Duke Ellington

Total Page:16

File Type:pdf, Size:1020Kb

Duke Ellington DUKE ELLINGTON www.elboomeran.com Edward Kennedy Ellington Duke Ellington La música es mi amante 1 DUKE ELLINGTON www.elboomeran.com Edward Kennedy Ellington Duke Ellington La música es mi amante Traducción de Antonio Padilla 3 LA MÚSICA ES MI AMANTE www.elboomeran.com TÍTULO ORIGINAL MUSIC IS MY MISTRESS Publicado por: Global Rhythm Press, S. L. C/ Bruc 63, Pral. 2ª – 08009 Barcelona Tel.: 93 272 08 50 – Fax: 93 488 04 45 www.globalrhythmpress.com Publicado en Estados Unidos por Doubleday en 1973 Copyright 1973 de Duke Ellington Copyright 2009 de la traducción de Antonio Padilla Derechos exclusivos de edición en lengua castellana: Global Rhythm Press, S. L. ISBN: 978-84-96879-38-6 DEPÓSITO LEGAL: B-10.153-2009 Diseño gráfico PFP (Quim Pintó, Montse Fabregat) Preimpresión LOZANO FAISANO, S. L. Impresión y encuadernación SAGRÀFIC Primera edición en Global Rhythm Press: marzo de 2009 Bajo las sanciones establecidas por las leyes, quedan rigurosamente prohibidas, sin la autorización por escrito de los titulares del copyright, la reproducción total o parcial de esta obra por cualquier medio o procedimiento mecánico o electrónico, actual o futuro –incluyendo las fotocopias y la difusión a través de Internet– y la distribución de ejemplares de esta edición mediante alquiler o préstamo públicos. 4 DUKE ELLINGTON www.elboomeran.com 5 DUKE ELLINGTON www.elboomeran.com A mi madre y mi padre, Daisy Kennedy Ellington y James Edward Ellington 7 DUKE ELLINGTON www.elboomeran.com SUMARIO PRÓLOGO El camino . 13 PRIMER ACTO En danza . 19 Washington . 22 Categorías . 58 La música. 59 Dramatis Felidae: Mercer Ellington . 61 Ruth Dorothea Ellington . 65 Sidney Bechet . 68 Fletcher Henderson . 70 Otto Hardwick . 71 Sonny Greer. 72 Elmer Snowden . 75 Arthur Whetsol . 76 Juan Tizol . 76 Jerry Rhea . 79 SEGUNDO ACTO La vida nocturna . 85 Nueva York . 88 La gran manzana . 92 Dramatis Felidae: Willie «The Lion» Smith . 116 Mexico . 119 James P. Johnson . 119 Don Redman . 121 Will Marion Cook . 122 Will Vodery . 124 Charlie Shribman. 125 Chick Webb. 126 Count Basie . 128 9 LA MÚSICA ES MI AMANTE www.elboomeran.com Lonnie Johnson . 129 Maceo Pinkard . 129 Paul Whiteman . 130 Luckeyeth Roberts . 131 George Gershwin . 132 Bubber Miley . 134 Joe «Tricky Sam» Nanton . 134 Freddy Guy . 137 Harry Carney . 138 Barney Bigard y Wellman Braud . 143 Johnny Hodges . 145 Cootie Williams . 149 Freddy Jenkins . 150 Lawrence Brown . 152 Ivie Anderson . 152 Rex Stewart . 155 Richard Bowden Jones . 155 TERCER ACTO La ciudad del jazz . 159 Chicago . 161 Toronto . 167 Londres . 170 París . 172 CUARTO ACTO Los años de formación . 181 Dramatis Felidae: Billy Strayhorn . 188 Ray Nance . 194 Ben Webster. 195 Jimmy Blanton . 196 Herb Jeffries . 199 Lena Horne . 199 Mary Lou Williams . 200 Art Tatum . 202 Charlie Barnet . 204 La señora Fitzpatrick White . 204 QUINTO ACTO En torno a Jump for Joy . 209 Médicos y cirujanos . 243 Echo de menos…. 250 ¿Qué es la música? . 251 ¡Menudo ojo tienes, Duke! . 253 Dramatis Felidae: Cat Anderson. 255 10 DUKE ELLINGTON www.elboomeran.com Joya Sherill . 255 Kay Davis . 258 Marie Ellington . 259 Jimmy Hamilton . 259 Paul Gonsalves . 260 Shorty Baker . 261 Russell Procope . 261 Betty Roché . 262 Al Hibbler . 262 Wini Brown . 264 Louis Bellson . ..
