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Home , Alan Bates, Christopher Plummer, Ellis Rabb, Ken Stott, Marcel Achard, Mark Rylance

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Farce is one of the most THE GLOBE enjoyable and popular AT A GLANCE theatrical forms. It’s also one of the hardest to do successfully. The alchemy The sixth-largest regional between script, cast and in the country, director must be just right. The Old Globe offers more The slamming doors, the programming and a greater pratfalls, the juggling of a trio repertoire than any theatre its size. of beautiful women can easily go awry and fall flat. This • • • production of Boeing-Boeing As a not-for-profit theatre gets it all right. Last season it with a budget of $20 million, was a huge success in the Globe earns $10 million and a smash in New York. in ticket sales and must raise an additional $10 million from As befitting a French farce, Boeing-Boeing was initially written in the individuals and institutional tax-deductable donations. early ‘60s in French by playwright Marc Camoletti and became the most produced French play in the world. The English version was translated by • • • Beverley Cross and ran in London for seven years. The first transatlantic The Globe provides over journey for the play in 1965 wasn’t a success, lasting only three weeks on 20 different outreach and Broadway. This production in 2008 was a charm — sold out houses and education programs to more followed. than 50,000 annually. • • • And here’s where alchemy comes into play. Under the hand of the gifted The Old Globe has sent 20 English director, , renowned for work as diverse as Sam productions to Broadway Shepherd’s and ’s , since 1987. Boeing-Boeing has been re-imagined. Matthew created an entirely new • • • version that worked for American audiences in a way that the earlier Charity Navigator has edition had not. Matthew told me he was aided in his re-invention by going designated The Old Globe back to the original French text and restoring some of what had been an “exceptional” organization, eliminated in the original translation. Set in the era when newly begun jet earning its coveted four- travel was still glamorous, Matthew also gives the show a contemporary star rating for the past five energy and allure. consecutive years and ranks the Globe in the top 4% of I’m delighted to bring you the regional theatre debut of Boeing-Boeing, all not-for-profits in the a sparkling theatrical event which is being recreated for the Globe by . Matthew’s very talented colleague Mark Schneider who assisted him on Broadway. You’re in for a ride like no other. So sit back, fasten your seat belts and be prepared for gale force laughter.

Louis G. Spisto Executive Producer

PErFORMANCEs MAGAZINE 1 PRESENTS BOEING-BOEING by Marc Camoletti and Beverley Cross

SCENIC AND COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN Chris Rynne Paul Peterson

ORIGINAL SOUND DESIGN ORIGINAL MUSIC STAGE MANAGER Simon Baker Daniel S. Rosokoff

DIRECTED BY Mark Schneider

FROM THE WEST END AND BROADWAY PRODUCTION BY Matthew Warchus

Casting by Samantha Barrie, CSA

BOEING-BOEING is presented by special arrangement with SAMUEL FRENCH, INC.

Old Globe Theatre, Donald and Darlene Shiley Stage March 13 - April 18, 2010

2 PERFORMANCES MAGAZINe Cast of Characters

IN ORDER OF APPEARANCE

GLORIA �������������������������������������������������������������������������������������������� Liv Rooth BERNARD ����������������������������������������������������������������������Rob Breckenridge BERTHE ���������������������������������������������������������������������������� Nancy Robinette ROBERT �������������������������������������������������������������������������������������� Joseph Urla GABRIELLA ���������������������������������������������������������������������Stephanie Fieger GRETCHEN �������������������������������������������������������������������Caralyn Kozlowski

Stage Manager ��������������������������������������������������������������Daniel S. Rosokoff Assistant Stage Manager ��������������������������������������������������������Annette Yé

SETTING: An apartment in .

The and Stage Managers employed by this production are members of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.

Si desea una sinopsis de esta obra en Español o en Inglés, favor de pedírsela al acomodador que le entregó este programa.

If you would like a synopsis of this production in English or Spanish, please request it from an usher.

This theatre operates under an The Directors are members of the This Theatre operates under an The Scenic, Costume, Lighting and agreement between the League Society of Stage Directors and Agreement with the International Sound Designers in LORT of Resident Theatres and Actors’ Choreographers, an independent Alliance of Theatrical Stage Em- are represented by United Scenic Equity Association, the union of national labor union. ployees Local No. 122. Artists Local USA-826, IATSE. professional actors and stage managers in the United States.

PErFORMANCEs MAGAZINE 3 Board of Directors

Dear Friends,

I am pleased to welcome you to The Old Globe — bringing you “Broadway’s Best and San Diego’s Finest.” Our ability to continue presenting theatre of the highest caliber, such as the play you’ll be seeing tonight, is only made possible through your continued patronage as subscribers and contributors. Your ongoing involvement with the Globe is truly appreciated.

Now that we’re well into the New Year, and will soon be celebrating the Globe’s 75th Anniversary, it is more important than ever before to support the Globe’s Annual Fund as generously as possible. The Board and staff have embraced annual fundraising with renewed vigor and hope that when you receive your renewal letters and other appeals throughout the year, you consider increasing your support. Your generosity in recognition of the Globe’s 75-year history of providing a rich cultural tradition of artistic excellence and award-winning education programs will be appreciated beyond measure.

Thank you for your continued support. Enjoy the play!

Sincerely,

Donald Cohn, Chair BOARD OF DIRECTORS

BOARD OF DIRECTORS Donald Cohn* Kathy Hattox* Anthony S. Thornley* Sandra Redman* Susan Major* Harvey P. White* Chair Immediate Vice Chair, Finance Vice Chair, Vice Chair, Secretary Past Chair & Treasurer Nominating Development

DIRECTORS Timothy P. Haidinger Daniel L. Sullivan, Ph.D. Clair Burgener (1921-2006) Mary Beth Adderley Nanci Hull Julie H. Sullivan, Ph.D. Mrs. John H. Fox (1908–2003) Michael Allman Viviana Ibañez Evelyn Mack Truitt Audrey Geisel Elizabeth Altman Deni Jacobs Debra Turner Paul Harter Joseph Benoit Daphne Jameson Stacey LeVasseur Vasquez Gordon Luce (1925-2006) Pamela Cesak Jo Ann Kilty Crystal Watkins Dolly Poet (1921-2007) Marsha Chandler Mitzi Yates Lizarraga James A. Wening Deborah Szekely Peter J. Cooper Joyce Nash Brian E. Wineke Hon. Pete Wilson Valerie S. Cooper Rafael Pastor* June Yoder Stephen M. Cusato Conrad Prebys* Carolyn Yorston-Wellcome EMERITUS DIRECTORS Elaine Bennett Darwin Sara Rosenthal, M.D. Deborah Young Garet B. Clark Bea Epsten Jeri Rovsek *Executive Committee Member J. Dallas Clark (1913–2005) Pamela A. Farr Reneé Schatz Sally Furay, R.S.C.J. Harold W. Fuson, Jr.* Jean Shekhter HONORARY DIRECTORS Bernard Lipinsky (1914-2001) Victor P. Gálvez Louis G. Spisto* Mrs. Richard C. Adams Delza Martin (1915–2005) Robert H. Gleason (1912–2005) Patsy Shumway

4 PERFORMANCES MAGAZINe Leadership Gifts Production Sponsors

The Old Globe recognizes and thanks the following generous individuals who have made extraordinary gifts of $1 million or more. These major The Old Globe is proud to recognize contributions have been designated California Bank & Trust as a sponsor of for artistic, endowment and facilities Boeing-Boeing. California Bank & Trust projects, and help The Old Globe is a longtime supporter of the Globe, remain one of our country’s great providing both volunteer and financial theatre institutions. contributions for numerous productions including The First Wives Club, Dancing SANDRA REDMAN, SENIOR VICE PRESIDENT in the Dark, , The Sisters & MANAGER, CALIFORNIA BANK & TRUST’S PRIVATE BANKING DIVISION $20,000,000 or greater Rosensweig, The Lady with All the Answers, Dinner with Friends, and Pericles. Sandra Redman, Donald and Darlene Shiley Senior Vice President and Manager of California Bank & Trust’s Private Banking Division, serves on the Globe’s Executive Committee, chairs the $10,000,000 or greater Nominating Committee and is a Co-Chair of the 2010 Globe Gala.

Conrad Prebys Ed and Gigi Cramer $5,000,000 or greater Ed and Gigi Cramer discovered the magic of The Old Globe after moving Sheryl and Harvey White to San Diego more than thirty years ago and greatly admire the artistic caliber Kathryn Hattox and variety of productions offered on the Globe stages. During their long Karen and Donald Cohn association with the Globe, the Cramers have been subscribers, Circle Patrons and now Season Sponsors, and have proudly $1,000,000 or greater represented the Globe for several years as Globe Ambassadors. Living in New York while in graduate school, Gigi Viterbi Family Foundation attended almost every production ever offered on and off Broadway, and together, the couple has enjoyed live theatre for decades. Gigi California Cultural and and Ed agree that live theatre offers an intimacy, authenticity and Historical Endowment immediacy that no other performing arts form delivers, and that it must be preserved. Given that the Cramers travel frequently and have two Estate of Dorothy S. Prough flight attendant daughters, this production of Boeing-Boeing seems the perfect play for them to proudly sponsor! The Rivkin Family For more than 15 years, Continental Estate of Beatrice Lynds Airlines has provided Globe artists nonstop service between San Diego Audrey S. Geisel/ and Continental Airlines’ New York San Diego Foundation area hub, Newark Liberty International Airport. As one of the world’s Dr. Seuss Fund largest airlines, Continental serves over 260 destinations with more than 2,400 daily departures throughout the Americas, Europe and Asia. In Mr. and Mrs. Victor H. Ottenstein 2009, Continental was rated the top airline on Fortune magazine’s annual airline industry list of World’s Most Admired Companies, for the sixth Mrs. Helen Edison consecutive year. Continental is committed to the communities it serves and supports numerous charitable organizations across the country. The Stephen & Mary Birch Foundation Continental Airlines’ previous production support includes underwriting for Six Degrees of Separation, Sea of Tranquility, Restoration Comedy, The The Kresge Foundation Times They Are A-Changin’, Take Me Out, Bus Stop, Stones in His Pockets and Oldest Living Confederate Widow Tells All.

