Texte De Consultation Publique Région Auv. Lim

Total Page:16

File Type:pdf, Size:1020Kb

Texte De Consultation Publique Région Auv. Lim LA BANDE FM DANS LE RESSORT DU CTR DE CLERMONT-FERRAND Les lignes grisées désignent les radios dont l‘autorisation arrive à échéance le 22 septembre 2007. En italique apparaissent les radios du service public. Cette liste des radios autorisées a été établie au mois de février 2006 ALLIER (03) Fréquences Zones Cat. Radios en MHz 91.3 FUSION FM A Réémetteur (Asso. Besbre et Loire FM) DOMPIERRE-SUR- FUSION FM 95.9 A BESBRE (Asso. Besbre et Loire FM) RFM Moulins 103.8 C (SARL RFM Moulins) RADIO COQUELICOT EBREUIL 99 A (Asso. Les Amis de Radio Coquelicot) FUSION FM LAPALISSE 87.9 A (Asso. Besbre et Loire FM) LE DONJON 100.3 SP France Inter RADIO CLASH LURCY-LEVIS 92.5 B (Asso. Radio Libre Clash) MARCILLAT EN RADIO TARTASSE 106.2 A COMBRAILLE (Asso. Centre social de Marcillat en Combraille) RJFM MONTLUÇON 92.3 A (Asso. Radio Jeunes Fréquence Montluçon) RCF ALLIER 107 A (Asso. Saint Joseph) RMB 100 B (Asso. Radio Montluçon Bourbonnais) EUROPE 2 Centre France 97.1 C (SARL ICARE) FUN RADIO 87.8 D (SA SERC) RADIO NOSTALGIE 88.9 D (SAS Radio Nostalgie) RTL 2 92.7 D (SA SODERA) MFM 93.3 D (SARL Cirtes) NRJ 96.3 D (SA NRJ) SKYROCK 98 D (SA Vortex) RADIO CLASSIQUE 99.4 D (SAS Radio Classique) EUROPE 1 103.6 E (SAM Lagardère Active Broadcast) RTL 104.1 E (SA CLT-UFA) 1 RMC 106.6 E (SAM Radio Monte Carlo) 89.4 SP France Culture 91.5 SP France Musique 95.2 SP France Inter 105.5 SP France Info LOGOS FM 92.1 A (Asso. Les Amis de Radio Logos) RADIO BOCAGE 96.5 A (Fédération des Associations laïques de l‘Allier) RCF ALLIER 96.9 A (Asso. Saint-Joseph) RADIO QUI QU‘EN GROGNE 101 A (Asso. Bourbonnaise pour une communication nouvelle) VIBRATION 98.7 B (SARL Challenge) RFM Moulins 101.9 C (SARL RFM Moulins) MOULINS Nostalgie 89 D (SAS Radio Nostalgie) FUN RADIO 93.4 D (SA SERC) RTL 103 E (SA CLT-UFA) EUROPE 1 104.9 E (SAM Lagardère Active Broadcast) RMC 106.3 E (SAM Radio Monte Carlo) 91.4 SP France Bleu Pays d‘Auvergne 99.9 SP France Bleu Pays d‘Auvergne 104.2 SP France Culture 105.8 SP France Info SAINT-POURÇAIN-SUR- RFM MOULINS 101.4 C SIOULE (SARL RFM MOULINS) RCF ALLIER 89.2 A (Asso. Saint-Joseph) LOGOS FM 93.8 A (Asso. les Amis de Radio Logos) CHERIE FM AUVERGNE 90 C (SAS Chérie FM réseau) EUROPE 2 CENTRE France 97.8 C (SARL ICARE) RADIO CLASSIQUE 91 D (SAS Radio Classique) VICHY SKYROCK 99.2 D (SA Vortex) NRJ 99.6 D (SA NRJ) RTL 92.9 E (SA CLT-UFA) EUROPE 1 94.6 E (SAM Lagardère Active Broadcast) RMC 100.5 E (SAM Radio Monte Carlo) 2 CANTAL (15) Zone MHz Cat. Radios 88.9 SP France Culture 91.3 SP France Musique ALLANCHE 94.6 SP France Inter 97.1 SP France Bleu Pays d‘Auvergne JORDANNE FM 97.2 B (Asso. Radio Jordanne) SUD RADIO 101 B (SA Sud Radio Services) EUROPE 2 AURILLAC 