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Tegan and Sara to Receive National Arts Centre Award During 2018 Governor General’S Performing Arts Awards Celebrations
News Release TEGAN AND SARA TO RECEIVE NATIONAL ARTS CENTRE AWARD DURING 2018 GOVERNOR GENERAL’S PERFORMING ARTS AWARDS CELEBRATIONS March 8, 2018 – OTTAWA (Canada) – The National Arts Centre is delighted to announce it will present the 2018 National Arts Centre Award to Tegan and Sara . The acclaimed musicians, songwriters and activists will be honoured at the 26 th annual Governor General’s Performing Arts Awards show on June 2, 2018. This prestigious award is presented annually in recognition of exceptional work by a performing artist or artists in the previous performance year. Twin sisters Tegan and Sara were born in Calgary, Alberta, and are now based in Vancouver, British Columbia. Their career numbers are impressive: more than one million albums sold, seven Gold certifications, one Double Platinum certification, three Juno Awards, two Polaris Prize nominations, and a Grammy nomination. But even more impressive is the conviction that has driven Tegan and Sara’s continuous evolution as artists. Transitioning from acoustic roots to indie rock stars in the mid-2000s with their widely acclaimed albums So Jealous (2004) and The Con (2007), Tegan and Sara began the path of reinvention that continues to inform their creative identity today. Rolling Stone magazine called their 2016 album Love You to Death “their most sophisticated album yet.” Last fall Tegan and Sara released The Con X: Covers, featuring 14 of their favourite artists covering all 14 songs from their 2007 album The Con, in honour of its 10 th anniversary. Album proceeds are being donated to The Tegan and Sara Foundation, which fights for health, economic justice and representation for LGBTQ girls and women, and raises awareness and funds to address the inequalities currently preventing LGBTQ girls and women from reaching their full potential. -
Adventuring with Books: a Booklist for Pre-K-Grade 6. the NCTE Booklist
DOCUMENT RESUME ED 311 453 CS 212 097 AUTHOR Jett-Simpson, Mary, Ed. TITLE Adventuring with Books: A Booklist for Pre-K-Grade 6. Ninth Edition. The NCTE Booklist Series. INSTITUTION National Council of Teachers of English, Urbana, Ill. REPORT NO ISBN-0-8141-0078-3 PUB DATE 89 NOTE 570p.; Prepared by the Committee on the Elementary School Booklist of the National Council of Teachers of English. For earlier edition, see ED 264 588. AVAILABLE FROMNational Council of Teachers of English, 1111 Kenyon Rd., Urbana, IL 61801 (Stock No. 00783-3020; $12.95 member, $16.50 nonmember). PUB TYPE Books (010) -- Reference Materials - Bibliographies (131) EDRS PRICE MF02/PC23 Plus Postage. DESCRIPTORS Annotated Bibliographies; Art; Athletics; Biographies; *Books; *Childress Literature; Elementary Education; Fantasy; Fiction; Nonfiction; Poetry; Preschool Education; *Reading Materials; Recreational Reading; Sciences; Social Studies IDENTIFIERS Historical Fiction; *Trade Books ABSTRACT Intended to provide teachers with a list of recently published books recommended for children, this annotated booklist cites titles of children's trade books selected for their literary and artistic quality. The annotations in the booklist include a critical statement about each book as well as a brief description of the content, and--where appropriate--information about quality and composition of illustrations. Some 1,800 titles are included in this publication; they were selected from approximately 8,000 children's books published in the United States between 1985 and 1989 and are divided into the following categories: (1) books for babies and toddlers, (2) basic concept books, (3) wordless picture books, (4) language and reading, (5) poetry. (6) classics, (7) traditional literature, (8) fantasy,(9) science fiction, (10) contemporary realistic fiction, (11) historical fiction, (12) biography, (13) social studies, (14) science and mathematics, (15) fine arts, (16) crafts and hobbies, (17) sports and games, and (18) holidays. -
