FEMRITE's Use of Narrative and Community As
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Reflection of the Struggle for a Just Society in Selected Poems of Niyi Osundare and Mildred Kiconco Barya
Reflection of the Struggle for a Just Society in Selected Poems of Niyi Osundare and Mildred Kiconco Barya Febisola Olowolayemo Bright, M.A. ==================================================================== Language in India www.languageinindia.com ISSN 1930-2940 Vol. 13:6 June 2013 ==================================================================== Niyi Osundare Courtesy: www.theofipress.webs.com Abstract Over the years many Contemporary African poets, present their struggle for a just society by reflecting the socio-political events and ills prevalent in their various societies in their poems. This presentation is usually noticed in their simplicity of language, thematic preoccupation and authorial vision. The poems of Niyi Osundare and Mildred Kiconco Barya from West and East Africa were selected for analysis in this study. The analysis and close reading of the selected poems reveal that Niyi Osundare and Mildred Kiconco Barya were able to present their struggle for a just society through their simplicity of language, presentation of prevalent themes relevant to their various societies and a genuine authorial vision/social commitment in their various poems. It is believed that this study will give readers an idea of the injustice, inequality, poverty Language in India www.languageinindia.com ISSN 1930-2940 13:6 June 2013 Febisola Olowolayemo Bright, M.A. Reflection of the Struggle for a Just Society in Selected Poems of Niyi Osundare and Mildred Kiconco Barya 102 and some socio-political events in Africa reflected in contemporary African poems together with African poets’ vision and struggle for a just society. 1.0 Introduction Mildred Kiconco Barya Courtesy: http://en.wikipedia.org/wiki/Mildred_Barya Africans have gone through a lot of experiences that have strongly influenced their poetry. -
Fragments of Rubadiri: Student, Teacher and Poet Susan Kiguli Makerere University
J. Hum 27 (1), 2019 77 Fragments of Rubadiri: Student, Teacher and Poet Susan Kiguli Makerere University Abstract Keywords: The article explores the intersections of James David Rubadiri, archive, Rubadiri’s roles as a student, poet and teacher. The article Polysemous human, draws on selected episodes, experiences and interviews exile, home on his life and work at Makerere University with the aim of addressing silences and gaps the apparent absence of © 2019 The Author. Rubadiri’s full auto/biographical work creates. Relying This work is licensed on the archive, the paper traces three stages in Rubadiri’s under the Creative life: his days as a student at Makerere, his time as a teacher Commons Attribution at the same university and his career as a poet. I observe 4.0 International License that his remarkable abilities and personality as attested to by his teachers during his student days allowed him to transition into a celebrated teacher and an intuitive poet later in his life. I also observe that as a student, teacher and poet, his strengths were anchored in his ability to understand the importance of being human and the shifting boundaries of human experience. Further, I touch on notions of home and exile in Rubadiri’s life and poetry, particularly in the context of Makerere University and Uganda, his adopted home. The article takes note of the polysemous yet connected roles and their significance in defining Rubadiri as one of the leading literary voices in the East African region. Introduction James David Rubadiri was born on 19th July 1930 on Likoma Island in the then British Protectorate of Nyasaland, now Malawi. -