89 C (Asso. Europe 2 Aurillac) MFM 88 D (SARL Cirtes) NOSTALGIE 90.5 D (SAS Radio Nostalgie) RTL 2 93.9 D (SA SODERA) CHERIE FM 99.1 D (SAS Chérie FM) NRJ 101.8 D (SA NRJ) RFM 103.3 D (SNC Performances) RTL 104.5 E (SA CLT-UFA) AURILLAC RMC 105.1 E (SAM Radio Monte Carlo) EUROPE 1 106.5 E (SAM Lagardère Active Broadcast) France Musique 91.9 SP (émetteur situé à Labastide-du-Haut-Mont dans le Lot) 92.3 SP France Musique France Inter 94.5 SP (émetteur situé à Labastide-du-Haut-Mont dans le Lot) 94.9 SP France Inter 98 SP France Culture 98.4 SP France Culture 100.2 SP France Bleu Pays d‘Auvergne 100.6 SP France Bleu Pays d‘Auvergne Inexploitée 105.5 SP France Info 95.8 SP France Inter CHAUDES-AIGUES 102 SP France Bleu Pays d‘Auvergne Inexploitée 97.4 SP France Inter CONDAT 102.2 SP France Bleu Pays d‘Auvergne Inexploitée 3 ,7.6 SP France Inter MASSIAC 99.6 SP France Bleu Pays d‘Auvergne Inexploitée SUD RADIO 88.6 B (SA Sud Radio Services) JORDANNE FM 91.5 B (Asso. Radio Jordanne) NOSTALGIE 89.7 D (SAS Radio Nostalgie) CHERIE FM MAURIAC 104 D (SAS Chérie FM) RMC 106 E (SAM Radio Monte Carlo) 90.2 SP France Inter 103 SP France Bleu Pays d‘Auvergne Inexploitée TOTEM 103.1 B (Asso. régionale d‘animation) JORDANNE FM 106.8 B MAURS (Asso. Radio Jordanne) 89.9 SP France Inter 103.6 SP France Bleu Pays d‘Auvergne Inexploitée 90.3 SP France Inter MURAT 101.6 SP France Bleu Pays d‘Auvergne Inexploitée 93 SP France Inter PIERREFORT 102.3 SP France Bleu Pays d‘Auvergne Inexploitée RBA 98.2 A (Asso. Intercommunale Bort Artense) RVA 93.5 B (SARL Radio des Volcans d‘Auvergne) EUROPE 1 106.2 E (SAM Lagardère Active Broadcast) RIOM ES MONTAGNES 90.6 SP France Inter 98.6 SP France Bleu Pays d‘Auvergne 103.2 SP France Inter Inexploitée 105.3 SP France Bleu Pays d‘Auvergne Inexploitée JORDANNE FM SAINT-Flour 95.1 B (Asso. Radio Jordanne) TOTEM 101.2 B (Asso. Régionale d‘animation) 103.9 RSF Chérie FM C Réémetteur (Asso. RSF Centre Auvergne) RSF Chérie FM 105.7 C (Asso. RSF Centre Auvergne) RFM 88.7 D (SNC Performances) RTL 2 94 D (SA SODERA) 4 SKYROCK 96.5 D (SA Vortex) NRJ 98.1 D (SA NRJ) Nostalgie 103.1 D (SAS Radio Nostalgie) EUROPE 1 102.7 E (SAM Lagardère Active Broadcast) RMC 104.6 E (SAM Radio Monte Carlo) RTL 107.1 E (SA CLT-UFA) 87.8 SP France Culture 91.1 SP France Musique 97.6 SP France Inter 100.1 SP France Bleu Pays d‘Auvergne 96.4 SP France Inter SAINT-MARTIN 102.1 VALMEROUX SP France Bleu Pays d‘Auvergne Inexploitée Jordanne FM 95.4 B (Asso. Radio Jordanne) 87.6 SP France Culture VIC-SUR-CERE 91 SP France Musique 93.2 SP France Inter 99.6 SP France Bleu Pays d‘Auvergne Inexploitée CORREZE (19) Zone MHz Cat. Radios RCF Corrèze 89.3 A (Asso. RCF Corrèze) RFM Quercy Rouergue 102.6 C (SARP Média Sud) ARGENTAT 87.8 SP France Culture 90 SP France Inter 93.4 SP France Musique 101.6 SP France Bleu Limousin