Manufacturing Is Back—But Where Are the Jobs? 0 I
0 iF I. V,V • V’ MANUFACTURING $4.99US $5.99CAN IS BACK—BUT WHERE ARE THE JOBS? BY RANA FOROOHAR & BILL SAPORITO o 92567II 10090 3 www.tImecom The Culture Music Two of Hearts. Tegan and Sara take the long road to the stars By Jesse Dorris IN GREEK MYTHOLOGY, THE DIOSCURI stantly recorded themselves with a Fisher- ments alongside radio-ready gems like were twin sons of Zeus who, upon death, Price microphone. “We were also obsessed “Back in Your Head.” But sales remained transformed into the Gemini constella with recording TV shows on our portable moderate. Tegan and Sara had stalled as tion, a navigational tool for sailors. They stereo,” Sara says, “just the audio, and then a critically respected opening act, filling also appeared as St. Elmo’s fire, scram we would lie in bed and listen to them.” small venues in college towns, waiting bling compasses. They showed the way They began recording songs of their own, for the stars to align. “There have been yet often confused travelers. Either way, written separately but played together. so many points,” Tegan says, “when you no one could look away from them. “We would make our own demo tapes”— think, Should we just accept that we’re an The pop-rock duo Tegan and Sara offers two albums’ worth, recorded at their high underground, cult-status-type band and a similar combination of direction and school’s studio—”make artwork for them just be happy with it? Do what we love dazzle. At 32, the twin sisters have spent and sell them at school,” Sara says. -
CSU Now Mandates Reporting Policy
INSIDE | photo | P. 2 | opinion | P. 6 | sports | P. 8 International linguistics Color-blindness is just Kansas City and San student finds ways to another form of racism Francisco both win in de-stress on campus Alex Smith deal FREE CALIFORNIA STATE UNIVERSITY, NORTHRIDGE THURSDAY, FEBRUARY 28, 2013 | VOL. 54, ISS. 82 | WWW.DAILYSUNDIAL.COM CSU now THIRD-PARTY MONEY mandates Candidates sign pledge to prevent any outsider influence from receiving contribu- reporting LUCY GUANUNA tions, which for city coun- DAILY SUNDIAL cil candidates is capped at $700 per contribution, but policy prevents independent expenses where supporters, specifically Employees must relay special interest groups, find a loophole in that maximum child abuse to officials A Los Angeles City Council contribution. candidate for the 13th District L.A. Council candidates who signed the People’s Pledge have not signed the pledge have col- early February, a vow to HANSOOK OH lectively raised more than $140,000 deny independent third party SENIOR STAFF in independent expenditures. contributions in local cam- “You can’t stop people from paigns, and has urged other spending money on your behalf; it’s candidates to do the same. an expression of free speech rights,” The People’s Pledge said Martin Saiz, political science pro- started during the 2012 fessor and department chair at CSUN. CSUN will implement a new CSU pol- Massachusetts Senate race “It’s basically done for symbolic rea- icy called the “Mandatory Reporting of Child between Democrat Elizabeth sons, to create an image of being inde- Abuse and Neglect,” which requires all CSU Warren and Republican Scott pendent. -
Mustang Daily, January 24, 2005
igi6 2 0 0 5 MC A L, I F Oustang K N O L Y T F: c: H N I C S T AD T E U ailyN 1 V E R ST I T Y T O D A Y ’S WEATHER Late inning heroics help Indie-rock sisters, Mustang baseball sweep Tegan and Sara, University of San Diego brew up that over weekend coffee house feeling MIDDLE EAS r Ambassador Cardboard vessels risk a wal£iy grave C^n its second time across on his Catamaran-like boat including design flipped as soon as he was low Sinsheimer Bool, the inevitable effect a couple of nights spent on the floor ered inside it. warns o f of water on cardboard melted the under the lab table. “1 wasn’t heavy enough,” he said.“l craft as it took on water. “If I put as much time into robbing thought I’d go farther in.” problems for Homer did not win Saturday’s a bank as I put into this boat. I’d be Architecture professors, regatta vet Cardboard Boat Regatta, but like all rich,” he said. erans and upperclassmen discussed the the architecture sophomores in the All the various poor design choices from the Iraq election race for the coveted Cardboard Cup, hard work sidelines amidst cries of “I’m he learned the dangers of pooc was put to going under” and “the design. the test as seat’s breaking, for the Large turnouts are expected “You are standing behind your t h e love of God get among Shiite Muslims and design,’’ architecture sophomore Jon in your boats.” Kurds, but it is unclear whether Mayfield said. -
