Woop Woop Tail Credits
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Inside... 4 Artful Learning 7 Candide As Existential 10 in the News Vaudeville 12 New Releases
News for Friends of Leonard Bernstein Spring/Summer 2019 COURTESTY OF AMBERSON ENTERPRISES, INC. (MUSIC DIVISION) 2 Annus Mirabilis 5 Bernstein, Blitzstein and Weill 8 Remembering Friends Inside... 4 Artful Learning 7 Candide as Existential 10 In the News Vaudeville 12 New Releases BorsaSS2019_PFR_final.indd Wallace studs.indd 1 1 4/24/194/25/19 10:08 8:03 AM 1944: Bernstein’s Annus Mirabilis by Heather Wallace seem to have had my little say as far as that piece is concerned.” eonard Bernstein’s legendary Catching wind of Reiner’s enthu- Carnegie Hall debut with siasm for the piece, Koussevitsky the New York Philharmonic invited Bernstein to premiere it in s the Leonard Bernstein at 100 on November 14, 1943, was Boston. But Jeremiah was already Acelebrations begin to subside, Ljust the starting point for several slated to have its premiere in we’re catching our collective breath, extraordinary accomplishments that Pittsburgh. Bernstein conducted his trying to make sense of all that we’ve took place in little more than a year, symphony there with the Pittsburgh experienced: the whirlwind of per- causing Bernstein’s double career Symphony Orchestra on January formances; the exhibits and docu- as a conductor and composer to 28, 1944 (just two months after the mentaries; the books and articles and skyrocket. Carnegie Hall debut), with mezzo-so- re-issues of recordings. What a marvel Toward the end of 1942, prano Jennie Tourel as the soloist. it’s been. Bernstein was rushing to complete The performance was a complete But it’s the people who have his Symphony No. -
Woop Woop Music Credits
original music by Guy Gross Music Editor Nick Adams Original Music Produced by Guy Gross Music Mixed by Roy Marchant Engineered by Katrina Schiller Recorded at GGM/Trackdown Digital Studios, Sydney Mixed at Berwick Street Studios, London Aboriginal Vocalist Djakapurra Munyarrun Original Music Published by Mushroom Music Traditional Aboriginal Music Composed and Played by Stan Yarramunua Executive Music Producer Ray Williams PERHAPS, PERHAPS, PERHAPS Written by Joe Davis/Osvaldo Farres Southern Music Publishing Company, Inc. (ASCAP) Performed by Cake Courtesy of Capricorn Records, LLC. By arrangement with PolyGram Film and TV Music TIMES SQUARE Written, Arranged & Produced by Grant Showbiz & Fred Hood, Courtesy of Moodswings/ETC Management/ Warner Chappell Publishing Performed by Moodswings WELCOME TO YOUR LIFE (WOOP WOOP) Written by George O'Dowd, R. Stevens, Ian Dench Jupiter 2000 Ltd/administered by Liberty 2000 Ltd/ Warner Chappell Music Ltd (PRS) administered by Warner-Tamerlane Publishing Corp. (BMI) Performed by Boy George DOG’S LIFE Written by E Sexy Grandpa Music/Alma Music Corp. (ASCAP) Performed by eels eels appear courtesy of Dreamworks Records TIMBEBOMB Written by Chumbawamba Contains elements of "For What It's Worth" written by Stephen Stills Chumbawamba Songs (BMI)/Cotillion Music, Inc. (BMI)/ Ten East Music (BMI), Springalo Toones (BMI) & Richie Furay Music (BMI) all rights o/b/o Coillion Music, Inc. (BMI) Ten East Music (BMI), Springalo Toones (BMI) & Richie Furay Music (BMI) administered by Warner-Tamerlane Publishing -
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NEW YORK STORY: JEROME ROBBINS AND HIS WORLD Donald and Mary Oenslager Gallery The New York Public Library for the Performing Arts Exhibition Curated by Lynn Garafola March 25 – June 28, 2008 The labels, wall exits, and reflections that follow are an effort to revisit an exhibition that did not, alas, have a published catalogue or a robust website. Exhibitions are like performances. When they close, they are dismantled, and the objects, their magic gone, sent back to their boxes. In revisiting this material, I wanted to evoke the experience of walking through the Donald and Mary Oenslager Gallery of the New York Public Library for the Performing Arts, with the reader enjoying by