Recommended publications
  • JAMU 20160316-1 – DUKE ELLINGTON 2 (Výběr Z Nahrávek)
    JAMU 20160316-1 – DUKE ELLINGTON 2 (výběr z nahrávek) C D 2 – 1 9 4 0 – 1 9 6 9 12. Take the ‘A’ Train (Billy Strayhorn) 2:55 Duke Ellington and his Orchestra: Wallace Jones-tp; Ray Nance-tp, vio; Rex Stewart-co; Joe Nanton, Lawrence Brown-tb; Juan Tizol-vtb; Barney Bigard-cl; Johnny Hodges-cl, ss, as; Otto Hardwick-as, bsx; Harry Carney-cl, as, bs; Ben Webster-ts; Billy Strayhorn-p; Fred Guy-g; Jimmy Blanton-b; Sonny Greer-dr. Hollywood, February 15, 1941. Victor 27380/055283-1. CD Giants of Jazz 53046. 11. Pitter Panther Patter (Duke Ellington) 3:01 Duke Ellington-p; Jimmy Blanton-b. Chicago, October 1, 1940. Victor 27221/053504-2. CD Giants of Jazz 53048. 13. I Got It Bad (And That Ain’t Good) (Duke Ellington-Paul Francis Webster) 3:21 Duke Ellington and his Orchestra (same personnel); Ivie Anderson-voc. Hollywood, June 26, 1941. Victor 17531 /061319-1. CD Giants of Jazz 53046. 14. The Star Spangled Banner (Francis Scott Key) 1:16 15. Black [from Black, Brown and Beige] (Duke Ellington) 3:57 Duke Ellington and his Orchestra: Rex Stewart, Harold Baker, Wallace Jones-tp; Ray Nance-tp, vio; Tricky Sam Nanton, Lawrence Brown-tb; Juan Tizol-vtb; Johnny Hodges, Ben Webster, Harry Carney, Otto Hardwicke, Chauncey Haughton-reeds; Duke Ellington-p; Fred Guy-g; Junior Raglin-b; Sonny Greer-dr. Carnegie Hall, NY, January 23, 1943. LP Prestige P 34004/CD Prestige 2PCD-34004-2. Black, Brown and Beige [four selections] (Duke Ellington) 16. Work Song 4:35 17.
    [Show full text]
  • Morgenstern, Dan. [Record Review: Thad Jones & Mel Lewis: Live at the Village Vanguard] Down Beat 35:8 (April 18, 1968)
    Records are reviewed by Don DeMicheal, Gilbert M. Erskine, Kenny Dorha m, Barbara Gardner, Bill Mathieu, Marian McPartland, Dan Mor 11e nslar Bill Quinn, Harvey Pekar, William Russo, Harvey Siders, Pete Welding, John S. Wilson, and Michael Zwerin. Reviews are signed by !lie Wr't n, I ers Ratings are : * * * * * excellent, * * * * very good, * * * good, * * fair, * poor . ' When two catalog numbers are listed, the first is mono, and the second is stereo . times (especially on Yellow Days) · his Thad Jones-Mel Lewis •- •- -. ... touch is uncannily close to the master 's. LIVE AT THE Vl.LLAGB VANGUA.ll." Solid S1A1e SS l80l6: L/lflc Pi:<lo ll; ,1 "/l'v..,. BIG BANDS Two ringers were brought in to beef up l'reodom; Barba l'eo/i11'; Do11'1 Git Sn1ty• tltl•, /0111 Tree; Samba Co11 Gde/m. ' "' 1I. Duke Ellington the trumpet section, currently the ban.d's weakest link. Everybody was on best be­ Personnel: Jone1, flu·cgelhoro; Snooky y 0 SOUL CALL-Verve V/V6·870l: La Pim Bell• Jimmy No1tingb3m, Marvin Stamm, Rkfiard ~•• Af.-i&11l11r;IVett litdia11 Pa11caltt; Soul C111/;Slti11 Jiavior, it seems-the band sounds tight Iiams, Bill Berry. trumpets; Bob Brool<o, II, Du/I; Jan, Will, Sm11. and together at all times. The superb ·re­ Garnett Bl'owo, Tom Mclmo,h, Cliff fi~a~yer, Personnel: Cnt Anderson, Herbie Jones, Cootie irombones; Jerome Richnrdson, Jerry Dad !>tr, \Villla 'ms. M,rccer I!llingron. uumpors; Buster cord ing brings out the foll flavor of the Joe Parcell, '.Eddie Daniels, -Pepper Adams r~t• lloiaod Hannn piano; Sam Herm an, • IM • Cooper, Lawrence Brown, Chuck Connors , rrom• magnificent Ellington sound; the reeds, in 1 bonci.: Russell Procope.
