Dolby Atmos Soundbars Comparison Guide (Currently Available)
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CSA 1300Z CSA 2300Z Commercial Series Amplifer
JBL Commercial Series CSA 1300Z CSA 2300Z Commercial Series Amplifer Operation Manual CSA 1300Z CSA 2300Z Contents Important Safety Information .......................................................................... 3 JBL DECLARATION OF CONFORMITY .......................................................... 5 1.0 Welcome ................................................................................................... 7 1.1 Features ................................................................................................. 7 1.2 Front Control Panels and Indicators ...................................................... 8 1.3 Rear Panel Controls and Connectors..................................................... 9 2.0 Setup ........................................................................................................10 2.1 Unpacking Your Amplifier ......................................................................10 2.2 Installing Your Amplifier .........................................................................10 2.3 Ensuring Proper Cooling .......................................................................12 2.4 Choosing Input Wire and Connectors ...................................................12 2.5 Output Wiring and Connectors .............................................................13 2.6 Wiring Your Audio System .....................................................................14 2.7 Connecting to AC Mains .....................................................................15 2.8 Protecting -
Why Dolby Atmos" Whitepaper
Why Dolby Atmos Why Dolby Atmos 08—2020 Your story made better in Dolby Atmos Dolby Atmos has become the immersive audio standard for film and television content creation. Introduced first in the cinema, Dolby Atmos has been adopted by the most popular streaming services such as Apple TV+, Disney+, and Netflix, and is also being made widely available to mainstream audiences on millions of consumer playback devices. Once used primarily on big-budget Hollywood films, Dolby Atmos is being leveraged by content creators on a wider variety of content genres and types than ever before. This is your opportunity to hear first-hand from some of those content creators on how Dolby Atmos has enabled them to enhance their stories. This paper will demystify what Dolby Atmos is and why content creators should be creating all of their content in Dolby Atmos. “Dolby Atmos is a format and not a particular sound. At Netflix, we feel the best mixes come when mixers have excellent technology and the freedom to use it in a way that best tells the story.” — Scott Kramer | Netflix Dolby Atmos: From cinema to home First utilized on Pixar’s 2012 film, Brave, Dolby Atmos introduced a new paradigm of audio creation and delivery in cinema, enabling filmmakers to fully immerse moviegoers in their story’s soundscape. Today, that paradigm has also revolutionized the home entertainment experience, bringing Dolby Atmos technology to the living room and enabling content creators to immerse viewers more deeply into their stories. Many of today’s leading content services and their studio partners have adopted Dolby Atmos on feature films and episodic titles. -
Past, Present and Future Harman International 2004 Annual Report
Harman International 2004 Annual Report Past, Present and Future Our cover is a rendering of the new Shanghai, China Oriental Arts Center. Now under construction for the 2008 Olympics, it will incorporate two concert halls, an opera house and an eleven hundred seat theater. The Oriental Arts Center is one of many totally new theatres, athletic stadia and performing art centers being built to serve the most expansive Olympics in history. Harman International has received a number of significant awards and we expect to be very well represented. China is a compelling and sometimes tantalizing story for everyone. Our past, our present and our future are writ large there. Ten years ago Harman found a voracious market for our quality home audio equipment. That was the past. Numbers of very competent Chinese manufactures have developed in the years since, and have produced excellent products with increasingly recognized Chinese brand names. That is not a promising busi- ness situation for us, although our upcoming new media centers may generate revived interest—at least for a time. Our present is represented on the cover of this report. As China surges economically, its need for supportive infrastructure grows exponentially. Our professional systems are without peer, and we expect that part of our business to grow and flourish everywhere, but especially in China. It is clearly our present. The great opportunity before us, not surprisingly, is in automotive. Predictably, China is developing as a major market for automobiles and, consequently, for our Infotainment systems. We are the leader in Europe today and we are confident that we will be the leader in North America. -
