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LEAPING TALL BUILDINGS American Comics SETH KUSHNER Pictures
LEAPING TALL BUILDINGS LEAPING TALL BUILDINGS LEAPING TALL From the minds behind the acclaimed comics website Graphic NYC comes Leaping Tall Buildings, revealing the history of American comics through the stories of comics’ most important and influential creators—and tracing the medium’s journey all the way from its beginnings as junk culture for kids to its current status as legitimate literature and pop culture. Using interview-based essays, stunning portrait photography, and original art through various stages of development, this book delivers an in-depth, personal, behind-the-scenes account of the history of the American comic book. Subjects include: WILL EISNER (The Spirit, A Contract with God) STAN LEE (Marvel Comics) JULES FEIFFER (The Village Voice) Art SPIEGELMAN (Maus, In the Shadow of No Towers) American Comics Origins of The American Comics Origins of The JIM LEE (DC Comics Co-Publisher, Justice League) GRANT MORRISON (Supergods, All-Star Superman) NEIL GAIMAN (American Gods, Sandman) CHRIS WARE SETH KUSHNER IRVING CHRISTOPHER SETH KUSHNER IRVING CHRISTOPHER (Jimmy Corrigan, Acme Novelty Library) PAUL POPE (Batman: Year 100, Battling Boy) And many more, from the earliest cartoonists pictures pictures to the latest graphic novelists! words words This PDF is NOT the entire book LEAPING TALL BUILDINGS: The Origins of American Comics Photographs by Seth Kushner Text and interviews by Christopher Irving Published by To be released: May 2012 This PDF of Leaping Tall Buildings is only a preview and an uncorrected proof . Lifting -
Tournament 17 Round 11 Tossups 1
Tournament 17 Round 11 Tossups 1. This type of method can be optimized by reusing the stack frame of the previous function call; that is known as tail optimization. Functions that commonly use this method include the divide-and-conquer solution to Towers of Hanoi and mergesort. A function that uses this procedure without a (*) base case will run forever. Commonly used in binary tree traversals, for 10 points, name this method where a function references itself in its definition. ANSWER: recursion [or recursive functions] 093-11-29-11102 2. At this story's end, the narrator attempts to calm down his friend by reading a story about a knight named Ethelred who kills a dragon to obtain a large amount of gold called The Mad Trist. Earlier, one character in this work sings about “evil things, in robes of sorrow” which “assailed the monarch’s high estate” in a poem titled “The Haunted Palace.” The end of this work sees the death of (*) Madeleine and the narrator’s friend Roderick. For 10 points, name this Edgar Allan Poe short story which ends with the collapse of the title estate. ANSWER: “The Fall of the House of Usher” 064-11-29-11103 3. One of these objects could not be moved without the help of the giantess Hyrrokin. Another one of them made of fingernails will appear at Ragnarok; those objects are Hringhorni and Naglfar. The Sons of Ivaldi made another one of these objects for Freyr which could be folded and put in a pocket and float through the air called Skidbladnir. -
Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours
i Being a Superhero is Amazing, Everyone Should Try It: Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours This thesis is presented for the degree of Doctor of Philosophy of The University of Western Australia School of Humanities 2021 ii THESIS DECLARATION I, Kevin Chiat, certify that: This thesis has been substantially accomplished during enrolment in this degree. This thesis does not contain material which has been submitted for the award of any other degree or diploma in my name, in any university or other tertiary institution. In the future, no part of this thesis will be used in a submission in my name, for any other degree or diploma in any university or other tertiary institution without the prior approval of The University of Western Australia and where applicable, any