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Fox Features was one of the earliest comic-book publishers during the golden age of comics. Started by Victor Fox and Bob Farell in 1939, reportedly after Fox was working as an accountant for National Periodicals (DC Comics) and saw the sales figures for Action Comics #1. Fox initially hired the the Eisner-Iger studios to produce the creative content for their anthology books including: Mystery Men, Fantastic Comics and Wonderworld Comics. The latter of these titles was re-titled from Wonder Comics after National sued Fox for allegedly copying the Cover feature, Wonderman from Superman. Legendary comics creator Will Eisner, the creator of the character and his one and only (golden age) appearence, was called to testify. Eisner testified that Wonderman was an original creation but that Victor Fox had directly asked him to “Make him his own Superman” Fox lost the case and ceased publication of Wonderman. He also cut ties with the Iger-Eisner studio and hired another comics legend to edit and produce the companies creative work, Joe Simon. Sample file The Dart The Eagle The Moth Dynamo Dynamite thor Created by: Louis Cazeneuve (both the Dart and the Eagle), Jim Mooney, SampleRobert Webb, file Grieg Chapian and Wright Lincoln. The Linx National (DC) sued Victor Fox in late 1939, claiming that the character Wonderman was a direct copy of Superman. Wonderman’s creator, comics legend Will Eisner, testified that though the character was an original creation, Victor Fox had asked him to “make me my own Superman.” Hiring Joe Simon’s fledgling studio to provide content, Fox Features continued to build on the characters they had started the year before as the 1940s began. -
Threat, Authoritarianism, and Depictions of Crime, Law, and Order in Batman Films Brandon Bosch University of Nebraska-Lincoln, [email protected]
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Sociology Department, Faculty Publications Sociology, Department of 4-2-2016 “Why So Serious?” Threat, Authoritarianism, and Depictions of Crime, Law, and Order in Batman Films Brandon Bosch University of Nebraska-Lincoln, [email protected] Follow this and additional works at: http://digitalcommons.unl.edu/sociologyfacpub Part of the Criminal Law Commons, Criminology Commons, Family, Life Course, and Society Commons, Public Affairs, Public Policy and Public Administration Commons, and the Social Control, Law, Crime, and Deviance Commons Bosch, Brandon, "“Why So Serious?” Threat, Authoritarianism, and Depictions of Crime, Law, and Order in Batman Films" (2016). Sociology Department, Faculty Publications. 287. http://digitalcommons.unl.edu/sociologyfacpub/287 This Article is brought to you for free and open access by the Sociology, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Sociology Department, Faculty Publications by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. VOLUME 17, ISSUE 1, PAGES 37–54 (2016) Criminology, Criminal Justice Law, & Society E-ISSN 2332-886X Available online at https://scholasticahq.com/criminology-criminal-justice-law-society/ “Why So Serious?” Threat, Authoritarianism, and Depictions of Crime, Law, and Order in Batman Films Brandon Bosch University of Nebraska-Lincoln A B S T R A C T A N D A R T I C L E I N F O R M A T I O N Drawing on research on authoritarianism, this study analyzes the relationship between levels of threat in society and representations of crime, law, and order in mass media, with a particular emphasis on the superhero genre. -
30Th ANNIVERSARY 30Th ANNIVERSARY
