performance of Shakespeare’s Love’s Labour’s Lost. Bring your blanket and picnic basket, as we celebrate Shakespeare’s 400th birthday! We are excited to bring you two new events this summer. This is one of my favorite paintings in the collection and I wanted to share it with you. The With the help of Rose City handsome way the dog is rendered tells me that the artist has a keen sense of what a dog is physically—look at its paws chest and rear. It is clear to me that the artist has beautifully Astronomers we will host the first captured his mood. The dog is presumably looking back to the person in the room somewhat Maryhill Star Party on July 30. Details hopefully for a piece of the cooking flat bread. The slight bit of drool, catching the light at the on this magical, family-friendly evening corner of his mouth, seals the expression. Like my dog at home, he is begging.
    [Show full text]
  • Reutlinger Photography Studio, Paris, Loïe Fuller in Butterfly Gown, C
    Reutlinger Photography Studio, Paris, Loïe Fuller in Butterfly Gown, c. 1898. Gift of Margaret Haile Harris, Maryhill Museum of Art. Permanent exhibition Fire and Ice: The Magic of Loïe Fuller. See page 7. CONTINUING EXHIBITIONS: THE MIDDLE COLUMBIA RIVER REGION extends downriver nearly 200 miles from the mouth of the Snake River to present-day Bonneville Dam. Celebrated for their unique stone, wood, horn, and bone carvings, for basketry, and for their beadwork, the Indian peoples who lived along this expanse of river figured prominently in the writings of 19th-century explorers and early pioneers. During the 20th century, these same peoples were photographed by regional photographers. Between 1900 and the late 1950s, three of them—Lee Moorhouse of Pendleton, Oregon, Thomas H. Rutter of Yakima, Washington, and J.W. Thompson of Seattle, Washington—captured nearly 6,000 images of Indian life along the Middle Columbia River. They also Images and Art of the photographed Columbia River peoples who were relocated to communities on the nearby Yakama, Warm Springs, and Umatilla Indian Reservations. Mid-Columbia Indians Beside the Big River: Images and Art of the Mid-Columbia Indians presents July 16 – November 15, 2011 40 Moorhouse, Rutter and Thompson photographs of regional Indian life, and select examples of Indian art worked in a variety of mediums. Left: J.W. Thompson, Ella Jean Billy, Mavis George, Matilda Howtopat and Mabel Shike at the Rock Creek Longhouse, c. 1955. J.W. Thompson Collection, Maryhill Museum of Art. Right: Klikitat, Wedding Veil, c. 1875, glass and metal beads, dentalium shells, thimbles, bells and Chinese coins, 22” x 10”.
    [Show full text]
  • James Lee Hansen
    JAMES LEE HANSEN This publication and the James Lee Hansen: Sculpture exhibition were produced with assistance from James Lee and Jane Elizabeth Hansen and made possible by the generous support of: Art Dodd and Diane Plumridge Broughton and Mary Bishop Family Advised Fund of the Community Foundation for Southwest Washington Washington State Arts Commission/National Endowment for the Arts. Publication design: Steve Grafe and Anna Fonnier Front and back covers: James Lee Hansen, 2012, photos by Nick Carulli, Camas, WA; www.nickcarulli.com Hands All is of the dust of stars wedded to the dust of hands. —James Lee Hansen, 2014 Inside front cover: James Lee Hansen working on one of his Explorer series, Daybreak Studio, 1980s Inside back cover: James Lee Hansen, Sentinel Study, 1965, bronze, 18” x 6½” x 6½”; Hansen Trust (left) and James Lee Hansen, Explorer Study, 1998, bronze, 20½” x 6¾” x 4”; Hansen Trust (right) Unless noted, all photos are courtesy of the James Lee Hansen Archive, Battle Ground, WA. Copyright © 2014 Maryhill Museum of Art All rights reserved under International and Pan- American Copyright Conventions. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form by any means, electronic, mechanical, photocopying, recording, or otherwise, except brief extracts for the purpose of review, without written permission of the publisher. ISBN: 978-0-9617180-3-9 Published in the United States by: Maryhill Museum of Art 35 Maryhill Museum Drive Goldendale, Washington 98620 www.maryhillmuseum.org JAMES LEE HANSEN Steven L. Grafe uring a career that has spanned more than sixty years, Battle Ground, Washington, artist James Lee Hansen has produced more than seven hun- dred sculptures ranging in size from small studies to monumental works of public art.