Career Biography
Career Biography Tegan and Sara’s 13-year career has seen them build an avid global following of fans and fellow musicians alike. Their unique ability to bridge the pop and indie worlds has allowed their music to cross all traditional boundaries of genre, from being covered by The White Stripes to collaborating with superstar DJs such as Tiesto and David Guetta. Having sold nearly 1 million career albums and toured with acts from The Killers to Neil Young, Tegan and Sara have now released their 7th studio album – Heartthrob – as internationally-celebrated songwriters, performers, and artists. Tegan Quin and Sara Quin were born in Calgary, Alberta, Canada in 1980 and began playing guitar and writing songs at age 15. Following the release of their first independent full-length album in 1999, Under Feet Like Ours, they caught the attention of Neil Young’s iconic manager, Elliot Roberts, who quickly signed them to his Los Angeles-based label, Vapor Records. Tegan and Sara’s first international release on Vapor, This Business Of Art, was followed by extensive worldwide touring, including opening slots with Neil Young himself and a first appearance on The Late Show with David Letterman. In 2002, the band released If It Was You, a foundational moment in Tegan and Sara’s creative path and musical identity. Its fresh sonic template and critical success in the US set up their fourth studio album, So Jealous, which ultimately provided their global breakthrough. On the heels of 6 separate song placements on Grey’s Anatomy, a US radio hit in “Walking With A Ghost”, and a North American tour opening for The Killers, So Jealous cemented Tegan and Sara’s status as one of Canada’s pre-eminent songwriting forces and musical exports. -
I'd Tell You to Wash Your Hands, but Why Bother? It's Too Late. Might As Well Pop a Multi-Vitamin and Leave It up to The
volume 6 - issue 10 - tuesday, november 10, 2009 - uvm, burlington, vt danielle berg by leamclellan your snot-head, cans of soup, get Hulu only to wake up drenched in your mouth- t’s on the door you just held open sick can actually be fun! (Not really.) The bookmarked, a slinky, solitaire, Tickle Me breather drool. You could wallow in for that girl. It’s on the rim of that trick is to anticipate the sick. Sad as it is, Elmo, tea bags, more tissues, vitamin C self-pity and drink your sorrows away beer pong cup you chugged Satur- your roommate isn’t your mommy. Un- injections…you get the idea. Store these with OJ. day night. It’s in those three wet less you have a truly dedicated friend or things within arm’s length of your bed. Don’t do it. Like I said, there are lots of coughs on the back of your head significant other, no one is going to bring Get a little fridge and microwave setup in fun times to be had while you’re sick (still a in your 300-person Geology lecture. you chicken noodle soup and saltines, there, too. You are not going to want to lie)! You can finally do all those things you It’s in that little tickle you feel in wish you could do during your regular your throat with every swallow. week without feeling like a lazy waste of Everyone is sick. Look over there. See life. You know, like browsing your widget that guy sucking the snot back up into I’d tell you to wash your hands, but options for two hours straight. -
UC Irvine Electronic Theses and Dissertations