RADIO PAC ARNAC-POMPADOUR 101.9 A (Asso. Pompadour Air Campagne) BEAULIEU-SUR- 97.3 SP Radio France DORDOGNE RBA 104.4 A (Asso. Intercommunale Bort Artense) 91 SP France Musique BORT-LES-ORGUES 94.2 SP France Inter 96.8 SP France Culture 100.8 SP France Bleu Limousin RCF Corrèze BRIVE-LA-GAILLARDE 91.4 A (Asso. RCF Corrèze) 5 CANAL Bleu 94.3 A (Asso. Canal Bleu) BRENIGES FM 95.6 A (Asso. Bréniges FM) RADIO VICOMTE 103.9 A (Asso. Radio Vicomte) SUD RADIO 97.8 B (SA Sud Radio Services) EUROPE 2 CENTRE France 88.1 C (SARL Icare) RFM Corrèze 96.2 C (SARL Corrèze FM) Rire et Chansons 89.2 D (SAS Rire et Chansons) NRJ 90.9 D (SA NRJ) RTL 2 102.8 D (SA Sodera) RADIO CLASSIQUE 107.3 D (SAS Radio Classique) RTL 100.5 E (SA CLT-UFA) RMC 105.2 E (SAM Radio Monte Carlo) Europe 1 106.1 E (SAM Lagardère Active Broadcast) 88.7 SP France Musique 93.6 SP France Culture 98.6 SP France Inter 100.9 SP France Bleu Limousin 105.6 SP France Info 90.3 SP France Inter 96.6 SP France Musique CORNIL 100.1 SP France Culture 103.2 SP France Bleu Limousin 91.2 SP France Inter 94.1 SP France Culture CORREZE 99.3 SP France Musique 102.3 SP France Bleu Limousin JORDANNE FM EGLETONS 87.6 B (Asso. Radio Jordanne) NOSTALGIE MEYMAC 105 D (SAS Radio Nostalgie) MEYSSAC 104.9 SP France Bleu Limousin RCF Corrèze TULLE 106.9 A (Asso. RCF Corrèze) Canal 19 œ Chérie FM 92.1 C (Asso. Radio Tulle) RFM Corrèze 97.1 C (SARL Corrèze FM) 6 FUN Radio 92.5 D (SA SERC) 95 D NRJ (SA NRJ) EUROPE 1 104.2 E (SAM Lagardère Active Broadcast) RMC 104.6 E (SAM Radio Monte Carlo) RTL 106.4 E (SA CLT-UFA) 88.9 SP France Musique 93.8 SP France Culture 98.8 SP France Inter 101.1 SP France Bleu Limousin 105.5 SP France Info Radio Vassivière 92.3 A (Asso. Radio Vassivière) RCF Corrèze 102 A (Asso. RCF Corrèze) SUD RADIO 107.2 B (SA Sud Radio Services) SKYROCK 89.2 D (SA Vortex) CHERIE FM 95.1 D (SAS Chérie FM) MFM 97.7 D (SARL Cirtes) EUROPE 2 USSEL 99 D (SNC Europe 2 Entreprises) NRJ 103.8 D (SA NRJ) EUROPE 1 93.2 E (SAM Lagardère Active Broadcast) RMC 106.7 E (SAM Radio Monte Carlo) 88.2 SP France Culture 96 SP France Inter 99.7 SP France Musique 101.4 SP France Bleu Limousin NRJ 95.2 D (SA NRJ) MFM 105.8 D (SARL Cirtes) UZERCHE 90.6 SP France Inter 93.4 SP France Musique 94.6 SP France Culture 97.9 SP France Bleu Limousin CREUSE (23) Zone MHz Cat. Radios 7 RCF Email Limousin ,, A (Asso. Email Limousin) MAGIC FM 107.3 B (AS COM Promotion) EUROPE 2 CENTRE France 101.8 C (SARL ICARE) SKYROCK 99.2 D (SA Vortex) 101.1 D NRJ (SA NRJ) MFM AUBUSSON 106.1 D (SARL Cirtes) RTL 104.4 E (SA CLT-UFA) RMC 104.8 E (SAM Radio Monte Carlo) 89.1 SP France Musique 92.4 SP France Bleu Creuse 97.9 SP France Culture 103.3 SP France Inter 90.1 SP France Inter 92 SP France Musique AUZANCES 94.5 SP France Bleu Creuse 96.7 SP France Culture RADIO ESPERANCE GUERET 88.3 A (Asso.
