2019-20 Basketball State Championship
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WASTE PAPER Amm Raloe for Yoor Money Modify Ths Original Partition Plan
Efir. ^ < ■ r - •. ;/^ ^iARY, CHENEY U BlM K i BATOBDAT. OCrOBEB M, IMB r A U ^ l W E L V B iKanrliratrr lEnrnittg Herald Avariigd IM ly N at' p»tsMMorpri.y fhe IlM MwMIi o< atrengthening of forces of good wiU soon bo two. Another young against the forces o f evU.’’ ster is on the way but I don’t ex Rev. Qmchy 9 ,4 7 4 raia. or RtWdo 'WH About T o ^ , Personally I believe. the “ stlH pect that another child wiH add Heard Along Main Street small voi.ee’-’ hhs grown louder in much to our present wild life when a at the Aadtt A aon, JBiBM Law nne*, w u the kids are around. every slnceia mind and heart and Here Monday HUM BOUQUETS ioC< bom to Mr. and Mra. JamM KoUy that it actually has developed into *Td like to hava your picturs In And on Some o f Manehe$ter*$ Side Stre/eUt Too our home where we can ae^ it often M m diesU t^A CUy of VUlogo Charm of Eaat Hartford, at th* Hartford a proclamation- of the human soul lioapital Saturday, Oct. 16. Mr*. and I would like to u k if it would in ita unstiUable strivings for be possible to secure the original To Speak on World Fed (^URTEEN PAGES) PRICE FOUM1 KcQy ii the former Joan McDon The Herald In common with oth-Astreet lighting. .Before relighting, peace, good w ill and Justice upon AdvortMag oa tt> MANCHESTER, CONN„ MONDAY, OCTOBER 25, 1948 nell o f 211 Center atreet, this there were 32 deaths on this street of the picture for framing. -
![The American Legion Monthly [Volume 13, No. 4 (October 1932)]](https://docslib.b-cdn.net/cover/6996/the-american-legion-monthly-volume-13-no-4-october-1932-3706996.webp)
The American Legion Monthly [Volume 13, No. 4 (October 1932)]
HENRY FORD - RUPERT HUGHES - PETER B. KYNE maked i/ie DIFFERENCE LEADING oil refiners add Ethyl fluid to their good gasoline to form Ethyl Gasoline. Inside the engine of your car the Ethyl fluid controls combustion. It makes gasoline de- liver more power and less harmful, wasteful heat. That is why Ethyl makes your car run at its best every minute and at the same time saves money on engine wear-and-tear. THE NEW higher Btandard of quality—adopted by every oil company that sells Ethyl Gasoline —makes it an even greater value than before. It widens still further Ethy l's margin of superiority over regular gasoline. UST as you get more enjoyment from a football game when you have good seats—so you get more pleasure and more value from your car when you use Ethyl Gasoline. Ethyl develops all FREEZING MORNINGS de- mand Ethyl's quick -starting pow- er. Ethyl is the correct winter fuel the extra performance of your motor. It doesn't call time out —the correct fuel for every season of the year because the gasoline with which Ethyl fluid is mixed is for warming up on cold mornings or overheating on long specially refined to fit the weather in which it will be used. drives. It's the all-season, all-round, all-American gasoline. GASOLINE that is to be mixed L with Ethyl must pass tests for all 1 the qualities of good gasoline. Then Ethyl fluid is added in prescribed quantity to make that gasoline de- iver its power smoothly—evenly— safely — bringing out the best per- formance of your motor. -
MINNESOTA BASKETBALL 2018-19 MEDIA GUIDE > ATHLETIC COMMUNICATIONS Assoc
MINNESOTA BASKETBALL 2018-19 MEDIA GUIDE > ATHLETIC COMMUNICATIONS Assoc. Athletic Communications Director/ > 2018-19 INFORMATION > RECORDS Men’s Basketball Contact: Dan Reisig 2018-19 Roster 2 Career Records 56 Office Phone: (612) 625-4389 Mobile Phone: (612) 419-6142 2018-19 Schedule 3 Season Records 59 Email: [email protected] Game Records 62 Fax: (612) 625-0359 > PLAYER PROFILES Season Statistical Leaders 66 Web site: www.gophersports.com Marcus Carr 4 1,000-Point Club 68 Amir Coffey 5 Big Ten Career Records 71 Office Phone (612) 625-4090 Hunt Conroy 7 Big Ten Season Records 72 Office Fax (612) 625-0359 Eric Curry 8 Big Ten Game Records 74 Website www.gophersports.com Michael Hurt 10 Season Big Ten Statistical Leaders 75 Email [email protected] Jarvis Johnson 12 Team Season Records 79 Mailing Address Gabe Kalscheur 13 Team Game Records 