partner institution responsible for the joint-award of this degree. This thesis does not contain any material previously published or written by another person, except where due reference has been made in the text. This thesis does not violate or infringe any copyright, trademark, patent, or other rights whatsoever of any person. This thesis does not contain work that I have published, nor work under review for publication. Signature Date: 17/12/2020 ii iii ABSTRACT Since the development of the superhero genre in the late 1930s it has been a contentious area of cultural discourse, particularly concerning its depictions of gender politics. A major critique of the genre is that it simply represents an adolescent male power fantasy; and presents a world view that valorises masculinist individualism. -
Natural Gas: Fueling America’S Future
NATURAL GAS: FUELING AMERICA’S FUTURE 2009 ANNUAL REPORT CHESAPEAKE ENERGY CORPORATION CORPORATE PROFILE Chesapeake Energy Corporation is the second-largest producer of natural gas and the most active driller of new wells in the U.S. Headquartered in Oklahoma City, the company’s operations are focused on discovering and developing unconventional natural gas and oil fields onshore in the U.S. Chesapeake owns leading positions in the Barnett, Fayetteville, Haynesville, Marcellus and Bossier natural gas shale plays and in the Eagle Ford, Granite Wash and various other unconventional oil plays. The company has also vertically integrated its operations and owns substantial midstream, compression, drilling and oilfield service assets. Chesapeake’s stock is listed on the New York Stock Exchange under the symbol CHK. Further information is available at www.chk.com. ON THE COVER CONTENTS Scenes from the field to the natural gas 1 FINANCIAL REVIEW fueling station depict how Chesapeake 4 LETTER TO SHAREHOLDERS explores for, produces and advocates the 14 FUELING AMERICA’S FUTURE expanded use of natural gas — the clean, 16 OPERATING AREAS affordable, abundant energy resource that 20 INVESTOR Q&A is Fueling America’s 22 SOCIAL RESPONSIBILITY Future. 24 COMMUNITY RELATIONS 26 ENVIRONMENTAL, HEALTH & SAFETY 28 BOARD OF DIRECTORS 28 GOVERNANCE 29 OFFICERS 30 EMPLOYEES 45 FORM 10-K INSIDE BACK COVER CORPORATE INFORMATION FINANCIAL REVIEW Six Months ($ in millions, except per share data) Ended Years Ended December 31 December 31 Years Ended June 30 Financial -
Black Orchid Reborn: Neil Gaiman’S Feminist Superhero Mary Hancock Grand Valley State University
Language Arts Journal of Michigan Volume 29 | Issue 1 Article 10 2013 Black Orchid Reborn: Neil Gaiman’s Feminist Superhero Mary Hancock Grand Valley State University Follow this and additional works at: https://scholarworks.gvsu.edu/lajm Recommended Citation Hancock, Mary (2013) "Black Orchid Reborn: Neil Gaiman’s Feminist Superhero," Language Arts Journal of Michigan: Vol. 29: Iss. 1, Article 10. Available at: https://doi.org/10.9707/2168-149X.1983 This Article is brought to you for free and open access by ScholarWorks@GVSU. It has been accepted for inclusion in Language Arts Journal of Michigan by an authorized editor of ScholarWorks@GVSU. For more information, please contact [email protected]. CRITICISM Black Orchid Reborn: Neil Gaiman’s Feminist Superhero MARY HANCOCK By the ancient city gate sat an old coffee-brown, black- marriage, posits woman as the gift given by the father of the veiled woman who made her living by telling stories. bride to the groom. The blood on the sheet, then, never be- —Isak Dinesen, “The Blank Page” longed to her, so it did not tell her story. The old woman in the tale further remarks: “When a n Isak Dinesen’s “The Blank Page,” an old woman royal and gallant pen, in the moment of highest inspiration, relates a tale about an ancient convent high in the has written down its tale with the rarest ink of all—where, hills of Portugal. The convent houses a gallery then, may one read a still deeper, sweeter, merrier and more of framed sheets hung side by side. -
