Film Adı Yer Numarası Yıl

Total Page:16

File Type:pdf, Size:1020Kb

Film Adı Yer Numarası Yıl Film Adı Yer Numarası Yıl ... Hamdım, piştim, yandım... [DVD] BP 189.7 .M4/H36 [t.y.] 1 kadın 1 erkek [DVD videorecording] PN 1992.77 .B57/B57 2009 1 kadın 1 erkek [DVD videorecording] PN 1992.77 .B57/B57 2010 10 [DVD videorecording] PN 1997/.T461 2005 10,000 BC [DVD videorecording] = M.Ö. 10,000 PN 1997/.T467 2008 100 numaralı adam [DVD videorecording] PN 1997/.Y896 2006 101 dalmaçyalı [DVD videorecording] = 101 dalmatians PN 1997/.Y89 2008 11'e 10 Kala [DVD videorecording] PN 1997/.O53 2009 12 [ DVDvideorecording] PN 1995.9 .T75/T94 2010 12 Eylül [DVD videorecording] PN 1995.9 .D6/O55 2005 12 Eylül [DVD videorecording] PN 1995.9 .D6/O55 2005 12 Eylül [DVD videorecording] PN 1995.9 .D6/O55 2005 120 [DVD Videorecording] PN 1997/.O54286 2008 127 hours [DVD videorecording] = 127 saat PN 1997.2/.A52 2011 13. bölgeye saldırı [DVD videorecording] = Assault on Precinct 13 PN 1997/.O68 2005 13üncü savaşçı = The 13th warrior [videorecording] PN 1997 .T45/T45 1999 15 dakika [DVD videorecording ] = 15 minutes PN 1997/.F548 2001 17 again [DVD videorecording] = 17 yeniden PN 1995.9 .F42/S48 2010 2 days in Paris [DVD Videorecording] = Paris'te 2 gün PN1995.9 .C55/T86 [2008] 2 days in Paris [DVD videorecording] = Paris'te iki gün PN 1995.9 .C55/T96 2008 2 gece ve yağmurlu bir gün [DVD videorecording] = 2 nuits et un jour de pluie "2 nights and a rainy day" PN 1995.9 .S45/İ55 2006 2 genç kız [DVD videorecording] PN 1997/.İ452 2005 2010 [DVD videorecording] : the year we make contact PN 1995.9 .S26/T82 2000 2012 [videorecording] PN 1995.9 .C345/T96 2010 24 Hours [DVD videorecording] : Season 6 PN 1997/.T941 2007 24 Hours [DVD videorecording] : Season 6 PN 1997/.T941 2007 24 Hours [DVD videorecording] : Season 6 PN 1997/.T941 2007 24 Hours [DVD videorecording] : Season 6 PN 1997/.T941 2007 24 Hours [DVD videorecording] : Season 6 PN 1997/.T941 2007 24 Hours [DVD videorecording] : Season 6 PN 1997/.T941 2007 24 Hours [DVD videorecording] : Season 6 PN 1997/.T941 2007 28 days later [videorecording] = 28 gün sonra : günler sayılı PN 1995.9 .H6/T946 2003 28 gün [DVD videorecording] = 28 days PN 1995.9 .A45/T49 2009 28 weeks later [DVD videorecording] = 28 hafta sonra PN 1995.9 .H6/T94 2007 3 [DVD videorecording] = üç PN 1995.9 .L6/D74 2011 3:10 to Yuma [DVD videorecording] PN 1995.9 .W4/T55 [2008] 3:10 to Yuma [DVD Videorecording] PN 1997/.T47458 2008 30 days of night [DVD videorecording] = 30 gün gece PN 1997/.T554 2008 30 minutes or less [DVD videorecording] = çaylak soyguncular PN 1995.9 .C55/T45 2011 300 [DVD videorecording] PN 1995.9 .E79/T474 2007 300 Spartalı [DVD videorecording] PN 1997/.T472 2007 36 adaletin merkezi [DVD videorecording] = 36 quai des orfü¨vres PN 1997/.O88 2006 36 quai des Orfü¨vres [DVD videorecording] = 36 adaletin merkezi PN 1997/.T741 2006 360 [DVD videorecording] PN 1995.9 .B87/T47 2012 3ds max : dış mekan uygulamaları [electronic resource] TR 897.7/.