PErFORMANCEs MAGAZINE 5 FLIGHTS

OF FANCY | BY CRISTOFER GROSS

BOEING-BOEING — LAUNCHED A HALF-CENTURY AGO IN FRANCE — ARRIVES IN SAN DIEGO AFTER A TONY AWARD -WINNING STOP-OVER ON BROADWAY

rance has pioneered break- Camoletti as the breakthrough height of 1500 feet, and earning Fthroughs in food, farce and flight. merging of flight and farce. They the applause of an audience that In 1960, Marc Camoletti combined drafted a sheep, a rooster and a included King Louis XVI and Marie two of them for Boeing-Boeing, a duck to be passengers, and with a Antoinette. breezy boulevard comedy about a baa-baa here, and a quack-quack Paris architect juggling the arrivals there, they remained aloft for eight Fast-forward 180 years. Air travel is and departures of his three flight- minutes, covering two miles at a now advancing at leaps and bounds. attendant fiancées. In 1991, the The jet age has dawned with the Book of Records declared , and Seattle-based Boeing it the most-produced French play in is helping the world’s airlines ramp the world. up air speed and reduce travel time. Around the time Camoletti The country that gave us Molière, conceived of his signature comedy, whose send-ups of pompous Pan Am had the maiden commercial blowhards remain among the most- flight of a Boeing 707. That flight, produced farces on either side of from New York to Paris, was 50 the Atlantic, also gave us the men percent faster than the latest responsible for first hoisting man propeller-driven airliner of the time. heavenward. People could now live on one side of the Atlantic, weekend on the other, Brothers Joseph-Michel and and flirt while in transit between Jacques-Étienne Montgolfier them. They inspired a new term: “the designed the hot air balloon that, in jet set.” November 1783, provided the first manned flight. A test some months The timeless elements of great farce earlier, however, might have beaten usually begin with a secret sexual

6 PERFORMANCES MAGAZINe putting the Super-Caravelli on our Award-winning English director route . . . I’ll be able to see you more and dramatist had helmed the often.“ The next day, American world premieres of and God of Gloria has similar news that TWA is Carnage and noteworthy revivals of adding “The Super-Boeing.” “I’ll be , True West and most recently here more often and we can spend The Norman Conquests. As Mark more time together.” Rylance, who won a Tony for his role as Robert in Warchus’ production, With the serious increase in cabin told , their production was pressure, the fun begins. very different from the first one that came to America. Boeing-Boeing caught the topical updraft in 1960, and quickly “We found in the London rehearsals crossed the channel with an English that the original French script was adaptation by Beverley Cross. The heavily adapted in the ‘60s for London run would continue for English audiences,” he said. “There years, racking up more than 2,000 was a lot of better material in it. That performances. Though the 1965 English adaptation hadn’t been so Broadway landing skidded to an end confident about the play’s situation after a few weeks, an American film comedy-based nature and had version, co-written by Camoletti added a sense of humor that often starred and Jerry Lewis, obscured what was clearly funny. It and was a hit in December of that hadn’t trusted the situation as much year. (In 1997, Quentin Tarrantino as we found we could. So we went included it in his first Austin Film back to the original.” liaison. The more outrageous the Festival of favorite prints he owns.) secret, the more dangerous the And that is the version – directed by liaison, the more we can depend on An American version of the play, Mark Schneider, who was associate it exploding into full view. Invariably, however, would not gain traction director for the Broadway smash – the main character – invariably a until 2008, when Matthew Warchus that has landed here in Balboa Park. “man” character – keeps digging took another look at it. The Tony himself into a deepening hole by frantically trying to cover his tracks. Often with the help of a well- intentioned accomplice, a stage with plenty of doors, and the fearlessness of a trapeze artist, he manages to keep the balls in the air – and the audience in stitches – for most of the play.

In Boeing-Boeing, Bernard, the architect, brags to his friend Robert about his organization.

His apartment is a carefully- scheduled international terminal for his American, German and Italian paramours. They arrive for a layover, depart the next day, and innocently pass the next scheduled arrival like ships in the night. On the same weekend Robert arrives, Italian Gabriella announces that, “They’re

PErFORMANCEs MAGAZINE 7 A FLEET OF FRENCH FARCES BOEING-BOEING WAS ONE OF A HALF-DOZEN MID-CENTURY THEATRICAL IMPORTS

Jerry Lewis and Tony Curtis starred in the 1965 film version of Boeing-Boeing.

8 PERFORMANCES MAGAZINe Marc Camoletti’s Boeing- Flower and directed its successful Boeing arrived in America near Broadway run. Lauren Bacall played the beginning of a wave of farcical the late bloomer referenced by the French imports that started in the title. This was only Bacall’s second late . For more than a decade, venture back into theatre after plays launched in the shadow of returning to New York following the Eiffel Tower landed at regular the 1957 death of her husband, intervals around Times Square. Humphrey Bogart. It established her The first, ’s A Shot in as a Broadway star, and earned her the Dark, adapted by Harry Kurnitz two more Tony Award-nominated and directed by , ran roles in Applause and Woman of the more than 300 performances during Year. I.A.L. Diamond would adapt it the 1961-62 Broadway season. The for a film starring Matthau, Goldie cast included and Walter Hawn (in her Oscar-winning big Matthau, two actors who would screen debut) and in appear more than once in these the Bacall role. comedies. By December 1968, another Julie Harris, and in the original Broadway production of A Shot In By the end of 1962, Boeing- Barillet and Grédy comedy, Forty The Dark. Boeing was an established hit in Carats, was ready to land. Adapted Europe, having premiered in Paris by Jay Presson Allen and directed Theatre to the Martin Beck. But A in 1960 and then, in a translation by by Burrows, it starred Harris in a Little Family Business did little box Beverley Cross, arriving in London Tony Award-winning performance as office business, opening for just 20 in ‘62. Something didn’t translate for the winter end of a May-December performances. Broadway audiences back then, and romance. It would run nearly two It was not until 2008 that these when it arrived in America in 1965, it years and earn praise for Burrows Franco-American hybrids would take mysteriously foundered. including Life Magazine’s suggestion off again with two hit productions – Next to arrive was Pierre that, given his ability to bring French both of them Camoletti comedies. Barillet and Jean-Pierre Grédy’s culture to America, he “should be Don’t Dress for Dinner, produced 1964 comedy Fleur de Cactus. our next ambassador to France.” by the -based British Abe Burrows, who became the Unlike the film versions of A Shot Stage Company, was hailed by the major player in this conversion in the Dark and Cactus Flower, and Tribune’s Chris Jones as a “terrific process, adapted Fleur into Cactus despite Liv Ullman and in new commercial production” of a the cast, Allen’s screen adaptation of “cheerfully retro, happily un-PC Forty Carats was a flop. attraction.” Among the stars was By the time Four on a Garden, Globe Associate Artist Mark Harelik. itself a series of four one-acts, The other was Matthew Warchus’ arrived in winter 1970-71, the re-working of Boeing-Boeing, which phenomenon was running on fumes. earned the 2008 Tony Award for Carol Channing and Sid Caesar were Best Revival. With The Old Globe not enough to keep this Barillet- production beginning what will Grédy-Burrows concoction up surely be many regional productions, and running, and after 47 previews one might say the French are helping and 57 regular performances, it American theatres balance their shuddered to a halt. budgets. Unfortunately, the balance In the early ‘80s, Allen would take of trade between the two countries one last shot adapting Potiche, yet is a different story. In 2007, the U.S. another Barillet and Grédy comedy, imported $24 billion dollars more into A Little Family Business. in French goods. And, leading the It premiered here in California list was a French import that would with in the lead have inspired a sequel farce by Mr. role. In November 1982, the play Camoletti: civilian aircraft engines.

Julie Harris in the original Broadway production went straight from the Ahmanson of Forty Carats. [C.G.]