July 2019 No.113 COMICS’ BRONZE AGE AND BEYOND! $8.95 ™ Movie 30th ANNIVERSARY ISSUE 7 with special guests MICHAEL USLAN • 7 7 3 SAM HAMM • BILLY DEE WILLIAMS 0 0 8 5 6 1989: DC Comics’ Year of the Bat • DENNY O’NEIL & JERRY ORDWAY’s Batman Adaptation • 2 8 MINDY NEWELL’s Catwoman • GRANT MORRISON & DAVE McKEAN’s Arkham Asylum • 1 Batman TM & © DC Comics. All Rights Reserved. JOEY CAVALIERI & JOE STATON’S Huntress • MAX ALLAN COLLINS’ Batman Newspaper Strip Volume 1, Number 113 July 2019 EDITOR-IN-CHIEF Comics’ Bronze Age and Beyond! Michael Eury TM PUBLISHER John Morrow DESIGNER Rich Fowlks COVER ARTIST José Luis García-López COVER COLORIST Glenn Whitmore COVER DESIGNER Michael Kronenberg PROOFREADER Rob Smentek IN MEMORIAM: Norm Breyfogle . 2 SPECIAL THANKS BACK SEAT DRIVER: Editorial by Michael Eury . 3 Karen Berger Arthur Nowrot Keith Birdsong Dennis O’Neil OFF MY CHEST: Guest column by Michael Uslan . 4 Brian Bolland Jerry Ordway It’s the 40th anniversary of the Batman movie that’s turning 30?? Dr. Uslan explains Marc Buxton Jon Pinto Greg Carpenter Janina Scarlet INTERVIEW: Michael Uslan, The Boy Who Loved Batman . 6 Dewey Cassell Jim Starlin A look back at Batman’s path to a multiplex near you Michał Chudolinski Joe Staton Max Allan Collins Joe Stuber INTERVIEW: Sam Hamm, The Man Who Made Bruce Wayne Sane . 11 DC Comics John Trumbull A candid conversation with the Batman screenwriter-turned-comic scribe Kevin Dooley Michael Uslan Mike Gold Warner Bros. INTERVIEW: Billy Dee Williams, The Man Who Would be Two-Face . -
1 CHAPTER I INTRODUCTION A. Background of the Study Nowadays
CHAPTER I INTRODUCTION A. Background of the Study Nowadays the existence of self identity is one of important things for someone to show their own characters, power and to survive in many conditions. In development era there are so many influences and movement which is changing people personality and gender originality. At this time gender are able to show the equivalence, view, differences, patterns and other behaviors. So in order to hold the self existence and gender originality, people must prove their own power self such as woman with their feminine side and man with their masculinity. In our life feminity and masculinity are formed by the culture in some people environments. Feminity and masculinity are usually associated in certain cultures. It relates with the ideal role which is represented of masculinity and feminity it self. Each role should be obtained to maintain the predicate to be masculine or feminine. People's views about the masculine and feminine eventually become a standard to realize the establishment of the division in their respective roles, and then it will influence people to behave according to the role they want. In a case such as when a man wants to be masculine, they will do things that are associated with masculinity. Most men think masculinity is derived from the physical form which they must accentuate the athletic body, his gallantry and good-looking face. Actually masculinity is not only coming from that point of 1 2 view, but more likely in the role of responsibility of the man himself in action as well as they can face their problems, power to survive and do many good things. -
Batman #87 Superman #19 Batman Curse of the Whit
NEW THIS WEEK FROM DC... Wonder Woman #750 (with "Decades" Variants) Batman #87 Superman #19 Batman Curse of the White Knight #6 (of 6) Batman Superman #6 Year of the Villain Hell Arisen #2 (of 4) Detective Comics #1019 Basketful of Heads #4 (of 7) Far Sector #3 (of 12) Birds of Prey Giant #1 Batman Beyond #40 Batgirl #43 Metal Men #4 (of 12) John Constantine Hellblazer #3 Shazam #10 Red Hood Outlaw #42 Wonder Twins #11 (of 12) Books of Magic #16 Dollar Comics Batman Huntress Cry for Blood #1 Birds of Prey Harley Quinn GN NEW THIS WEEK FROM MARVEL... Amazing Spider-Man #38 Fantastic Four #18 Excalibur #6 Guardians of the Galaxy #1 Marauders #6 Atlantis Attacks #1 (of 5) Captain Marvel #14 Conan Serpent War #4 (of 4) Black Panther #20 Web of Venom Good Son #1 Ruins of Ravencroft Dracula #1 True Believers Criminally Insane Dracula True Believers Criminally Insane Purple Man Valkyrie Jane Foster Vol. 1 GN X-Statix Complete Collection Vol. 1 GN Fantastic Four Mystery Minis FF Mister Fantastic Funko Pop FF Human Torch Funko Pop FF Silver Surfer Funko Pop FF Super Skrull Funko Pop ALSO NEW THIS WEEK... Once & Future #6 (of 6) Folklords #3 (of 5) Kidz #1 Vampire State Building #4 Gung Ho #2 Visitor #2 (of 6) Kill Lock #2 (of 6) Wellington #2 (of 5) Heartbeat #3 (of 5) Red Sonja Age of Chaos #1 Edgar Allan Poe's Snifter of Terror 2 #4 Ether Disappearance of Violet Bell #5 (of 5) Mirka Andolfo's Unsacred #3 Roku #4 (of 4) Vampirella #7 Vampironica New Blood #2 Black Terror #4 Catalyst Prime Seven Days #4 (of 7) Count Crowley Reluctant Monster Hunter #4 (of 4) Heist How to Steal a Planet #3 I Can Sell You a Body #2 (of 4) Triage #5 (of 5) Wasted Space #13 Lumberjanes #70 Meeting Comics GN Gudetama Love for the Lazy HC NEW THIS WEEK FROM IMAGE.. -