ç454 2011 400 darbe [DVD videorecording] = Les quatre cents coups PN 1995.9 .C45/D673 2000 5 x 2 [videorecording DVD] : cinq fois deux = Beş kere iki PN 1995.9 .M27/C55 2005 50 first dates [DVD videorecording ] = 50 ilk öpücük PN 1997/.F57 2004 6. Uluslararası Konya mistik müzik festivali [DVD videorecording] = 6th international mystic festival BP 189.7/.U48 [2009] 7 kocalı Hürmüz [DVD videorecording] PN 1995.9 .M86/Y43 2010 7 seconds [DVD videorecording] = 7 saniye PN 1997/.S48 [2005] 71 fragments of a chronology of chance [DVD videorecording] = Tesadüfi bir kronolojinin 71 parçası ; Benny's video ; 2006 The seventh continent PN 1997/.H364 72. koğuş [DVD videorecording] PN 1997/.Y48 1987 8 1/2 [DVD videorecording] PN 1997/.E548 2007 8 1/2 [DVD videorecording] PN 1997/.E548 2007 8. Uluslararası Konya Mistik Müzik Festivali [DVD] = 8th International Mystic Music Festival ML 36 .M4/U48 2011 8mm2 [DVD videorecording] = İlk öpücükten son nefese PN 1997/.E54 2005 9 hafta 2 [DVD videorecording] = Another nine & a half "love in Paris PN 1995.9 .L6/D65 2006 9 [DVD videorecording] PN 1997.5/.N56 2011 9 Ay 10 gün [DVD videorecording] = 9/Tenths PN 1997/.D65 2006 A beautiful mind [DVD videorecording] PN 1997/.B43 2007 A beautiful secret [DVD videorecording] = Hayatını çalan hırsız = "Secreto de esperanza, un" PN 1997/.B439 2002 A casa por navidad [DVD videorecording] = Home for christmas = Yeni yıl PN 1995.9 .C55/C372 2012 A casa por navidad [DVD videorecording] = Home for christmas = Yeni yıl PN 1995.9 .C55/C372 2012 A civil action [DVD videorecording] PN 1997/.C585 1999 A countess from Hong Kong [DVDvideorecording] = Hong Kong'lu kontes PN 1997/.C686 2008 A history of violence [DVD videorecording] = Şiddetin tarihçesi PN 1997.2/.H47 2006 A mighty heart [DVD videorecording] PN 1997/.M545 2007 A Nightmare on Elm Street [DVD videorecording] = Elm sokağı kabusu PN 1995.9 .H6/N55 1999 A Nightmare on Elm Street [DVD videorecording] = Elm sokağı kabusu PN 1995.9 .H6/N55 1999 A royal affair [DVD videorecording] = Yasak aşk PN 1995.9 .M27/R69 2012 A serious man [DVD videorecording] = Ciddi bir adam PN 1995.9 .C55/S47 2011 A serious man [DVD videorecording] = Ciddi bir adam PN 1995.9 .C55/S47 2011 A soldier's story [DVD videorecording] PN 1997/.S65 2001 A thousand words [DVD videorecording] = Kelimeler yetmez PN 1995.9 .F36/T46 2012 A.I. Artificial intelligence [DVD videorecording] = Yapay zeka PN 1995.9 .S26/A78 2002 Aaahh Belinda [DVD videorecording] PN 1995.9/.A233 2007 Abandon [videorecording] PN 1997.2/.A23 2002 Abraham Lincoln, vampir avcısı [DVD videorecording] = Abraham Lincoln, vampire hunter PN 1997.2/.A27 2012 AC/DC [DVD videorecording] : let there be rock M 1841.18 .A3/L48 2011 Acemi