PErFORMANCEs MAGAZINE 9 Profiles

Rob Breckenridge (Barter Theatre), The Winter’s Tale Nancy Robinette (Bernard) (Shakespeare on the Sound), and (Berthe) All in the Timing and A Midsummer has been seen recently Night’s Dream (Hedgerow Theatre). in several appeared in Her film credits include Close, productions The Savannah but No Cigar. Ms. Fieger received in New York Disputation her MFA from NYU’s Graduate including The 39 at The Old Acting Program and is a proud AEA Steps, Edward Globe. She has member. the Second, been seen Off 33 Variations Broadway in The (Workshop), Caralyn Kozlowski Trestle at Pope Geneva, R.U.R., The Rivals, Long (Gretchen) Lick Creek, Give Me Your Answer, Island Sound, Tooth, RIO, Far and is thrilled Do! and Finally Flannery. Her recent Wide, Hope II and The Phantom to return regional credits include The Solid Tollbooth. Mr. Breckenridge’s to The Old Gold Cadillac, , regional credits include Life x 3, Globe, having The Rivals, Souvenir, The Imaginary Private Lives, Sister Carrie, An Ideal previously Invalid, The Silent Woman, The Husband, Sylvia, A Map of the World appeared as Beauty Queen of Leenane, The and The Strange Case of Dr. Jekyll Amanda in Diary of Anne Frank, Twelfth and Mr. Hyde. His film and Amy Freed’s Night, , Here I Come!, credits include Delirious, Helen Restoration Well, Body of Water, Escape from at Risk, Solo Una Mujer, “Guiding Comedy. She appeared most Happiness, Wonder of the World, Light,” “Law and Order: Criminal recently on the West Coast in the Fat Men in Skirts, Ivanov, The Little Intent,” “Fuego Verde” and “Padres premiere of Amy Freed’s You, Nero Foxes, Mother Courage and Her e Hijos.” Mr. Breckenridge worked as (South Coast Repertory). Her New Children, Frozen, Henry IV and Lady an , teacher, director and Senior York credits include Flygirls, Mrs. Windermere’s Fan. Ms. Robinette’s Fulbright Scholar in Colombia, South Warren’s Profession, Secrets of a film and television credits include America during the 1990s. Soccer Mom, Fair Game, Murdering Serial Mom, Soldier Jack, “The Marlowe, The Milliner and The Hunley” and “The Day Lincoln Was Shot.” She has received numerous Stephanie Fieger Odyssey. In eight seasons with the awards including (Gabriella) Shakespeare Theatre of New Jersey, Awards, a Will Award for Classical appeared her favorite roles include Amanda in Acting and a Fox Fellowship. Ms. previously Private Lives, Ilona in The Play’s the Robinette is an Affiliate Artist at at the Globe Thing, Gwendolen in The Importance Arena Stage and Shakespeare in Measure of Being Earnest, Desdemona in Theatre Company, Company for Measure , in , Member at Woolly Mammoth and The Two and Irina in . Ms. Theatre Company and a New York Gentlemen of Kozlowski’s other theatre credits Theatre Workshop Usual Suspect. Verona. Her include Rosalind in As You Like It Off Broadway ( ), credits include (The Public Mac in Three Viewings and Evelyn Theater), A Doll’s House, The Bear in The Shape of Things (Barrington and The Proposal (The Infinite Stage Company). Her film and Theatre), A Perfect Wedding (NYU) television credits include “Law & and various works with the Tectonic Order,” “Numb3rs,” “Six Degrees,” Theatre Project. Ms. Fieger’s “Law & Order: SVU,” “Guiding Light,” regional credits include A View of “,” Practical Magic, the Harbor (Merrimack Repertory and “Third Watch.” She holds a BFA Theatre), Saint Joan and Peter Pan from SUNY Purchase.

10 PERFORMANCES MAGAZINe Liv Rooth Destroy and Heaven (Yale Repertory has worked extensively with (Gloria) Theatre), Dr. Stockman in Enemy of director . Memorable is pleased to the People (Shakespeare Theatre collaborations include John Patrick make her Old Company of Washington, Helen Shanley’s and Tony Globe debut in Hayes Award nomination), George Award-winning Doubt, the New Boeing-Boeing. Antheil in Frequency Hopping, York premiere of Theresa Rebeck’s Her Broadway Living Out (Second Stage Theatre), Mauritius, the Tony-nominated credits include in Othello (Shakespeare revival of Inherit The Wind starring ’s Is Festival/LA), Principia Scriptoriae and Brian He Dead? and ( Theatre Club), Prince Dennehy and A Touch of the Poet Off Broadway Hal in Henry IV directed by Austin starring Gabriel Byrne. Other New credits include Jane Eyre and Pendleton (Williamstown Theatre York associate directing credits Love, Shakespeare (The Acting Festival), The Boys Next Door include Conor McPherson’s The Company), Women Beware Women (Broadway) and leading roles at Seafarer, directed by McPherson, (Red Bull Theater), A Doll’s House the Mark Taper Forum, La Jolla Jason Robert Brown’s teen musical, (NYU Graduate Acting Alumni Playhouse, Actors Theatre of 13, and a new musical, Departure Studio), NY Premiere of Chuck Louisville, New York Shakespeare Lounge, directed by Christopher Mee’s A Perfect Wedding (NYU Festival, New York Stage and Film Gattelli. Regionally, Mr. Schneider Grad Acting), The Obstruction Plays and 11 seasons at the National has assisted directors Michael (Slant Theater Project, plays by Lisa Playwrights Conference. His film Kahn, Edwin Sherin and Blanka Kron and Dan O’Brien), / credits include Che (directed by Zizka, among others. He has held Café Coward (Abingdon Theatre Steven Soderbergh), Acting for the administrative posts at Shakespeare Company) and 365 Plays (The Camera (2009 Sundance Festival), Theatre Company in Washington, Public Theater). Ms. Rooth’s regional Four Single Fathers, also starring DC, Hangar Theatre in Ithaca, credits include Noises Off (Hartford Alessandro Gassman, Disclosure, NY, Philadelphia’s Wilma Theater Stage), (Geva Deep Impact, Wedding Bell Blues, and currently serves as a resident Theatre) and Much Ado About Strange Days (directed by Katherine director of Billy Elliot on Broadway. Nothing (Pennsylvania Shakespeare Bigelow) and Indictment (HBO). Mr. He is a Drama League Directing Festival). Her film and television Urla was a series regular on “Delta” Fellow, member of the Lincoln credits include “” and and “H.E.L.P.” and had recurring Center Directors Lab and graduate iChannel. Ms. Rooth received her roles on “Seinfeld” and “The Wire.” of The College of the Holy Cross in MFA from NYU Graduate Acting Other television credits include Worcester, MA. and her BA from Dartmouth College. “Law & Order” and “Law & Order: Criminal Intent.” He is the recipient She was the recipient of the Marcia Matthew Warchus of a and a Gay Harden Scholarship. (Original Director) graduate of the Yale School of Drama. graduated from Bristol University Joseph Urla with a First Class honours (Robert) degree in Music and Drama. He Mark Schneider has appeared immediately began a very busy (Director) in the Off career as a director, which has to was the Associate Director on Broadway date encompassed over 50 major Matthew Warchus’ 2008 Tony production of productions (30 award-winning), Award-winner for Best Revival, In the Daylight, including five and one Boeing-Boeing, and directed its as Petruchio in feature film. He has directed award- UK tour (in the fall of 2008). He Mark Lamos’ winning productions for all the was also the Associate Director acclaimed major British companies (including for Warchus’ Tony-winning revival all-male a debut with the Royal Shakespeare of Alan Ayckbourn’s The Norman production of Taming of the Shrew, Company as the youngest director Conquests. Since 2003, Schneider Martin Merkheim in Search and ever on the Stratford main stage) as

PErFORMANCEs MAGAZINE 11 Profiles well as five Broadway plays and one Beale (Evening Standard Director Rob Howell Broadway musical. He was Associate Award), Life x 3 (three Olivier (Costume and Scene Design) Director at the new West Yorkshire nominations) with Harriet Walter, has worked extensively in the Playhouse for the first three years and , theatre and within the UK of his career and is currently an and Buried Child with M. Emmett and abroad including working at Associate Director of Walsh and Lauren Ambrose. For the The Royal Court, The Almeida, Theatre. He is the original director Royal Shakespeare Company: Henry The , The of the phenomenally successful V with Iain Glen (Evening Standard , The Royal play, Art. Productions include Best Director Award, Olivier Shakespeare Company, Welsh Sejanus: His Fall, The Suicide (Time nomination), ’s The National Opera, The Royal Opera Out Award), , “Master Devil is an Ass with Damien Lewis, House and The . Harold”…and the Boys, Life is a The Unexpected Man, with He received the 2000 Olivier Dream (TMA Award), Who’s Afraid (Olivier and Evening Award for Best Set Designer for of Virginia Woolf?, Fiddler on the Standard nominations) which also , Vassa and Roof (TMA Award), The Plough toured to New York (BAM) and Richard III. He was nominated for and the Stars, Death of a Salesman Washington, DC (Kennedy Center) Best Costume Design in the same (TMA Award) with Ken Stott and an ‘American’ version of The year for Troilus and Cressida and and , and two Winter’s Tale at the Roundhouse in Money, and for Best Set Designer acclaimed productions of Peter Pan London and in Stratford on Avon. On in 1995 for The Glass Menagerie, (TMA Awards). In the West End: Broadway: The Tony Award-winning Chips with Everything in 1997 and (Most productions of Art (winner Tony in 2001. Promising Newcomer Award) with Award, Play, Tony Award nomination, won the 2003 Olivier Award for Mark Rylance and Janet McTeer, Director) and True West with Philip Best Musical. In 2006, Mr. Howell The Unexpected Man with Michael Seymour Hoffmann and John C. received an Olivier Award for Best Gambon and (five Reilly (Tony Award nomination, Set Design for Hedda Gabler as Olivier nominations), Life x 3 Director), Life x 3 with Helen Hunt well as being nominated for Best (Evening Standard and Olivier Award and , the Roundabout Costume Design for the same nominations), the new musical production of Steven Sondheim’s production. For Lord of the Rings Our House (Olivier Award for Best Follies, and most recently God of in , Mr. Howell received a Musical 2003), (Olivier Carnage (Tony Award, Play, and Tony 2006 Dora Award for Outstanding nomination) with Award, Director) and The Norman Costume Design as well as a and Lee Evans, The Lord of the Conquests (Tony Award, Revival). nomination for Outstanding Set Rings (Olivier nomination) at Drury Off Broadway: The Unexpected Design. He was nominated for Lane, a new version of the 1960s Man at The Promenade with Eileen Best Costume Design of a Play in French hit Boeing-Boeing (Olivier Atkins and (Drama Desk, the 2008 Tony Awards for Boeing- nomination) with Mark Rylance, Director nomination). His operas, Boeing on Broadway, Best Costumes Speed-the-Plow at the Old Vic with for , English National Design at the 2009 Olivier Awards and , Opera, , Royal for The Norman Conquests and by Opera House and Tel Aviv Opera was nominated for Best Set Design (Olivier Award, Comedy) with Ralph include: Trolius and Cressida, The for The Norman Conquests on Fiennes, Janet McTeer, Ken Stott Rake’s Progress, Falstaff (still in the Broadway in the 2009 Tony Awards. and Tamsin Grieg, and The Norman repertoire after many revivals), and Conquests at the Old Vic. For the an acclaimed Cosi fan tutte. He Donmar Warehouse, the English directed, co-wrote and co-produced Chris Rynne premiere of The Life of Stuff, and the feature film adaptation of Sam (Lighting Design) True West with Mark Rylance. For Shepard’s play , starring has designed several shows for The Chichester Festival Theatre: I Am , , Old Globe including I Do! I Do!, Shakespeare by Mark Rylance. For , and Sharon Sheryl and Harvey White Theatre the National Theatre: with Stone. Opening Gala, The Price, Sight Michael Gambon and Simon Russell

