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The Museum of Modern Art n west 53 Street, New York, N.Y. 10019 Tel. 956-6100 Cable: Modernart 1 NO. 18 FOR RELEASE: MARCH 19, 1976 "Morgan Russell: Synchromlst Studies 1910-1922," an exhibition of paintings, notebooks and sketches by an important but little-known American artist, will be on view on the first floor of The Museum of Modern Art from March 19 through May 25. These studies, most of which are being exhibited for the first time, show the development of Russell's Synchromist style. The exhibition focuses on a selection of studies that Russell made for his two major abstract paintings, Synchromy in Blue- Violet (Synchromie en bleu violace) of 1913 and Synchromy in Orange: To Form of 1913-1914. These studies provide insight to Russell's experiments with color and form and indicate the variety of art that influenced him—from Michelangelo to Picasso. In 1909 Morgan Russell moved from New York to settle in Paris, where he studied sculpture with Matisse. He was aware of the avant-garde move ments Cubism, Orphism, and Futurism. Turning his attention from sculpture to painting, he developed a style based on the rhythmic use of color, analogous to symphonic musical composition, which he termed Synchromism. Like his contemporaries Kupka and Robert and Sonia Delaunay, Russell was interested in color theory, but he also had a more personal basis for his abstractions—the three-dimensional forms of figural sculpture. Russell exhibited his Synchromist paintings, along with those of another young American, Stanton Macdonald-Wright, first in Europe and then in New York in 1914 and 1916. Although Russell was discouraged by financial difficulties and abandoned his Synchromist style by 1930, his work had suggested to his American contemporaries the possibilities of a new style of abstract painting that emphasized color. (more) *************************************** Additional press information available from Michael Boodro, Assistant, and Elizabeth Shaw, Director, Department of Public Information, The Museum of Modern Art, 11 W. 53 St., New York, NY 10019. Phone: (212) 956-7504; 7501. *************************************** .

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Stanton Macdonald-Wright: Homage to Color for Immediate Release: July 30, 2013
237 East Palace Avenue Santa Fe, NM 87501 800 879-8898 505 989-9888 505 989-9889 Fax [email protected] Stanton Macdonald-Wright: Homage to Color For immediate release: July 30, 2013 Peyton Wright Gallery is pleased to announce “Stanton Macdonald-Wright: Homage to Color” The exhibition commences with an artist’s reception on Friday, September 6th, 2013 from 5:00 to 8:00 p.m., and continues through October 2nd, 2013. Peyton Wright Gallery is pleased to announce the second major exhibition of works by Stanton Macdonald-Wright (1890-1973). One of America's leading modernist painters and an early and prolific champion of abstract art, Macdonald- Wright moved to Paris as a teenager and founded the avant-garde painting movement Synchromism in 1912 with Morgan Russell. Often considered the first American abstract art style, the movement was described by Macdonald- Wright as follows: “Synchromism simply means ‘with color’ as symphony means ‘with sound’, and our idea was to produce an art whose genesis lay not in objectivity, but in form produced in color.” Macdonald-Wright and Russell wrote Treatise on Arrival Return of the Astronauts, 1965, oil on Color in 1924 to further panel, 72 x 42 inches; 73 x 43 inches framed. explain Synchromism. The book postulated that color and sound are exact and literal equivalents of each other, wherein color is responsive to and reflective of mood and thought; musical tones have corresponding hues, wherein warm colors translate to outward, convex surfaces and cool colors indicate areas of compositional repose, much like the way a break functions in a piece of music.
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