80 Athletic Communications Dupree McBrayer 14 Opponent Records 82 University of Minnesota Jordan Murphy 16 Yearly Team Statistics 84 275 Bierman Field Athletic Building Jarvis Omersa 19 Williams Arena Records 87 516 15th Avenue SE Daniel Oturu 20 Williams Arena Attendance Figures 88 Minneapolis, Minn. 55455 Brady Rudrud 21 > GOPHER RADIO NETWORK Matz Stockman 22 > HISTORY General Manager Greg Gerlach Brock Stull 23 NCAA Tournament History 90 Play-by-Play Mike Grimm Isaiah Washington 25 NIT History 92 Analyst Spencer Tollackson Payton Willis 26 NBA Draft History 93 All-Time NBA Roster 94 > CREDITS Dan Reisig > COACHING STAFF Big Ten Awards 100 Editor: Design and Layout: Jeff Keiser, Head Coach Richard Pitino -
The Turntablist Texts of DJ Shadow and Cut Chemist
The Aesthetics of Consumption in the Age of Electrical Reproduction: The Turntablist Texts of DJ Shadow and Cut Chemist Michael Phillips Thesis submitted to the Faculty of Graduate and Postdoctoral Studies In partial fulfillment of the requirements For the PhD degree in English Department of English Faculty of Arts University of Ottawa © Michael Phillips, Ottawa, Canada, 2012. ii ABSTRACT With new technology come new possibilities for the creation of artistic works. The invention of sound recording towards the end of the nineteenth century enabled musical performances to be “written” in the same manner as traditional, printed literature. The status of records as a form of writing and, moreover, as the material for further writing is demonstrated in the work of two hip hop artists, DJ Shadow and Cut Chemist, who assemble new, heteroglossic texts out of a wide array of sampled records. Two concerts by these artists, Product Placement (2004) and The Hard Sell (2008) – both of which have been memorialized on DVD – serve as fruitful examples of the potential for artistic production enabled by technology. Indeed, the genre of turntablism, which involves the live manipulation of vinyl records, requires the usage of technology in ways not intended by its original developers – a recurrent theme throughout the history of sound recording. By transforming the turntable from a passive playback device into an active compositional tool, turntablism, as exemplified by these performances, collapses the distance between consumption and production and so turns the listener into a performer. Furthermore, the exclusive usage of 45 rpm records as the source texts for the two sets dramatizes theories of intertextuality while simultaneously tracing the constraints placed on such artistic piracy by the copyright regime. -
OCTOBER TERM 1995 Reference Index Contents
jnl95$ind1Ð07-19-97 10:30:55 JNLINDPGT MILES OCTOBER TERM 1995 Reference Index Contents: Page Statistics ....................................................................................... II General .......................................................................................... III Appeals ......................................................................................... III Arguments ................................................................................... III Attorneys ...................................................................................... III Briefs ............................................................................................. IV Certiorari ..................................................................................... IV Costs .............................................................................................. IV Judgments and Opinions ........................................................... IV Original Cases ............................................................................. V Parties ........................................................................................... V Records ......................................................................................... V Rehearings ................................................................................... V Rules ............................................................................................. VI Stays .............................................................................................