Prizing African Literature: Awards and Cultural Value
Prizing African Literature: Awards and Cultural Value Doseline Wanjiru Kiguru Dissertation presented for the degree of Doctor of Philosophy in the Faculty of Arts and Social Sciences, Stellenbosch University Supervisors: Dr. Daniel Roux and Dr. Mathilda Slabbert Department of English Studies Stellenbosch University March 2016 i Stellenbosch University https://scholar.sun.ac.za Declaration By submitting this thesis electronically, I declare that the entirety of the work contained herein is my own, original work, that I am the sole author thereof (save to the extent explicitly otherwise stated), that reproduction and publication thereof by Stellenbosch University will not infringe any third party rights and that I have not previously in its entirety or in part submitted it for obtaining any qualification. March 2016 Signature…………….………….. Copyright © 2016 Stellenbosch University All rights reserved ii Stellenbosch University https://scholar.sun.ac.za Dedication To Dr. Mutuma Ruteere iii Stellenbosch University https://scholar.sun.ac.za Abstract This study investigates the centrality of international literary awards in African literary production with an emphasis on the Caine Prize for African Writing (CP) and the Commonwealth Short Story Prize (CWSSP). It acknowledges that the production of cultural value in any kind of setting is not always just a social process, but it is also always politicised and leaning towards the prevailing social power. The prize-winning short stories are highly influenced or dependent on the material conditions of the stories’ production and consumption. The content is shaped by the prize, its requirements, rules, and regulations as well as the politics associated with the specific prize. As James English (2005) asserts, “[t]here is no evading the social and political freight of a global award at a time when global markets determine more and more the fate of local symbolic economies” (298). -
Acdsee Proprint
BULK RATE U.S. POSTAGE PAID Permit No. 2419 lPE lPITClHl K.C., Mo. FREE FREE VOL. II NO. 1 YOU'LL NEVER GET RICH READING THE PITCH FEBRUARY 1981 FBIIRUARY II The 8-52'5 Meet BUDGBT The Rev. in N.Y. Third World Bit List .ONTHI l ·TRIVIA QUIZ· WHAT? SQt·1E RECORD PRICES ARE ACTUALLY ~~nll .815 m wi. i .••lIIi .... lllallle,~<M0,~ CGt4J~G ·DOWN·?····· S€f ·PAGE: 3. FOR DH AI LS , prizes PAGE 2 THE PENNY PITCH LETTERS Dec. 29,1980 Dear Warren, Over the years, Kansas Attorney General's have done many strange things. Now the Kansas Attorney General wants to stamp out "Mumbo Jumbo." 4128 BROADWAY KANSAS CITY, MISSOURI 64111 Does this mean the "Immoral Minority" (816) 561·1580 will be banned from Kansas? Is being banned from Kansas a hardship? Edi tor ....••..•••.• vifarren Stylus Morris Martin Contributing vlriters this issue: Raytown, Mo. P.S. He probably doesn't like dreadlocks Rev. Dwight Frizzell, Lane & Dave from either. GENCO labs, Blind Teddy Dibble, I-Sheryl, Ie-Roths, Lonesum Chuck, Mr.D-Conn, Le Roi, Rage n i-Rick, P. Minkin, Lindsay Shannon, Mr. P. Keenan, G. Trimble, Jan. 26, 1981 debranderson, M. Olson Dear Editor, Inspiration this issue: How come K. C. radio stations never Fred de Cordova play, The Inmates "I thought I heard a Heartbeat", Roy Buchanan "Dr. Rock & Roll" Peter Green, "Loser Two Times", Marianne r,------:=~--~-__l "I don' t care what they say about Faithfull, "Broken English", etc, etc,? being avant garde or anything else. How come? Frankly, call me square if you want Is this a plot against the "Immoral to. -
Stan Magazynu Caĺ†Oĺıäƒ Lp Cd Sacd Akcesoria.Xls
