Why Everything's Rosy
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Movie Draft: Below the Belt
POOP READING Movie Draft: Below the Belt Alas, with Bale directing the project and shepherding it by Jameson Simmons through every stage of its tortured development, this tone-deafness extends beyond the lead character. Dialogue You often hear of film studios indulging a star's will sometimes switch from serious to goofy and back in a character-based "passion project" in order to garner their single breath. Entire scenes will be elaborately staged in cooperation for some mass-appeal popcorn movie with no order to set up a double-entendre about a walk-on character. artistic integrity (but an automatic greenlight). The way There's an interlude in Blackie Shepherd's Skid Row Sandra Bullock was granted authority to make Hope Floats encampment in which the camera follows two rats having a so she'd acquiesce to appear in the floating turd that was belching contest. At first there's hope that it will be one of Speed 2: Cruise Control. But in this case, the scenario is those movies that's just incompetent enough to be turned entirely on its ear: to convince Christian Bale to unintentionally funny, but it quickly surpasses that threshold. appear in his Oscar-nominated turn in The Fighter, Below the Belt is best left to future film historians – as a Paramount had to finance Below the Belt, the slapstick karate puzzling glimpse into the madness that can envelop a great goof that Bale had spent 13 years developing as a Chris performer when he sets his mind to the wrong task. Farley tribute. Below the Belt is rated R. -
It's Katniss Vs. Comedians As the Hunger Games and Bridesmaids Dominate Nominations for the "2012 MTV Movie Awards"
The Battle For The Golden Popcorn Begins! It's Katniss vs. Comedians As The Hunger Games And Bridesmaids Dominate Nominations For The "2012 MTV Movie Awards" Winner Voting For 12 Returning and All-New Categories Opens Today, May 1 at 8AM ET/5AM PT at MovieAwards.MTV.com 21st Annual "MTV Movie Awards" Will Air Live Sunday, June 3rd at 9 PM ET/PT on MTV from the Gibson Amphitheatre in Universal City, CA NEW YORK, May 1, 2012 /PRNewswire/ -- The nominees are in for the "2012 MTV Movie Awards," with The Hunger Games and Bridesmaids neck-in-neck with eight nominations each, including the categories "MOVIE OF THE YEAR," "BEST CAST" and "BREAKTHROUGH PERFORMANCE." Fans will have the "Power of the Popcorn" in their hands as winner voting opens today, May 1 at 8AM ET/5AM PT, at MovieAwards.MTV.com and will stay open through Saturday, June 2nd. As in previous years, the category of "MOVIE OF THE YEAR" will remain an ongoing battle throughout the live show when the 21st annual "2012 MTV Movie Awards" airs live on Sunday, June 3rd at 9pm ET/PT on MTV from the Gibson Amphitheatre in Universal City, California. The "2012 MTV Movie Awards" will put the spotlight on one of the most diverse roster of nominated films in years for the show. Featuring a broad array of movies that resonated with our audience this year, the nominations include both blockbusters and critically acclaimed films such as "Drive," "Like Crazy," "The Descendants," "The Girl with the Dragon Tattoo," and "My Week with Marilyn." This year's telecast will also be a theatrical throwdown between two funny ladies and an action star as Kristen Wiig, Melissa McCarthy and Jennifer Lawrence all received four nominations each, the most for all female actors nominated. -
Top 30 Films
