PODCASTING 101 by Phillip Torrone
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SCIS Boardman Labs User Manual Version5
SCIS Common Use Labs in Boardman Hall USER MANUAL Note: The instructions in this manual assume students walking into the labs are first-time users of the labs and are complete novices in using the machines. Table of Contents Page I. Access to Boardman Hall SCIS Labs for Computer Science and New Media Students A. Services Provided 2 B. Gaining Access to Lab Rooms and Computers 3 II. SCIS Common Use Lab (Room 138 Boardman) A. Services Provided 3 B. Use of iMacs on Tables 4 C. Use of Large Table Monitor for Sharing Among Table Group 4 D. Use of Overhead Projector 5 E. Use of Laser Printer (8 ½ by 11” Prints) 6 F. Use of Large Format Plotter 7 G. Software Available on Computers in Room 138 7 H. Equipment Available for Checkout from Room 138 Lab Monitors 8 III. Combined Focus Ring and Stillwater Labs (Rooms 127 and 129 Boardman) A. Services Provided 8 B. Use of iMacs on Tables 9 C. Use of Cybertron PC for AI and VR D. Use of … E. Software Available on Computers in Rooms 127 and 129 F. Equipment Checkout Procedure G. Equipment Available for Checkout from Rooms 127 and 129 Lab Monitors IV. SCIS Student Lounge and Project Work Room (Room 137 Boardman) A. Services Provided B. Use of Large Screen by Students APPENDICES Appendix A. Laptop Computer Recommendations for Computer Science Students Appendix B. Laptop Computer Recommendations for New Media Students Appendix C. Convenient Web Resources for Development of Computer Code Note: On SCIS web site all of the above topics will link to anchors at the same topics below. -
Apple Pro Booklet 5
Introducing: The Apple Pro Training Series The best way to learn Apple’s professional digital video and audio software! First Look: Final Cut Express (Available in April) Logic 6 (Available in May) Final Cut Pro 4 (Available in June) Shake 3 (Available in June) Advanced Finishing Techniques in Final Cut Pro 4 (Available in June) DVD Studio Pro 2 (Available TBD) Coming Soon: Advanced Logic Final Cut Pro for Now there’s a new way to learn Apple’s popular video-editing, Avid Editors audio, and film-compositing tools: a comprehensive course that’s both a self-paced learning tool and the approved curriculum for all ColorSync-based Apple-certified trainers. Color Management DVD Included! Each Apple Pro Training Series title comes with a companion DVD that includes all of the lesson files used in the book. The Shake and Logic books also include free trial versions of the software. The Apple Pro Training Series is published by Peachpit Press. In every book! 3 All project files are on the included DVD. Project Files Lesson 3 folder Lesson time estimates help you plan your time. Time This lesson takes approximately 60 minutes to complete. Go through the chapter Goals Launch Final Cut Pro from start to finish or skip to just the sections that Open a project interest you. Work with the interface Work with menus, keyboard shortcuts, and the mouse Work with projects in the browser Create a new bin Organize a project Quit and hide Final Cut Pro Ample illustrations help you master techniques fast. Books use real-world projects that you work through, step by step. -
Tworzenie Dokumentów, Prawo Autorskie
Zajęcia 7 - tworzenie dokumentów JANUSZ WRÓBEL Typy plików Tekstowe txt – najprostszy plik tekstowy np. z Notatnika doc, docx - dokumenty z WORDA lub WORDPADA odt – dokumenty z programu OPENOFFICE rtf – format tekstowy zawierający podstawowe formatowanie tekstu kompatybilny z wieloma edytorami tekstu Graficzne jpg – najpopularniejszy format plików graficznych png – format głównie wykorzystywany przez Internet gif – format graficzny umożliwiający przechowanie wielu obrazów tworzących np. animację Tiff – format kompresji bezstratnej Dźwiękowe Mp3 – najpopularniejszy, stratny zapis dźwięku Midi - standard dla przechowywania zapisu dźwięku zbliżonego do nutowego Wav – popularny standard dla Windowsa i internetu Wma – gównie pliki w Windowsie Wideo MPEG4 – najpopularniejszy standard kodowania umożliwiający rejestrowanie i przesyłanie na bieżąco wizji i fonii. MOV- kodowanie firmy Apple wymaga specjalnego odtwarzacza QuickTime Player Avi – format zapisu filmów zwykle przeznaczonych do dalszej obróbki WMV – format kompresji filmów firmy Microsoft FLV – format filmów wykorzystywany na stronach www Uruchamialne EXE – popularny dla Windowsa plik programu mogący zawierać różne zasoby np. okna, ikony, dźwięki BAT – program wykonywany przez komputer bez wpływu użytkownika na jego przebieg (tryb wsadowy) COM – dawniej popularny typ programów wykonywalnych w systemie DOS Skompresowane ZIP – format kompresji bezstratnej i archiwizacji na PC (Personal Computer) RAR – format kompresji bezstratnej i archiwizacji JPG, MPEG, MP3 – to -
Audacity® Is Recording and Audio Editing Software That Is Free, Open Sourced, and Generally Easy to Use