CENA WYKONAWCA/TYTUŁ BRUTTO NOŚNIK DOSTAWCA ALLMAN BROTHERS BAND - AT FILLMORE EAST 159,99 SACD BERTUS ALLMAN BROTHERS BAND - AT FILLMORE EAST (NUMBERED 149,99 SACD MOBILE FIDELITY ALLMAN BROTHERS BAND - BROTHERS AND SISTERS (NUMBE 149,99 SACD MOBILE FIDELITY ALLMAN BROTHERS BAND - EAT A PEACH (NUMBERED LIMIT 149,99 SACD MOBILE FIDELITY ALLMAN BROTHERS BAND - IDLEWILD SOUTH (GOLD CD) 129,99 CD GOLD MOBILE FIDELITY ALLMAN BROTHERS BAND - THE ALLMAN BROTHERS BAND (N 149,99 SACD MOBILE FIDELITY ASIA - ASIA 179,99 SACD BERTUS BAND - STAGE FRIGHT (HYBRID SACD) 89,99 SACD MOBILE FIDELITY BAND, THE - MUSIC FROM BIG PINK (NUMBERED LIMITED 89,99 SACD MOBILE FIDELITY BAND, THE - THE LAST WALTZ (NUMBERED LIMITED EDITI 179,99 2 SACD MOBILE FIDELITY BASIE, COUNT - LIVE AT THE SANDS: BEFORE FRANK (N 149,99 SACD MOBILE FIDELITY BIBB, ERIC - BLUES, BALLADS & WORK SONGS 89,99 SACD OPUS 3 BIBB, ERIC - JUST LIKE LOVE 89,99 SACD OPUS 3 BIBB, ERIC - RAINBOW PEOPLE 89,99 SACD OPUS 3 BIBB, ERIC & NEEDED TIME - GOOD STUFF 89,99 SACD OPUS 3 BIBB, ERIC & NEEDED TIME - SPIRIT & THE BLUES 89,99 SACD OPUS 3 BLIND FAITH - BLIND FAITH 159,99 SACD BERTUS BOTTLENECK, JOHN - ALL AROUND MAN 89,99 SACD OPUS 3 CAMEL - RAIN DANCES 139,99 SHMCD BERTUS CAMEL - SNOW GOOSE 99,99 SHMCD BERTUS CARAVAN - IN THE LAND OF GREY AND PINK 159,99 SACD BERTUS CARS - HEARTBEAT CITY (NUMBERED LIMITED EDITION HY 149,99 SACD MOBILE FIDELITY CHARLES, RAY - THE GENIUS AFTER HOURS (NUMBERED LI 99,99 SACD MOBILE FIDELITY CHARLES, RAY - THE GENIUS OF RAY CHARLES (NUMBERED 129,99 SACD MOBILE FIDELITY -
Curriculum Vitae
Ayeta Anne Wangusa (MA in New Media, Governance & Democracy, MA in Literature) Personal Details Date of birth 9th September 1971 Gender Female Nationality Uganda Country of Residence/Work Tanzania Address CDEA-Culture and Development East Africa Plot No. 421, House 1001, Mikocheni B P.O Box 13355 Dar es Salaam Tanzania Telephone: Tel. +255 22 2780087 Mob. +255 784856866 Email: Email: [email protected] [email protected] [email protected] Marital Status: Married Language: English-speaking Education Background Institution Course Year University of Leicester, United Kingdom Masters of Arts in New Media, Governance and 2009-2011 Democracy Makerere University, Uganda Masters of Arts in Literature 1994-1997 Makerere University, Uganda Bachelor of Arts (Hons) - Literature And Sociology 1990-1993 Prospective Training Institution Course Dates African Arts Institute (AFAI), Cape Town, Cultural Leadership Training Programme 6th -16th August 2012 South Africa Career History Executive Director CDEA-Culture and Development East Africa Oct 2011 -Current Governance/Media Advisor SNV - the Netherlands Development Organisation, July 2009 –September 2011 Tanzania (Public Accountability of Tanzania programme) Civil Society Strengthening SNV - the Netherlands Development Organisation, July 2006 –July 2009 Advisor Tanzania (Capacity Building of Local Governance Actors programme) Project Officer Development and AMREF Tanzania (Open Knowledge Network October 2004-March 2006 Implementation programme) Features Sub-Editor The New Vision Printing and Publishing Dec ’96—Dec ‘03 Corporation, Uganda Ayeta Anne Wangusa CV UNESCO Pool of Experts 2005 Convention Page 1 Positions Held Role Tasks Expert, AU/NEPAD Capacity Current. Contracted to compile Uganda country profile for the NEPAD Africa Capacity Development Pool of Experts Development Status Report to be published by end of 2012 Advisory Board Member, African Current. -
Joe Henderson: a Biographical Study of His Life and Career Joel Geoffrey Harris