March 2013 Top 30 Films By Eddie Ivermee Top 30 films as chosen by me, they may not be perfect or to everyone’s taste. Like all good art however they inspire debate. Why Do I Love Movies? Eddie Ivermee For that feeling you get when the lights get dim in the cinema Because of getting to see Heath Ledger on the big screen for the final time in The Dark Knight Because of Quentin Tarentino’s knack for rip roaring dialogue Because of the invention of the steadicam For saving me from the drudgery of nightly weekly TV sessions Because of Malik’s ability to make life seem more beautiful than it really is Because of Brando and Pacino together in The Godfather Because of the amazing combination of music and image, e.g. music in Jaws Because of the invention of other worlds, see Avatar, Star Wars, Alien etc. For making us laugh, cry, sad, happy, scared all in equal measure. For the ending of the Shawshank Redemption For allowing Jim Carey lose during the 1990’s For arranging a coffee date on screen of De Niro an Pacino For allowing Righteous Kill to go straight to DVD so I could turn it off For taking me back in time with classics like Psycho, Wizard of Oz ect For making dreams become reality see E.T, The Goonies, Spiderman, Superman For allowing Brad Pitt, Michael Fassbender, Tom Hardy and Joesph Gordon Levitt ply their trade on screen for our amusement. Because of making people Die Hard as Rambo strikes with a Lethal Weapon because he is a Predator who is also Rocky. -
Communiqué De Presse
COMIC CON PARIS annonce la venue d’une des stars de la série Vikings : ALEXANDER LUDWIG pour deux jours de rencontres et de panels Le Comic Con Paris met un point d’honneur à accueillir pour chaque édition des illustrateurs, scénaristes, acteurs et réalisateurs qui ont marqué au fer rouge l’univers de la pop-culture. Depuis plusieurs années, les séries d’époque ou historiques se font une place de choix dans l’agenda des sérievores. De Peaky Blinders à The Last Kingdom en passant par The Crown ou Borgia, toutes les dynasties sont aujourd’hui couvertes par le secteur. Les équipes du Comic Con Paris sont fières d’annoncer la venue d’Alexander Ludwig, l’un des personnages principaux de la série Vikings diffusée sur les chaînes du groupe Canal +. Fils de Ragnar Lothbrok, personnage principal disparu au cours de la quatrième saison, Alexander Ludwig (Björn Côtes-de-Fer) y incarne depuis un rôle toujours plus prépondérant. La saison 5 – au cours de laquelle il devient Roi de Kattegat comme le fut son père avant lui - a réuni plus 34 millions de fans à travers le monde qui devront s’armer de patience avant de connaître le dénouement ultime de la série. La diffusion de la sixième et dernière saison est prévue pour fin 2019, début 2020. Alexander Ludwig, canadien de naissance, a obtenu son premier grand rôle au cinéma pendant son adolescence dans Les Portes du Temps de David Cunningham en 2007. Il a ensuite enchaîné les apparitions dans des films variés allant de la comédie au film de guerre en passant par le drame. -
Supreme Court of Canada (On Appeal from the Court of Appeal for Ontario)
SCC File No. 37209 SUPREME COURT OF CANADA (ON APPEAL FROM THE COURT OF APPEAL FOR ONTARIO) BETWEEN: TRINITY WESTERN UNIVERSITY and BRAYDEN VOLKENANT Appellants -and- THE LAW SOCIETY OF UPPER CANADA Respondent -and- ATTORNEY GENERAL OF ONTARIO Intervener -and- START PROUD and OUTLAWS Proposed Intervener MOTION FOR LEAVE TO INTERVENE OF THE PROPOSED INTERVENER, START PROUD and OUTLAWS (Rules 47 and 55 of the Rules ofthe Supreme Court of Canada) GOLDBLATTPARTNERSLLP GOLDBLATTPARTNERSLLP 20 Dundas Street West, Suite 1039 30 Metcalfe Street, Suite 500 Toronto, ON M5G 2C2 Ottawa, ON K1P 5L4 Marlys Edwardh Colleen Bauman Vanessa Payne Email: [email protected] Email: [email protected] Tel: 416-979-4380 Tel: 613-482-2463 Fax: 416-979-4430 Fax: 613-235-3041 2 PAUL JONATHAN SAGUIL 66 Wellington St. West TD Tower, P.O. Box 1 Toronto ON MSK 1A2 Paul Jonathan Saguil Email: [email protected] Tel: 416-308-1719 MARTIN+ ASSOCIATES 863 Hamilton Street Vancouver, BC V6B 2R7 Frances Mahon Email: [email protected] Tel: 604-682-4200 Agent for the Proposed Intervener, Counsel for the Proposed Intervener, Start Proud and OUTlaws Start Proud and OUTlaws ORIGINAL TO: The Registrar Supreme Court of Canada 301 Wellington Street Ottawa, ON KIA OJl 3 COPIES TO: BENNETT JONES LLP BENNETT JONES LLP 3400 One First Canadian Place World Exchange Plaza P.O. Box 130 I900- 45 O'Connor Street Toronto, ON M5X IA4 Ottawa, ON KIP IA4 Robert W. Stanley Mark Jewett QC Email: [email protected] Email: [email protected] Ranjan Aganval Tel: 6I3-683-2328 Email: [email protected] Fax: 6I3-683-2323 Tel: 4I6-863-I200 Fax: 4I6-863-I2I6 KUHNLLP IOO- 32I60 S Fraser Way Abbotsford, BC V2T I W5 Kevin L. -