Recommended publications
  • MEDIA POLARIZATION “À LA FRANÇAISE”? Comparing the French and American Ecosystems
    institut montaigne MEDIA POLARIZATION “À LA FRANÇAISE”? Comparing the French and American Ecosystems REPORT MAY 2019 MEDIA POLARIZATION “À LA FRANÇAISE” MEDIA POLARIZATION There is no desire more natural than the desire for knowledge MEDIA POLARIZATION “À LA FRANÇAISE”? Comparing the French and American Ecosystems MAY 2019 EXECUTIVE SUMMARY In France, representative democracy is experiencing a growing mistrust that also affects the media. The latter are facing major simultaneous challenges: • a disruption of their business model in the digital age; • a dependence on social networks and search engines to gain visibility; • increased competition due to the convergence of content on digital media (competition between text, video and audio on the Internet); • increased competition due to the emergence of actors exercising their influence independently from the media (politicians, bloggers, comedians, etc.). In the United States, these developments have contributed to the polarization of the public square, characterized by the radicalization of the conservative press, with significant impact on electoral processes. Institut Montaigne investigated whether a similar phenomenon was at work in France. To this end, it led an in-depth study in partnership with the Sciences Po Médialab, the Sciences Po School of Journalism as well as the MIT Center for Civic Media. It also benefited from data collected and analyzed by the Pew Research Center*, in their report “News Media Attitudes in France”. Going beyond “fake news” 1 The changes affecting the media space are often reduced to the study of their most visible symp- toms. For instance, the concept of “fake news”, which has been amply commented on, falls short of encompassing the complexity of the transformations at work.
    [Show full text]
  • EMTC-Minutes-2016-Vienna
    European Music Therapy Confederation w www.emtc-eu.com Minutes of the EMTC GENERAL ASSEMBLY 2016 at the University for Music and the Performing Arts Anton-von-Webern-Platz 1, 1030 Vienna, Austria Pending approval of the General Assembly 2017 in Ede, Netherlands Monday 4th July 2016 3.00pm – 16.30pm Present: Hanne Mette Ridder (President), Adrienne Lerner (Vice President), Ferdinando Suvini (Treasurer), Ranka Radulovic (Serbia), Melanie Voight (Germany), Melissa Mercadal-Brotons (Spain), Esa Ala- Ruona (Finland), Elena Fitzthum (Austria), Marketa Gerlichova (Czech Republic), Evi Papanikolaou (Greece), Nicole Duperret (France), Alice Pehk (Estonia), Teresa Leite (Portugal), Tali Gottfried (Israel), Albert Berman (Netherlands), Teodossi Tzinguilev (Bulgaria), Rut Wallius (Sweden), Ingeborg Nebelung (Norway), Tessa Watson (UK, minutes), Claudia Knoll (Slovenia),Marianne Wiltgen (Luxembourg), Agnes Varga (Hungary), Karina Erland Jensen (Denmark), Antonia Hadjieftychoiu (Cyprus), Rozemarijn Claes (Belgium), Bettina Kande-Staehelin (Switzerland), Barbara Zanchi, for Elide Scarlata (Italy), Agnieszka Szymajda (Poland), Dr Valgerdur Jonsdottir (Iceland) Apologies: Dzintra Zarina (Latvia), Zita Abramaviciute (Lithuania) 1. WELCOME AND OPENING Dr Hanne-Mette Ridder (President of EMTC) welcomed all those present to the meeting, including the 6 new Country Representatives, and declared the assembly open. Action approved: It was approved that Tessa Watson would take the minutes for the meeting on Monday and Tuesday. 2. OFFICIAL APPROVAL OF MINUTES 2015 The minutes of the meeting in Wurzburg 2015 are on the website and have been distributed to Country Representatives. Action approved: These minutes were unanimously approved. 3. PRESIDENT’S REPORT Hanne Mette made a report from the Core Board. The focus for the Board’s activities has been; • Visibility and exchange • Recognition • Registration and EMTR Hanne-Mette noted that National Associations are a member of EMTC.
    [Show full text]
  • Le 21 Janvier 2003
    PRESS RELEASE Levallois, 20th July 2021 MEDIAMETRIE 126 000 RADIO ILE DE FRANCE SURVEY Radio Audience in Ile de France: April – June 2021 Mediametrie publishes radio audience results, in metropolitan France over the March 29th 2021 to June 27th 2021 period, measured on a population of 3,889 individuals aged of 13 years and over. This period is marked by a national lockdown in April and a progressive lifting of restrictions between May and June. From April 3, travel restrictions are extended to the entire territory, with the maintenance of a curfew from 7 p.m. and generalized teleworking, the closure of day care centers and all schools for 3 weeks, the unification of the calendar of school vacations for all areas, and a week of distance learning for all colleges and high schools. From May 3, a gradual lockdown easing is taking place with a first lifting of travel restrictions and a gradual return to class. From May 19th, businesses and public places reopen with a curfew postponed to 9 p.m. From June 9, restaurants opened in turn with a curfew pushed back to 11 p.m. and a relaxation of teleworking. June 20 marks the lifting of the curfew (see events p.7). During this period, the pace of French life remained exceptional with reduced mobility and unusual activity conditions. The activity rate, which was low in April with a large proportion of the working population in unusual working conditions, increased as the restrictions were lifted in May and June. Activity rate in IDF according to working conditions (Monday-Friday excluding LAD) (Share of employed persons who were working on the day of the interview) Source : 126 000 Île-de-France, Lundi-Vendredi, activity rate (excluding LAD).