12 PERFORMANCES MAGAZINe Unseen, The American Plan, Who’s Design of Jenny Chow, Blue/Orange, Mr. Rosokoff is a proud member of Afraid of Virginia Woolf?, Two Trains Time Flies, Pentecost, Compleat the Actors’ Equity Association. Running, Lincolnesque (San Diego Female Stage Beauty, The Boswell Critics Circle Award), Pig Farm, Sisters and Crumbs from the Table Annette Yé Trying, Vincent in Brixton (San Diego of Joy. His regional credits include (Assistant Stage Manager) Critics Circle Award), The Lady with Milwaukee Repertory Theater, recently was the Assistant Stage All the Answers, The Food Chain, San Jose Repertory Theatre, Manager for Dr. Seuss’ How The Two Sisters and a Piano, Blue/ CENTERSTAGE, La Jolla Playhouse, Stole Christmas! Her other Orange, Time Flies, Knowing Cairo, Sledgehammer Theatre (Associate Globe credits include The First Beyond Therapy, The Santaland Artist), Mo’olelo Performing Arts Wives Club, Opus, 2008 Summer Diaries and was the Associate Company, The Wilma Theater, LA Shakespeare Festival, Dancing in Lighting Designer for Dr. Seuss’ Theatre Works, San Diego Repertory the Dark and Hay Fever. Ms. Yé’s How the Grinch Stole Christmas! Theatre, Florida Studio Theatre, regional credits include Peter and Mr. Rynne has also designed Lorraine Hansberry Theatre, the Starcatchers, Tobacco Road and productions for The Old Globe/USD North Coast Repertory Theatre, Salsalandia (La Jolla Playhouse). Professional Actor Training Program Diversionary Theatre, Cape Fear Her other credits include 9 Parts including A Midsummer Night’s Regional Theater, Hope Summer Of Desire (Mo’olelo Performing Dream, Much Ado About Nothing, Repertory Theatre, Malashock Arts Company) Honky Tonk Angels, Twelfth Night, All in the Timing, The Dance & Company, University of San Baby and No Way to Treat a Lady Winter’s Tale, The Two Gentlemen Diego, San Diego State University (North Coast Repertory Theatre); of Verona, Macbeth and Getting and the Freud Theatre at UCLA. He Forbidden Broadway: SVU (Theatre Married. His other credits include received his BFA in Drama with an in Old Town). San Diego Opera, South Coast emphasis in Technical Design from Repertory Theatre, Madison Opera, San Diego State University. Pasadena Playhouse, San Diego Repertory Theatre, Cygnet Theatre, Daniel S. Rosokoff North Coast Repertory, Houston (Stage Manager) Grand Opera, Diversionary Theatre and Starlight Theatre. has stage managed several shows at The Old Globe including Working, Dancing in the Dark and Dirty Rotten Paul Peterson Scoundrels. His Broadway credits (Sound Design) include Dirty Rotten Scoundrels, has designed over 75 productions Dr. Seuss’ How the Grinch Stole at The Old Globe, including Lost in Christmas!, By Jeeves (by Alan Yonkers, I Do! I Do!, The Savannah Ayckbourn and Andrew Lloyd Disputation, The Mystery of Irma Webber) and Swinging on a Star. Vep, Cornelia, The Price, Kingdom, His Off Broadway credits include Six Degrees of Separation, Since Mr. Goldwyn starring Alan King and Africa, The Women, Sight Unseen, touring credits include Dirty Rotten The Pleasure of His Company, Scoundrels, The Full Monty, Barry Dr. Seuss’ How the Grinch Stole Manilow’s Copacabana, Jolson: Christmas!, Bell, Book and Candle, The Musical and Joseph and the Who’s Afraid of Virginia Woolf?, Amazing Techincolor Dreamcoat. His Two Trains Running, Hold Please, regional credits include productions Restoration Comedy, Pig Farm, at Goodspeed Musicals, Long The Sisters Rosensweig, Trying, Wharf Theatre, Kennedy Center, Moonlight and Magnolias, Vincent Shakespeare Theatre Company, in Brixton, I Just Stopped By to See Geffen Playhouse, Pittsburgh Public the Man, Lucky Duck, The Intelligent and Pittsburgh Civic Light Opera.

PErFORMANCEs MAGAZINE 13 Profiles

Louis G. Spisto Jack O’Brien Doctorate, University of Michigan. (CEO/Executive Producer) (Artistic Director Emeritus) Honorary Doctor of Humane Letters, University of San Diego. Lou Spisto directs both the artistic served as the Artistic Director of Recipient of ArtServe Michigan’s and administrative activities of The Old Globe from 1982 through 2008 International Achievement The Old Globe. During his tenure, 2007. Recent Globe productions: Award. Mr. O’Brien is a member Mr. Spisto spearheaded the return Dirty Rotten Scoundrels, Imaginary of the College of Fellows of the of the Shakespeare Repertory Friends, Twelfth Night, The Full American Theatre. Company, revitalized the Globe’s Monty, , The Magic new works program, resulting in ten Fire, Dr. Seuss’ How the Grinch world premiere plays and nine world Stole Christmas! WEST END: Love UNDERSTUDIES premiere musicals, and produced Never Dies (sequel to Andrew Lloyd more than 100 productions. Under Webber’s Phantom, Fall 2009), Robert �����������������������������������������Andrew Dahl Mr. Spisto’s leadership, ticket sales Hairspray (Olivier Award for Best Gretchen ������������������������������Catherine Gowl and contributions have increased Musical, Best Director nomination). Bernard �����������������������������������Steven Marzolf substantially, and the fiscal health BROADWAY: Catch Me If You Gloria ���������������������������������������� Brooke Novak of the organization has been Can, Impressionism (March 2009) Gabriella ����������������������������� Aubrey Saverino strengthened to support the Creator/ Supervisor, Dr. Seuss’ How Berthe ������������������������������������������� Bree Welch expanded artistic vision. Mr. Spisto the Grinch Stole Christmas!, The has successfully led the Globe’s Coast of Utopia (2007 Tony Award $75 million Capital Campaign and for Best Direction of a Play, which managed the development of the won a total of seven Tony Awards, FOR THIS PRODUCTION Conrad Prebys Theatre Center, including Best Play), Dirty Rotten Additional Staff which includes a state-of-the-art Scoundrels (Tony nominations: arena theatre and education center. Best Director and Musical), Henry Curtain call staging by James Vasquez An advocate of arts education, IV (Tony Award), Hairspray (Tony Assistant Director...... Desha Crownover Mr. Spisto created of Award), The Invention of Love Assistant Scenic new programs that serve tens of (Tony nominations: Best Director Designer...... Sean Fanning thousands of young San Diegans and Play), The Full Monty (Tony Associate Costume each year. These programs include nominations: Best Director and Designer...... Charlotte Devaux a bilingual summer Shakespeare Musical), More to Love, Labor Assistant Lighting intensive, a major initiative in Day, St. Louis Woman, Pride’s Designer...... Megan Fonseca Southeastern San Diego which Crossing, The Little Foxes, Hapgood Dialect Coach...... Ursula Meyer includes the development of ( Award for Direction, Stage Management new works for younger and more 1995), Damn Yankees (Tony Intern...... Katherine Schroeder diverse audiences, and free student nomination Best Musical Revival), matinees of the Globe’s regular Two Shakespearean Actors (Tony SPECIAL THANKS productions. Mr. Spisto holds a nominations: Best Director and Master’s degree from the University Play), Porgy and Bess for Houston David Turner, of and a Bachelor’s Grand Opera and Broadway (Tony Stuart Thompson Productions degree from the University of Award), as well as Radio City Music Notre Dame. He has served as chief Hall, Il Trittico, Metropolitan Opera. executive for the Pacific Symphony, RECENT AWARDS: 2008 Theatre Detroit Symphony and American Hall of Fame Inductee, 2004 Thomas Ballet Theatre. Degaetani Award (USITT), 2002 “Mr. Abbott” Award (SDCF), 2001 Joan Cullman Award for Extraordinary Creativity, 2001 Joe A. Callaway Award (SDCF), the Drama League’s Julia Hansen Award for Excellence in Directing, 2001. Honorary

14 PERFORMANCES MAGAZINe BIRDS-EYE VIEW TWO FORMER FLIGHT ATTENDANTS TELL IT LIKE IT WAS

Wikipedia has a list of 36 three complaints from passengers, occurrences of “Flight Attendants they were out.” in Pop-Culture.” The first is Marc There was an upside, though. Camoletti’s Boeing-Boeing. “We used to be celebrities,” Brock In the 1960s, when a stewardess said. “We were looked up to. There appeared in a play or film, it was weren’t very many of us – or many shorthand for a single, attractive airplanes either. I can remember woman with even odds to be sitting at the coffee shop in Chicago spending the night in a hotel. Even and having Ed Sullivan, who was Stephen Sondheim, in his breakout sitting at the horseshoe counter, pay 1970 musical, Company, gave for our breakfast. People did that.