UC Irvine UC Irvine Electronic Theses and Dissertations Title A Woman's Place: Lesbian Feminist Conflicts in Contemporary Popular Culture Permalink https://escholarship.org/uc/item/3qt0t1jv Author Pruett, Jessica Lynn Publication Date 2021 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA, IRVINE A Woman’s Place: Lesbian Feminist Conflicts in Contemporary Popular Culture DISSERTATION submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in Culture and Theory by Jessica Pruett Dissertation Committee: Professor Jonathan Alexander, Chair Professor Victoria E. Johnson Professor Jennifer Terry Professor Christine Bacareza Balance Professor Sora Y. Han 2021 © 2021 Jessica Pruett TABLE OF CONTENTS Page VITA vii ABSTRACT OF THE DISSERTATION viii INTRODUCTION 1 CHAPTER 1 Sounding Out: Olivia Records and the Soundtrack of the Women’s Music 15 Movement CHAPTER 2 Making Herstory: Lesbian Anti-Capitalism Meets the Digital Age 55 CHAPTER 3 “A Gathering of Mothers and Daughters”: Race, Gender, and the Politics of 92 Inclusion at Michigan Womyn’s Music Festival CHAPTER 4 Beyond One Direction: Lesbian Feminist Fandom Remakes the Boy Band 131 CONCLUSION 173 ii ACKNOWLEDGEMENTS I would like to express my gratitude to my committee chair, Professor Jonathan Alexander, for his intellectual generosity, faith in my abilities, and extensive feedback on previous drafts of this work. His enthusiasm for teaching, writing, and learning is infectious, and I have been lucky to witness it for the last six years. I would also like to thank my committee members, Professors Jennifer Terry, Victoria E. Johnson, and Christine Bacareza Balance. -
2013 January 29 February 5
NEW RELEASES • MUSIC • FILM • MERCHANDISE • NEW RELEASES • MUSIC • FILM • MERCHANDISE • NEW RELEASES • MUSIC • FILM • MERCHANDISE STREET DATES: JANUARY 29 FEBRUARY 5 ORDERS DUE: JAN 2 ORDERS DUE: JAN 9 ISSUE 3 wea.com 2013 1/29/13 AUDIO & VIDEO RECAP ORDERS ARTIST TITLE LBL CNF UPC SEL # SRP QTY DUE Rumours (Deluxe Fleetwood Mac RRW CX 081227968298 533806 $99.98 01/02/13 Edition)(4CD/1DVD/1LP) Fleetwood Mac Rumours (Expanded Edition)(3CD) RRW CD 081227970949 532752 $24.98 01/02/13 Osborne, Jeffrey A Time For Love SRV CD 610583470321 27429-D $13.98 01/02/13 Rossum, Emmy Sentimental Journey WB CD 093624946328 533715 $13.99 01/02/13 Tegan And Sara Heartthrob WB CD 093624948179 532232 $13.99 01/02/13 Tegan And Sara Heartthrob (Vinyl w/Bonus CD) WB A 093624948186 532232 $22.98 01/02/13 Classic Love Songs of the '60s: Sealed Various Artists TSV CD 610583455328 27171-D $19.98 01/02/13 With a Kiss (2CD) Various Artists Romancing the 70s: Lovin' You (2CD) TSV CD 610583454826 27166-D $19.98 01/02/13 Wiz Khalifa O.N.I.F.C. (2LP) ATL A 075678766367 530677 $22.98 01/02/13 BUMPED TO 2/12/13 Led Zeppelin Celebration Day (3LP 180 Gram) XMD A 081227971021 532632 $49.98 Metheny, Pat The Orchestion Project (2CD) NON CD 075597961133 531821 $21.98 Last Update: 12/13/12 For the latest up to date info on this release visit WEA.com. ARTIST: Fleetwood Mac TITLE: Rumours (Deluxe Edition)(4CD/1DVD/1LP) Label: RRW/Rhino/Warner Bros. -
Lesbian Feminist Conflicts in Contemporary Popular Culture
UNIVERSITY OF CALIFORNIA, IRVINE A Woman’s Place: Lesbian Feminist Conflicts in Contemporary Popular Culture DISSERTATION submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in Culture and Theory by Jessica Pruett Dissertation Committee: Professor Jonathan Alexander, Chair Professor Victoria E. Johnson Professor Jennifer Terry Professor Christine Bacareza Balance Professor Sora Y. Han 2021 © 2021 Jessica Pruett TABLE OF CONTENTS Page VITA vii ABSTRACT OF THE DISSERTATION viii INTRODUCTION 1 CHAPTER 1 Sounding Out: Olivia Records and the Soundtrack of the Women’s Music 15 Movement CHAPTER 2 Making Herstory: Lesbian Anti-Capitalism Meets the Digital Age 55 CHAPTER 3 “A Gathering of Mothers and Daughters”: Race, Gender, and the Politics of 92 Inclusion at Michigan Womyn’s Music Festival CHAPTER 4 Beyond One Direction: Lesbian Feminist Fandom Remakes the Boy Band 131 CONCLUSION 173 ii ACKNOWLEDGEMENTS I would like to express my gratitude to my committee chair, Professor Jonathan Alexander, for his intellectual generosity, faith in my abilities, and extensive feedback on