    [Show full text]
  • Office De Radiodiffusion Télévision Française (ORTF) : Entretiens De Marceau Long (1974-1980)
    Office de Radiodiffusion Télévision Française (ORTF) : entretiens de Marceau Long (1974-1980) Répertoire numérique (19860354/1-19860354/11) Revu par Martine Sin Blima-Barru Archives nationales (France) Pierrefitte-sur-Seine 1986 1 https://www.siv.archives-nationales.culture.gouv.fr/siv/IR/FRAN_IR_013032 Cet instrument de recherche a été encodé en 2010 par l'entreprise diadeis dans le cadre du chantier de dématérialisation des instruments de recherche des Archives Nationales sur la base d'une DTD conforme à la DTD EAD (encoded archival description) et créée par le service de dématérialisation des instruments de recherche des Archives Nationales 2 Mentions de révision : • 2014: Normalisation de l'instrument de recherche pour la SIV 3 Archives nationales (France) INTRODUCTION Référence 19860354/1-19860354/11 Niveau de description fonds Intitulé Office de Radiodiffusion Télévision Française (ORTF) : entretiens de Marceau Long, président-directeur général de l'ORTF Date(s) extrême(s) 1974-1980 Nom du producteur • Long, Marceau • Office de radiodiffusion-télévision française (1964-1974) Importance matérielle et support archives audio-visuelles Localisation physique Fontainebleau DESCRIPTION Présentation du contenu Sommaire Entretiens extraits des articles. 1 et 3 du versement 19840277, archives de Marceau Long, Président-directeur Général de l'ORTF (Office de Radiodiffusion Télévision Française) puis secrétaire général du gouvernement. Art 1-3 : Entretien accordé à la deuxième chaîne de télévision par Andrei Sakharov à Moscou, 1974 ; Art 4-6 : Émission téléviséeLes dossiers de l'écran : L'ORTF face à son public, 12 mars 1974 ; Art 7-11 : Divers entretiens et allocutions de Marceau Long, 1974-1980 ENTREE ET CONSERVATION Modalités d'entrée Le versement a été versé par le Premier ministre, secrétariat général du Gouvernement, fonction que Marceau Long a exercé.
    [Show full text]
  • EUROPEAN PUBLIC SERVICE in TRANSITION from PSB to PSM Minna Aslama Fordham University, [email protected]
    Fordham University Masthead Logo DigitalResearch@Fordham Donald McGannon Communication Research McGannon Center Working Paper Series Center 12-2008 POLICIES OF INERTIA OR INNOVATION? EUROPEAN PUBLIC SERVICE IN TRANSITION FROM PSB TO PSM Minna Aslama Fordham University, [email protected] Follow this and additional works at: https://fordham.bepress.com/mcgannon_working_papers Part of the Communication Technology and New Media Commons, and the Mass Communication Commons Recommended Citation Aslama, Minna, "POLICIES OF INERTIA OR INNOVATION? EUROPEAN PUBLIC SERVICE IN TRANSITION FROM PSB TO PSM" (2008). McGannon Center Working Paper Series. 23. https://fordham.bepress.com/mcgannon_working_papers/23 This Article is brought to you for free and open access by the Donald McGannon Communication Research Center at DigitalResearch@Fordham. It has been accepted for inclusion in McGannon Center Working Paper Series by an authorized administrator of DigitalResearch@Fordham. For more information, please contact [email protected]. THE D ONALD M C G ANNON C OMMUNICATION R ESEARCH C ENTER W ORKING P APER P OLICIES OF I NERTIA OR I NNOVATION? E UROPEAN P UBLIC S ERVICE IN T RANSITION FROM PSB TO PSM Minna Aslama Affiliated Scholar Donald McGannon Communication Research Center Program Officer Social Science Research Council December, 2008 The Donald McGannon Communication Research Center Faculty Memorial Hall, 4th fl. Fordham University Bronx, NY 10458 718.817.4195 www.fordham.edu/mcgannon [email protected] 1 POLICIES OF INERTIA OR INNOVATION? EUROPEAN PUBLIC SERVICE IN TRANSITION FROM PSB TO PSM1 These are, once again2, challenging and transitional times for public service broadcasting (PSB). As Jakubowicz (2008) puts it, “[p]ractically the entire societal, media and technological context in which public service broadcasting was born has changed fundamentally since then”.