University of Northern Colorado Scholarship & Creative Works @ Digital UNC Dissertations Student Research 12-5-2016 Joe Henderson: A Biographical Study of His Life and Career Joel Geoffrey Harris Follow this and additional works at: http://digscholarship.unco.edu/dissertations © 2016 JOEL GEOFFREY HARRIS ALL RIGHTS RESERVED UNIVERSITY OF NORTHERN COLORADO Greeley, Colorado The Graduate School JOE HENDERSON: A BIOGRAPHICAL STUDY OF HIS LIFE AND CAREER A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Arts Joel Geoffrey Harris College of Performing and Visual Arts School of Music Jazz Studies December 2016 This Dissertation by: Joel Geoffrey Harris Entitled: Joe Henderson: A Biographical Study of His Life and Career has been approved as meeting the requirement for the Degree of Doctor of Arts in the College of Performing and Visual Arts in the School of Music, Program of Jazz Studies Accepted by the Doctoral Committee __________________________________________________ H. David Caffey, M.M., Research Advisor __________________________________________________ Jim White, M.M., Committee Member __________________________________________________ Socrates Garcia, D.A., Committee Member __________________________________________________ Stephen Luttmann, M.L.S., M.A., Faculty Representative Date of Dissertation Defense ________________________________________ Accepted by the Graduate School _______________________________________________________ Linda L. Black, Ed.D. Associate Provost and Dean Graduate School and International Admissions ABSTRACT Harris, Joel. Joe Henderson: A Biographical Study of His Life and Career. Published Doctor of Arts dissertation, University of Northern Colorado, December 2016. This study provides an overview of the life and career of Joe Henderson, who was a unique presence within the jazz musical landscape. It provides detailed biographical information, as well as discographical information and the appropriate context for Henderson’s two-hundred sixty-seven recordings. -
Chapter One: Methodology and Literature Review
HUMAN RIGHTS ADVOCACY IN THE POETRY OF CONTEMPORARY UGANDAN WOMEN POETS: SUSAN KIGULI AND MILDRED BARYA BY SHALLON ATUHAIRE MOREEN M.A (LITERATURE) 2005/HD03/1619U A DISSERTATION FOR THE DEGREE OF MASTER OF ARTS IN LITERATURE THE DEPARTMENT OF LITERATURE, FACULTY OF ARTS, MAKERERE UNIVERSITY DECLARATION I, SHALLON MOREEN ATUHAIRE, declare that this is my original work and has never been submitted to any institution for an academic award. All the cited sources have been acknowledged. SHALLON MOREEN ATUHAIRE Signature ……………………. Date ……………………. Reg. No 2005/HD03/1619U SUPERVISOR PROF. ARTHUR GAKWANDI Signature ………………………. Date ………………………. ii DEDICATION Dedicated to my grand parents, Nyakwenkuru, Irene Kainganabusha and in memory of Shwenkuru, the late Rev. Can. Blasio Itima. iii ACKNOWLEDGEMENTS By the grace of God, I have been able to finish this project and I am grateful to Him who has enabled me. My sincere thanks go to the Belgian Technical Cooperation in Uganda who fully sponsored my Masters Degree and this research project - may the Lord Bless your efforts in educating Ugandans. I am grateful to my supervisor, Prof. Arthur Gakwandi, who not only guided me in the study but assisted me to make an intellectual approach to the work. My sisters Barbara and Immaculate sincerely prayed for me whenever I got stuck and your probing of when I intended to finish the course usually got be back to the reading room. Thank you Mum and Dad for the models you have been to me in education and for supervising my progress even when you were far. The Makerere University Library staff, thank you for being cooperative and enabling me to access the journals I would never have obtained from anywhere else. -