Bobby-baby a stewardess girlfriend. Women passengers came on with Randy Tidmore Nancy Brock As Joanne Gordan observes in their heels, hats and gloves, and “Stephen Sondheim: A Casebook,” men always wore a suit. The whole the “conquest of a ‘stewardess’ is, for atmosphere was first class and we “Although it was still pretty strict. audiences who would remember the were treated that way, too.” We were still under weight controls. era, a depiction of a particularly ‘60s “You couldn’t be married, but that I was still getting weighed in during kind of fantasy – the suave bachelor didn’t mean you couldn’t have an the , long after the unions seducing a hot ‘stew.’” affair with a pilot,” Tidmore smiled. became involved.” Two women who spent the era “A lot of my friends were married, The public image of flight inside a United Airlines stewardess but I didn’t know it. One couple – a attendants changed, they feel, uniform are Globe Guilders Nancy pilot and stewardess – were married to something to service Brock and Randy Tidmore. and nobody knew it. They lived personnel than celebrities. But, they Both trained in Chicago and in the same apartment building. both feel the profession is finally eventually ended their stewardess She lived downstairs and he lived getting more respect. careers flying out of Los Angeles. upstairs, with a telephone he could “I think the public does think they Iowan Tidmore flew for United hear from downstairs.” are service people,” Brock said. “But Airlines from 1947 to 1962, but also “Newspapers used to interview I think that, more and more since worked in the office during the last me about what stewardesses 9/11 and events like the recent half of those years. She became a did,” she continued. “’Tell us some landing in the Hudson River, people supervisor, handling hiring, customer stories,’ they would say. ‘Are the realize that in-flight people also have complaints and inquiries from the stewardesses marrying passengers? a safety responsibility and we’re media. Brock flew for 35 years, many Are they going out with passengers there to save lives. The perception of them between LA and Honolulu, on every trip?’ Absolutely not! I’d tell has gone back up.” beginning in 1955. them. Our girls don’t do that, you Both remain active in “Clipped When they started, stewardesses know. And they didn’t. They were not Wings,” a social organization for (they still stumble on the term marrying any more than non-flight flight attendants that they co- “flight attendant”) had to weigh in, attendants.” chaired four years ago. The name keep their hair short, and remain All that started changing around recalls the days when, “if you got unmarried. the time the play is set, with the married, your wings were clipped,” “They had to be 21 by the time advances in jets, and unionization. Brock said. they went on the line,” said Tidmore. “When the unions came in, the “They had to wear hose, and the airline couldn’t say how we wore our [C.G.] seams had to be straight, and wear hair, or make us wear a girdle or high girdles and high heels all the time. heels,” said Tidmore. They had to be ladies. If any received “That’s true,” agreed Brock.

PErFORMANCEs MAGAZINE 15 Season Sponsors

The Old Globe is deeply grateful to its Season Sponsors, each of whom has made an annual donation of $50,000 or greater. These gifts are critical to maintaining the Globe’s high quality of artistic programming and award-winning work in the community.

The Legler Benbough Globe Guilders Foundation Vice-Chairman Bill Horn John A. Berol and the County of San Diego Mary Ann Blair Joan and Irwin Jacobs Karen and Donald Cohn The Lipinsky Family Peter Cooper and Conrad Prebys and Norman Blachford Debra Turner Valerie and Harry Cooper Donald and Darlene Shiley The Helen K. and James S. Chairwoman Pam Slater-Price Copley Foundation and the County of San Diego Gigi and Ed Cramer Mickey Stern Edgerton Foundation Sheryl and Harvey White Audrey S. Geisel Anonymous

To become a Season Sponsor, please contact Todd R. Schultz, Director of Development at (619) 231-1941 x2310.

16 PERFORMANCES MAGAZINe Education

Auditions for 2010 Globe Honors are May 1st Globe Honors is a thrilling new awards program that recognizes and rewards excellence in High School theatre. Students currently in grades 9 – 12 and who have performed in a play or musical at their schools or at another theatre are eligible to compete in the program. This year’s auditions will take place on May 1 and the finals will be performed on the Globe stage on May 17. Winners receive scholarships and may be eligible to participate in national-level competitions such as the National High School Awards (NHSMTA) in . Executive Producer Lou Spisto with the 2009 Globe Honors participants.

Introducing two new programs for Elementary and Middle School Students Saturday’s Child is a brand-new Creative Dramatics The Old Globe Middle School Conservatory will begin program for children ages four, five and six. These 90 this summer. Students in grades six, seven and eight will minute workshops take children from storybook to discover new approaches to acting through sessions in performance while they learn how to use their voices, voice and speech, movement, stage combat, improvisation bodies and imaginations to bring a story to life. Parents and much more. Students will explore all three of The Old return for the last 20 minutes to watch their children Globe’s theatres, meet artists and technicians and learn perform a short presentation of the story of the day. how a professional theatre operates. Students will perform Creative Dramatics will take place on Saturdays, April 10 a showcase for parents and friends in Hattox Hall on the and 24, May 8 and 22 and June 5 and 19. final day of class. The Middle School Conservatory will Cost per class is $25. take place July 26 – 30 and August 2–6 from 10: a.m. to 3:00 p.m. Cost per student is $450.

For more information about the Globe’s education programs, please contact Kim Montelibano Heil at (619) 231.1941 x 2145 or [email protected].

A young student creates a character. Patrick Page (center) conducts an acting workshop.

PErFORMANCEs MAGAZINE 17 Annual Fund Donors

The Old Globe’s ability to maintain the highest standard of excellence, while keeping ticket prices affordable, is due in large part to the financial support of more than 2,000 individuals, businesses, foundations and government agencies. Please join us in giving a warm thanks and recognition to these leaders who have made tonight and our 629 other performances possible. The Old Globe appreciates the support of those who have stepped into the spotlight.

Benefactors ($100,000 and above)

The Legler Benbough Foundation Audrey S. Geisel/The San Diego The James Irvine Foundation City of San Diego Commission for Foundation Dr. Seuss Fund Donald & Darlene Shiley Arts & Culture Globe Guilders The Shubert Foundation The Helen K. and James S. Copley Vice Chairman Bill Horn Chairwoman Pam Slater-Price Foundation and the County of San Diego and the County of San Diego

Season Sponsors ($50,000 to $99,999)

Bank of America Peter Cooper & Norman Blachford The Bernard & Dorris Lipinsky John A. Berol Advised Fund at the San Diego Fund of the Jewish Community Mary Ann Blair Human Dignity Foundation Foundation California Bank & Trust Valerie & Harry Cooper National Endowment for the Arts J. Dallas & Mary H. Clark Fund at Edgerton Foundation Conrad Prebys & Debra Turner The San Diego Foundation HM Electronics, Inc. Qualcomm, Inc. Karen & Donald Cohn Joan & Irwin Jacobs Fund of the Mickey Stern Jewish Community Foundation Wells Fargo Sheryl & Harvey White Foundation

Production Sponsors ($25,000 to $49,999)

Mary Beth Adderley & Barbara Kjos E. Hield and Robert R. Hield Elizabeth Adderley National Corporate Theatre Fund Endowment Fund American Express The San Diego Foundation, a grant Sempra Energy Alan Benaroya made possible by the Colonel Sheraton San Diego Hotel & Marina Cohn Restaurant Group/ Frank C. Wood Memorial Fund; Gillian & Tony Thornley Prado Restaurant Ariel W. Coggeshall Fund; Union Bank Continental Airlines Kantor-Lebow-Stroud Memorial U.S. Bank Kathryn & John Hattox Endowment Fund; and Mary Mandell Weiss Charitable Trust

Director Circle ($10,000 to $24,999)

Anonymous Robert Gleason & Marc Matys Renee Schatz Jane Smisor Bastien Lee & Frank Goldberg Jean & Gary Shekhter Richard & Kathy Binford The Hull Family Patsy & Forrest Shumway Arthur & Sophie Brody Fund of the Deni & Jeff Jacobs Ms. Jeanette Stevens Jewish Community Foundation Daphne H. & James D. Jameson Anne Taubman & David Boyle Pamela & Jerry Cesak Jo Ann Kilty Evelyn Mack Truitt Elaine & Dave Darwin Dr. Ronald & Mrs. Ruth Leonardi Brent V. Woods & Laurie C. Mitchell Mr. & Mrs. Brian Devine Sue & John Major June E. Yoder Nina & Robert Doede Dr. Patricia Montalbano Carolyn Yorston-Wellcome Dr. & Mrs. Robert Epsten Allison & Robert Price Robert & Deborah Young Pamela A. Farr Price Family Charitable Fund Danah H. Fayman San Diego Tourism Hal & Pam Fuson Promotion Corporation