Application: Key Features: JBL EON15 G2 Speakers E8 Mixer D2000S
Complete Portable Sound Reinforcement System Application: The E-System 15, featuring two EON15 G2 pow- ered speakers, a Soundcraft E8 sound reinforce- ment mixer, and two AKG D2000S dynamic hyper- cardioid microphones, is a complete, integrated sound system intended for a wide range of appli- cations in reinforcement of music and speech. Key Features: The E-System 15 is just that–a system. From the top manufacturers in the pro audio industry, each component has been selected to support and com- plement the others. JBL EON15 G2 Speakers The second generation of one of the most success- ful and influential professional speaker systems ever. ᭤ 15" Differential Drive™ low-frequency driver E8 Mixer with dual neodymium magnet for light weight and reduced distortion. ᭤ ᭤ 1" (throat diameter) JBL compression driver with 8 mic/line input channels 1.75" titanium diaphragm and ferro-fluid cooling. ᭤ 2 stereo input channels ᭤ 300 watts low-frequency and 100 watts high-fre- ᭤ Three-band channel EQ with variable mid- quency (bi-amplified)–actual power delivered to frequency for precise tailoring of the sound the drivers. ᭤ ᭤ Built-in 3-input mixer. One balanced mic/line Precision, ultra-linear mic pre-amps input, two balanced ¼" phone line-level inputs. ᭤ Two auxiliary monitor or effects busses with Two-band equalization. pre/post settings ᭤ Balanced loop-through/mix output. “Daisy- ᭤ True professional +48V phantom power chain” additional EON speakers or send the ᭤ mixed output to a mixing console. Smooth 100 mm faders for precise control of your mix ᭤ 60° x 90° (nominal) constant directivity horn. ᭤ ᭤ Thermomaster® Total Thermal Management Individual channel mute switches so you can System®. -
JBL EON515XT User Guide
USER’S GUIDE For: Français, Deutsch, Español, visit www.jblpro.com 2 Contents Section 1: Welcome To The Family .................................................................... 4 Before You Begin - Important Information ................................................................... 5 Section 2: Precautions Watch For These Symbols .......................................................................................... 6 AC Power Requirements ............................................................................................. 6 CAUTION .................................................................................................................... 6 EON ® Power Amplifiers - Operating Temperature ..................................................... 6 Care and Maintenance ................................................................................................ 6 Mounting / Suspending EON Speakers ...................................................................... 7 Stand Mounting Safety Precautions ............................................................................ 7 Hearing Damage, Prolonged Exposure to Excessive SPL ......................................... 7 EON Series Speakers Declaration Of Conformity ....................................................... 8 Section 3: Quick Start Packaging Contents .................................................................................................... 9 Section 4: About the EON515XT Applications .............................................................................................................. -
Dolby Cineasset User Manual 005058 Issue 6
Dolby CineAsset User’s Manual 22 July 2019 CAS.OM.005058.DRM Issue 6 Notices Notices Copyright © 2019 Dolby Laboratories. All rights reserved. Dolby Laboratories, Inc. 1275 Market Street San Francisco, CA 94103-1410 USA Telephone 415-558-0200 Fax 415-645-4000 http://www.dolby.com Trademarks Dolby and the double-D symbol are registered trademarks of Dolby Laboratories. The following are trademarks of Dolby Laboratories: Dialogue Intelligence™ Dolby Theatre® Dolby® Dolby Vision™ Dolby Advanced Audio™ Dolby Voice® Dolby Atmos® Feel Every Dimension™ Dolby Audio™ Feel Every Dimension in Dolby™ Dolby Cinema™ Feel Every Dimension in Dolby Atmos™ Dolby Digital Plus™ MLP Lossless™ Dolby Digital Plus Advanced Audio™ Pro Logic® Dolby Digital Plus Home Theater™ Surround EX™ Dolby Home Theater® All other trademarks remain the property of their respective owners. Patents THIS PRODUCT MAY BE PROTECTED BY PATENTS AND PENDING PATENT APPLICATIONS IN THE UNITED STATES AND ELSEWHERE. FOR MORE INFORMATION, INCLUDING A SPECIFIC LIST OF PATENTS PROTECTING THIS PRODUCT, PLEASE VISIT http://www.dolby.com/patents. Third-party software attributions Portions of this software are copyright © 2012 The FreeType Project (freetype.org). All rights reserved. Dolby CineAsset software is based in part on the work of the Qwt project (qwt.sf.net). This software uses libraries from the FFmpeg project under the LGPLv2.1. This product includes software developed by the OpenSSL Project for use in the OpenSSL Toolkit (openssl.org). This product includes cryptographic software -
Dolby Atmos for the Home Theater