    [Show full text]
  • Duke Ellington-Bubber Miley) 2:54 Duke Ellington and His Kentucky Club Orchestra
    MUNI 20070315 DUKE ELLINGTON C D 1 1. East St.Louis Toodle-Oo (Duke Ellington-Bubber Miley) 2:54 Duke Ellington and his Kentucky Club Orchestra. NY, November 29, 1926. 2. Creole Love Call (Duke Ellington-Rudy Jackson-Bubber Miley) 3:14 Duke Ellington and his Orchestra. NY, October 26, 1927. 3. Harlem River Quiver [Brown Berries] (Jimmy McHugh-Dorothy Fields-Danni Healy) Duke Ellington and his Orchestra. NY, December 19, 1927. 2:48 4. Tiger Rag [Part 1] (Nick LaRocca) 2:52 5. Tiger Rag [Part 2] 2:54 The Jungle Band. NY, January 8, 1929. 6. A Nite at the Cotton Club 8:21 Cotton Club Stomp (Duke Ellington-Johnny Hodges-Harry Carney) Misty Mornin’ (Duke Ellington-Arthur Whetsol) Goin’ to Town (D.Ellington-B.Miley) Interlude Freeze and Melt (Jimmy McHugh-Dorothy Fields) Duke Ellington and his Cotton Club Orchestra. NY, April 12, 1929. 7. Dreamy Blues [Mood Indigo ] (Albany Bigard-Duke Ellington-Irving Mills) 2:54 The Jungle Band. NY, October 17, 1930. 8. Creole Rhapsody (Duke Ellington) 8:29 Duke Ellington and his Orchestra. Camden, New Jersey, June 11, 1931. 9. It Don’t Mean a Thing [If It Ain’t Got That Swing] (D.Ellington-I.Mills) 3:12 Duke Ellington and his Famous Orchestra. NY, February 2, 1932. 10. Ellington Medley I 7:45 Mood Indigo (Barney Bigard-Duke Ellington-Irving Mills) Hot and Bothered (Duke Ellington) Creole Love Call (Duke Ellington) Duke Ellington and his Orchestra. NY, February 3, 1932. 11. Sophisticated Lady (Duke Ellington-Irving Mills-Mitchell Parish) 3:44 Duke Ellington and his Orchestra.