Liminality in Neil Gaiman's and J. K. Rowling's Fiction. Orphan Heroes and Their Rites of Passage
Jihočeská univerzita v Českých Budějovicích Pedagogická fakulta Katedra anglistiky Diplomová práce Liminality in Neil Gaiman's and J. K. Rowling's Fiction. Orphan Heroes and Their Rites of Passage Liminalita v díle Neila Gaimana a J. K. Rowlingové. Osiřelí hrdinové a jejich přechodové rituály Vypracovala: Lucie Masláková Vedoucí práce: PhDr. Alice Sukdolová, Ph.D. České Budějovice 2020 Prohlaš uji, ž e svoji diplomovou práci jsem vypracovala samostatně pouze s použ itím pramenů a literatury uvedených v seznamu citované literatury. Prohlaš uji, ž e v souladu s § 47b zákona č . 111/1998 Sb. v platném zně ni ́ souhlasím se zveř ejně ním své diplomové, a to v nezkrácené podobě - v úpravě vzniklé vypuš tě ním vyznač ených č ásti ́ archivovaných pedagogickou fakultou elektronickou cestou ve veř ejně př istupń é č ásti databáze STAG provozované Jihoč eskou univerzitou v Č eských Budě jovicich́ na jejich́ internetových stránkách, a to se zachováním mého autorského práva k odevzdanému textu této kvalifikač ni ́ práce. Souhlasiḿ dále s tim,́ aby toutéž elektronickou cestou byly v souladu s uvedeným ustanovením zákona č . 111/1998 Sb. zveř ejně ny posudky š kolitele a oponentů práce i záznam o prů bě hu a výsledku obhajoby kvalifikač ni ́ práce. Rovně ž souhlasím sporovnániḿ textu mé kvalifikač ni ́ práce s databázi ́ kvalifikač nich́ praci ́ Theses.cz provozovanou Národniḿ registrem vysokoš kolských kvalifikač nich́ praci ́ a systémem na odhalováni ́ plagiátů . V Č eských Budě jovicich́ dne Podpis: .................................................. Acknowledgement I would like to thank PhDr. Alice Sukdolová, Ph.D. for her valuable advice, comments and support. -
Growing up with Vertigo: British Writers, Dc, and the Maturation of American Comic Books
CORE Metadata, citation and similar papers at core.ac.uk Provided by ScholarWorks @ UVM GROWING UP WITH VERTIGO: BRITISH WRITERS, DC, AND THE MATURATION OF AMERICAN COMIC BOOKS A Thesis Presented by Derek A. Salisbury to The Faculty of the Graduate College of The University of Vermont In Partial Fulfillment of the Requirements For the Degree of Master of Arts Specializing in History May, 2013 Accepted by the Faculty of the Graduate College, The University of Vermont, in partial fulfillment of the requirements for the degree of Master of Arts, specializing in History. Thesis Examination Committee: ______________________________________ Advisor Abigail McGowan, Ph.D ______________________________________ Melanie Gustafson, Ph.D ______________________________________ Chairperson Elizabeth Fenton, Ph.D ______________________________________ Dean, Graduate College Domenico Grasso, Ph.D March 22, 2013 Abstract At just under thirty years the serious academic study of American comic books is relatively young. Over the course of three decades most historians familiar with the medium have recognized that American comics, since becoming a mass-cultural product in 1939, have matured beyond their humble beginnings as a monthly publication for children. However, historians are not yet in agreement as to when the medium became mature. This thesis proposes that the medium’s maturity was cemented between 1985 and 2000, a much later point in time than existing texts postulate. The project involves the analysis of how an American mass medium, in this case the comic book, matured in the last two decades of the twentieth century. The goal is to show the interconnected relationships and factors that facilitated the maturation of the American sequential art, specifically a focus on a group of British writers working at DC Comics and Vertigo, an alternative imprint under the financial control of DC. -
DC Comics These 103 Comic Book Characters and Titles Make DC Comics a Marvel in the Field