    [Show full text]
  • Rapport Sur La Représentation Des Femmes À La Télévision Et À La Radio
    La représentation des femmes à la télévision et à la radio Rapport sur l’exercice 2017 Mars 2018 © Conseil supérieur de l’audiovisuel 4 Sommaire Synthèse ........................................................................................................................................................ 6 Introduction.................................................................................................................................................. 7 I. Etat de la représentation des femmes dans les programmes des services de télévision et de radio, en 2017 .................................................................................................................................... 9 1. Indicateurs quantitatifs relatifs à la représentation des femmes et des hommes dans les programmes 9 A. La présence de femmes et d’hommes, tous rôles confondus, sur les chaînes de télévision et de radio .............................................................................................................. 10 B. Analyse détaillée de la présence des femmes et des hommes selon leurs rôles ................. 13 2. Indicateurs qualitatifs relatifs à la représentation des femmes à l’antenne 28 II. Les actions du Conseil supérieur de l’audiovisuel en matière de droits des femmes, pour l’exercice 2017 ................................................................................................................................ 34 1. Les interventions du Conseil s’agissant de la représentation des femmes à l’antenne 34 2. La publication
    [Show full text]
  • Historical Painting Techniques, Materials, and Studio Practice
    Historical Painting Techniques, Materials, and Studio Practice PUBLICATIONS COORDINATION: Dinah Berland EDITING & PRODUCTION COORDINATION: Corinne Lightweaver EDITORIAL CONSULTATION: Jo Hill COVER DESIGN: Jackie Gallagher-Lange PRODUCTION & PRINTING: Allen Press, Inc., Lawrence, Kansas SYMPOSIUM ORGANIZERS: Erma Hermens, Art History Institute of the University of Leiden Marja Peek, Central Research Laboratory for Objects of Art and Science, Amsterdam © 1995 by The J. Paul Getty Trust All rights reserved Printed in the United States of America ISBN 0-89236-322-3 The Getty Conservation Institute is committed to the preservation of cultural heritage worldwide. The Institute seeks to advance scientiRc knowledge and professional practice and to raise public awareness of conservation. Through research, training, documentation, exchange of information, and ReId projects, the Institute addresses issues related to the conservation of museum objects and archival collections, archaeological monuments and sites, and historic bUildings and cities. The Institute is an operating program of the J. Paul Getty Trust. COVER ILLUSTRATION Gherardo Cibo, "Colchico," folio 17r of Herbarium, ca. 1570. Courtesy of the British Library. FRONTISPIECE Detail from Jan Baptiste Collaert, Color Olivi, 1566-1628. After Johannes Stradanus. Courtesy of the Rijksmuseum-Stichting, Amsterdam. Library of Congress Cataloguing-in-Publication Data Historical painting techniques, materials, and studio practice : preprints of a symposium [held at] University of Leiden, the Netherlands, 26-29 June 1995/ edited by Arie Wallert, Erma Hermens, and Marja Peek. p. cm. Includes bibliographical references. ISBN 0-89236-322-3 (pbk.) 1. Painting-Techniques-Congresses. 2. Artists' materials- -Congresses. 3. Polychromy-Congresses. I. Wallert, Arie, 1950- II. Hermens, Erma, 1958- . III. Peek, Marja, 1961- ND1500.H57 1995 751' .09-dc20 95-9805 CIP Second printing 1996 iv Contents vii Foreword viii Preface 1 Leslie A.