öğrenci avcı öğretmen [DVD videorecording] = School for scoundrels PN 1997/.A36 2008 Acı aşk [DVD videorecording] PN 1997/.A253 [2009] Adalet savaşçıcı [DVD videorecording] = Mercenary for justice PN 1995.9 .A3/A33 2006 Adam and Eve [DVD videorecording] = Adem ve Havva PN 1995.9 .C55/A33 2007 Adaptation [DVD videorecording] = Tersyüz PN 1997/.A235 2002 Addams Family values [DVD videorecording] = Addams ailesi PN 1992.77 .A257/A33 2011 Adını sen koy [DVD Videorecording] PN 1995.9 .M27/A25 2010 Adventures in short film [videorecording DVD] : Volume 1 NC 1765/.A38 2008 Affetmeyen kadın [DVD videorecording] PN 1997.2/.A44 [2006] Afro promo [DVD videorecording] PN 1995.9 .N4/A37 [2006] Afro-American Gospel müziği [DVD] = Afro-American a cappella Gospel singing M 2198/.A37 2011 After the sunset [DVD videorecording] = Gün batarken PN 1997/.A48 2004 After the sunset [DVD videorecording] = Gün batarken PN 1997/.A48 2004 Against the ropes [videorecording] PN 1995.9 .B69/A33 2004 Agora [videorecording DVD] PN 1995.9 .R68/A46 2011 Ağacın türküsü [DVD videorecording] : eski evler eski ustalar, Batı Karadeniz = The Ballad of the wood : the houses 1987 and craftsmen of old,Western Black Sea Region PN 1995.9 .D6/A43 Ağır roman [DVD videoreceording] PN 1997/.A35 2004 Ağıt [DVD videorecording] PN 1997/.A358 [1971] Ahmet Mekin, Erol Günaydın, Şeref Gür [DVD videorecording] PN 1993.5 .T9/T87 2009 Akeelah and the bee [DVD videorecording] = Sözcüklerin gücü PN 1997/.A392 2008 Alfred Hitchcock's North by northwest [DVD videorecording] PN 1997/.A437 2001 Alien [DVD videorecording] = Yaratık PN 1997/.A55 1992 All about the Benjamins [DVD videorecording] PN 1995.9 .C66/A45 2002 All God's children can dance [DVD videorecording] = Tanrıların dansçıları PN 1995.9 .B7/A45 2007 All the boys love Mandy Lane [DVD videorecording] = Vahşet partisi PN 1995.9 .M835/A45 2009 All the king's men [DVD videorecording] = Kralın tüm adamları PN 1997/.A551 2007 Alla Turca [DVD sound recording] M 1824 .T8/S29 2005 Allegro [DVD videorecording] = Seni seviyorum diyebilmek PN 1997/.A554 2007 Almost famous [DVD videorecording] PN 1995.9 .M86/A45 2001 Alvin and the chipmunks [DVD videorecording] = Alvin ve sincaplar PN 1995.9 .C45/A59 2008 Alvin and the Chipmunks [videorecording (DVD)] : Chipwrecked = Alvin ve sincaplar : eğlence adası PN 1997.5/.A48 2012 Alvin and the chipmunks 2 [DVD videorecording] = Alvin ve sincaplar 2 PN 1995.9 .C45/A59 2010 Amadeus [DVD videorecording] PN 1997/.A63 2002 Aman tanrım [DVD videorecording] = Evan almighty PN 1995.9 .C55/A6 2007 Amelia [DVD videorecording] TL 540 .E3/A54 2010 Amelie [DVD videorecording] PN 1997.2/.A53 2006 Amen [DVD videorecording] PN 1995.9 .H53/A54 2005 Amen. [DVD videorecording] PN 1995.9 .H53/A54 2005 American gangster [DVD videorecording] PN 1997/.A44 2008 American gun [DVD videorecording] = Amerikan silahı PN 