    [Show full text]
  • Record Reviews NORTH MISSISSIPPI ALL STARS Shake Hands
    Record Reviews NORTH MISSISSIPPI ALL STARS of the World," Robert Johnson's "Love in Vain," and Fred McDowell's "You Shake Hands with Shorty Gotta Move." Or "Drinkin' Muddy jazz Tone-Cool 1177-2 (CD). 2000. Luther 8 Cody Dickin- Water," which somehow rescues the son, prods, mix; Kevin Houston, eng. ADD. Tr: 54:16 DUKE ELLINGTON Performance ***** Yardbirds' vintage tribute to "Rollin' and Sonics *** "Tumblin'," strips it down to the barest The Reprise Studio Recordings umbling into the category of of electric blues essentials — slide, no- frills drumkit, minimalist 12-bar bass — Duke Ellington, piano; Billy Strayhom, piano, man- Uproarious Collision are the dolin piano; Cootie Williams, Eddie Preston, Cat North Mississippi All Stars, who and emerges with something that most Anderson, Roy Burrowes, Bill Berry, Rolf Ericson, T Herbie Jones, Nat Woodard, Mercer Ellington, simultaneously channel the crusty rural likely resembles what Muddy Waters Howard McGhee, Richard Williams, trumpet; Ray blues of R.L. Burnside, the shake-a-tail- himself had in mind when he wrote it. Nance, trumpet, cornet, violin; Lawrence Brown, feather electric boogie of the Jon Or "All Night Long," which takes as its Buster Cooper, trombone; Chuck Connors, trom- bone, bass trombone; Johnny Hodges, alto sax; Spencer Blues Explosion, and the psy- jumping-off point the late Junior Russell Procope, clarinet, alto sax; Jimmy chedelicized Southern Rock of Gov't 1Cimbrough's original tantric-sex-hypno- Hamilton, clarinet, tenor sax; Paul Gonsalves, Eddie Johnson, tenor sax;
    [Show full text]
  • Festival Mondial Des Arts Nègres Théâtre National Daniel Sorano
    Festival Mondial des Arts Nègres anticipated guests in Dakar: Duke Théâtre National Daniel Sorano Ellington, the legendary jazz man; Dakar, Senegal Langston Hughes, the elder statesman April 9, 1966. of African-American literature; and an ageing Josephine Baker, the ‘black Venus’ from Missouri, who had wowed Paris David Murphy, Remembering the First in the 1920s. For Senghor, these figures World Festival of Negro Arts, Dakar 1966: embodied the cultural bond between Africa and people of African descent. The First World Festival of Negro It did not go unnoticed, however, that Arts, which ran from 1-24 April 1966, participants were largely drawn from an was organised against the backdrop of older generation, viewed as politically and African decolonisation and the push for aesthetically conservative by younger, civil rights in the US. More than 2,500 more militant figures. artists, musicians, performers and writers gathered in Dakar, and the festival + + + + + spanned literature, theatre, music, dance, film, as well as the visual/plastic arts. It Thanks to cosmikd for sharing the show was hailed by many commentators as the at Dime. inaugural cultural gathering of the black world... FM > Edirol R-09 (WAV) > Wavelab > FLAC (level 8, sector-align) A key story... is that of the participation Broadcast: les légendes du Jazz, France of the US delegation, which was of Musique, Sept 10, 2016 particular importance to the Senegalese poet-president Léopold Senghor. In 1930s Paris, Senghor had been inspired by the Harlem Renaissance and the jazz age to launch the Negritude movement, which promoted black pride amongst France’s colonial subjects.
    [Show full text]
  • Dems Bulletin Duke Ellington Music Society
    THE INTERNATIONAL DEMS BULLETIN DUKE ELLINGTON MUSIC SOCIETY FOUNDER: BENNY AASLAND HONORARY MEMBER: FATHER JOHN GARCIA GENSEL EDITOR: SJEF HOEFSMIT ASSISTED BY: ROGER BOYES Voort 18b, Meerle, Belgium Telephone: +32 3 315 75 83 Email: [email protected] If you are like me, you save your DEMS Bulletins and consult them with reasonable frequency. I often have trouble remembering when something was published in DEMS, thus I thought to make this Table of Contents for the DEMS Bulletins (with Sjef Hoefsmit's permission, of course). The items below are listed in the order that they were published in DEMS. Issues are arranged in reverse chronological order. Each item consists of the DEMS issue and the title and page number of each article. You can search the article titles using the search function on your internet brower, which in Netscape is Ctrl + F (both keys at the same time). Thus, if you remember reading about a good place to buy discographies somewhere in a DEMS Bulletin, hit Ctrl + F, type discog into the search window (you don't have to type the whole word) and hit enter. You will be taken to the following entry: 2001/3 DEMS 4 : Discographies available from Arthur Newman Here you learn that Arthur Newman is the man and that the information you seek is in the 2001 DEMS Bulletin, issue number 3, on page 4. Admittedly you can only find entries if you remember a word from the title of the DEMS article, but I still found this useful. I began with the most current DEMS Bulletin and am working backwards.