Dolby Atmos® for the Home Theater October 2014 Dolby Atmos®, the revolutionary cinema sound technology, has come to home theaters. With Dolby Atmos, content creators can precisely place and move sounds anywhere in your living room, including overhead, to make entertainment incredibly immersive and lifelike. This white paper is designed to explain how Dolby Atmos will work in home theaters and how you can build a Dolby Atmos enabled system or upgrade your existing system to support Dolby Atmos. This paper also explains the technological components of Dolby Atmos in home theater and the tools that content creators and broadcasters will use to create and deliver Dolby Atmos content to homes. Why replace channel-based surround sound? Dolby Atmos is a revolutionary technology that moves beyond the paradigm of channel- based audio, which has gone as far as it can in the home. Dolby has led home theater technology since the late 1980s, when we introduced four- channel Dolby® Pro Logic®. We led the development of 5.1 and then introduced 7.1 surround sound in the home and the cinema. But as home theater expanded to 9.1 and even 11.1 systems, the problems of pursuing more and more channels became clear. Home theater content often originates from theatrical content that is mixed, at best, in 7.1 sound and many times in 5.1. That meant that 9.1 or 11.1 systems reached a point of diminishing returns in parsing and upmixing that limited signal to serve more and more channels. In addition, the ability to recreate reality using channel-based audio is inherently limited. -
Harman Professional: New
Meet your maker Harman Professional: new era After a much-publicised acquisition by Samsung, Harman Professional Solutions is ready to go public with its ambitious R&D plans and three new ‘Centres of Competence’ DAVID DAVIES reports — commenced a major restructuring effort, customer solutions at Harman Professional than it was acquired (along with the rest of parent Harman International, remarks: “This has Harman Industries) by Samsung. been a major, multi-year period of change, but As we shall see, the day-to-day impact of we now feel we are on the verge of an exciting new ownership appears to have been less new era…” significant than the outside observer might have expected. But there is no doubt that the Under new ownership restructuring process has been both painful and To examine headline news first: the Samsung protracted, not least with the September 2017 acquisition undoubtedly took many by surprise announcement of multiple facility closures and when it was first announced in November 2016 650 job cuts. (the deal closed just five months later). It is not uncommon for companies However, a cursory look at the specifics soon undergoing such profound changes to offer revealed the relevance of Harman technologies / Brian Divine (left), SVP products & customer solutions and Mark Hosking, broadcast global sales little in the way of public comment while they to its portfolio, not least in terms of automotive director, Harman International are taking place — or for market perceptions to technologies — a market that is projected to sometimes be affected accordingly. But with grow to more than $100bn by 2025 — t has, to put it mildly, been an interesting the vast majority of t he restructure done and according to Samsung. -
Samsung Electronics Co., Ltd. and Its Subsidiaries NOTES to INTERIM
Samsung Electronics Co., Ltd. and its Subsidiaries NOTES TO INTERIM CONSOLIDATED FINANCIAL STATEMENTS 1. General Information 1.1 Company Overview Samsung Electronics Co., Ltd. (“SEC”) was incorporated under the laws of the Republic of Korea in 1969 and listed its shares on the Korea Stock Exchange in 1975. SEC and its subsidiaries (collectively referred to as the “Company”) operate four business divisions: Consumer Electronics (“CE”), Information technology & Mobile communications (“IM”), Device Solutions (“DS”) and Harman. The CE division includes digital TVs, monitors, air conditioners and refrigerators and the IM division includes mobile phones, communication systems, and computers. The DS division includes products such as Memory, Foundry and System LSI in the semiconductor business (“Semiconductor”), and LCD and OLED panels in the display business (“DP”). The Harman division includes connected car systems, audio and visual products, enterprise automation solutions and connected services. The Company is domiciled in the Republic of Korea and the address of its registered office is Suwon, the Republic of Korea. These interim consolidated financial statements have been prepared in accordance with Korean International Financial Reporting Standards (“Korean IFRS”) 1110, Consolidated Financial Statements. SEC, as the controlling company, consolidates its 256 subsidiaries including Samsung Display and Samsung Electronics America. The Company also applies the equity method of accounting for its 41 associates, including Samsung Electro-Mechanics. -
Series 8 HW-N850 Soundbar with Dolby Atmos and DTS:X