The Last Station
Mongrel Media Presents The Last Station A Film by Michael Hoffman (112 min, Germany, Russia, UK, 2009) Distribution Publicity Bonne Smith 1028 Queen Street West Star PR Toronto, Ontario, Canada, M6J 1H6 Tel: 416-488-4436 Tel: 416-516-9775 Fax: 416-516-0651 Fax: 416-488-8438 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com/press.html THE LAST STATION STARRING HELEN MIRREN CHRISTOPHER PLUMMER PAUL GIAMATTI ANNE-MARIE DUFF KERRY CONDON and JAMES MCAVOY WRITTEN & DIRECTED BY MICHAEL HOFFMAN PRODUCED BY CHRIS CURLING JENS MEURER BONNIE ARNOLD *Official Selection: 2009 Telluride Film Festival SYNOPSIS After almost fifty years of marriage, the Countess Sofya (Helen Mirren), Leo Tolstoy’s (Christopher Plummer) devoted wife, passionate lover, muse and secretary—she’s copied out War and Peace six times…by hand!—suddenly finds her entire world turned upside down. In the name of his newly created religion, the great Russian novelist has renounced his noble title, his property and even his family in favor of poverty, vegetarianism and even celibacy. After she’s born him thirteen children! When Sofya then discovers that Tolstoy’s trusted disciple, Chertkov (Paul Giamatti)—whom she despises—may have secretly convinced her husband to sign a new will, leaving the rights to his iconic novels to the Russian people rather than his very own family, she is consumed by righteous outrage. This is the last straw. Using every bit of cunning, every trick of seduction in her considerable arsenal, she fights fiercely for what she believes is rightfully hers. -
CAPURRI Ryerson University, Canada
Volume 15, Issue 1, 129-144, 2021 “I Cannot Hide My Anger to Spare You Guilt”: On BLMTO and Canadian Mainstream Media’s Response VALENTINA CAPURRI Ryerson University, Canada ABSTRACT In this paper, I examine Canadian mainstream media’s response to Black Lives Matter Toronto, focusing in particular on two events that occurred in the city in the Summer of 2016 and Winter of 2017. By relying on Critical Race Theory, I argue that a White-dominated press has been unwilling to engage with the message presented by Black activists under the excuse that the tone of the message is overly harsh and threatening to White audiences. After analysing the historical roots of such a claim, I conclude that, in the current climate, there is no space for any dialogue in what remains an oppressor-oppressed relationship across the country, including in Toronto, Canada’s most multicultural city. KEYWORDS racism; white supremacy; critical race theory; Canada The quote in the title is from a keynote presentation delivered by Audre Lorde at the National Women’s Studies Association Conference in Storrs, Connecticut, in June 1981 (Lorde, 2007). In the presentation, Lorde examines how anger is one of Black women’s responses to racism despite the inability and unwillingness of White women, including many female-identified academics attending the conference, to bear witness to that anger. Lorde was pinpointing White women’s refusal to listen under the cover that the tone used to convey the message was excessively harsh and was therefore perceived as threatening. Thirty-nine years later, Black individuals, and Black women in particular, are still faced with similar challenges and with White society’s unwillingness to listen to the message conveyed by their anger, and the excuse is the same: the tone is too loud and intimidating. -
Oscar Ballot Oscar Ballot