1995.9 .D4/A64 2006 American history X [DVD Videorecording] PN 1997/.A447 2005 American pie [DVD videorecording] : reunion = Amerikan pastası : buluşma PN 1995.9 .C55/A54 2012 American pie [DVD videorecording] : band camp = Amerikan pastası bando kampı PN 1997/.A643 2004 American pie [DVD videorecording] : the wedding = Amerikan pastası düğün PN 1997/.A649 2005 American pie presents [DVD videorecording] : beta house = Amerikan pastası : parti evi PN 1995.9 .C55/A64 2008 Amerika kıtasının imparatorlukları [DVD Videorecording] : Astekler ve İnkalar PN 1995.9 .D6/A64 2007 Amerikan arkadaşım [DVD videorecording] = The American friend PN 1997 .W46/A44 2006 Amores perros [DVD videorecording] = Paramparça : aşklar ve köpekler PN 1997/.A46 2003 Amores perros [DVD videorecording] = Paramparça : aşklar ve köpekler PN 1997/.A46 2009 An American crime [DVD videorecording] = Bir Amerikan suçu PN 1997/.A547 2008 An education [videorecording] = Aşk dersi PN 1995.9 .M27/E38 2010 An inconvenient truth [DVD videorecording] QC 981.8 .G56/I53 2006 An unfinished life [DVD videorecording] = Yeniden
Recommended publications
  • Copyrighted Material
    Index Academy Awards (Oscars), 34, 57, Antares , 2 1 8 98, 103, 167, 184 Antonioni, Michelangelo, 80–90, Actors ’ Studio, 5 7 92–93, 118, 159, 170, 188, 193, Adaptation, 1, 3, 23–24, 69–70, 243, 255 98–100, 111, 121, 125, 145, 169, Ariel , 158–160 171, 178–179, 182, 184, 197–199, Aristotle, 2 4 , 80 201–204, 206, 273 Armstrong, Gillian, 121, 124, 129 A denauer, Konrad, 1 3 4 , 137 Armstrong, Louis, 180 A lbee, Edward, 113 L ’ Atalante, 63 Alexandra, 176 Atget, Eugène, 64 Aliyev, Arif, 175 Auteurism , 6 7 , 118, 142, 145, 147, All About Anna , 2 18 149, 175, 187, 195, 269 All My Sons , 52 Avant-gardism, 82 Amidei, Sergio, 36 L ’ A vventura ( The Adventure), 80–90, Anatomy of Hell, 2 18 243, 255, 270, 272, 274 And Life Goes On . , 186, 238 Anderson, Lindsay, 58 Baba, Masuru, 145 Andersson,COPYRIGHTED Karl, 27 Bach, MATERIAL Johann Sebastian, 92 Anne Pedersdotter , 2 3 , 25 Bagheri, Abdolhossein, 195 Ansah, Kwaw, 157 Baise-moi, 2 18 Film Analysis: A Casebook, First Edition. Bert Cardullo. © 2015 John Wiley & Sons, Inc. Published 2015 by John Wiley & Sons, Inc. 284 Index Bal Poussière , 157 Bodrov, Sergei Jr., 184 Balabanov, Aleksei, 176, 184 Bolshevism, 5 The Ballad of Narayama , 147, Boogie , 234 149–150 Braine, John, 69–70 Ballad of a Soldier , 174, 183–184 Bram Stoker ’ s Dracula , 1 Bancroft, Anne, 114 Brando, Marlon, 5 4 , 56–57, 59 Banks, Russell, 197–198, 201–204, Brandt, Willy, 137 206 BRD Trilogy (Fassbinder), see FRG Barbarosa, 129 Trilogy Barker, Philip, 207 Breaker Morant, 120, 129 Barrett, Ray, 128 Breathless , 60, 62, 67 Battle
    [Show full text]
  • Before the Forties
    Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY
    [Show full text]
  • I .Concert Theatre Tonight!