18 PERFORMANCES MAGAZINe FOUNDER CIRCLE Martha & George Gafford Doris & Lou Vettese Nancy & George Stassinopoulos ($5,000 to $9,999) Deede Gales Jordine Skoff Von Wantoch Jack & Louise Strecker Anonymous Barbara & Albert Garlinghouse Merle Wahl Margery & John Swanson Lawrence G. Alldredge & Bill & Judy Garrett Jan Harden Webster & Raul Ortega Linda Terramagra Dawn Moore Drs. Thomas H. & Jane D. Gawronski Chris & Pat Weil Celeste & Gene Trepte The Louis Yager Cantwell Private Sheila & Tom Gorey Helene & Allan Ziman Stan & Anita Ulrich Foundation Ms. Cheryl Haimsohn Brendan M. & Kaye I. Wynne Nicole A. Clay Norm Hapke & Valerie Jacobs Hapke ($1,500 to $2,499) Christy & Howard Zatkin The Colwell Family Fund at Drs. Patrick Harrison & Anita Busquets & William Ladd The San Diego Foundation Eleanor Lynch Lisa & David Casey GOLD R. Patrick & Sharon Connell Susan & Dr. Ronald Heller Ron & Devora Eisenberg - ($500 to $999) Bernard J. Eggertsen & Dr. & Mrs. Peter K. Hellwig Great News! Anonymous (3) Florence Nemkov Rhonda Heth & Thomas Mabie Joy & Dr. Fred Frye George Amerault Carol Spielman-Ewan & Joel Ewan Dr. & Mrs. Harry F. Hixson, Jr. Elaine & Murray Galinson Drs. Michael & Gabriela Antos Mary Ann & Arnold Ginnow Tish & Jere Horsley Gary & Carrie Huckell John & Carolyn Backman Alexa Kirkwood Hirsch Dr. David K. Hostetler William & Edythe Kenton Richard & Linda Basinger Leonard & Elaine Hirsch Richard & Janet Hunter Sherry & Larry Kline Madelyn Bennett Melissa & James Hoffmann Hutcheson Family Fund at Christopher & Cheryl Lee Nicholas B. Binkley Carol & George Lattimer The San Diego Foundation Robin J. Lipman & Miro Stano Bob & Joyce Blumberg Peter & Inge* Manes Al Isenberg & Regina Kurtz Elizabeth Meyer Mr. & Mrs. Blaine A. Briggs Paul I. & Margaret W. Meyer Andrew & Sonia Israel Fund of the Akiko Charlene Morimoto & Nancy Brock Money/Arenz Foundation, Inc. Jewish Community Foundation Hubert Frank Hamilton,Jr. Ruth Mary Campbell Harle Garth Montgomery Al* & Pat JaCoby Nancy & James Mullen Beth & Tim Cann Arthur & Marilyn Neumann Mary & Russell Johnson Dolly* & Jim Poet Greg & Loretta Cass The Kenneth T. & Eileen L. Norris Jackie Johnston-Schoell Marie & Don Prisby Luc Cayet & Anne Marie Pleska Foundation Dr. & Mrs. Richard L. Kahler Marisa SorBello & Peter Czipott Lynne Champagne & Wilfred Kearse John & Marcia Price Family William Karatz Pat & Jack Thomas Betsy Dam Foundation Marge & Jerry Katleman Pamela J. Wagner Dr. & Mrs. William Davidson Jeannie & Arthur Rivkin Bob* & Gladys King Z.J. Waxenberg Fund of the Wes & Elaine Dillon Robert & Julie Sullivan Ken & Sheryl King Jewish Community Foundation Dr. Donald & Eilene Dose Deborah Szekely John & Cindy Klinedinst James & Ellen Weil Dorothy R. Dring The Thursday Club Foundation Jane & Ray Klofkorn Shirli Fabbri Weiss Patricia Eichelberger Dixie & Ken Unruh Curt & Nancy Koch Dr. Steve & Lynne Wheeler William Eiffert & Leslie Hodge Brooke & Dan Koehler Paul & Clare Friedman CRAIG NOEL CIRCLE Rosalie Kostanzer & Mike Keefe DIAMOND Dr. & Mrs. Steven Garfin As of July 2008, the Craig Noel Circle Bob & Laura Kyle Peter & Christine Gault Dr. Eric Lasley & Judith Bachner ($1,500 to $2,499) includes gifts of $2,500 - $4,999. This Anonymous Arthur & Judy Getis change is being phased in as patrons Terry & Mary Lehr Diana J. Barliant & Nowell Wisch Norman & Patricia Gillespie renew their gifts. For donors who con- Ms. Sherrill Leist Louise & Doug Goodman tribute to the Paver Campaign, the James & Pamela Lester Mrs. Lazare F. Bernhard phase-in period is up to five years. Ronda & Stanley Breitbard Robert & Edry Goot Jerry Lester, M.D./Rosarito, Mexico Drs. Barbara & Leonard Gosink ($2,500 to $4,999) Sandy & Arthur Levinson BRG Consulting Dr. & Mrs. Robert M. Callicott Chris Graham & Michael Albo Dr. & Mrs. Wayne Akeson Mathew & Barbara Loonin Carol & Don Green Gail Andrade and John & Merriel F. Mandell, Ph.D. Enid & Martin Gleich Webster & Helen Kinnaird Mr. & Mrs. Norman Greene Jennifer Andrade Charlie & Jackie Mann Theodore Gryga Anonymous (2) Elizabeth & Edward McIntyre Joy & Ronald Mankoff Ruth & Jim Mulvaney Alex & Mary Hart Mr. & Mrs. Richard Baldwin Harold O. McNeil Mr. & Mrs. Arnold Hess Melissa Garfield Bartell & Rebecca Moores Susan Parker Peggy Price Mr. Stephen Hopkins & Michael Bartell Mr. & Mrs. David Mulliken Dr. Carey Pratt Joan & Jeremy Berg Joyce & Martin Nash Dee E. Silver, M.D. Susan Steele & Mike Conley Viviana Ibanez Charles & Charlotte Bird National Alliance for Musical Theatre Susan D. Inot Paul Black Eileen & Lawrence Newmark PLATINUM Isabella Fund at The San Diego Dr. Herman & Irene Boschken Tom & Lisa Pierce Foundation Dr. & Mrs. Edgar D. Canada Matthew & Judith Pollack ($1,000 to $1,499) Edward & Linda Janon George & Ellen Casey Mo & Bill Popp Dr. Bob & Jill Andres Dr. & Mrs. Clyde W. Jones Carol & Rudy Cesena Dr. & Mrs. Daniel Porte Edward Anderson Kathy & Rob Jones Carol & Jeff Chang Brian & Paula Powers Gary & Barbara Blake Family Fund of Kenneth & Marilyn Jones Garet & Wendy Clark Joanne Powers the Jewish Community Foundation Nancy Jones Jack & Carol Clark The Pratt Memorial Fund at Union Sandra & Harry Carter David & Susan Kabafoff Ms. Heidi Conlan/ Bank of California Roger Cornell, M.D. Patricia & Alexander Kelley The Sahan Daywi Foundation Joseph & Jane Rascoff Ken Crouch Gerald & Phyllis Kelly Richard & Stephanie Coutts Sarah B. Marsh-Rebelo & Peter & Doris Ellsworth Kaaren H. Kerlin Susan B. Cowell John G. Rebelo In Memory of John A. Geisel Gayle & Jerry Klusky Gigi & Ed Cramer Mrs. Charlotte Rees Mr. & Mrs. Arthur A. Greenberg Bill & Linda Kolb Ann & John Davies Roger & Christine Roberts Leo S. Guthman Fund Dr. Marvin Kripps Darlene G. Davies in memory Nancy J. Robertson Richard & Candace Haden LABS, Inc./Silvia Dreyfuss of Lowell Davies Warren & Beverly Sanborn Pat & Rick Harmetz Sherry & Rick Levin Pat & Dan Derbes Gabriela & Charles Sanders Dr. & Mrs. James E. Lasry Marshall & Judy Lewis Fund of the Mrs. Philip H. Dickinson Sanderson Family Donor Advised Don & Mary Jane Lincoln Jewish Community Foundation Jim & Sally Ditto Fund at the Rancho Santa Dr. Robert & Marcia Malkus Dr. & Mrs. David D. Lynn Marion Eggertsen Fe Foundation Jasna Markovac & Gary Miller Edward & Nancy Lyon Mr. & Mrs. Ira S. Epstein Drs. Joseph & Gloria Shurman Valorie McClelland Carl Maguire & Margaret Sheehan Carol Fink Herbert $ Elene Solomon Dr. & Mrs. M. Joseph McGreevy Jeanne Maltese Mary & David Fitz Nancy & Alan Spector and Family Judith & Neil Morgan Drs. Betty Joan Maly & John Meyers Susanna & Michael Flaster Nancy Steinhart & Elspeth & Jim Myer Ron & Mercy Mandelbaum Samuel I. & John Henry Fox Rebecca Goodpasture Jack & Virginia Oliver F. Dale & Lois Marriott Foundation at Union Bank Hannah & Eugene Step Dr. Julie Prazich & Dr. Sara Rosenthal JoAnne D. Marugg of California Cherie Halladay Tirschwell Alice & Lewis Silverberg Rev. Stephen J. Mather Jean & Sid Fox Ric Torres Alan & Esther Siman Ronald McCaskill & Robyn Rogers Millicent & Charles Froehlich Carol Vassiliadis Faustina F. Solis