previous drafts of this work. His enthusiasm for teaching, writing, and learning is infectious, and I have been lucky to witness it for the last six years. I would also like to thank my committee members, Professors Jennifer Terry, Victoria E. Johnson, and Christine Bacareza Balance. Professor Terry’s mentorship has made me a better teacher and sharper thinker, and she has worked tirelessly to provide me with opportunities to develop my work and grow as an academic. Professor Johnson’s feedback on previous drafts of this work has been invaluable, and her research expertise has deepened my own writing and thinking on media and popular culture. -
Tegan and Sara Heartthrob Press Kit Tegan and Sara / Heartthrob Press Kit
TEGAN AND SARA HEARTTHROB PRESS KIT TEGAN AND SARA / HEARTTHROB PRESS KIT TABLE OF CONTENTS: HEARTTROB: FACTS PAGE 3 HEARTTHROB BY TOM PERROTTA PAGE 4 HEARTTHROB Q&A WITH TEGAN AND SARA PAGE 5 TEGAN AND SARA CAREER BIOGRAPHY PAGE 7 HEARTTHROB: LABEL COPY PAGE 8 HEARTTHROB: LYRICS PAGE 9 PHOTOS, ARTWORK & LINKS PAGE 11 PAGE 2 TEGAN AND SARA / HEARTTHROB PRESS KIT HEARTTHROB: FACTS TRACKLISTING: 1. CLOSER 2. GOODBYE, GOODBYE 3. I WAS A FOOL 4. I’M NOT YOUR HERO 5. DROVE ME WILD 6. HOW COME YOU DON’T WANT ME 7. I COULDN’T BE YOUR FRIEND 8. LOVE THEY SAY 9. NOW I’M ALL MESSED UP 10. SHOCK TO YOUR SYSTEM *DELUXE VERSION INCLUDES BONUS TRACKS "GUILTY AS CHARGED" AND "I RUN EMPTY" TRACKS 1, 2, 3, 4, 7, 9, 10 PRODUCED BY GREG KURSTIN TRACKS 5, 6 PRODUCED BY JUSTIN MELDAL-JOHNSEN TRACK 8 PRODUCED BY ROB CAVALLO AND GREG KURSTIN BONUS TRACKS PRODUCED BY MIKE ELIZONDO ALL SONGS MIXED BY MANNY MARROQUIN EXCEPT "NOW I’M ALL MESSED UP” MIXED BY GREG KURSTIN AND “I RUN EMPTY” MIXED BY DAMIAN TAYLOR RECORDED AT VARIOUS LOCATIONS IN LOS ANGELES, CA FROM FEBRUARY TO MAY 2012 PAGE 3 TEGAN AND SARA / HEARTTHROB PRESS KIT motivating the record. “I kept asking myself: Can I hear this in an arena? Can I hear this on a teenager’s iPod as they’re riding the bus to school?” The new album doesn’t just sound different, it represents a more collaborative way of making music. For HEARTTHROBBy Tom Perrotta the first time, the sisters actually wrote a lot of the songs together (in the past there were Tegan songs and Sara It’s hard to have a long career in pop music. -
Constructing Identities Through Music Videos: a Case Study Analysis of Tegan and Sara's Music Videos
MA MAJOR RESEARCH PAPER CONSTRUCTING IDENTITIES THROUGH MUSIC VIDEOS: A CASE STUDY ANALYSIS OF TEGAN AND SARA'S MUSIC VIDEOS Jovana Jankovic Supervised by Dr. Jennifer Brayton The Major Research Paper is submitted in partial fulfillment of the requirements for the degree of Master of Arts Joint Graduate Program in Communication & Culture Ryerson University - York University Toronto, Ontario, Canada May 10, 2013 AUTHOR'S DECLARATION I hereby declare that I am the sole author of this MRP. This is a true copy of the MRP, including any required final revisions. I authorize Ryerson University to lend this MRP to other institutions or individuals for the purpose of scholarly research. I further authorize Ryerson University to reproduce this MRP by photocopying or by other means, in total or in part, at the request of other institutions or individuals for the purpose of scholarly research. I understand that my MRP may be made electronically available to the public. ii CONSTRUCTING IDENTITIES THROUGH MUSIC VIDEOS: A CASE STUDY ANALYSIS OF TEGAN AND SARA'S MUSIC VIDEOS Jovana Jankovic, 2013 Master of Arts Communication and Culture Graduate Program Ryerson University ABSTRACT "1 believe that our music does not have sexuality," proclaimed Sara ofTegan and Sara, in an interview for The Advocate (200S). This paper argues that Tegan and Sara's music videos do in fact contain elements that reflect their sexuality, and examines the extent to which these videos demonstrate their public identity. In order to understand the composition of music videos and the nonverbal signs related to gender and sexuality within them, I draw upon theories of performed identity, music video genres, settings, and lyrical analysis.