    FIL™ n r a "WS ■ J O 3 : BOYS îîS*!9â k IWâ S 7A FEATURE 3 A | REVIEW Actors Ricky From the Ricardo's London Logical Stage Heir The Arts and Entertainment Section of the Daily Nexus/For the Week of Oct.25-Nov.2 1989 Syllabus OF NOTE THIS WEEK MUSIC Top 5 This Week at Rockhouse Records: 1. Camper Van Beethoven Key Lime Pie 2. Erasure Wild 3. Jesus & Mary Chain Automatic 4. Kate Bush The Sensual World 5. Aerosmith Pump at The Wherehouse: 1. Rolling Stones Steel Wheels 2. Milli Vanilli Girl You Know It’s True 3. Janet Jackson Rhythm Nation 1814 4. Tears For Fears The Seeds of Love 5. Fine Young Cannibals The Raw and the Cooked FILM Tonight: Mr. Smith Goes To Washington, at Campbell Hall, 8 p.m.; $3/students Saturday: 21st Tournament of Animation, at I.V. Theater, 7,9,11 p.m.; $3 Sunday: King of the Children, at Campbell Hall, 8 p.m.; $3/students □ PERFORMANCE Which, too, Tonight: about. Music/Rally Phranc, as part of Take ■By Doug Arellane Back the Night, Storke Plaza, 7 p.m. ^ ¡§ ta ff Writer Phranc also dgjeys Free She says so on tie title Friday: Music 8th Annual World Music Festi­ new album, I Enjoy Being A val, at the Multicultural Center, 3 ^ s c r i b e s which is a cover of ah old Ro p.m.; Until Saturday; Free your average lesbian Jewis f ^ a*M ^ Poetry Ana Castillo, at the Women’s and Hammerstein number Yo Center, 12 p.m.; Free ger,” andgpsses it o^yitl for being a lesbian Jewish folks! Saturday:Afusic Udan Asih Gamelan kind of jinchalanceas ifllhe wHS & dance concert, at Campbell Hall, 8 Phranic$8ias a sense of humg p.m.; $10/students, $15/non-students P h ra n y “just your^ average sharp a! her flattop.
    [Show full text]
  • 255-Interview.Pfeiffer.Pdf
    INTERVIEW Face Michelle Forward Pfeiffer is that rare breed of Hollywood actress who has managed to maintain a level head while balancing fame with family life. Now, as the older-woman seductress in her upcoming filmChéri , she isn’t afraid to act her age — and make it sexy. By Matt Mueller Ever since her initial burst of stardom in the 1980s, coloured cardigan. She is the definition of graceful ageing. Michelle Pfeiffer has been graced with a fitting Thus, it seems fitting that her most significant starring nickname: ‘The Face’. Now, at 50, entering the latest role since 2000’s Hitchcockian thriller What Lies Beneath phase of her illustrious career, she looks as striking — as a retired courtesan in Stephen Frears’ Chéri — is all and luminous as she was at her A-list pinnacle. Those about facing up to encroaching age. The film, based on aqua-blue eyes are still piercing; and her cliff-edge the novel by Colette, is set in the luxurious, decadent cheekbones, flawless skin and pert nose still rank demimonde of 1920s Paris, where glamorous, powerful, among the most sought-after celebrity body parts, wealthy courtesans were the lovers of princes, kings and according to polls of Beverly Hills plastic surgeons. heads of state — and the most influential celebrities of Meeting Pfeiffer in person at the Berlin Film Festival, their day. Pfeiffer’s sensual, mesmerising Lea de Lonval she radiates an impeccably groomed lustre and a embarks on a doomed love affair with Rupert Friend’s birdlike fragility, sporting tortoiseshell glasses and an Chéri, who is 20 years her junior and the dissolute son of open-necked grey silk blouse underneath a charcoal- her old rival (Kathy Bates).