One Hand Piano Literature in Turkey
African Educational Research Journal Special Issue 8(2), pp. S49-S61, October 2020 DOI: 10.30918/AERJ.8S2.20.032 ISSN: 2354-2160 Full Length Research Paper One hand piano literature in Turkey Sirin Akbulut Demirci1* and Eda Nergiz2 1 Music Education Department, Education Faculty, Bursa Uludag University, Turkey. 2Music Department, State Conservatory, Giresun University, Turkey. ABSTRACT The curriculum used in amateur and professional piano education is shaped according to the physical and mental state of the students. Easy access to piano literature that can be used in case of one hand and/or one arm disability is important in terms of contributing to the students and piano instructors. For this reason, it is aimed to determine the works of contemporary Turkish composers in this field. Turkish composers who passed away in 2000 and after and those who live today were investigated; 146 of 198 composers who were identified were contact online, and it was concluded that 69 composers did not compose one hand piano work and 7 composers composed one hand piano work. Scores, program notes, work descriptions and sound recordings related to one hand piano works were obtained from those composers. It was found that 2 of these works were composed for the right hand, 3 for the left hand and 2 for any of them. It is thought that the limited number of contemporary Turkish one hand piano literature will contribute positively to piano literature, music educators, piano students and performer with physical disabilities. Keywords: Physical disability, piano education, one hand piano literature, contemporary Turkish composers, contemporary music. -
Stan Clarke Children of Forever Mp3, Flac, Wma
Stan Clarke Children Of Forever mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Children Of Forever Country: US Released: 1973 Style: Soul-Jazz, Fusion MP3 version RAR size: 1718 mb FLAC version RAR size: 1640 mb WMA version RAR size: 1969 mb Rating: 4.4 Votes: 597 Other Formats: VOX MP3 AIFF MP4 MIDI DXD MP1 Tracklist Hide Credits Children Of Forever Arranged By – Stanley ClarkeBass [Bass Fiddle] – Stanley ClarkeComposed By – Stanley A1 ClarkeDrums – Lenny WhiteElectric Guitar – Pat MartinoElectric Piano, Clavinet – Chick 10:40 CoreaFlute – Arthur Webb*Lyrics By – Neville PotterVocals – Andy Bey, Dee Dee Bridgewater Unexpected Days Arranged By – Chick CoreaBass [Bass Fiddle] – Stanley ClarkeComposed By – Stanley A2 ClarkeDrums – Lenny WhiteElectric Guitar – Pat MartinoElectric Piano – Chick 5:51 CoreaFlute – Arthur Webb*Lyrics By – Neville PotterVocals – Andy Bey, Dee Dee Bridgewater Bass Folk Song Arranged By – Chick CoreaBass [Bass Fiddle], Electric Bass – Stanley ClarkeComposed By A3 7:52 – Stanley ClarkeDrums, Tambourine – Lenny WhiteElectric Piano, Clavinet – Chick CoreaFlute – Arthur Webb*Twelve-String Guitar, Electric Guitar – Pat Martino Butterfly Dreams Arranged By – Chick CoreaBass [Bass Fiddle] – Stanley ClarkeComposed By – Stanley B1 6:46 ClarkeDrums – Lenny WhiteElectric Guitar – Pat MartinoFlute – Arthur Webb*Lyrics By – Neville PotterPiano [Acoustic] – Chick CoreaVocals – Andy Bey Sea Journey Arranged By – Chick CoreaBass [Bass Fiddle] – Stanley ClarkeComposed By – Chick B2 16:25 CoreaDrums – Lenny WhiteElectric Guitar – Pat MartinoElectric Piano – Chick CoreaFlute – Arthur Webb*Lyrics By – Neville PotterVocals – Andy Bey, Dee Dee Bridgewater Companies, etc. Manufactured By – Polydor Incorporated Manufactured By – PolyGram Records, Inc. Marketed By – PolyGram Records, Inc. Phonographic Copyright (p) – Polydor International GmbH Recorded At – A&R Studios Published By – Clarkee Music Published By – Litha Music Co. -