PErFORMANCEs MAGAZINE 19 Annual Fund Donors Corporate Donors

(continued) SEASON SPONSORS ($50,000 or more) Mr. & Mrs. William McKenzie Jo & Howard Weiner Estelle D. & Jim Milch Mr. & Mrs. David Weinrieb Carole S. Miller Judith L. White Rena Minisi & Rich Paul Katherine White Steve & Jill Morris Dennis & Carol Wilson Susan & Charles Muha Bill & Betty Witman Shirley Mulcahy RAdm. & Mrs. Guy Zeller Katherine Newton Mark Niblack *In Memoriam Anthony Passante & Maureen Hallahan This list is current as of Julius J. Pearl Fund at February 12, 2010 The San Diego Foundation In Memory of Margaret Peninger As announced in July 2008, the Lawrence Roy Perrin names of Annual Fund donors at Kathleen H. Porter the Silver level are published semi- Robert & Doris Reed annually, once in the Shakespeare Elaine Rendon* & Alicia Atun Festival program and again in a Rowling Family Charitable Fund of The Jewish Community winter Globe program. Foundation Jack & Carol Sanders To learn more about supporting The Linda J. Seifert Old Globe’s artistic, education and PRODUCTION SPONSORS ($25,000 - $49,999) Mr. & Mrs. Randall Silvia community programs, please visit Rodney & Dolores Smith Fund at our website at The San Diego Foundation www.TheOldGlobe.org, William Smith & Carol Harter call Josh Martinez-Nelson at Gloria Penner Snyder & Bill Snyder (619) 231-1941 x2308 Edward Stickgold & Steven Cande or email Sharon S. Storey & [email protected]. Theodore A. Milby Helga & Sam Strong Ron & Susan Styn Eric Leighton Swenson Clifford & Kay Sweet Dr. Terry & Naomi Tanaka Randy Tidmore Lt. & Mrs. Jack E. Timmons Gertrude Trebon Jeffrey & Sheila Truesdell Natalie C. Venezia & Paul A. Sager R. Douglas Wallingford

DIRECTOR CIRCLE ($10,000 - $24,999) City National Bank KPMG, LLP Public Support Cyberknife Centers Neiman Marcus of San Diego, Inc./ ResMed Foundation Radiation Medical Group Torrey Pines Bank Higgs, Fletcher & Mack, LLP Vistage International

FOUNDER CIRCLE ($5,000 - $9,999) M2000 Corporation San Diego Business Journal Bertrand at Mister A’s CRAIG NOEL CIRCLE ($2,500-$4,999) Break-Away Tours Target Cushman Family Foundation WD-40 Company Designer Fabrics The Westgate Hotel Nordstrom Major funding provided by the City of San Diego Commission for Arts and Culture. The Old Globe is supported in part by grants from Chairwoman Pam Slater-Price, Vice-Chairman Bill Horn and Corporate Partners enjoy benefits and recognition, including the oppor- The County of San Diego Board of Supervisors. tunity to entertain clients and employees with exclusive receptions at the Boeing-Boeing is funded in part by the San Diego Tourism Promotion Theatre, behind-the-scenes tours, and preferred seating at our shows. For Corporation with San Diego Tourism Marketing District Funds. information, please contact Todd Schultz at (619) 231-1941 x2310.

20 PERFORMANCES MAGAZINe Supporting The Old Globe Forever

Members of the Craig Noel League are ensuring a successful tomorrow for The Old Globe by contributing to the Endowment Fund or including the Globe in their Estate Plans. The Endowment Fund and the Planned Giving Society aim to secure the long-term financial health of the Globe, helping it to remain one of the country’s leading arts institutions for generations to come. We thank our members for their legacy gifts and urge others to join them in the Craig Noel League. Earnings generated from the Endowment Fund support the Theatre’s growing operating expenses and artistic and education programming, helping to sustain the Globe’s high level of artistic excellence. As future generations discover and delight Craig Noel in 1957 in quality theatre at the Globe, they will have you to thank for its ongoing success. Gifts of all sizes are welcome. We can advise you on how to leave a lasting gift to the Globe whether it is a cash contribution, a Charitable Bequest in your Will or Living Trust, a Charitable Remainder Trust, Lead Trusts, Gift Annuities, Life Estates, Pooled Income Funds or a number of other available options. As we celebrate the Globe’s 75th Anniversary as a local cultural landmark and national icon, it is time to build for the future. Join those listed below who have chosen to support our Theatre forever! You can help secure the future of The Old Globe — for the next 75 years — and beyond! Craig Noel League Planned Giving Society of The Old Globe

Anonymous (14) Calvin Manning* Nancy A. Spector and Robert S. Albritton* Chris and Jill Metcalf Alan R. Spector Diana Barliant Paul I. and Margaret W. Meyer Jeanette Stevens Nancine Belfiore Judy* and George Miller Eric Leighton Swenson Alan Benaroya Steve Miller Anne C. Taubman Dorothy Brown Endowment Fund Dr. Robert W. Miner Cherie Halladay Tirschwell Dr. and Mrs. Edgar D. Canada Shirley Mulcahy Marian Trevor (Mrs. Walter M.)* Garet and Wendy Clark Laurie Dale Munday Evelyn Mack Truitt J. Dallas* and Mary H. Clark Stanley Nadel and Cecilia Carrick Ginny Unanue R. Patrick and Sharon Connell Alice B. Nesnow Carol and Lawrence Veit Patricia W. Crigler, Ph.D., CAPT/ Arthur and Marilyn Neumann Harvey* and Jordine Von Wantoch USN/Ret. Craig Noel Merle and Phil* Wahl Carlos and Patricia Cuellar Greg and Polly Noel Holly J. B. Ward Patricia* and Donn DeMarce PACEM (Pacific Academy of Sheryl and Harvey P. White Mrs. Philip H. Dickinson Ecclesiastical Music) Mrs. Jack Galen Whitney Dr. and Mrs. Robert Epsten Mrs. Margaret F. Peninger* Stanley E. Willis II* Frank A. Frye, III Velda Pirtle* Julie Meier Wright Robert Gleason and Marc Matys Florence Borgeson Plunkert* Carolyn Yorston-Wellcome Marcy Goldstone Dolly* and Jim Poet Kathryn Hattox Dorothy Shorb Prough* *In Memoriam David and Debbie Hawkins Sarah B. Marsh-Rebelo Craig and Mary Hunter and John Rebelo For more information on how you Barbara Iredale* Donald and Darlene Shiley may join the Planned Giving Society Bob Jacobs Patsy and Forrest Shumway please contact Bridget Cantu Wear, Joseph E. Jessop* B. Sy and Ruth Ann Silver Associate Director of Development, J. Robert* and Gladys H. King Stephen M. Silverman Planned Giving at Marilyn Kneeland Roberta Simpson (619) 231-1941, x2312 Jean and David Laing Dolores and Rod Smith or via email to Jerry Lester Foundation Marisa SorBello and Peter Czipott [email protected]. Dr. Bernard Lipinsky* John and Cindy Sorensen Heather Manion Marje Spear*

PErFORMANCEs MAGAZINE 21 SOME ENCHANTED EVENING The Old Globe celebrated the opening of the Conrad Prebys Theatre Center on Dec. 7, 2009, with a Gala featuring Kelli O’Hara and from Broadway’s .

Lou Spisto, Ted Sperling, Kelli O’Hara and Paulo Szot John and Kathryn Hattox

Debbie Turner, Conrad Prebys and Don and Karen Cohn Harvey White, Kelli O’Hara, Paulo Szot and Sheryl White

Jessie Knight, Jr, Sandy Redman, Marina and Rafael Pastor, Andrew, Ali and Erna Viterbi Joyce Gattas, Joye Blount and Vicky Carlson

Vice-Chairman Bill Horn, Joan Wonsley, Mayor Jerry Sanders, Marion Ross, Paul Michael and Audrey Geisel Vicky Carlson and Steve Cologne

22 PERFORMANCES MAGAZINe Associate Artists of The Old Globe

In recognition of their unique contribution to the growth of The Old Globe and their special talent, we take great pride and pleasure in acknowledging as Associate Artists of The Old Globe, the following who have repeatedly dem- onstrated by their active presence on our stages and in our shops, that wherever else they may work, they remain the heart and soul of this theatre. William Anton Katherine McGrath Steven Rubin Conrad Susa Jacqueline Brooks Mark Harelik John McLain Ken Ruta Deborah Taylor Lewis Brown Monique Fowler Bob James Jonathan McMurtry Douglas W. Schmidt Irene Tedrow * Victor Buono* Robert Foxworth Charles Janasz Stephen Metcalfe Seret Scott Sada Thompson Wayland Capwell * Ralph Funicello Peggy Kellner* Robert Morgan David F. Segal Paxton Whitehead Kandis Chappell Lillian Garrett- Tom Lacy * Richard Seger James Winker Eric Christmas* Groag Diana Maddox Steve Rankin Diane Sinor Robert Wojewodski George Deloy Harry Groener Dakin Matthews Robin Pearson Rose Don Sparks G Wood* Tim Donoghue A.R. Gurney Deborah May Marion Ross David Ogden Stiers * in memoriam

Patron Information

TICKET SERVICES HOURS seating of latecomers is extremely disruptive. Latecomers Monday: Closed may be given alternative seating and will be seated at an Tuesday - Sunday: Noon – last curtain appropriate interval. Hours subject to change. Please call ahead. Phone (619) 23-GLOBE or (619) 234-5623 YOUNG CHILDREN FAX (619) 231-6752 Children five years of age and under will not be admitted to Email [email protected] performances.

