SHARP News Volume 23 | Number 2 Article 1 Spring 2014 Volume 23, Number 2 Follow this and additional works at: https://scholarworks.umass.edu/sharp_news Recommended Citation (2014) "Volume 23, Number 2," SHARP News: Vol. 23: No. 2. Available at: https://scholarworks.umass.edu/sharp_news/vol23/iss2/1 This Article is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in SHARP News by an authorized editor of ScholarWorks@UMass Amherst. For more information, please contact
[email protected]. et al.: Volume 23, Number 2 SHARP NEWS Volume 23, Number 2 Spring 2014 were also several editions of Harriet Beecher The exhibit even examined unusual speci- EXHIBITION REVIEWS Stowe’s Uncle Tom’s Cabin, most opened to mens of visual culture from shortly after the engravings of Eliza’s crossing of the Ohio, Civil War. The most fascinating of these was one of the novel’s most iconic scenes. Milton Bradley’s “Myriopticon,” a history of Emphasizing the importance of less the war in 22 color pictures on one continu- Home Front: Daily Life in the popular histories of the Civil War, another ous scroll in a cigar box which readers would Civil War North part of the exhibit examined the impact of have viewed by scrolling from left to right Newberry Library, Chicago the Civil War on Native Americans. This with two wooden knobs. Beside this was an- 27 September 2013 – 24 March 2014 section displayed illustrations of native vio- other series of five stereographs of slave life lence which Northern audiences would have from the Oliver Barrett collection, which visi- Unlike many exhibits commemorating viewed, including extreme engravings of re- tors were able to manipulate and experience the 150th anniversary of the American Civil ported massacres occurring in northwestern using stereograph viewers.