All-Jazz Real Book
All-Jazz Real Book Title Composer / As Played By Page 2 Degrees East, 3 Degrees West John Lewis 1 2 Down, 1 Across Kenny Garrett 2 A Cor Do Por-Do-Sol Ivan Lins & Celso Viafora 4 Adoracion Eddie Palmieri & Ishmael Quintana 6 Afternoon In Paris John Lewis 11 All Is Quiet Bob Mintzer & Kurt Elling 12 Amanda Duke Pearson 14 Antigua Antonio Carlos Jobim 16 April Mist Tom Harrell 18 At Night Marc Copland 20 At The Close Of The Day Fred Hersch 22 Ayer Y Hoy Dario Eskenazi 24 Azule Serape Victor Feldman 32 Beatrice Sam Rivers 35 The Beauty Of All Things Laurence Hobgood & Kurt Elling 36 Beauty Secrets Kenny Werner 40 Bebe Hermeto Pascoal 42 Being Cool (Aviao) Djavan 44 Beiral Djavan 46 Big J John Scofield 49 Blue Matter John Scofield 50 Blue Seven Sonny Rollins 53 Blues For Pablo Gil Evans 54 Bohemia After Dark Oscar Pettiford 58 Borzeguim Antonio Carlos Jobim 60 Brazilian Suite Michel Petrucciani 68 Broken Wing Richie Beirach 71 Butterfly Dreams Stanley Clarke & Neville Potter 72 Can't Take You Nowhere Tiny Kahn, Al Cohn & Dave Frishberg 74 Cantaloupe Island Herbie Hancock 76 Caprice Eddie Gomez 78 Chitlins Con Carne Kenny Burrell 79 Choro Das Aguas Ivan Lins & Vitor Martins 80 Chris Craft Alan Broadbent 82 Circle Dance Eddie Daniels 84 Congri Rebeca Mauleon 86 Continuacion Orlando "Maraca" Valle 94 Coralie Enrico Pieranunzi 102 Countdown John Coltrane 104 Crazeology Charlie Parker 105 Dance Of Denial Michael Philip Mossman 106 Dare The Moon Darmon Meader, Sara Krieger & Caprice Fox 114 1 All-Jazz Real Book Title Composer / As Played By Page Dark Territory Marc Copland 120 Desalento Chico Buarque 124 Don't Let It Go Vincent Herring 126 Down Miles Davis 128 Dr. -
“Those Who Travel, See”: a Critical Reflection on Visibility and the Teleological Ambiguity of FEMRITE by Ted- Allan Ssekimpi
“Those who travel, see”: A critical reflection on visibility and the teleological ambiguity of FEMRITE by Ted- Allan Ssekimpi Abstract Through hosting and facilitating writing workshops which work to produce the publication of fictional and non-fictional books, FEMRITE has, since its inauguration in 1996, been behind the emergence of women’s literature in Uganda in recent years. At the core of FEMRITE‘s socio- literary project is the ―the promotion of [women‘s‘] literature and literacy inside Uganda rather than in any other African country‖3. However, FEMRITE has also become synonymous with household names in Ugandan literature such as Doreen Baingana, Monica Arac de Nyeko, Beatrice Lamwaka and others who have won globally recognized literary prizes. While several of these writers may not have learned their trade exclusively through FEMRITE, it has nonetheless become a signpost that directs the exchange of various forms of capital – symbolic, social, cultural, and economic – in the global and local literary market. It is at this conjuncture, the site of contested ‗regimes of value’, between FEMRITE‘s role in promoting women‘s literature in Uganda and how it functions as a sign of symbolic consecration in the global literary sphere, that FEMRITE‘s teleological ambiguity begins to surface. This paper seeks, through metacritical analysis, to elucidate on the doubly nature of FEMRITE and other literary NGOs with regards to their purported aims of creating new avenues f or local literary production while engendering new globally recognized literary traditions and forms - and thus a new canon’. Through hosting and facilitating writing workshops which work to produce the publication of fictional and non-fictional books, FEMRITE has, since its inauguration in 1996, been behind the emergence of women’s literature in Uganda in recent years.