How to Use Introduction Audacity® is recording and audio editing software that is free, open sourced, and generally easy to use. Audacity® can be used to record live audio, edit various sound files, convert from tapes and records to digital audio or CDs, and so much more! This software can be used for Windows, Mac OS X, GNU/Linux, and a variety of other operating systems. Audacity® User Interface This is a screenshot of Audacity®. The next section of this How-To guide will introduce you to this user interface. Copyright © 2008 Audacity® How- to 1 Audacity® User Interface: Toolbars The Audacity® Control Toolbar Envelope Tool Skip to Start Stop Button Button Select D r a w Record Tool Tool Button Zoom Multi- Tool Tool Pause Skip to End Timeshift Play Button Button Tool Button The Audacity® Edit Toolbar Zoom Zoom To Copy Cut Paste Undo Redo Out Selection Zoom Zoom To Trim Silence In Entire Project The Audacity® Meter & Mixer Toolbars Input Output Level Level Meter Meter Output Input Volume Volume Input Control Control Source Selector Copyright © 2008 Audacity® How- to 2 Importing Audio with Audacity® 1. Create a New Project This is an important step. Give your project a name & saving location prior to working in Audacity®. Select and choose a file name and location to save your project. *Note when you initially begin Audacity® only the “Save As” function will be available. 2. Check Preferences Click File > Preferences (Ctrl + P) Check to be sure the correct Playback & Recording Devices have been selected. Copyright © 2008 Audacity® How- to 3 Set the sample rate of your choice. -
Everything You Need to Know About Apple File System for Macos
WHITE PAPER Everything you need to know about Apple File System for macOS Picture it: the ship date for macOS High Sierra has arrived. Sweat drips down your face; your hands shake as you push “upgrade.” How did I get here? What will happen to my policies? Is imaging dead? Fear not, because the move from HFS+ (the current Mac file system) to Apple File System (APFS) with macOS High Sierra is a good thing. And, with this handy guide, you’ll have everything you need to prepare your environment. In short, don’t fear APFS. To see how Jamf Pro can facilitate seamless macOS High Sierra upgrades in your environment, visit: www.jamf.com • After upgrading to macOS High Sierra, end users will Wait, how did we get here? likely see less total space consumed on a volume due to new cloning options. Bonus: End users can store HFS, and the little known MFS, were introduced in 1984 up to nine quintillion files on a single volume. with the original Macintosh. Fast forward 13 years, and • APFS provides us with a new feature called HFS+ served as a major file system upgrade for the Mac. snapshots. Snapshots make backups work more In fact, it was such a robust file system that it’s been the efficiently and offer a new way to revert changes primary file system on Apple devices. That is all about to back to a given point in time. As snapshots evolve change with APFS. and APIs become available, third-party vendors will Nineteen years after HFS+ was rolled out, Apple be able to build new workflows using this feature. -
Command-Line Sound Editing Wednesday, December 7, 2016
21m.380 Music and Technology Recording Techniques & Audio Production Workshop: Command-line sound editing Wednesday, December 7, 2016 1 Student presentation (pa1) • 2 Subject evaluation 3 Group picture 4 Why edit sound on the command line? Figure 1. Graphical representation of sound • We are used to editing sound graphically. • But for many operations, we do not actually need to see the waveform! 4.1 Potential applications • • • • • • • • • • • • • • • • 1 of 11 21m.380 · Workshop: Command-line sound editing · Wed, 12/7/2016 4.2 Advantages • No visual belief system (what you hear is what you hear) • Faster (no need to load guis or waveforms) • Efficient batch-processing (applying editing sequence to multiple files) • Self-documenting (simply save an editing sequence to a script) • Imaginative (might give you different ideas of what’s possible) • Way cooler (let’s face it) © 4.3 Software packages On Debian-based gnu/Linux systems (e.g., Ubuntu), install any of the below packages via apt, e.g., sudo apt-get install mplayer. Program .deb package Function mplayer mplayer Play any media file Table 1. Command-line programs for sndfile-info sndfile-programs playing, converting, and editing me- Metadata retrieval dia files sndfile-convert sndfile-programs Bit depth conversion sndfile-resample samplerate-programs Resampling lame lame Mp3 encoder flac flac Flac encoder oggenc vorbis-tools Ogg Vorbis encoder ffmpeg ffmpeg Media conversion tool mencoder mencoder Media conversion tool sox sox Sound editor ecasound ecasound Sound editor 4.4 Real-world -
FCS Remover User Manual 1
