Cultural Collaboration Between Albania and Serbia and What Can Be Done to Use the Potential in the Future
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National Strategy for Resolving the Problems of Refugees and Internally Displaced Persons
GOVERNMENT OF THE REPUBLIC OF SERBIA NATIONAL STRATEGY FOR RESOLVING THE PROBLEMS OF REFUGEES AND INTERNALLY DISPLACED PERSONS Belgrade, 30 May 2002 1 CONTENTS: 1. MAIN AIMS AND PLAN OF ACTION 2. PROMOTION OF REPATRIATION 2.1 CREATING CONDITIONS FOR REPATRIATION INTO CROATIA AND BOSNIA AND HERZEGOVINA 2.2 CREATING CONDITIONS FOR RETURN TO KOSOVO 3. PROMOTION OF LOCAL INTEGRATION 3.1 HOUSING 3.2 GRADUAL PHASING DOWN OF COLLECTIVE CENTRES 3.3 EMPLOYMENT 4. LEGAL AND PROPERTY ASPECTS OF LOCAL INTEGRATION AND REPATRIATION; INFORMATION 4.1 REFUGEES 4.2 INTERNALLY DISPLACED PERSONS 6. MEASURES AND ACTIVITIES OF THE GOVERNMENT OF THE REPUBLIC OF SERBIA IN IMPLEMENTING THE NATIONAL STRATEGY FOREWORD The National Strategy for Resolving the Problems of Refugees and the Internally Displaced Persons represents an integral part of the long-term state policy and asserts the commitment of the country to reforms. Successful implementation of the National Strategy in ensuring conditions for local integration and repatriation calls for establishment of concrete mechanisms, instruments and measures at the republican, federal and local levels. It also requires more intensive cooperation with the international agencies and donors and numerous solutions in respect of organisational, legal and financial issues. This daunting task shall be coordinated by the Committee for Refugees, War Affected and Internally Displaced Persons of the Government of the Republic of Serbia headed by th e Vice President Dr Nebojsa Covic. The first results are to be expected in the course of 2002. In view of the enormous costs thereof, the National Strategy shall be presented to the representatives of the international community. -
Memory of the World Register Nomination Form Ref N° 2004-11
MEMORY OF THE WORLD REGISTER NOMINATION FORM REF N° 2004-11 PART A – ESSENTIAL INFORMATION 1 SUMMARY The Miroslav Gospel, a manuscript dating from around 1180 with miniatures of outstanding beauty, is the representative of a group of illuminated manuscripts of specific style and iconography resulting from fusion of elements of the West (Italy) and the East (Byzantium). This Serbian script that the concept of book decoration shares with other Orthodox Slavs and the style with the miniatures originating from mid-Italian scriptoria, is actually one of the most important testimonies of the artistic influences paths made from the West to the East and back. The Miroslav Gospel documents the liturgic structure of the evangelistary and an important stage of development of the Rascian orthography, the importance of which goes beyond the mediaeval Serbia boundaries. The valuable material - parchment and gilding - has been preserved almost completely and documents well the endowment power of Christian princes in the Balkans by the end of the 12th C. By its style which is the mixture of the influences from the West and the East, the Miroslav Gospel is the unique manuscript of its kind in the region, as well as in the world. By its beauty and uniqueness the Miroslav Gospel will influence later other manuscripts of the region, as well as of the Medieval Europe. This manuscript represents the most precious and significant document in cultural heritage in Serbia. 2 DETAILS OF THE NOMINATOR 2.1 Name (person or organisation) Unesco National Commission of Serbia and Montenegro President Mr. Jovan Ćirilov National Museum, Belgrade Mr. -
The Environmental and Evolutionary History of Lake Ohrid (FYROM/Albania): Interim Results from the SCOPSCO Deep Drilling Project