    [Show full text]
  • The Newsletter of the Duke Ellington Society (Uk) Volume 18 Number 2 G Summer 2011
    BLUE LIGHT THE NEWSLETTER OF THE DUKE ELLINGTON SOCIETY (UK) VOLUME 18 NUMBER 2 G SUMMER 2011 UNKNOWN SESSION Reviewed on Page 2 Nil Significat Nisi Pulsatur HONORARY MEMBERS OF DESUK Alice Babs Art Baron Buster Cooper Herb Jeffries John Lamb Vincent Prudente Monsignor John Sanders Joe Temperley Editorial Clark Terry The good news is, I mailed out BL 18/1 only a few days into April, Derek Else thereby retrieving almost all the six-week delay with 17/4. Less good HONORARY MEMBERS SADLY NO was the collation error which led to a few of you receiving copies with LONGER WITH US pages 7 and 14 twice, and the central pages, 10 and 11, not at all. I sent Bill Berry (13 October 2002) out replacements as soon as I was told about them, from my spares Harold Ashby (13 June 2003) (every one of them flawless!) from the print run. It was annoying, but I Jimmy Woode (23 April 2005) was relieved that so few of you appear to have been affected. I’ll sharpen Humphrey Lyttelton (25 April 2008) up my final checking routine in future. A compensation was the kind Louie Bellson (14 February 2009) Joya Sherrill (28 June 2010) things you said about BL when reporting the flaw. * Letters or editorial material should Please renew your membership for 2011 now, if you still haven’t. The be addressed to: period of grace includes this issue, and I know the usual renewal forms Roger Boyes, 9 Chester Place, Great were not sent out with my reminders in the last two.
    [Show full text]
  • Viewed Möller’S Publication in the Zeitschrift Für Musikwissenschaft, August- September 1931, Pp
    J & J LUBRANO MUSIC ANTIQUARIANS Item 87 Joseph Haydn Autograph Letter Catalogue 80 AUTOGRAPH LETTERS OF COMPOSERS SIGNED PHOTOGRAPHS, &c. Part I: A-L 6 Waterford Way, Syosset, NY 11791 USA Telephone 516-922-2192 [email protected] www.lubranomusic.com CONDITIONS OF SALE Please order by catalogue name (or number) and either item number and title or inventory number (found in parentheses preceding each item’s price). Please note that all material is in good antiquarian condition unless otherwise described All items are offered subject to prior sale. We thus suggest either an e-mail or telephone call to reserve items of special interest. Orders may also be placed through our secure website by entering the inventory number (the 5-digit number in parentheses preceding the price) of desired items in the SEARCH box at the upper right of our homepage. We ask that you kindly wait to receive our invoice to insure availability before remitting payment. Libraries may receive deferred billing upon request. Prices in this catalogue are net. Postage and insurance are additional. An 8.625% sales tax will be added to the invoices of New York State residents. We accept payment by: - Credit card (VISA, Mastercard, American Express) - PayPal to [email protected] - Checks in U.S. dollars drawn on a U.S. bank - International money order - Electronic Funds Transfer (EFT), inclusive of all bank charges (details at foot of invoice) - Automated Clearing House (ACH), inclusive of all bank charges (details at foot of invoice) All items remain the property of J & J Lubrano Music Antiquarians LLC until paid for in full.