    [Show full text]
  • 1,000 Films to See Before You Die Published in the Guardian, June 2007
    1,000 Films to See Before You Die Published in The Guardian, June 2007 http://film.guardian.co.uk/1000films/0,,2108487,00.html Ace in the Hole (Billy Wilder, 1951) Prescient satire on news manipulation, with Kirk Douglas as a washed-up hack making the most of a story that falls into his lap. One of Wilder's nastiest, most cynical efforts, who can say he wasn't actually soft-pedalling? He certainly thought it was the best film he'd ever made. Ace Ventura: Pet Detective (Tom Shadyac, 1994) A goofy detective turns town upside-down in search of a missing dolphin - any old plot would have done for oven-ready megastar Jim Carrey. A ski-jump hairdo, a zillion impersonations, making his bum "talk" - Ace Ventura showcases Jim Carrey's near-rapturous gifts for physical comedy long before he became encumbered by notions of serious acting. An Actor's Revenge (Kon Ichikawa, 1963) Prolific Japanese director Ichikawa scored a bulls-eye with this beautifully stylized potboiler that took its cues from traditional Kabuki theatre. It's all ballasted by a terrific double performance from Kazuo Hasegawa both as the female-impersonator who has sworn vengeance for the death of his parents, and the raucous thief who helps him. The Addiction (Abel Ferrara, 1995) Ferrara's comic-horror vision of modern urban vampires is an underrated masterpiece, full- throatedly bizarre and offensive. The vampire takes blood from the innocent mortal and creates another vampire, condemned to an eternity of addiction and despair. Ferrara's mob movie The Funeral, released at the same time, had a similar vision of violence and humiliation.
    [Show full text]
  • THE FABULOUS BAKER BOYS" an Original Screenplay by Steve Kloves
    "THE FABULOUS BAKER BOYS" An Original Screenplay by Steve Kloves WARNER BROS.INC. 4000 Warner Boulevard Burbank, California 91522 April, 1985 (C) 1985 WARNER BROS. INC. All Rights Reserved "THE FABULOUS BAKER BOYS" FADE IN: JACK BAKER is standing before a dirty window, looking out at a dirty city street. He is wearing a tuxedo. VOICE (O.S.) Hey. WIDEN ANGLE It's the GIRL from this afternoon. JACK Hey. Jack looks at the Girl, sleepy and warm under the bedcovers, then at the rest of the apartment. Not good. GIRL Whatcha doin' over there? JACK Gotta go. GIRL How come? JACK Job. The Girl glances at the bedside clock. GIRL Funny hours. JACK Funny job. GIRL Will I see you again? Jack looks out at the dirty street again. JACK No. The Girl doesn't appear terribly unnerved by this. GIRL (at the tux) You weren't wearing that, were you? Earlier. Jack shakes his head, taps a brown paper bag on the sill. JACK Brought it. GIRL Shit, thank God. You look like a creep. JACK Thanks. GIRL I mean, I'd hate to think I'd pick up someone who wore that shit. Jack smiles, grabs the paper bag, and moves to the door. GIRL (continuing) Hey. (as he stops) You got great hands. EXT. STREET - JACK Jack ain't exactly Cary Grant, but any guy wearing a tux on these streets doesn't exactly mesh with the milieu. Pausing for a flask of whiskey at an all-night liquor store, he breaks the seal before he hits the sidewalk and moves on, drinking as he goes.