suggestion and as an act of imagination the numerous objects on display tracing the remarkable career of Jerome Robbins as an artist of the ballet, Broadway, and concert stage in mid-twentieth-century New York. This is the second of three exhibitions I have curated about ballet in New York City from the 1930s to the late twentieth century. As such it complements Dance for a City: Fifty Years of the New York City Ballet (New-York Historical Society, 1999) and Arthur Mitchell: Harlem’s Ballet Trailblazer (Wallach Art Gallery, 2018). To revisit these exhibitions digitally, see “Dance for a City” Revisited (https://academiccommons.columbia.edu/catalog/ac:qrfj6q5763) and the Mitchell exhibition website (https://exhibitions.library.columbia.edu/exhibits/show/mitchell). In preparing this material for publication on the Columbia University Commons, I have modified some of the labels, adding explanatory text when it seemed necessary as well as excerpts from letters and telegrams that exhibition visitors could read for themselves. -
Bernstein on the Waterfront
BERNSTEIN ON THE WATERFRONT LEONARD BERNSTEIN (1918 –1990) WEST SIDE STORY ON THE WATERFRONT CANDIDE OVERTURE ON THE TOWN FANCY FREE ROYAL LIVERPOOL PHILHARMONIC ORCHESTRA BIS-2278 CHRISTIAN LINDBERG BERNSTEIN, Leonard (1918–90) 1 Overture to Candide (1956) 4'15 Symphonic Dances from West Side Story (1957) 22'29 2 Prologue 4'19 3 Somewhere 4'01 4 Scherzo 1'24 5 Mambo 2'18 6 Cha-Cha 1'02 7 Meeting Scene 0'44 8 Cool 3'50 9 Rumble 2'03 10 Finale 2'45 Three Dance Variations from Fancy Free (1944) 6'51 11 Variation 1 (Galop) 1'26 12 Variation 2 (Waltz) 2'35 13 Variation 3 (Danzon) 2'41 2 On the Waterfront (1954) 17'27 Symphonic Suite from the Film 14 Andante – Presto barbaro 2'40 15 Adagio – Allegro molto agitato 2'10 16 Andante largamente 4'11 17 Moving forward, with warmth 3'59 18 Allegro non troppo, molto marcato 2'28 19 A tempo ( h = 54) 1'59 Three Dance Episodes from On the Town (1946) 9'56 20 I. The Great Lover 1'49 21 II. Lonely Town: Pas de deux 2'56 22 III. Times Square: 1944 5'01 TT: 62'30 Royal Liverpool Philharmonic Orchestra James Clark leader Christian Lindberg conductor Music publisher: Boosey & Hawkes 3 Overture to Candide Since its 1957 concert début and subsequent 100 performances by as many orchestras in the course of the following 24 months, the overture to Bern stein’s Candide (1956) has remained perhaps the composer’s single most performed com - position. -
MAJESTIC THEATER, 245-257 West 44Th Street, Manhattan
Landmarks Preservation Commission December 8, 1987; Designation List 197 LP-1355 MAJESTIC THEATER, 245-257 West 44th Street, Manhattan. Built 1926-27; architect Herbert J. Krapp. Landmark Site: Borough of Manhattan Tax Map Block 1016, Lot 5. On June 14 and 15, 1982, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the Majestic Theater and the proposed designation of the related Landmark Site (Item No. 51) . The hearing was continued to October 19, 1982. Both hearings had been duly advertised in accordance with the provisions of law. Eight y-one witnesses spoke or had statements read into the record in favor of designation. One witness spoke in opposition to designation. The owner, with his representatives , appeared at the hearing, and indicated that he had not formulated an opinion regarding designation. The Commission has received many letters and other expressions of support in favor of this designation. DESCRIPTION AND ANALYSIS The Majestic Theater survives today as one of the historic the aters that symbolize American theater for both New York and the nation. Built in 1926-27, the Majestic was among the half-doz en theaters constructe d b y the Chanin Organization in the mid-1920s, to the designs of Herbert J . Krapp, that typified the development of the Times Square/Broadway theater district. Founded by Irwin S. Chanin, the Chanin organization was a major construction company in New York. During the 1920s, Chanin b r anche d out into the building of theaters, and helpe d create much of the ambie nce of the heart of the theater district.