Biogeosciences, 14, 2033–2054, 2017 www.biogeosciences.net/14/2033/2017/ doi:10.5194/bg-14-2033-2017 © Author(s) 2017. CC Attribution 3.0 License. The environmental and evolutionary history of Lake Ohrid (FYROM/Albania): interim results from the SCOPSCO deep drilling project Bernd Wagner1, Thomas Wilke2, Alexander Francke1, Christian Albrecht2, Henrike Baumgarten3, Adele Bertini4, Nathalie Combourieu-Nebout5, Aleksandra Cvetkoska6, Michele D’Addabbo7, Timme H. Donders6, Kirstin Föller2, Biagio Giaccio8, Andon Grazhdani9, Torsten Hauffe2, Jens Holtvoeth10, Sebastien Joannin11, Elena Jovanovska2, Janna Just1, Katerina Kouli12, Andreas Koutsodendris13, Sebastian Krastel14, Jack H. Lacey15,16, Niklas Leicher1, Melanie J. Leng15,16, Zlatko Levkov17, Katja Lindhorst14, Alessia Masi18, Anna M. Mercuri19, Sebastien Nomade20, Norbert Nowaczyk21, Konstantinos Panagiotopoulos1, Odile Peyron11, Jane M. Reed22, Eleonora Regattieri1,8, Laura Sadori18, Leonardo Sagnotti23, Björn Stelbrink2, Roberto Sulpizio7,24, Slavica Tofilovska17, Paola Torri19, Hendrik Vogel25, Thomas Wagner26, Friederike Wagner-Cremer6, George A. Wolff27, Thomas Wonik3, Giovanni Zanchetta28, and Xiaosen S. Zhang29 1Institute of Geology and Mineralogy, University of Cologne, Cologne, Germany 2Department of Animal Ecology & Systematics, Justus Liebig University Giessen, Giessen, Germany 3Leibniz Institute for Applied Geophysics (LIAG), Hanover, Germany 4Dipartimento di Scienze della Terra, Università di Firenze, Firenze, Italy 5CNRS UMR 7194, Muséum National d’Histoire Naturelle, Institut -
This Thesis Has Been Submitted in Fulfilment of the Requirements for a Postgraduate Degree (E.G
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: • This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. • A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. • This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. • The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. • When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Cinematic Representations of Nationalist-Religious Ideology in Serbian Films during the 1990s Milja Radovic Doctor of Philosophy The University of Edinburgh March 2009 THESIS DECLARATION FORM This thesis is being submitted for the degree of PhD, at the University of Edinburgh. I hereby certify that this PhD thesis is my own work and I am responsible for its contents. I confirm that this work has not previously been submitted for any other degree. This thesis is the result of my own independent research, except where stated. Other sources used are properly acknowledged. Milja Radovic March 2009, Edinburgh Abstract of the Thesis This thesis is a critical exploration of Serbian film during the 1990s and its potential to provide a critique of the regime of Slobodan Milosevic. -
Socio-Demographic Characteristics As Determinants of Differences in Perception of Local Gastronomy
SOCIO-DEMOGRAPHIC CHARACTERISTICS AS DETERMINANTS OF DIFFERENCES IN PERCEPTION OF LOCAL GASTRONOMY Review article Economics of Agriculture 1/2017 UDC: 338.48-6:641/642(497.11) SOCIO-DEMOGRAPHIC CHARACTERISTICS AS DETERMINANTS OF DIFFERENCES IN PERCEPTION OF LOCAL GASTRONOMY1 Nikola Vuksanović2, Dragan Tešanović3, Bojana Kalenjuk4, Milijanko Portić5, Marija Knežević6 Abstract This study aims to research differences in socio-demographic characteristics of foreign tourists in consumption of local food in the city centres Belgrade and Novi Sad, Republic of Serbia. The research was conducted on a sample of 673 respondents. The results of this study point out the importance of socio-demographic variables in research of local gastronomy as a significant component of tourism product. The research included the determining of the impact of the city the tourists stayed at. The differences were examined via two-factor ANOVA analysis of variance. The obtained results indicate that there are differences between age groups, in the level of education, monthly income and countries that foreign tourists come from, whereas there is no difference between genders in relation to the perception of local gastronomy. At the same time, the findings indicate that there are no differences in the perception of local gastronomy between the cities of Novi Sad and Belgrade. The results confirm previous studies and point out the significance of socio-demographic characteristics 1 This Research Paper was the part of the projects No. 46009 and 46005, financed by Serbian Ministry of Education, Science and Technological Development. 2 Nikola Vuksanović, M.Sc., Teaching Assistant, Higher education school for management and business communication, Department of Hospitality, Mitropolita Stratimirovića Street no. -
{PDF EPUB} the Successor by Ismail Kadare the Successor by Ismail Kadare