    [Show full text]
  • The Storied Yugoslavia
    THE STORIED YUGOSLAVIA: A DIALOGUE OF MYTHISTORY, POWER, AND STORIED YUGOSLAV NATIONAL CONTEXT IN IVO ANDRIĆ’S THE BRIDGE ON THE DRINA (1945/1959) AND EMIR KUSTURICA’S UNDERGROUND (1995) MILANA M. BODIROGA A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS GRADUATE PROGRAM IN INTERDISCIPLINARY STUDIES YORK UNIVERISTY TORONTO, ONTARIO May 2013 © Milana M. Bodiroga, 2013 ii Abstract This thesis examines a dialogue between two texts meant to contribute to the mythistory (Aleksić, 2007) and what I term the storied context of the second Yugoslav Experiment (1945-1995). From within the lens of my own diasporic context, I juxtapose Ivo Andrić’s novel The Bridge on the Drina (1945/1959), published at the nation’s outset, against Emir Kusturica’s film Underground (1995), produced at Yugoslavia’s failing end. I analyze the thematic connections and ideological constraints to the conversation between these two texts by establishing the parameters of both Kusturica’s successful and unsuccessful attempts to engage Andrić’s novel. A template for the continued overlaying of “discrepant voices” (Said, 1993) is revealed for further examination both backward into the mythistories of the Southwest Slavs of the Balkans and forward into the construction of storied contexts in the former Yugoslav states. Finally, a discussion of the influence of the West’s own imaginary of the former Yugoslavia and its influence of contextualizing stories of the same is also examined. iii Table of Contents Abstract………………………………………………………………………………………………………………………………………………..i Table of Contents…………………………………………………………………………………………………………………………………ii Introduction………………………………………………………………………………………………………………………………………..1 Who I Am ................................................................................................................................................. 5 Telling Me Who I Am ..............................................................................................................................
    [Show full text]
  • Romani Identity and the Holocaust in Autobiographical Writing by German and Austrian Romanies
    This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: • This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. • A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. • This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. • The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. • When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Journeys into Memory: Romani Identity and the Holocaust in Autobiographical Writing by German and Austrian Romanies Marianne C. Zwicker Doctor of Philosophy University of Edinburgh 2009 Abstract This PhD thesis examines the ‘working through’ of traumatic memories of the Holocaust and representations of Romani cultural identity in autobiographical writing by Romanies in Ger- many and Austria. In writing their memories in German, these Romani writers ended the ‘muteness’ previously surrounding their own experiences of persecution in the Third Reich and demanded an end to the official silence regarding the Romani Holocaust in their home countries. The thesis aims to explore how the writing of these narratives works to create a space for Romani memories within German language written tradition and to assert a more positive Romani identity and space for this identity in their homelands.
    [Show full text]
  • Community Exhibitor Survey Report 2013
    Page 3 Key points 5 Executive summary 8 1 Introduction 8 1.1 Background 8 1.2 Aims 8 1.3 Timescale 8 1.4 Sector 9 2 Methods 9 2.1 Introduction 9 2.2 Responses 10 3 Results 10 3.1 Year of establishment 10 3.2 Membership 11 3.3 Admissions 13 3.4 Provision 15 3.5 Programming 16 3.6 Administration 18 3.7 The benefits of community exhibition 19 3.8 Using BFFS services and resources 20 3.9 Rating BFFS services and resources 22 Appendix 1: 2012/13 film list 27 Appendix 2: Feedback on BFFS Page 2 of 30 Community exhibition is more dynamic than ever, with greater opportunities for audiences to experience films on the big screen through community cinema events, film society activity and innovative pop-up screenings in non-traditional venues: Responding community exhibitors recorded around 213,000 admissions in 2012/13. Theatrical ticket sales on this scale would have generated box office revenues of £1.4 million. Nearly half of responding community exhibitors saw an increase in their annual admissions (46%), and 40% recorded roughly the same number as in the previous year. Three quarters (76%) of membership organisations saw their membership stay the same or increase over the last year, and average membership stood at 154. Responding community exhibitors hosted 4,175 screenings in 2012/13. Community exhibition is run for the benefit of communities, enhancing the quality of life locally, encouraging participation in cultural and communal activities and providing volunteering opportunities: The majority of responding organisations (89%) are run as not-for-profit, and 20% have charitable status.
