Katalog = Catalogue : 17.-22

FeKK 2020 FeKK 1 #katastroFeKK 2 6. FeKK Festival kratkega filma Ljubljana Short Film Festival CIP - Kataložni zapis o publikaciji Narodna in univerzitetna knjižnica, Ljubljana 791-22(083.82) 791.65.079(497.4Ljubljana)"2020" FESTIVAL kratkega filma (6 ; 2020 ; Ljubljana) [Šesti FeKK] 6. FeKK : Festival kratkega filma = Ljubljana Short Film Festival : katalog = catalogue : 17.-22. 8. 2020 / [besedila Oskar Ban Brejc ... [et al.] ; urejanje in pregled Robert Kuret ; prevodi Tanja Dolinar, Alenka Ropret]. - Ljubljana : 17. Društvo za uveljavljanje kratkega filma Kraken, 2020 ISBN 978-961-95068-0-6 22. 8. 1. Kuret, Robert, 1987- COBISS.SI-ID 24612355 2020 Katalog Catalogue Uvodnik Introduction FeKKstival: Lago Film Fest 6 PETER CEROVšEK, MATEVž JERMAN CARLO MIGOTTO, FEDERICA PUGLIESE 88 IN BESEDA JE KATASTROFA POSTALA AND THE WORD BECAME CATASTROPHE PRIMITIVNA IDENTITETA PRIMITIVE IDENTITY EFA – SHORT MATTERS! 10 Žirija Jury ROK GOVEDNIK 100 KAJ JE LAHKO PO č. KOR.* DRUGAčE? WHAT COULD CHANGE AFTER C19E 16 Nagrade Awards FeKK OFF 114 SFA 116 NEžA KOS, JELENA RADIć EVOLUCIJA KATASTROFE THE EVOLUTION OF CATASTROPHE Tekmovalni program Competition FeKK SLO 22 MATEVž JERMAN, ROBERT KURET Square Eyes DUALIZEM DUALITY 120 WOUTER JANSEN SVET SE RUšI WORLD COMING DOWN Tekmovalni program Competition FeKK YU Luksuz produkcija Luksuz Production 124 MARKO CVEJIć SVETILNIK SLOVENSKEGA DOKUMENTARIZMA BEACON OF SLOVENE DOCUMENTARISM 46 PETER CEROVšEK ABNORMALNOST ABNORMALITY Konec je blizu The End Is Near 128 MATEVž JERMAN, JELENA RADIć KONTEMPLIRAJMO LET’S CONTEMPLATE Vzhodno od raja East of Eden 64 VLADAN PETKOVIć DOKUMENTARCI: TAKO DALEč, A TAKO BLIZU DOCUMENTARIES: FAR AWAY, YET SO CLOSE Internetna arheologija Internet Archaeology 134 ESTER IVAKIč, ANNE TASSEL KONEC JE TUKAJ THE END IS HERE Hommage: Ruben Östlund Blood Machines MAJA KRAJNC 140 70 NIKA JURMAN MAšINE DVIGAMO V NEBO MACHINES WE ARE SENDING TO THE SKIES IZREDNI THE EXTRAORDINARY Instant kult Instant Cult: Ema Kugler ProFeKK: Strokovni program ProFeKK: Industry Programme 80 OSKAR BAN BREJC TANJA HLADNIK 144 OBLAčILO–TELO V FILM–GLEDALIščU THE BODY–DRESS IN FILM–THEATRE KER V TRETJE GRE RADO BECAUSE THIRD TIME’S A CHARM 6 7 UVODNIK INTRODUCTION 6. FeKK: In beseda je 6th FeKK: And the Word katastrofa postala Became Catastrophe Peter Cerovšek Nekega večera, globoko v temnem in mrzlem januarju 2020, se je It was a cold, dark January evening at the café of the Slovenian ekipa festivala FeKK robato šalila v kavarni Slovenske kinoteke, Cinematheque. The FeKK team was having their probably first 2020 Matevž Jerman na bržkone prvem sestanku leta. Eden od številnih sklepov tistega meeting, joking unabashedly, and among other decisions hitting on druženja je bila tudi nepremišljena domislica o tematskem izhodišču the unpremeditated idea about the theme of this edition. "It should be letošnje edicije. »Katastrofekk naj bo!« smo se zakleli in se nad idejo katastrofekk," we exclaimed and joyfully savoured the proposal deep objestno naslajali še v rano jutro. »Na podobi naj bo apokaliptični into the early morning. To round it up, we continued that "the image filmski cunami po navdihu Hokusaieve znamenite slike Veliki val should feature an apocalyptic film strip tsunami inspired by Hokusai's pred obalo Kanagave!« smo rekli in tudi to je bilo dobro. Ko smo famous painting The Great Wave off Kanagawa." When we later lay nato sladko zaspali z zmagoslavnim nasmeškom na ustih, se nam our heads down, still with a victorious smile on our faces, our dreams še sanjalo ni, kaj bo ta srednje posrečena besedna igra v prihodnjih carried no premonition about what our cute wordplay would bring urbi mesecih prinesla mestu in svetu. et orbi in the next months. Bržkone ni posebne potrebe, da bi preveč besedičili o tem, There is probably no extensive explanation needed as to zakaj se zdi, da je beseda meso postala. V mesecih, ki so sledili, why the word has seemingly become flesh. In the following months je »KatastroFeKK« postal samoizpolnjujoča se prerokba, svet je "KatastroFeKK" became a self-fulfilling prophecy, the world slid gladko zdrsnil v eno od svojih najbolj negotovih obdobij, Slovenija v into one of its most uncertain times, Slovenia successfully kept the tovrstnih mračnjaških in absurdnih eskalacijah ni prav nič zaostajala, pace with any dark and absurd escalations, and the future became o prihodnosti pa si danes ne drzne razmišljati nihče več. Kar samo something nobody dared to think about. Which, if you are an organiser po sebi ni nič nenavadnega, če si pri nas organizator filmskega of a film festival in Slovenia, is not that unordinary. Thus, when we festivala. Skratka, medtem ko smo zrli v celostno podobo z zlajnanim gazed at our visual identity with its overused motto "The End is Near" sloganom »The End Is Near« in odprli poziv za prijave, smo se na nek and opened the call for submissions, we somehow felt quite at home. način v situaciji počutili precej domače. It seems everything points to the end of the world as we know Zdi se, kakor da vse silnice nakazujejo, da se bliža konec it. The end to our anticipation of the new festival edition is near. The sveta, kot ga poznamo. Konec je blizu tudi čakanju na novo end is also always near when watching short films. The end, and this festivalsko edicijo. Tu je še zavedanje, da je pri kratkih filmih konec might offer some solace, inescapably implies a new beginning (had zmeraj blizu. Dobra uteha pa je lahko tudi samo razmišljanje o koncu, not the global epidemiologic, climate, economic, and political crisis saj ta neizbežno implicira nov začetek, a kaj ko globalna podnebna, unexpectedly expanded and just begun to accelerate ambitiously). epidemiološka, gospodarska in politična kriza dosegajo neslutene Since we are debating the end, we should also mention that the sixth razsežnosti in v svojih ambicijah šele pridobivajo na pospešku. V edition concludes FeKK’s first stable three-year financial plan granted luči konca velja omeniti še to, da se z letošnjo edicijo zaključuje tudi by the Slovenian Film Centre. Looking at the stormy skies above, one prvo zagotovljeno triletno financiranje FeKK-a s strani Slovenskega wonders if thunder and lightning are only just preparing to roll in. filmskega centra in pogled v nevihtne oblake nad nami poraja Still, the ponderings on end produced a novelty, specially vprašanja o tem, če se bliskanje šele pričenja. curated section of contemporary short experimental classics by Vse to premlevanje o koncu je med drugim izvrglo tudi globally known filmmakers. We called it The End is Near: Let’s novost, posebej kurirano rubriko sodobnih kratkometražnih Contemplate and it nicely sums up certain fundaments. Of course, 8 9 UVODNIK INTRODUCTION eksperimentalnih klasik svetovno priznanih avtorjev z naslovom Konec the current mammoth theme left its footprints in other programmes, je blizu: Kontemplirajmo, ki lepo povzame nekaj bistvenih reči. Seveda too. For example, the Evolution of Catastrophe, selected in pa je teža letošnje teme zaznamovala tudi druge programe. Z evolucijo cooperation with the Slovene Film Archives, deals with the evolution of katastrofe se prav tako ukvarja tematski program Evolucija katastrofe, catastrophe. It brings us classic film projections on film print that are ki smo ga sestavili v sodelovanju s Slovenskim filmskim arhivom in also facing their early end without systematic national digitalisation prinaša polnopravno projekcijo iz filmskega traku (ki mu brez državno and restoration. This year's Homage, dedicated to the giant of the sistematizirane digitalizacije in restavracije že tako ali tako preti contemporary arthouse cinema Ruben Östlund, humorously and preuranjeni konec). Z malimi intimnimi katastrofami se z duhovito deliciously deals with small and intimate catastrophes. Furthermore, slastjo ukvarja tudi velikan sodobnega arthouse filma Ruben Östlund, the audience is going to encounter similar themes in the East of Eden čigar kratkim filmom namenjamo letošnji Hommage. V podobnem programme and its gems from the (far)eastern production, and in duhu bosta omenjene teme ošvrknila tudi programa Vzhodno od Square Eyes Presents with its crème de la crème, thus presenting the raja, ki prinaša bisere (daljno)vzhodnih produkcij in program Square distribution that offers the most noticeable shorts that are shown at Eyes, ki bo ponudil jagodni izbor s seznama naslovov te istoimenske the greatest film festivals. distribucije, ki ponuja najbolj markantne kratkometražne naslove, The premonition of the end or at least of the highly uncertain predstavljene na filmskih festivalih svetovnega kova. future is something many Slovene filmmakers can relate to. Financing Slutnja konca ali vsaj sila negotove prihodnosti je nekaj, is decapitated, while the ministry is cloaked in silence. All the more s čimer se lahko te dni poistoveti marsikateri slovenski filmski reason for the Instant Kult section to salute Ema Kugler, one of the ustvarjalec ali ustvarjalka. Financiranje je ohromelo, ministrstvo pa je most outstanding Slovene directors. She is currently facing eviction v tem trenutku zavito v molk. Tudi zato se letos znotraj sekcije Instant from her workspace at Slovenian Railways, where she has worked Kult poklanjamo Emi Kugler, eni izmed najbolj markantnih slovenskih in almost apocalyptic conditions for nearly a decade. Her mythical režiserk, ki se ravno v teh dneh sooča z deložacijo iz prostora worlds, trips through the subconscious, and her bending of the film Slovenskih železnic, kjer je v skoraj apokaliptičnih pogojih

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