FCS Remover User Manual 1 FCS Remover User Manual FCS Remover enables you to completely remove Final Cut Studio, Final Cut Pro X, Final Cut Express and Final Cut Server from your system. This is essential as a troubleshooting aid or when upgrading to a major new version of the software. Last updated 09/15/14 FCS Remover User Manual 2 Quick Start 1. You will be presented with the following screen upon launching the application: 2. If you wish to uninstall all components of Final Cut Studio and you have no other Apple Pro Apps such as Logic or Shake on your system, skip to Step 4. 3. If you only wish to remove certain components, use the check boxes to select and deselect them or use the Preset dropdown menu at the top of the window. Last updated 09/15/14 FCS Remover User Manual 3 The following presets are available: All – Selects all components. All Final Cut Studio / Express – This selects all Final Cut Studio / Express components and not Final Cut Server. All Final Cut Server – This selects all Final Cut Server components and not Final Cut Studio. Compressor and Qmaster Only – This selects only Compressor and Qmaster, as these are the most commonly reinstalled applications. Maximum Compatibility – This removes Final Cut Studio but does not remove Final Cut Studio components that are shared by other Apple ProApps such as Logic and Shake. This allows you to remove Final Cut Studio without harming your other ProApp installations. Receipts only – This only removes receipts. Receipts are used by the Final Cut Studio installer to keep track of what has been installed, so removing only receipts is a way of causing the installer to overwrite the original files on the disk without actually removing them. -
Shake User Manual
Shake Homepage.qxp 5/20/05 6:25 PM Page 1 Shake 4 User Manual To view the user manual, click a topic in the drawer on the side. Otherwise, click a link below. m Late-Breaking News m New Features m Tutorials m Cookbook m Keyboard Shortcuts m Shake Support m Shake on the Web m Apple Training Centers Apple Computer, Inc. FilmLight Limited (Truelight): Portions of this software © 2005 Apple Computer, Inc. All rights reserved. are licensed from FilmLight Limited. © 2002-2005 FilmLight Limited. All rights reserved. Under the copyright laws, this manual may not be copied, in whole or in part, without the written consent FLEXlm 9.2 © Globetrotter Software 2004. Globetrotter of Apple. Your rights to the software are governed by and FLEXlm are registered trademarks of Macrovision the accompanying software license agreement. Corporation. The Apple logo is a trademark of Apple Computer, Inc., Framestore Limited (Keylight): FS-C Keylight v1.4 32 bit registered in the U.S. and other countries. Use of the version © Framestore Limited 1986-2002. keyboard Apple logo (Option-Shift-K) for commercial purposes without the prior written consent of Apple Industrial Light & Magic, a division of Lucas Digital Ltd. may constitute trademark infringement and unfair LLC (OpenEXR): Copyright © 2002 All rights reserved. competition in violation of federal and state laws. Redistribution and use in source and binary forms, with or without modification, are permitted provided that Every effort has been made to ensure that the the following conditions are met: information in this manual is accurate. Apple Computer, Inc. is not responsible for printing or clerical errors. -
This Version Has the Raw Data in an Appendix)
Accepted for publication in 2020 by the International Journal of Communication, ijoc.org (this version has the raw data in an appendix) Podcasting as Public Media: The Future of U.S. News, Public Affairs and Educational Podcasts PATRICIA AUFDERHEIDE American University, USA DAVID LIEBERMAN The New School, USA ATIKA ALKHALLOUF American University, USA JIJI MAJIRI UGBOMA The New School, USA This article identifies a U.S.-based podcasting ecology as public media, and then examines the threats to its future. It first identifies characteristics of a set of podcasts in the U.S. that allow them to be usefully described as public podcasting. Second, it looks at current business trends in podcasting as platformization proceeds. Third, it identifies threats to public podcasting’s current business practices. Finally, it analyzes responses within public podcasting to the potential threats. It concludes that currently, the public podcast ecology in the U.S. maintains some immunity from the most immediate threats, but that as well there are underappreciated threats to it both internally and externally. Keywords: podcasting, public media, platformization, business trends, public podcasting ecology As U.S. podcasting becomes an increasingly commercially-viable part of the media landscape, are its public-service functions at risk? This article explores that question, in the process postulating that the concept of public podcasting has utility in describing, not only a range of podcasting practices, but an ecology within the larger podcasting ecology—one that permits analysis of both business methods and social practices, one that deserves attention and even protection. This analysis contributes to the burgeoning literature on podcasting by enabling focused research in this area, permitting analysis of the sector in ways that permit thinking about the relationship of mission and business practice sector-wide. -
Apple Xgrid Runs with the Wolves