DC Comics These 103 Comic Book Characters and Titles make DC Comics a marvel in the field. E U H S A L F E H T A L D E T C E P X E N U E H T F O S E L A T R U H K H M V Y A Y E D S R E S O L E H T H E P H A N T O M H L I C S K I A T B E G E E I L O N U E I L B R E Z A L B L L E H H P L R M I N Z P N E L R R K B L I T Z K R I E G D E P M U W O A L E A O M E G A M E N I P O E P R A T A T D R O D R X N O U T U A E T E P D N D M D G N K F V T E A T H H E O O A R K S S C C E S R S V M E K C O R T G S B O E A A W L E M S W U N H E C C I R T B K O L S R P E M U O R L D S V R E N P U E L O I O S I N U G I O R L D J L P N B C L L U D A D Y A A R M N W U F N V T I L U C Y A G M N U R H L E O D E N U H R T K I O N S S P A I C Y V Y M F D N E S A S I E S L M B A E R R I T S S T E E M M M A T M G A B S U O E U M T G E R O E K O O D Y B O O C S P E D I T I A A N C C O I B N S M I T T E E W L O U R L N R N I K T N T E N D R I A I Y M R N E G O C A W T A T T E D N E V R O F V A H R I O D M P M A O N K R A N C E B L H P E I A T R E Y T F A S A A F W N A T O R D B E U L H I Y L E K G E N S E O N N N N T E L C N O E N A C R E H C A E R P S O E C R I R I N A I E K A H H N S I D R I I N L S P N I D X T U S B A Y M F A P A O H T M F T U S E A T A N O U T P U W M A T V E S L G R G M R C I I E O R M R N E H T C A I P Y R O S R S M R D M B S U O B O M C D R W S E B A D S H S T T N B R S C I M O C E V I T C E T E D L H R T D C F T M E E S O C E L T O D C N H C S M A R H M F A A E D E A E E G I U H R U M A D A M E X A N A D U S E T C H C A R Q E S C U R U T C T -
John Constantine Hellblazer: in the Line of Fire Volume 10 Pdf, Epub, Ebook
JOHN CONSTANTINE HELLBLAZER: IN THE LINE OF FIRE VOLUME 10 PDF, EPUB, EBOOK Sean Phillips,Paul Jenkins | 288 pages | 24 Feb 2015 | DC Comics | 9781401251376 | English | United States John Constantine Hellblazer: In the Line of Fire Volume 10 PDF Book And in the story "Difficult Beginnings," Constantine must reconnect with the darker side of his own nature - a journey that leads him to the "most evil man in the world. Be the first to ask a question about Hellblazer, Volume See more details at Online Price Match. Sarah J. Basically, this story line follows Constantine's search for himself, a search that leads him back to Ravenscar, and then to Hell to see Ellie, the succubus demon he helped mask from her master, The Devil. John gave up his dark side to save a child's soul, but now finds himself needing to regain it once again. In this new Hellblazer collection, John Constantine comes to the aid of his downstairs neighbor, a dimwitted, epileptic giant whose home is haunted by a persistent ghost. From Neil Gaiman, the bestselling novelist and creator of the world-renowned comics title The Sandman, comes a mesmerizing tale of the dangers and opportunities of youth, and its endless possibilities. Jun 26, Quentin Wallace rated it it was amazing. In this new Hellblazer collection, John Constantine comes to the aid of his downstairs neighbor, a dimwitted, epileptic giant whose home is haunted by a persistent ghost. Sign in. Aside from a terrible story about Hooligans, this was filled with good to great stories and careful, quiet characterization. -
The Sympoiesis of Superheroes Per Israelson
The Sympoiesis of Superheroes Per Israelson In the following I want to address the posthumanist and partici- patory aesthetics of the comic book Black Orchid (1988), written by Neil Gaiman and illustrated by Dave McKean. Through the neocybernetic con- cept sympoiesis, the comic book Black Orchid can be understood as a media ecology, where the feed- back between the reader and the material environment of the comic book emerges as a distributed cog- nition. I will argue that the reader of the comic book participates in the production of aesthetic expe- rience, and, more importantly, that this participation is not only a question of joining in on the her- meneutic circle, where the reader interprets the comic book and cre- 35 ates a storyworld. From a media-ecological perspective, aesthe- tic participation is also material and embodied; it is a question of participating in the emergence of an environment. In such a reading, Black Orchid tangibly stages an act of becoming, an event of ontogenesis. The superhero character Black Orchid was introduced in the DC line Adventure Comics in 1973. In its original run Black Or- chid comes forth as a typical crime fghting superhero of the detective comics variety; working in an urban setting, she is an adamant supporter of the disenfranchised, protecting their civic rights against the ruthlessness of crime bosses. Although her su- perpowers stem from the fact that she is a plant-human hybrid, the anthropocentric ideology of the comic is never interrogated. The morals of the original Black Orchid are without question grounded in a liberal humanist ethos. -