Batman Year One Proprosal by Larry and Andy
BATMAN YEAR ONE PROPROSAL BY LARRY AND ANDY WACHOWSKI The scene is Gotham City, in the past. A party is going on and from it descends Thomas Wayne with his wife Martha, and son Bruce. They are talking, with Bruce chatting away about how he wants to see The Mark of Zorro again. Obviously they have just come from a movie premiere. As they turn a corner to their car, they are met by a hooded gunman who tries holding them up. There is a struggle and the Wayne parents are murdered in a bloodbath. Bruce is left there, when he is met by a police officer. There is a screech and a bat flies overhead... Twenty years have passed. Bruce is now twenty‐eight and quite dynamic. The main character has been travelling the world, training for a war on crime, to avenge his parents' deaths. He is at the Ludlow International Airport, where his butler Alfred picks him up. The two drive to Wayne Manor, just outside of Gotham. Bruce watches the city from the distance. The scene moves to downtown Gotham, where Bruce is wearing a hockey mask and black clothes. A fight breaks out between him and a pimp which leads to Bruce escaping to a rotting building. Bleeding badly, he doesn't know whether to continue his crusade against crime. A screech fills the area and a bat dives at him, knocking him onto an old chair. Bruce realises his destiny... The opening credits feature Bruce at Wayne Manor, slamming down a hammer on scrap metal, moulding it into shape. -
Schurken Im Batman-Universum Dieser Artikel Beschäftigt Sich Mit Den Gegenspielern Der ComicFigur „Batman“
Schurken im Batman-Universum Dieser Artikel beschäftigt sich mit den Gegenspielern der Comic-Figur ¹Batmanª. Die einzelnen Figuren werden in alphabetischer Reihenfolge vorgestellt. Dieser Artikel konzentriert sich dabei auf die weniger bekannten Charaktere. Die bekannteren Batman-Antagonisten wie z.B. der Joker oder der Riddler, die als Ikonen der Popkultur Verankerung im kollektiven Gedächtnis gefunden haben, werden in jeweils eigenen Artikeln vorgestellt; in diesem Sammelartikel werden sie nur namentlich gelistet, und durch Links wird auf die jeweiligen Einzelartikel verwiesen. 1 Gegner Batmans im Laufe der Jahrzehnte Die Gesamtheit der (wiederkehrenden) Gegenspieler eines Comic-Helden wird im Fachjargon auch als sogenannte ¹Schurken-Galerieª bezeichnet. Batmans Schurkengalerie gilt gemeinhin als die bekannteste Riege von Antagonisten, die das Medium Comic dem Protagonisten einer Reihe entgegengestellt hat. Auffällig ist dabei zunächst die Vielgestaltigkeit von Batmans Gegenspielern. Unter diesen finden sich die berüchtigten ¹geisteskranken Kriminellenª einerseits, die in erster Linie mit der Figur assoziiert werden, darüber hinaus aber auch zahlreiche ¹konventionelleª Widersacher, die sehr realistisch und daher durchaus glaubhaft sind, wie etwa Straûenschläger, Jugendbanden, Drogenschieber oder Mafiosi. Abseits davon gibt es auch eine Reihe äuûerst unwahrscheinlicher Figuren, wie auûerirdische Welteroberer oder extradimensionale Zauberwesen, die mithin aber selten geworden sind. In den frühesten Batman-Geschichten der 1930er und 1940er Jahre bekam es der Held häufig mit verrückten Wissenschaftlern und Gangstern zu tun, die in ihrem Auftreten und Handeln den Flair der Mobster der Prohibitionszeit atmeten. Frühe wiederkehrende Gegenspieler waren Doctor Death, Professor Hugo Strange und der vampiristische Monk. Die Schurken der 1940er Jahre bilden den harten Kern von Batmans Schurkengalerie: die Figuren dieser Zeit waren vor allem durch die Abenteuer von Dick Tracy inspiriert, der es mit grotesk entstellten Bösewichten zu tun hatte. -