    [Show full text]
  • "V Ära Giganter Stortrivs"
    BuILETTN NUMMER 2, tulr 2oot.Åna.e "V ära giganter stortrivs" Arne Domnörus och Alice Babs tackar varandra. Fotograf Harley Bardh Duke Ellington Society of Sweden, DESS rssN 1400-8831 DESS c/o Göran Walldn Redaktionsgrupp: Postgiro 71 63 75 - 7 Skogstorpsvägen 39, 191 39 Sollentuna. Bo Holmqvist, Alf Lav€r, Göran Wall€n Teiefon/fax bostad: 08-96 52 34 E-post: [email protected] DESS medlemsavgift Pay to: Account no: 284 083 992 Vid köp av Azure-kassetter och CD är per kalenderår: Svenska Handelsbanken Clearino na. ÄQ17 använd vårt Postsiro ll 63 75 - 7 lnom Norden 150 se ss kr SWIFT: hand Postgironr. för prenumeration Membership outside Scan- for onward transmission av DEMS Irån Belgien är Pg 433 27 36-0 dinavia $ 25 pro annum. to DESS Summertime! Sommaren är här och det känns härligt att ha lite mer tid att lyssna OBS! på musik utomhus och med grammofonen som hjälp i hemmet på I dagens Bulletin finns det ett påstående som strider mot alla tidigare semestem. Våren avslutades annars med en riktig hötdare! AIice Babs uppfattningar i diskografiväg beträffande Bubber Miley. Dessa frå- och Arne Domn€rus bjöd på en underbar fest på Hotell Anglais. Se gor har ventilerats för och emot sen åtminstone 10 år tillbaka. Förfat- rapporte- artikeln i detta nummer av Bulletinen där Barbro Matsson tarna hävdar nu att BM inte finns med i orkestern vid inspelningen rar från mötet. Det var svårt att hitta en dag som passade Alice under den 16 1929. Det r enbart två trumpetare i orkestern och i hennes besök i Sverige den här gången, men det gick till slut bra ianuari studion och det var Arthur Whetsol och Freddie Jenkins.
    [Show full text]
  • JAMU 20140409-1 – DUKE ELLINGTON 3 11. The
    JAMU 20140409-1 – DUKE ELLINGTON 3 11. The Goutelas Suite – 1. Fanfare :30 12. The Goutelas Suite – 2. Goutelas 1:11 Cootie Williams, Mercer Ellington, Money Johnson, Eddie Preston-tp; Booty Wood, Malcolm Taylor, Chuck Connors-tb; Harold Minerve, Norris Turney, Paul Gonsalves, Harold Ashby, Harry Carney-reeds; Duke Ellington-p; Joe Benjamin-b; Rufus Jones-dr. New York, April 27, 1971. LP Pablo 2310-762. CD Original Jazz Classics OJCCD-446-2 . 13. The UWIS Suite – 2. Klop [Polk] 2:01 Cootie Williams, Mercer Ellington, Money Johnson, Johnny Coles-tp; Booty Wood, Vince Prudente, Chuck Connors-tb; Russell Procope, Harold Minerve, Norris Turney, Harold Ashby, Harry Carney-reeds; Duke Ellington-p; Joe Benjamin-b; Rufus Jones-dr. New York, October 5, 1972. LP Pablo 2310-762. CD Original Jazz Classics OJCCD-446-2 . 14. The First Concert of Sacred Music – Will You Be There?/Ain’t But the One 4:37 The Herman McCoy Choir; Jimmy McPhail-soloist; Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington-tp; Lawrence Brown, Buster Cooper, Quentin Jackson, Chuck Connors-tb; Jimmy Hamilton-cl, as; Johnny Hodges-as; Russell Procope-as, cl; Paul Gonsalves-ts; Harry Carney-bs, cl; Duke Ellington-p; John Lamb-b; Louie Bellson-dr. Fifth Avenue Presbyterian Church, New York, December 26, 1965. LP RCA Victor LPM & LSP 3582/TPA5-3238. CD RCA 0926-63386-2. 15. Rose of the Rio Grande (Leslie-Warren-Goram) 3:13 Ivie Anderson-voc; Wallace Jones, Charles “Cootie” Williams, Arthur Whetsol-tp; Joe “Tricky-Sam” Nanton-tb; Juan Tizol-vtb; Otto Hardwicke-as, bsx; Johnny Hodges-ss, as, cl; Barney Bigard-cl, ts; Harry Carney-as, bs, cl; Duke Ellington-p; Fred Guy-g; Wellman Braud-b; William “Sonny” Greer-dr.