Waking up the Gods Sandman Series (And Legions of Other Similar Publications) Neil Gaiman Has Also Written Numerous Short Stories and Essays
BOOKWORLD INCWADI YELIZWE tion of the minds of these two authors here truly produces a hugely entertaining read. Besides his acclaim as the author of The Waking up the gods Sandman series (and legions of other similar publications) Neil Gaiman has also written numerous short stories and essays. An excel- The unusual world of Neil Gaiman lent selection of these may be found in the 1999 publication Smoke and mirrors: short fiction and illusions. As its title suggests, the ALEXANDER VAN DER POLL #19 became the first (and only) comic pieces collected within it are all about illusion. Correspondent (graphic novel) to be awarded a literary Often Gaiman uses traditional imagery and prize (The World Fantasy Award) in 1991, ideas, or even fables and then adds his unique ‘Saying Neil Gaiman is a writer, is like the ‘underground’ author took his first otherworldly touch to them. The text itself is saying Da Vinci dabbled in the arts.’ steps toward world acclaim. very varied, ranging from a mere paragraph to (Minneapolis Star Tribune) Today he is hailed by many as an excit- a dozen or more pages. Yet, whether long or ing new voice in English fiction, and even short, the stories, poems and essays included doll with hollowed out eyes is best-selling author Stephen King, has high are always stimulating and tend to linger in the pinned to the wall. An ‘expression’ praise for his work. The dictionary of liter- mind. A of horror fills its lifeless face. A tie ary biography lists Gaiman as one of the And not only in the mind of the reader! is wrapped around its neck. -
The Sandman: Endless Nights
THE SANDMAN: ENDLESS NIGHTS Presentation by Jason Moore Heather Morgan Orion Petitclerc http://files.g4tv.com/ImageDb3/249655_S/TV‐Series‐Planned‐For‐The‐Sandman‐Can‐It‐Work.jpg KEYWORDS •Graphic Novel •Endless •Perception/Variation •Sigil •Subculture •Artistic Style GRAPHIC NOVELS 101: A NEW LITERARY ARTFORM! •Graphic Novel –A medium in which text is both accompanied and complimented by art, oftentimes to a degree in which neither elements can stand alone and tell a story. (Exception: “‘Nuff Said” comics) The “Graphic Novel” Controversy: •According to Alan Moore (Watchmen, V for Vendetta), graphic novel is merely “a marketing term…[that] just came to mean ‘expensive comic book’”. http://images.wikia.com/marveldatabase/images/9/91/Amazing_Spider‐Man_Vol_2_39.jpg THE GRAPHIC NOVEL FORMAT American Comic Book Format: •Dimensions: 6 5/8” x 10 ¼“ (17 x 26 cm) •Scaled up or down for graphic novels or trade collections. •Length: 32 pages, 21‐24 pages of story and art plus 8 pages of advertisements •Read from left‐to‐right, top‐to‐bottom (unless otherwise dictated by the artistic Types of Publications: arrangement on the pages). •The Standard comic book •Published as an Ongoing Series (Amazing Spider‐Man, Batman, etc.), Annual, One‐Shot, or Limited Series. •Graphic Novels •Trade Paperbacks (TPB’s), Anthologies, and Omnibuses ENDLESS NIGHTS FORMAT •American Graphic Novel •Largely traditional paneled pages and directional flow http://upload.wikimedia.org/wikipedia/en/thumb/4/4f/Endless_Nights_cover.jpg/250px-Endless_Nights_cover.jpg NOTE! Endless Nights was only published as a Graphic Novel, whereas the original Sandman series was published as a standard monthly Comic Book later collected in TPB’s.