ADMINISTRATION HOURS Monday - Friday: 9am – 5pm ELECTRONIC DEVICES AND CAMERAS Phone (619) 231-1941 Use of recording devices and cameras is not permitted. Website www.TheOldGlobe.org If you are wearing a digital watch or pager, or if you are Address The Old Globe carrying a cellular phone, please silence it prior to entering P.O. Box 122171 the theatre. San Diego, CA 92112-2171 ASSISTED LISTENING SYSTEM ORDERING TICKETS/CHANGE OF ADDRESS For the convenience of the hearing impaired, the assisted The Old Globe accepts Visa, Discover, MasterCard, or listening system is available in the Old Globe Theatre. American Express. Phone orders for non-subscribers Lightweight headsets may be obtained from the house are subject to a $3.50 per ticket service charge. Ticket manager prior to performances, free of charge. exchanges are subject to a service charge for non- subscribers. If you have moved, please notify the Ticket PUBLIC TOURS Services Office to update our records. Call (619) 234-5623 Go behind the scenes at The Old Globe to learn about the during Ticket Services hours, mail your change of address history, three stages, shop and craft areas. Open tours: most to the Ticket Services Office, or email us at Tickets@ Saturdays and Sundays at 10:30am. Groups by reservation. TheOldGlobe.org. $5 adults; $3 seniors and students. Phone (619) 231-1941 x2142 for information/reservations. UNABLE TO ATTEND? If you find you are unable to use your tickets, please give LOST AND FOUND them to a friend, or turn them in to the Ticket Services If you have misplaced a personal item while at the theatre, Office and receive a tax receipt for your donation. Tickets please contact the Ticket Services Office or Security as must be received by show time. soon as possible. If we are unable to locate your item, we’ll happily take down your contact information as well as a RESTROOMS AND TELEPHONES description of the item and contact you if it is found. The Restrooms are located in the lower lobby of the Old Globe Old Globe does not assume liability for items left behind on Theatre and adjacent to the Festival Theatre; pay phones premises. may be found in the lower Globe Theatre lobby and next to the Gift Shop. Natural Herb Cough Drops - Courtesy of Ricola USA, Inc., are available upon request. Please ask an usher. SEATING OF LATECOMERS Although we understand parking is often at a premium, the

PErFORMANCEs MAGAZINE 23 Staff

Louis G. Spisto...... CEO/Executive Producer LIGHTING DONOR SERVICES Michael G. Murphy...... General Manager Nate Parde...... Lighting Director Lee Conavay, Monica Jorgensen, Barbara Lekes, Dave Henson...... Director of Marketing Shawna Cadence...... Lighting Assistant Pamela Malone, Richard Navarro, Stephanie Reed, and Communications Tonnie Ficken...... Master Electrician, Globe Judy Zimmerman...... Suite Concierges Todd Schultz...... Director of Development Jim Dodd...... Master Electrician, White Mark Somers...... Director of Finance Kevin Liddell...... Master Electrician, Festival MARKETING Richard Seer...... Director of Professional Training Mark Dewey, Bonnie Breckenridge, Rafael Vallejo, Jeffrey Weiser...... Public Relations Director Robert Drake...... Director of Production Leah Nellman, Elizabeth Robson, Mia Fiorella...... Audience Development Manager Roberta Wells-Famula...... Director of Education Evan Ruwe...... Electricians Kelly Barry...... Publications Coordinator Carolyn Stephens...... Public Relations Assistant ARTISTIC SOUND Marissa Haywood...... Marketing Assistant Jack DePalma...... Play Development Director Paul Peterson...... Sound Director Erica Dei...... Graphic Designer Samantha Barrie...... Casting Director Erik Carstensen...... Master Sound Technician, Globe Monica Jorgensen, Susie Virgilio Bernadette Hanson...... Artistic Associate Jeremy Siebert...... Master Sound Technician, White ...... Marketing/Events Assistants

PRODUCTION ADMINISTRATION SUBSCRIPTION SALES Debra Pratt Ballard.....Associate Director of Production Suzanne Bradley...... Assistant General Manager Scott Cooke...... Subscription Sales Manager Ron Cooling...... Company Manager Bryan Scott...... Executive Assistant Anna Bowen-Davies, Arthur Faro, Andy Fink, Rachel Hurn, Pamela Malone, Yolanda Moore, Carol Donahue...... Production Coordinator Jessica Morrow, Ken Seper, Cassandra Shepard, INFORMATION TECHNOLOGY Jerome Tullmann, Grant Walpole STAGE MANAGEMENT Dean Yager...... Information Technology Manager ...... Subscription Sales Representatives Leila Knox...... Production Stage Manager Thad Steffen...... Information Technology Asst. Mgr. John Ralston...... Information Technology Assistant TICKET SERVICES TECHNICAL Bob Coddington...... Ticket Services Manager Benjamin Thoron...... Technical Director HUMAN RESOURCES Marsi Fisher...... Ticket Operations Manager Wendy Berzansky...... Associate Technical Director Sandra Parde...... Human Resources Director Dani Meister...... Group Sales Manager Sean Fanning...... Resident Design Assistant Tony Dixon, Rob Novak Eliza Korshin...... Technical Assistant/Buyer MAINTENANCE ...... Lead Ticket Services Representatives Christian Thorsen...... Stage Carpenter/Flyman, Globe Randy McWilliams...... Facilities Manager Brian Abraham, Kari Archer, John Boaz, Carole Payette...... Charge Scenic Artist Violanda Corona, Ismael Delgado, Miguel Gaspar, Sarah Ditges, Katie Dupont, Merri Fitzpatrick, Roberto Gonzalez, Reyna Huerta, Jose Morales, Jeremy Hutchison, Claire Kennelly, Cassie Lopez, Adam Bernard, Victoria Erbe, Edee Armand Caryn Morgan, Carlos Quezada ...... Scenic Artists Albert Rios, Maria Rios, Vielka Smith, Nicolas Torres, Leonardo Rodriguez ...... Building Staff ...... Ticket Services Representatives Gillian Kelleher...... Master Carpenter Robert Dougherty...... Master Carpenter, Festival PROFESSIONAL TRAINING PATRON SERVICES Chris Chauvet, Jason Chohon, Aaron Garcia, Mike Callaway...... Theatre Manager Mark Henderson, Jack Hernandez, Eszter Julian, Llance Bower...... Program Coordinator Josh Letton, Laura McEntyre, Mason Petersen, Maria Carrera, Cynthia Caywood, Ray Chambers, David Carson, Brian Davis...... House Managers Andrew Young...... Carpenters Gerhard Gessner, Jan Gist, Fred Robinson, Samantha Beckhart...... Front of House Assistant Liz Shipman...... MFA Faculty Elaine Gingery...... Food and Beverage Manager COSTUMES Jeannie Marie Galioto, Ben Seibert, Haydee Aldas.....Food and Beverage Assistant Manager George Yé...... MFA Production Staff Stacy Sutton...... Costume Director Missy Bradstreet, Samantha Harper, Paige Plihal, Charlotte Devaux Shields...... Resident Design Associate Valerie Rhodes, Anne-Marie Shafer, EDUCATION Ben Salazar-Dunbar...... Pub Staff Maureen Mac Niallais...... Assistant to the Director Kim Montelibano Heil...... Education Associate Rose Espiritu, Stephanie Rakowski, Shelly Williams...... Design Assistant/Shopper Carol Green...... Speakers Bureau Coordinator Stephanie Reed...... Gift Shop Supervisors Erin Cass, Wendy Miller...... Drapers Jessica Bird, James Cota, Marisela De la Parra, Babs Behling, Anne Glidden Grace Monique Gaffney, Jo Anne Glover, Brian Hammond, SECURITY/PARKING SERVICES ...... Assistant Cutters Erin Hatch, Jason Maddy, Sarah Price, Rachel “Beahr” Garcia...... Security Supervisor , Megan Schmidt...... Costume Assistant Craig Rovere...... Teaching Artists Irene Herrig...... Associate Security Supervisor Joanne Stypulkowska...... Stitchers Dallas Chang, Sherisa Eselin, Bernardo Holloway, Erin Carignan...... Craft Artisan-Dyer/Painter FINANCE Janet Larson, Jeffrey Neitzel Molly O’Connor...... Wig and Makeup Supervisor Paula Nickodemus...... Senior Accountant ...... Security Officers Kim Parker...... Assistant to Wig and Makeup Supervisor Trish Guidi...... Accounts Payable/Accounting Assistant Patricia Ceja, Stephanie Eberl, Nicole Hagemeyer Beverly Boyd...... Wardrobe Supervisor Adam Latham...... Payroll Coordinator/ ...... Parking Lot Attendants Beth Merriman...... Globe Crew Chief Accounting Assistant Andrew Ashton, Isaac B. Cuevas.....V.I.P. Attendant Kristin Bongiovanni...... Globe Run Crew Tim Cole...... Receptionist Anna MacDonald...... White Crew Chief Marie Jezbera...... Rental Agent DEVELOPMENT Marilyn McAvoy...... Major Gifts Director PROPERTIES Annamarie Maricle...... Associate Director, Jack O’Brien...... Artistic Director Emeritus Craig Noel...... Founding Director Neil A. Holmes...... Properties Director Institutional Grants Kristin Steva Campbell...... Assistant to the Director Bridget Cantu Wear...... Associate Director, M.H. Schrenkeisen...... Shop Foreman Planned Giving Rory Murphy...... Lead Craftsman Eileen Prisby...... Events Manager Josh Camp...... Craftsperson Josh Martinez-Nelson...... Development Manager, Individual Annual Giving David Medina...... Properties Buyer Diane Addis...... Membership Administrator Pat Cain...... Property Master, Globe Rachel Plummer...... Development Assistant David Buess...... Property Master, White Diana Steffen...... VIP Donor Ticketing Trevor Hay...... Property Master, Festival

24 PERFORMANCES MAGAZINe