Series 8 HW-N850 Soundbar with Dolby Atmos and DTS:X Incredible Sound. Incredible Reality Get incredible cinema-like sound without leaving home. Innovative audio technical expertise from Harman Kardon combines with Dolby Atmos® , DTS:X support and 13 in-built speakers, including up- and side-firing speakers, for crystal clear sound that feels like it comes from all around and above. Sound moves around you in three dimensions HW-N850 Features True 5.1.2ch Sound thanks to the inclusion of both up-firing and side-firing speakers, delivering a full 5.1.2ch audio experience. With 13 built-in speakers you can envelop yourself in the 13 built-in speakers ultimate sound experience. The incorporation of object-based audio formats like Multi-dimensional audio playback Dolby Atmos and DTS:X lets you experience captivating entertainment. Upscale your regular 8 - 24 bit music up to 32 bits for richer 32-bit Upscaling sound experiences.* For a seamless experience, connect your 4K HDR video source 4K HDR Pass-Through through your Soundbar to your compatible Samsung TV. *Sound quality will depend on source content. Product Product Category Premium Soundbar Model Number HW-N850/XY Features Number of Channels 5.1.2 Ch Number of Speakers 13 Frequency Range 34 Hz – 17kHz Speaker Centre Speaker Yes Up-firing Speaker Yes Side-firing Speaker Yes Subwoofer Yes, wireless (8 inch) Colour Midnight Titan Audio Features Sound Modes 3 (Virtual Surround Sound, Standard, Smart) Wide Range Tweeter Yes Upscaling Yes, UHQ 32-bit upscaling* Distortion Cancelling No Acoustic Beam Technology No Game Mode No Wireless Rear Speaker Kit Included No (SWA-9000S/XY – sold separately)~ Video Features High Dynamic Range (HDR) Pass Through Yes^ 4K Video Pass-Through Yes^ 3D Video Pass-Through Yes^ Decoding Format Dolby Digital Dolby 5.1 ch/ Dolby DD+ (Audio Visual) Dolby True HD Yes Dolby Atmos Yes DTS:X Yes DTS Digital Surround DTS 5.1 ch DTS HD Yes Decoding Format AAC Yes (Audio Only) MP3 Yes WAV Yes OGG Yes FLAC Yes ALAC Yes AIFF Yes *Sound quality will depend on source content. -
Atmos Inventory/Audio Encoding Best Practice
Atmos Manifest Ref: BP-MDD-ATMOS Version: v1.0 Encoding Date: June 26, 2020 Atmos Inventory/Audio Encoding Best Practice This practice defines how to encode a Dolby Atmos track in the Media Manifest Inventory/Audio element. This work is licensed under a Creative Commons Attribution 3.0 Unported License. NOTE: No effort is being made by the Motion Picture Laboratories to in any way obligate any market participant to adhere to this specification. Whether to adopt this specification in whole or in part is left entirely to the individual discretion of individual market participants, using their own independent business judgment. Moreover, Motion Picture Laboratories disclaims any warranty or representation as to the suitability of this specification for any purpose, and any liability for any damages or other harm you may incur as a result of subscribing to this specification. REVISION HISTORY Version Date Description 1.0 June 24, 2020 Initial publication 1.1 June 26, 2020 Incorporated Dolby comments Motion Picture Laboratories, Inc. 1 Atmos Manifest Ref: BP-MDD-ATMOS Version: v1.0 Encoding Date: June 26, 2020 1 ATMOS FILES IN MEDIA MANIFEST Dolby Atmos has five published file types at the time of publishing. Three are fully encoded Atmos (two in Dolby Digital Plus variants, one in Dolby TrueHD), and two are mastering formats (DAMF and ADM BWF). Dolby Atmos Mastering Format (DAMF) includes multiple files that are used to create Atmos encodes. BWF is an update of the WAV file format. Technically, in this context it is BWF RF64 as defined in ISU BS.2088-1. -
Prices May Be Changed at Any Time Without Further Notice. 1
2021 Prices may be changed at any time without further notice. 1 2 Prices may be changed at any time without further notice. Prices may be changed at any time without further notice. 3 TABLE OF CONTENTS PORTABLES ................................. .8-15 TUNE 660 NC ..................................... 31 GO 3 ................................................. 8 TUNE 510 BT ...................................... .32 CLIP 4 ................................................ 9 ENDURANCE PEAK II ........................... .33 CHARGE 5 ......................................... 10 REFLECT MINI NC ............................... .34 XTREME 3 ........................................... 11 PARTYBOX ON-THE-GO ........................ 12 AFTERMARKET AUDIO ............... 38-55 PARTYBOX 310 ................................... 13 ARENA X .......................................... 38 PBM 100 ............................................ 14 ARENA ............................................ .39 WIRELESS MICROPHONE ...................... 15 STADIUM SPEAKERS ............................ .40 STADIUM SUBWOOFERS ....................... 41 HOME AUDIO ............................. .18-21 STAGE SUBWOOFERS .......................... .42 BAR 5.0 MULTIBEAM ............................. 18 STAGE 1200D. .43 CITATION AMP 250 .............................. 19 BASSPRO 8 ....................................... .44 ONYX STUDIO 7 ................................. 20 JBL BASSHUB ..................................... .45 BASSPROGO ..................................... 46 HEADPHONES