AND THE AND THE OSCAR OSCAR GOES TO. GOES TO. THE 2015 THE 2015 OSCAR BALLOT OSCAR BALLOT ACTOR IN A LEADING ROLE ACTOR IN A LEADING ROLE BEST PICTURE BEST PICTURE Steve Carell (Foxcatcher) Steve Carell (Foxcatcher) American Sniper Bradley Cooper (American Sniper) American Sniper Bradley Cooper (American Sniper) Birdman Benedict Cumberbatch (The Imitation Game) Birdman Benedict Cumberbatch (The Imitation Game) Boyhood Michael Keaton (Birdman) Boyhood Michael Keaton (Birdman) The Grand Budapest Hotel Eddie Redmayne (The Theory of Everything) The Grand Budapest Hotel Eddie Redmayne (The Theory of Everything) The Imitation Game The Imitation Game Selma Selma ANIMATED FEATURE The Theory of Everything The Theory of Everything ANIMATED FEATURE Whiplash Big Hero 6 Whiplash Big Hero 6 The Boxtrolls The Boxtrolls How to Train Your Dragon 2 How to Train Your Dragon 2 ACTRESS IN A LEADING ROLE Son of the Sea ACTRESS IN A LEADING ROLE Son of the Sea The Tale of Princess Kaguya Marion Cotillard (Two Days, One Night) Marion Cotillard (Two Days, One Night) The Tale of Princess Kaguya Felicity Jones (The Theory of Everything) Felicity Jones (The Theory of Everything) PRODUCTION DESIGN Julianne Moore (Still Alice) Julianne Moore (Still Alice) PRODUCTION DESIGN Rosamund Pike (Gone Girl) THe Grand Budapest Hotel Rosamund Pike (Gone Girl) THe Grand Budapest Hotel Reese Witherspoon (Wild) The Imitation Game Reese Witherspoon (Wild) The Imitation Game Interstellar Interstellar Into the Woods Into the Woods ACTOR IN A SUPPORTING ROLE ACTOR IN A SUPPORTING ROLE Mr. Turner Mr. Turner Robert Duvall (The Judge) Robert Duvall (The Judge) Ethan Hawke (Boyhood) Ethan Hawke (Boyhood) COSTUME DESIGN COSTUME DESIGN Edward Norton (Birdman) Edward Norton (Birdman) Mark Ruffalo (Foxcatcher) The Grand Budapest Hotel Mark Ruffalo (Foxcatcher) The Grand Budapest Hotel J.K. -
Annual Report 2019–2020
CMF FMCANNUAL REPORT 2019 – 2020 CMF FMC CONTENTS ABOUT1 CMF SUCCESSES2 FUNDING3 RESULTS FINANCIAL4 OVERVIEW APPENDICES5 Financial Contributors 3 Audience Results: 51 Experimental 83 Management Discussion 153 Notice 179 Mandate and Vision 5 Television TV 95 and Analysis Television Audience 180 Funding Model 9 Audience Results: 67 Indigenous Support 115 Management’s 157 Data Sources Digital Media Responsibility for CMF by the Numbers 11 Official Language Minority 121 Financial Reporting Message from the Chair 13 Community Support Financial Statements 159 Regional Support 128 Message from 15 of Canada Media Fund the President and CEO Export-Related Programs 133 Board and Committee 19 International Treaty 137 Activities Coproductions and Board Members 25 International Incentives Management Team 29 Program Funding Summary 141 Industry Consultation 35 Sector Development 145 Support Industry Research 37 Program Administration 147 Industry Partnerships 39 Promotion 44 1 CANADA MEDIA FUND | FONDS DES MÉDIAS DU CANADA 2019–2020 ANNUAL REPORT 2 ABOUT CMF SUCCESSES FUNDING RESULTS FINANCIAL OVERVIEW APPENDICES Battle of the Blades 3 CANADA MEDIA FUND | FONDS DES MÉDIAS DU CANADA 2019 – 2020 ANNUAL REPORT 4 FINANCIAL CONTRIBUTORS The Canada Media Fund (CMF) receives contributions from Canada’s cable, satellite and IPTV distributors and the Government of Canada. The CMF thanks its funding contributors for their continued support of Canadian television and digital media content. 5 CANADA MEDIA FUND | FONDS DES MÉDIAS DU CANADA 2019 – 2020 ANNUAL REPORT 6 MANDATE AND VISION The Canada Media Fund (CMF) fosters, develops, finances and promotes the production of Canadian content and relevant applications for all audiovisual media platforms. Red Earth Uncovered Blasters of the Universe The CMF guides Canadian content towards a competitive global environment through fostering industry innovation, rewarding success, enabling a diversity of voices, and promoting access to content through industry and private sector partnerships. -
Sagawkit Acceptancespeechtran