    [Show full text]
  • Gorinski2018.Pdf
    This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Automatic Movie Analysis and Summarisation Philip John Gorinski I V N E R U S E I T H Y T O H F G E R D I N B U Doctor of Philosophy Institute for Language, Cognition and Computation School of Informatics University of Edinburgh 2017 Abstract Automatic movie analysis is the task of employing Machine Learning methods to the field of screenplays, movie scripts, and motion pictures to facilitate or enable vari- ous tasks throughout the entirety of a movie’s life-cycle. From helping with making informed decisions about a new movie script with respect to aspects such as its origi- nality, similarity to other movies, or even commercial viability, all the way to offering consumers new and interesting ways of viewing the final movie, many stages in the life-cycle of a movie stand to benefit from Machine Learning techniques that promise to reduce human effort, time, or both.
    [Show full text]
  • Once Upon a Time in Anatolia
    A Cinema Guild Release Once Upon a Time in Anatolia A film by Nuri Bilge Ceylan 157 minutes / 35mm / 2.35 / Dolby Digital / Turkey / Not Rated In Turkish with English Subtitles / Stills available at: www.cinemaguild.com/downloads The Cinema Guild, Inc. 115 West 30th Street, Suite 800 New York, NY 10001‐4061 Tel: (212) 685‐6242, Fax: (212) 685‐4717 www.cinemaguild.com Once Upon a Time in Anatolia Synopsis Late one night, an array of men- a police commissioner, a prosecutor, a doctor, a murder suspect and others- pack themselves into three cars and drive through the endless Anatolian country side, searching for a body across serpentine roads and rolling hills. The suspect claims he was drunk and can’t quite remember where the body was buried; field after field, they dig but discover only dirt. As the night draws on, tensions escalate, and individual stories slowly emerge from the weary small talk of the men. Nothing here is simple, and when the body is found, the real questions begin. At once epic and intimate, Ceylan’s latest explores the twisted web of truth, and the occasional kindness of lies. About the Film Once Upon a Time in Anatolia was the recipient of the Grand Prix at the Cannes film festival in 2011. It was an official selection of New York Film Festival and the Toronto International Film Festival. Once Upon a Time in Anatolia Biography: Born in Bakırköy, Istanbul on 26 January 1959, Nuri Bilge Ceylan spent his childhood in Yenice, his father's hometown in the North Aegean province of Çanakkale.
    [Show full text]
  • Nimal Dunuhinga - Poems
    Poetry Series nimal dunuhinga - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive nimal dunuhinga(19, April,1951) I was a Seafarer for 15 years, presently wife & myself are residing in the USA and seek a political asylum. I have two daughters, the eldest lives in Austalia and the youngest reside in Massachusettes with her husband and grand son Siluna.I am a free lance of all I must indebted to for opening the gates to this global stage of poets. Finally, I must thank them all, my beloved wife Manel, daughters Tharindu & Thilini, son-in-laws Kelum & Chinthaka, my loving brother Lalith who taught me to read & write and lot of things about the fading the loved ones supply me ingredients to enrich this life's bitter-cake.I am not a scholar, just a sailor, but I learned few things from the last I found Man is not belongs to anybody, any race or to any religion, an independant-nondescript heaviest burden who carries is the Brain. Conclusion, I guess most of my poems, the concepts based on the essence of Buddhist personal belief is the Buddha who was the greatest poet on this planet earth.I always grateful and admire him. My humble regards to all the readers. www.PoemHunter.com - The World's Poetry Archive 1 * I Was Born By The River My scholar friend keeps his late Grandma's diary And a certain page was highlighted in the color of yellow. My old ferryman you never realized that how I deeply loved you? Since in the cradle the word 'depth' I heard several occasions from my parents.
    [Show full text]