    [Show full text]
  • Europe (In Theory)
    EUROPE (IN THEORY) ∫ 2007 Duke University Press All rights reserved Printed in the United States of America on acid-free paper $ Designed by C. H. Westmoreland Typeset in Minion with Univers display by Keystone Typesetting, Inc. Library of Congress Cataloging-in- Publication Data appear on the last printed page of this book. There is a damaging and self-defeating assumption that theory is necessarily the elite language of the socially and culturally privileged. It is said that the place of the academic critic is inevitably within the Eurocentric archives of an imperialist or neo-colonial West. —HOMI K. BHABHA, The Location of Culture Contents Acknowledgments ix Introduction: A pigs Eye View of Europe 1 1 The Discovery of Europe: Some Critical Points 11 2 Montesquieu’s North and South: History as a Theory of Europe 52 3 Republics of Letters: What Is European Literature? 87 4 Mme de Staël to Hegel: The End of French Europe 134 5 Orientalism, Mediterranean Style: The Limits of History at the Margins of Europe 172 Notes 219 Works Cited 239 Index 267 Acknowledgments I want to thank for their suggestions, time, and support all the people who have heard, read, and commented on parts of this book: Albert Ascoli, David Bell, Joe Buttigieg, miriam cooke, Sergio Ferrarese, Ro- berto Ferrera, Mia Fuller, Edna Goldstaub, Margaret Greer, Michele Longino, Walter Mignolo, Marc Scachter, Helen Solterer, Barbara Spack- man, Philip Stewart, Carlotta Surini, Eric Zakim, and Robert Zimmer- man. Also invaluable has been the help o√ered by the Ethical Cosmopol- itanism group and the Franklin Humanities Seminar at Duke University; by the Program in Comparative Literature at Notre Dame; by the Khan Institute Colloquium at Smith College; by the Mediterranean Studies groups of both Duke and New York University; and by European studies and the Italian studies program at the University of North Carolina at Chapel Hill.
    [Show full text]
  • L'audience Des Radios Locales
    L’audience des radios locales : le cas particulier des Indés Radios Mélanie Daniel Tiphaine Mahé 2010-2011 1 Sommaire Sommaire page 2 Introduction page 3 1. Un média puissant, la radio, et sa mesure page 5 a. La radio, un média puissant b. Un média, des publics : leur(s) mesure(s) 2. Les Indés Radios : l’exemple d’une mutualisation de radios locales réussie page 12 a. Un réseau national de radios locales b. La mesure d’audience au service de la puissance locale et nationale 3. Au cœur de la vie des Indés Radios : stratégies publicitaires et commerciales page 23 a. La proximité, l’atout majeur du groupement b. Communiquer en radio : publicité et offres commerciales Conclusion page 32 Annexes page 33 Annexe 1 Annexe 2 Annexe 3 Bibliographie page 38 2 Introduction « La communication audiovisuelle est libre », ce sont par ces mots qu’est annoncée le 29 juillet 1982 la fin du monopole étatique sur la radio1. Les radios libres qui émettaient depuis l’étranger ainsi que les radios pirates sortent de la clandestinité et pour beaucoup adoptent un tournant commercial. Durant les années 1990, on voit les grands groupes radiophoniques proliférer, { l’image de NRJ ou Fun Radio et l’avenir des stations locales semble alors menacé. Cependant, des efforts en faveur d’un rééquilibrage sont effectués. En 2000, un alinéa est inséré dans la loi « La liberté de la communication » et précise que « le Conseil veille au juste équilibre entre les réseaux nationaux de radiodiffusion d’une part, et les services locaux, régionaux et thématiques indépendants, d’autre part ».
    [Show full text]
  • 1/181 | Fmlist - 02/09/2018 | 1/181
    1/181 | FMLIST - http://www.fmlist.org 02/09/2018 | 1/181 MHz C ITU LOCATION REG LA PROGRAM M POWER DP COORDIN. HASL. ANT HAAT RDS PS RDS REG R PI PI 2 REMARKS 87.600 F Bayonne/Horlopo 64 fr Skyrock s 3.000 Dv 01w25/43n27 120 38 91 SKYROCK_ F214 87.600 F Angoulême/le Four Lachaux 16 fr France Culture s 2.000 Dh 00e02/45n40 107 60 100 _CULTURE F202 87.600 F Orleans/Ingre TDF 45 fr Fun Radio s 2.000 Dv 01e50/47n56 130 69 97 ___FUN__ F217 87.600 F Alès/Mont Bouquet 30 fr France Inter s 1.000 Dh 04e17/44n08 629 64 533 __INTER_ F201 87.600 F Auxerre/Egriselles TDF 89 fr Jazz Radio s 1.000 Dv 03e37/47n49 230 58 145 J_A_Z_Z_ F841 87.600 F Bergerac/Marsol 24 fr Radio Orion 87,6 1.000 Dv 00e30/44n47 175 58 174 _ORION__ FD47 87.600 F Bernay/Toussue TDF 27 fr RMC m 1.000 Dv 00e37/49n06 150 64 94 