    [Show full text]
  • Fall-Winter 2020 Director’S Letter
    Fall-Winter 2020 Director’s Letter Dear Members, With all the challenges this year has brought, it was a relief to be able to finally open our doors in mid-September; we instituted a timed-entry, advance reservation system to allow for contactless payment and to limit the number of people in the galleries at one time. Those who visited said they were grateful to be able to spend time in quiet contemplation; it seems that a socially-distanced art break is a welcome salve to these anxious times. We missed seeing you in person this season but have worked hard to find ways to connect from a distance. Our staff developed online education programs and virtual exhibitions to bring art and ideas to you at home; during our winter closure we’ll continue these efforts. I hope you’ll participate in the Ekphrastic Poetry Project, by contributing a poem inspired by art in the museum’s collections, or the Exquisitely Connected Project, which invites the creation of small artworks responding to current events. (See pages 7 through 9 for more information on both these programs.) While there is still uncertainty about what 2021 will bring, our plans are to open March 15 with a similar timed-entry system in place. We will hold over most of our exhibitions, so you will have another opportunity to see them, and we are designing programs that are both flexible and safe under the circumstances. A silver lining to 2020 has been wider access to Maryhill. Virtual programs have connected us to participants close to home, across the country, and even from around world.
    [Show full text]
  • Winter 2013 Dear Friends, As You May Know, We Recently Asked for Input About the Museum in General and Our Membership Program in Particular
    WINTER 2013 Dear Friends, As you may know, we recently asked for input about the museum in general and our membership program in particular. Over 400 people (members and non-members alike) responded and took the time to complete the survey. Thank you! It was fascinating to read your replies and comments. What immediately stood out is that many of you are incredibly passionate about Maryhill. It was so gratifying to know that you deeply value the museum, the exhibitions and programs we present, as well as the work that goes on behind the scenes. With that in mind, we have given this issue of the newsletter a focus on collections. On page 6 we give a brief history of the museum’s collections and how they were amassed, and on page 3 we introduce Maryhill Museum of Art members and members of the museum’s our new registrar, Anna Berg. Arthur G. Dunn Guild of Seattle pose with the sculpture Queen for a Day. Back: Cathy Dickson, Tom Herrera, Bill Dickson, Kim Finally, I want to extend a big thank you to you, McGinnis. Front: Char McGinnis and Dane Peterson. Artwork: Tom our members. Over the course of this season, we Herrera (Mosier, Ore.) Queen for a Day, 2006, enamel on steel. Gift welcomed more than 35,000 visitors to Maryhill, of the Arthur G. Dunn Guild; Collection of Maryhill Museum of Art hailing from all across the US and abroad. While we are thankful for each and every one of them, we are especially grateful for those of you who have taken your support one step further to become a member.
    [Show full text]
  • On the Columbia River
    Eanger Irving Couse on the Columbia River Steven L. Grafe Eanger Irving Couse on the Columbia River anger Irving Couse (1866–1936) was an American painter who is well known to Western art aficionados. As the first president of the Taos Society of Artists and one whose works graced numerous Santa Fe Railway promotional cal- endars, he is generally associated with northern New Mexico and Pueblo Indians.E His reputation is also tied to work done in Paris and rural France but he spent several years working near the Columbia River in rural south-central Washington State and painted his first Indian subjects there. Couse lived and worked on a ranch belong- ing to his wife’s parents in 1891–92, 1896–98, and during the summers of 1901 and 1904. The resultant paintings are little known and poorly understood, in part because the Indians and geography he recorded are not well-known to the American public. In October 1887, a little more than a year after arriving in Paris, Couse had the good fortune to meet another expatriate American art student, Virginia Jane Walker (1860–1929). She was from far-off Washington State. In 1845, her father, Wellington Bolivar Walker (1824–1904), had left Missouri and crossed the Plains to Oregon with his brother. They settled in the Willamette Valley but Bolivar returned to Missouri in 1847 to help another brother come west. Their 1848 wagon train included the John Purvine family from Illinois. The Purvines also settled in the Willamette Valley and in 1850, Wellington Bolivar Walker, 1891, oil on Bolivar married Catherine Josephine Catherine Purvine Walker, 1891, oil on canvas, 16½" x 13¼"; Courtesy of Virginia canvas, 16" x 13½"; Courtesy of Virginia Couse Leavitt Purvine (1829–1901).
    [Show full text]