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Larry Silver Bibliography

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Larry Silver Bibliography Appendix: Larry Silver Bibliography General Art History “Step-Sister of the Muses: Painting as Sister Art and Liberal Art.” In Articulate Images: The Sister Arts from Hogarth to Tennyson. Edited by Richard Wendorf, 36–69. Minneapolis: University of Minnesota Press, 1983. “Town and Country: Early Landscape Drawings.” In Landscape Drawings of Five Centuries, 1400–1900 from the Robert Lehman Collection. With George Szabo, et al., 3–17. Evanston: Mary and Leigh Block Gallery, 1988. “Retooling: Feminist Findings and Frustrations.” Art Documentation 9 (1990): 131–33. Encyclopaedia Brittanica, 15th (1992) edition, s.v. “Florence.” Art in History. Englewood Cliffs, N.J.: Prentice-Hall, 1993. “Meyer Schapiro as Faustian Scholar: A Centennial Tribute.” CAA Reviews, Posted 05 May 2003; accessed 26 February 2017, http://dx.doi.org/10.3202/caa.reviews.2003.29. “The Crisis in Publishing and the Problem of Art History Tenure.” The Art Book 12: 2 (May, 2005): 23–24. “Quo Vadis, Hagia Sophia? Art History Survey Texts.” With David Levine. CAA Reviews. Posted 25 January, 2006; accessed 26 February 2017, http://dx.doi.org/10.3202/caa .reviews.2006.134. Splendor, Myth, and Vision: Nudes from the Prado. Contributor. Edited by Thomas J. Loughman et al., 124–137. Williamstown, MA: Clark Art Institute, 2016. Northern Renaissance Art and Art of the Reformation “Northern European Paintings.” Bulletin, Saint Louis Museum of Art 16: 3 (Summer 1982): 1–47. “Forest Primeval: Albrecht Altdorfer and the Early German Wilderness Landscape.” Simiolus 13 (1983): 4–43. “The State of Research in Northern European Art of the Renaissance Era.” Art Bulletin 68 (1986): 518–35. “The Influence of Anxiety: The Agony in the Garden as Artistic Theme in the Era of Dürer.” Umeni 45 (1997): 420–29. “Nature and Nature’s God: Immanence in the Landscape Cosmos of Albrecht Altdorfer.” Art Bulletin 91 (1999): 194–214. James Snyder. Northern Renaissance Art. Revised by Larry Silver and Henry Luttikhuizen. Saddle River, NJ: Prentice-Hall, 2004. © koninklijke brill nv, leiden, ���7 | doi ��.��63/9789004354��8_044 574 Appendix “Pox vobiscum: Early Modern German Art and Syphilis.” In Tributes to James H. Marrow. Studies in Late Medieval and Renaissance Painting and Manuscript Illumination. Edited by Jeffrey Hamburger and Anne Korteweg, 465–476. Turnhout: Brepols, 2006. “Arts and Minds: Northern European Art History.” Renaissance Quarterly 59 (2006): 351–73. “Full of Grace: ‘Mariolatry’ in Post-Reformation Germany.” In The Idol in the Age of Art. Edited by Michael W. Cole and Rebecca Zorach, 295–321. Burlington, VT: Ashgate, 2009. Northern European and Spanish Paintings before 1600. Contributor. Edited by Martha Wolff. Chicago: Art Institute of Chicago, 2009. “Luther’s Artists.” In Luther in Context. Edited by David Whitford. New York: Cambridge University Press (in press). “Reformation Art: Parody or Paradigm?” In Stirring the World: German Printmaking in the Age of Luther. Ed. Henry Luttikhuizen. Grand Rapids: Calvin College (in press). Dutch and Flemish Art Flemish and Dutch Paintings 1400–1900. With Franklin Robinson and William Wilson. Sarasota, FL: Ringling Museum of Art, 1980. “Fountain and Source: A Rediscovered Eyckian Icon.” Pantheon 41 (1983): 95–104. “Figure nude, historie, e poesie: Jan Gossaert and the Renaissance Nude in the Netherlands.” Nederlands Kunsthistorisch Jaarboek 37 (1986): 1–40. “The ‘Gothic’ Gossaert: Native and Traditional Elements in a Mabuse Madonna.” Pantheon 45 (1987): 58–69. “Old Time Religion: Bernard van Orley and the Devotional Tradition.” Pantheon 56 (1998): 75–84. “Sites of Power: Images from Southeast Asia for the Dutch East India Company (VOC).” In Envisioning Self and Status: Self-Representation in the Low Countries 1400–1700. Edited by Erin Griffey. Crossways 5 (1999): 103–30. “Caravaggism’s Missing Link, or What ter Brugghen Brought Home from Rome.” Pantheon 58 (2000): 187–91. “Blijde Uitgave: Early Dutch Large Woodcut Ensembles and Politics.” In Florissant: Bijdragen tot de kunstgeschiedenis der Nederlanden (15de-17de eeuw): Liber Amicorum Carl Van de Velde. Edited by Arnout Balis, Paul Huvenne, Jeanine Lambrecht, and Christine Van Mulders, 65–77. Brussels: VUB Press, 2005. Peasant Scenes and Landscapes: The Rise of Pictorial Genres in the Antwerp Art Market. Philadelphia: University of Pennsylvania Press, 2006. “The Quality of Mercy: Sixteenth-Century Dutch Depictions of Charity.” With Henry Luttikhuizen. In Studies in Iconography 29 (2008): 216–48. “Art/Matter(s),” Art History 35 (2012): 1024–35. Rubens, Velázquez, and the King of Spain. With Aneta Georgievska-Shine. Burlington, VT: Ashgate, 2014..
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