RMC_INFO F216 87.600 F Besançon/Fort de Planoise 25 fr RCF Besançon s 1.000 Dv 05e59/47n13 491 33 77 RCFBesan FC55 87.600 F Castres/Peyrous Petit 81 fr Skyrock s 1.000 Dv 02e12/43n36 221 32 86 SKYROCK_ F214 87.600 F Laval/tour des Fourches 53 fr Ouï FM s 1.000 Dv 00w47/48n04 91 61 69 _OUI_FM_ F21D ex Parenthèse Radio 87.600 F Le Havre/Harfleur 76 fr RMC m 1.000 Dv 00e11/49n30 86 129 162 RMC_INFO F216 >09/07/2008 87.600 F Le Mans/la Noe 72 fr Ouï FM s 1.000 Dv 00e10/48n00 106 75 132 _OUI_FM_ F21D ex Parenthèse Radio 87.600 F Niort/Usine des Eaux 79 fr RTL 2 Niort s 1.000 Dv 00w28/46n20 51 63 84 __RTL2__ F215 87.600 F Bourg-en-Bresse/Mont July TDF 01 fr Radio Esperance m 1.000 Dv 05e20/46n12 587 22 375 ESPERANC F864 Ramasse (Bourg-en-Bresse)/la Montagne 87.600
    [Show full text]
  • Together Letter to Our Shareholders
    LETTER TO OUR SHAREHOLDERS TOGETHER SEPTEMBER 2020 EARNINGS P. 3 NEWS P. 4 DIARY P. 8 — 2020 half-year — Universal Music Group — Shareholders’ diary results expands its global footprint Vivendi and you VALIDÉ, CRÉATION ORIGINALE OF CANAL+ © Fifou/Mandarin Télévision/Canal+ Photos/DR GOOD HALF-YEAR RESULTS Yannick Bolloré, Chairman of the Supervisory board, and Arnaud de Puyfontaine, Chairman of the Management Board Dear Shareholders, ivendi has demonstrated its resilience over the past few unprecedented months by staying the strategic course set in 2014: to build a world leader in culture, at the crossroads of the entertainment, media and communications industries. Our group’s business model is both coherent and diversified, which is a significant asset. Vivendi operates in a number of different sectors and countries, and can therefore offset the difficulties encountered in one market with a strong performance in another. In addition, the group’s digital activities have been fully developed, which proved advantageous during the lockdowns. Finally, the revenues generated Vfrom its two main businesses, music and audiovisual content, are directly or indirectly linked to subscriptions, a business model with recurring revenues. In a very difficult environment, Vivendi generated an adjusted net income of €583 million in the first half of 2020, up 5.4%. For the second half, we are carefully analyzing the consequences of the crisis. Today, it is difficult to determine how it will impact the annual results. Nevertheless, Vivendi remains confident in the resilience of its main businesses, music and audiovisual content. Those tied to advertising and live performance may be affected for a more extended period than the others.
    [Show full text]
  • EUROPEANISATION in Candidate Countries from Central and Eastern
    Paper prepared for the EPIC workshop in Florence, EUI, 19-22 September 2002. EUROPEANISATION in Candidate Countries from Central and Eastern Europe.1 Anna Gwiazda Department of Political Science Trinity College Dublin Abstract: This article examines what Europeanisation denotes and how it matters for the Candidate countries.2 The EU Member States will be also referred to for a comparison. The concept of Europeanisation encompasses “denotational properties” thus allowing for its broad application. Rational and sociological models of Europeanisation mechanisms may be utilised in both the EU member states and candidate countries. Apparently, Europeanisation poses a series of direct and indirect policy challenges and opportunities for nation-states; no matter whether they are part of the European Union or not. Hence, the no- Europeanisation or theoretical discrepancy arguments will be challenged. 1 The purpose of the paper is primarily explorative, and it is the first step in a larger project, i.e. PhD dissertation on Europeanisation effects in Poland entitled: “Europeanisation and Polish competition policy. A rational explanation of variance in compliance with the EU rules,” Trinity College Dublin 2 Candidate countries include: Hungary, Poland, Estonia, the Czech Republic, Slovenia (accession negotiations were started on 31 March 1998) as well as the Slovak Republic, Latvia, Lithuania, Bulgaria and Romania (accession negotiations were started in February 2000). Introduction The sine qua non for accession to the European Union is the compliance of prospective entrants with the EU requirements. They are the political, economic and acquis criteria as laid down by the Copenhagen European Council in June 1993. In particular, the acquis criteria are important.
    [Show full text]