{Dоwnlоаd/Rеаd PDF Bооk} Huntress Kindle
HUNTRESS PDF, EPUB, EBOOK Malinda Lo | 384 pages | 05 May 2011 | Little, Brown Book Group | 9781907411090 | English | London, United Kingdom Huntress PDF Book In Lego Batman 2: DC Super Heroes , Huntress is an unlockable character in free play mode and can be found by constructing a Gold Brick archway after collecting the requisite number of gold bricks on the roof of a building in the south east of the top island on the map, south east of the encounter with Ra's al Ghul. In this iteration of the character, she was kidnapped as a child aged 6 and raped by a rival mafia don purely to psychologically torture her father and is a withdrawn girl. After she witnesses the mob-ordered murder of her parents at the age of 19, she crusades to put an end to the Mafia. Arkham Knight. Bruce Wayne. She helps him to take down the enemies including Lyle Bolton and back Felicity. Fictional character. Gardner Fox. Dinah Drake Dinah Laurel Lance. Jones V-Man Wonder Man. During the League's restructuring following the Rock of Ages crisis, Batman sponsors Huntress' membership in the Justice League , [6] hoping that the influence of other heroes will mellow the Huntress, and for some time, Huntress is a respected member of the League. Members Only Merchandise Grow your collection with a wide range of exclusive merchandise—including the all-new Justice League Animated Series action figures —available in our members only store. Batgirl and the Birds of Prey. The stadiums may be empty, but believe it or not, the MLB playoffs have arrived. -
The Evolution of Batman and His Audiences
Georgia State University ScholarWorks @ Georgia State University English Theses Department of English 12-2009 Static, Yet Fluctuating: The Evolution of Batman and His Audiences Perry Dupre Dantzler Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/english_theses Part of the English Language and Literature Commons Recommended Citation Dantzler, Perry Dupre, "Static, Yet Fluctuating: The Evolution of Batman and His Audiences." Thesis, Georgia State University, 2009. https://scholarworks.gsu.edu/english_theses/73 This Thesis is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. STATIC, YET FLUCTUATING: THE EVOLUTION OF BATMAN AND HIS AUDIENCES by PERRY DUPRE DANTZLER Under the Direction of H. Calvin Thomas ABSTRACT The Batman media franchise (comics, movies, novels, television, and cartoons) is unique because no other form of written or visual texts has as many artists, audiences, and forms of expression. Understanding the various artists and audiences and what Batman means to them is to understand changing trends and thinking in American culture. The character of Batman has developed into a symbol with relevant characteristics that develop and evolve with each new story and new author. The Batman canon has become so large and contains so many different audiences that it has become a franchise that can morph to fit any group of viewers/readers. Our understanding of Batman and the many readings of him gives us insight into ourselves as a culture in our particular place in history. -
Blockchain Technology: Local Government Applications and Challenges
BLOCKCHAIN TECHNOLOGY: LOCAL GOVERNMENT APPLICATIONS AND CHALLENGES An International City/County Management Association (ICMA) and Government Finance Officers Association (GFOA) White Paper November 2018 Contents Executive Summary .................................................................................................................................................3 Introduction ...............................................................................................................................................................3 Blockchain Basics .....................................................................................................................................................4 Improving Local Government Services and Empowering Communities with Blockchain ........................6 Applications of Blockchain in Local Government – Case Studies .................................................................7 Risks and Challenges Associated with Government Use of Blockchain Technology ..............................13 Conclusion ...............................................................................................................................................................14 References ...............................................................................................................................................................15 ICMA Governmental Affairs and Policy Committee 2018–2019 ................................................................17 A policy issue white paper -
GENIUS BRANDS INTERNATIONAL, INC. (Exact Name of Registrant As Specified in Its Charter)
UNITED STATES SECURITIES AND EXCHANGE COMMISSION WASHINGTON, DC 20549 FORM 8-K CURRENT REPORT Pursuant to Section 13 or 15(d) of the Securities Exchange Act of 1934 Date of Report (Date of earliest event reported): July 15, 2020 GENIUS BRANDS INTERNATIONAL, INC. (Exact name of registrant as specified in its charter) Nevada 001-37950 20-4118216 (State or other jurisdiction (Commission File Number) (IRS Employer of incorporation) Identification No.) 190 N. Canon Drive, 4th Fl. Beverly Hills, CA 90210 (Address of principal executive offices) (Zip Code) Registrant’s telephone number, including area code: (310) 273-4222 ________________________________________________________ (Former name or former address, if changed since last report) Check the appropriate box below if the Form 8-K filing is intended to simultaneously satisfy the filing obligation of the registrant under any of the following provisions (see General Instruction A.2 below): o Written communications pursuant to Rule 425 under the Securities Act (17 CFR 230.425) o Soliciting material pursuant to Rule 14a-12 under the Exchange Act (17 CFR 240.14a-12) o Pre-commencement communications pursuant to Rule 14d-2(b) under the Exchange Act (17 CFR 240.14d-2(b)) o Pre-commencement communications pursuant to Rule 13e-4(c) under the Exchange Act (17 CFR 240.13e-4(c)) Securities registered pursuant to Section 12(b) of the Act: Title of each class Trading Symbol(s) Name of each exchange on which registered Common Stock, par value $0.001 per share GNUS The Nasdaq Capital Market Indicate by check mark whether the registrant is an emerging growth company as defined in Rule 405 of the Securities Act of 1933 (§230.405 of this chapter) or Rule 12b-2 of the Securities Exchange Act of 1934 (§240.12b-2 of this chapter). -
MLJ's Silver Age Revivals
ASK MR. SHUTTSILVER AGE “Too Many Super Heroes” doesn’t really do this group justice MLJ’s Silver Age revivals by CRAIG SHUTT Dear Mr. Silver Age, I’m a big fan of The Fly and Fly Girl, and I understand they were members of a super-hero team. Do you know who else was a member? Betty C. Riverdale Mr. Silver Age says: I sure do, Bets, and you’ll be happy to hear that a few of those stalwart super-heroes are returning to the pages of DC’s comic books. The first to arrive are The Shield, The Web, The Hangman, and Inferno. They’re being touted as the heroes from Archie Comics’ short-lived Red Circle line of the 1980s, but they all got their start much earlier than that, including brief appearances in the Silver Age. During those halcyon days, they all were members of (or at least tried out for) The Mighty Crusaders! And, if the new adventures prove popular, there are plenty more heroes awaiting their own revival. The Mighty Crusaders, Archie’s response to the mid-1960s success of super-hero teams, got their start in Fly Man #31 (May 65). The team consisted of The Shield, Black Hood, The Comet, Fly Man (né The Fly), and Fly Girl. The first three were revived versions of Golden Age characters, while the latter two starred in their own Silver Age series. The heroes teamed up for several issues and then began individual back-up adventures through #39. They also starred in seven issues of Mighty Crusaders starting with #1 (Nov 65) and then took over Fly Man in various combinations, when it became Mighty Comics with #40 (Nov 66).