Search Apple Xgrid runs with the wolves Apple Research & Technology Support Profiles in Success: Swedish University of Agricultural Sciences Programme Overview Research Opportunities ARTS Laureate Winners ARTS Institutions Swedish University of Agricultural Sciences Apple Xgrid runs with the wolves Fast results from Xgrid Cost-effective for future research Using Apple technology, the Grimsö Wildlife Research Station in Sweden is learning important techniques for sustainable management of the wolf population. Based at the Swedish University of Agricultural Sciences (SLU), the station is using an Apple Xgrid cluster system – provided by the Apple Research & Technology Support programme (ARTS) – to understand wolf demography and develop optimal management strategies. Its work will have a deep impact on how mankind interacts with these ancient but troublesome Challenges predators. Develop management strategies to “Wolf populations are expanding through natural return to past habitats in Europe, ensure wolf population viability or through reintroduction by Government agencies in the US”, explains Dr Prevent wolf extinction while Guillaume Chapron, Assistant Professor, Grimsö Wildlife Research Station at SLU. allowing for population control “They are posing problems, however - to hunters or sheep farmers, for example. So Address people and decision maker the urgent question is how we ensure wolf populations can survive, while still concerns regarding the place of allowing for some population control. Wolves have a complex ecology and the Xgrid wolves in Sweden cluster will run simulations faster than any other solution. It is critical to our Provide efficient programming and modelling environment to simulate research”. and understand wolf population ecology SLU is a modern university, designed to confront and explore many of today’s most Provide efficient programming and compelling environmental questions, “whether it is the food we eat, or the animals modelling environment to simulate we husband on our farms or love as pets, or the forests that we wander through”. -
Podcasting As Public Media: the Future of U.S
International Journal of Communication 14(2020), 1683–1704 1932–8036/20200005 Podcasting as Public Media: The Future of U.S. News, Public Affairs, and Educational Podcasts PATRICIA AUFDERHEIDE American University, USA DAVID LIEBERMAN The New School, USA ATIKA ALKHALLOUF American University, USA JIJI MAJIRI UGBOMA The New School, USA This article identifies a U.S.-based podcasting ecology as public media and then examines the threats to its future. It first identifies characteristics of a set of podcasts in the United States that allow them to be usefully described as public podcasting. Second, it looks at current business trends in podcasting as platformization proceeds. Third, it identifies threats to public podcasting’s current business practices. Finally, it analyzes responses within public podcasting to the potential threats. The article concludes that currently, the public podcast ecology in the United States maintains some immunity from the most immediate threats, but there are also underappreciated threats to it, both internally and externally. Keywords: podcasting, public media, platformization, business trends, public podcasting ecology As U.S. podcasting becomes a commercially viable part of the media landscape, are its public service functions at risk? This article explores that question, in the process postulating that the concept of public podcasting has utility in describing not only a range of podcasting practices, but also an ecology within the larger podcasting ecology—one that permits analysis of both business methods and social practices, and one that deserves attention and even protection. This analysis contributes to the burgeoning literature on Patricia Aufderheide: [email protected] David Lieberman: [email protected] Atika Alkhallouf: [email protected] Jiji Majiri Ugboma: [email protected] Date submitted: 2019‒09‒27 Copyright © 2020 (Patricia Aufderheide, David Lieberman, Atika Alkhallouf, and Jiji Majiri Ugboma). -
Audacity Manual.Pdf
A Free, Open Source, Cross-Platform Audio Editor Version 1.2.4 This is the online help for Audacity. It is meant to be a quick reference, not a complete manual. There is also a complete user's manual available online: http://audacity.sourceforge.net/help/documentation Table of Contents Table of Contents............................................................................................................................ 1 Toolbars .......................................................................................................................................... 3 Control Toolbar........................................................................................................................... 3 Editing Tools........................................................................................................................... 3 Audio Control Buttons............................................................................................................ 3 Mixer Toolbar ............................................................................................................................. 4 Edit Toolbar ................................................................................................................................4 Meter Toolbar ............................................................................................................................. 5 Menu Bar .......................................................................................................................................