    [Show full text]
  • Jazz-A-Record. Duke Ellington: Anatomy of a Murder
    Jazz-a-Record. Duke Ellington: Anatomy of a murder Scritto da Fabio Ciminiera Mercoledì 29 Agosto 2012 00:00 <IMG SRC="images/stories/jazzarecord_anatomyofamurder.jpg" height="267" width="200" ALT="Jazz-a-Record. Duke Ellington: Anatomy of a murder" style="border: 1px solid #FFFFFF" /></FONT><BR /><BR /> <font p=" font-family: arial" size="4" color="#000000" /> <B>Jazz-a-Record. Duke Ellington</B> - <B>Anatomy of a murder</B><BR /> <font p=" font-family: arial" size="2" color="#000000" /> Columbia. CS 8166<BR /><BR /> Registrato: 29 maggio, 1 e 2 giugno 1959,<br /> Pubblicato: 1959<BR /><BR /> <B>Duke Ellington</B>: pianoforte<BR /> <B>Cat Anderson</B>, <B>Shorty Baker</B>, <B>Herbie Jones</B>, <B>Ray Nance</B>, <B>Clark Terry</B>, <B>Gerald Wilson</B>: tromba<BR /> <B>Quentin Jackson, Britt Woodman</B>: trombone<BR /> <B>John Sanders</B>: trombone a pistoni<BR /> <B>Jimmy Hamilton</B>: clarinetto, sax tenore<BR /> <B>Johnny Hodges</B>: sax alto <BR /> <B>Russell Procope</B>: sax alto, clarinetto<BR /> <B>Paul Gonsalves</B>: sax tenore<BR /> <B>Harry Carney</B>: sax baritono, clarinetto, clarinetto basso<BR /> <B>Jimmy Woode</B>: contrabbasso<BR /> <B>James Johnson</B>: batteria<BR /><BR /> Brani:<BR /> Main Title/Anatomy of a Murder (Duke Ellington) 3:57 Flirtibird (Duke Ellington) 2:14 Way Early Subtone (Duke Ellington) 3:59<BR /> Hero to Zero (Duke Ellington) 2:11<BR /> Low Key Lightly (Duke Ellington) 3:39<BR /> Happy Anatomy (Duke Ellington) 2:35<BR /> Midnight Indigo (Duke Ellington) 2:46<BR /> Almost Cried (Duke Ellington) 2:26<BR
    [Show full text]
  • Syllabus Duke 201-220
    Musique sacrée (ou pas) Et nous en arrivons à un nouveau chapitre majeur du travail ellingtonien : les concerts de musique sacrée. Ellington déclare que ces concerts sont « la chose la plus importante qu’il ait jamais faite ». Pour ce premier concert de musique sacrée, en 1965, l’idée n’est pas d’écrire une messe : malgré l’influence marquante du gospel, c’est bien de l’Ellington pur jus, avec quelques anciens titres (Come Sunday évidemment) et de nouvelles choses. « Chacun prie dans son propre langage » dira le Duke. Le big band est renforcé par des chœurs, des chanteurs (dont Jon Hendricks) et un superbe tap dancer, Bunny Briggs. Le premier concert sera donné dans la cathédrale de San Francisco et sera télévisé. D’autres concerts suivront, notamment à l’Eglise presbytérienne de la 5ème avenue, en décembre (voir plus loin). Cette fois encore, l’œuvre est co-signée Ellington et Strayhorn : « Nous étions comme un seul esprit. Quand j’ai fait mon First sacred Concert, Strayhorn était à l’hôpital à New-York, très malade, et je lui ai téléphoné pour lui dire que le thème du concert était les quatre premiers mots de la Bible : « In the beginning, God ». Je lui ai dit ‘écris-moi un thème ou un interlude, quelque chose pour l’introduction’ Il l’a fait et moi aussi de mon côté. Eh bien, nous étions partis de la même note et nous avons fini avec la même. Nous avions tous deux démarré sur un Fa, terminé sur un La bémol et deux notes seulement différaient dans la mélodie » Voici l’intégralité de la captation du concert donné à la Cathédrale le 16 septembre.
    [Show full text]