Screen Actors Guild Awards Acceptance Speech Transcripts TABLE OF CONTENTS INAUGURAL SCREEN ACTORS GUILD AWARDS ...........................................................................................2 2ND ANNUAL SCREEN ACTORS GUILD AWARDS .........................................................................................6 3RD ANNUAL SCREEN ACTORS GUILD AWARDS ...................................................................................... 11 4TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 15 5TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 20 6TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 24 7TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 28 8TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 32 9TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 36 10TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 42 11TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 48 12TH ANNUAL SCREEN ACTORS GUILD AWARDS .................................................................................... -
Motherless Brooklyn to Open 55Th Chicago International Film Festival
Media Contact: Matthew Bryant / Dayna Calkins Carol Fox and Associates 773.969.5034 773.969.5032 [email protected] [email protected] For Immediate Release: September 17, 2019 EDWARD NORTON’S STAR STUDDED PASSION PROJECT MOTHERLESS BROOKLYN TO OPEN THE 55th CHICAGO INTERNATIONAL FILM FESTIVAL CHICAGO - Mimi Plauché, Artistic Director of the Chicago International Film Festival, today announced that Motherless Brooklyn, Edward Norton’s adaptation of Jonathan Lethem’s groundbreaking novel, will open the 55th edition of the Festival. The Opening Night celebration, sponsored by Bloomberg Philanthropies and the John and Jacolyn Bucksbaum Family Foundation, will be held at the AMC River East 21, 322 E. Illinois St., on Wednesday, October 16 at 6:30 p.m. An After-Party at Union Station Burlington Room, 255 South Canal St. will follow, with additional support provided by Aberlour, Chloe Wine Collection, Goose Island, and Forza Meats. Presented by Cinema/Chicago, the 55th Chicago International Film Festival will take place October 16 – 27 at the AMC River East (322 E. Illinois Street). Motherless Brooklyn centers on Lionel Essrog (Edward Norton), a lonely private detective living with Tourette Syndrome, who ventures to solve the murder of his mentor and only friend, Frank Minna (Bruce Willis). Armed only with a few clues and the engine of his obsessive mind, Lionel unravels closely guarded secrets that hold the fate of New York in the balance. In a mystery that carries him from gin-soaked jazz clubs in Harlem to the hard-edged slums of Brooklyn and, finally, into the gilded halls of New York's power brokers, Lionel contends with thugs, corruption and the most dangerous man in the city to honor his friend and save the woman who might be his own salvation. -
The Narrator (Edward Norton), Addicted to Self-Help Groups
Fight Club (1999) Directed by David Fincher, written by Jim Uhis How can you not like a movie where half a dozen corporate skyscrapers are blown up and the explicit message the film delivers is: ―Things you own end up owning you‖? Easy, when the movie is Fight Club. Anti-consumerism may appear progressive, but what do you replace it with? Under David Fincher‘s direction, Fight Club endorses a peculiar kind of sado-masochistic hedonism for the masculine elite, and a cult-like subservience for the masses. The cure is worse than the disease. No wonder some critics have declared the movie fascist. The movie opens near its eventual climax. The Narrator (Edward Norton – he‘s not named in the movie so I‘ll call him N) is in an office overlooking a big city skyline and Tyler Durden (Brad Pitt) is shoving a gun in his mouth, apparently ready to detonate both the pistol and the home-made explosives under the towering corporate icons. The movie then backtracks and the story is told mostly through flashback. N is a modern-day seeker. That means that, in the beginning, he isn‘t sure what he‘s seeking. He‘s a 30-year old businessman who‘s playing the consumption game self- consciously and looking for meaning in the possession of goods. He reads magazines on the toilet about contemporary furniture. Compulsive consumption substitutes for sex. In his own words, he ―had it all‖, including a ―wardrobe that was getting very respectable, close to being complete.‖ Of course, this is a blind alley.