Read Ebook {PDF EPUB} The Successor by Ismail Kadare The Successor by Ismail Kadare. In The Successor Ismail Kadare mines his country's recent history and puts an infamous death into a crucible. In this way, Kadare captures the strangeness of what was Albania's perverse version of an elite community, those close enough to power to be direct psychological captives of its quixotic and ruthless ruler. The Guide, a literary stand in for Enver Hoxha, Albania's community dictator, is the captor here: his appearances and absences, his cryptic utterances, and most frightening, his silences, all fuel the vital obsession among his inner circle-interpreting favor or disfavor. This novel is a riff on the mysterious death of Hoxha's designated successor, Mehmet Shehu, a mystery that gripped Albania when he was found shot at his home in Tirana in 1981. Even belief that his death was suicide didn't indicate lack of suspicion, as many believed that it must have been forced in some way. In the novel, the death heightens the obsession with the dictator's thoughts, but Kadare flattens his characters by giving them no other occupation than Guide reading. Save a few brief pages about the Successor's daughter, whose engagement and wedding are seen as the provocation for the death, and a tantalizing flash of the length an artist will go to for the sake of art, there is scarcely any emotion other than fear. Even in the worst of times, people love and play and philosophize and dream. Kadare interprets the novel as shellac, freezing his characters in essentially one thought, one moment, one emotion. -
The Beginnings of Albanian Fine Art in the Republic of North Macedonia
UDC: Review article THE BEGINNINGS OF ALBANIAN FINE ART IN THE REPUBLIC OF NORTH MACEDONIA Mixhait Pollozhani Departament of Fine Arts, Faculty of Arts Corresponding author e-mail: [email protected] Abstract Albanian fine art in North Macedonia, which begins at the end of the 50s of the twentieth century, undoubtedly depended on the position of Albanians in the country, and not only appears with a great delay, initially it was also manifested with a limited quantitative and stylistic opus compared to the national artistic scene. It should be noted that currently there are used two versions of labeling related to the fine art work of Albanian Macedonian researchers. This entire issue is related to the question whether we can talk about Albanian national art in the Republic of North Macedonia. At first glance, it seems that there is no difference between these two formulations, yet essentially, they differ from each other. However, it is clear that this dilemma is unnecessary since now all the conditions fulfilled. Keywords: Albanian fine art, North Macedonia, founders ___________________________________________________________________________ Political, social and cultural circumstances in the country It should be reminded that the Albanian people during their history have experienced (a)symmetrical fate, be it within their own being or opposite other peoples. The appearance and development of fine art in the Republic of North Macedonia should also be viewedin the context of these circumstances. But Albanian art should not be viewed separately from the general social, political and cultural national developments. Every so often, the Albanians have lived similar fates even with other nations of the Balkan, particularly with the neighboring Slavic nations with whom co (habited) (and a part of Albanians continue to live together even today) for more than a century within the frames of the same Yugoslav state communities, by experiencing and surviving different regimes and political systems. -
BS Ritgerð Í Viðskiptafræði the Differences Between Serbian And
BS ritgerð í viðskiptafræði The differences between Serbian and Icelandic organizational cultures Bojan Desnica Leiðbeinandi: Þóra H. Christiansen, aðjúnkt Viðskiptafræðideild Júni 2013 The differences between Serbian and Icelandic organizational cultures Bojan Desnica Lokaverkefni til BS-gráðu í viðskiptafræði Leiðbeinandi: Þóra H. Christiansen, aðjúnkt Viðskiptafræðideild Félagsvísindasvið Háskóla Íslands Júni 2013 The differences between Serbian and Icelandic organizational cultures Ritgerð þessi er 12 eininga lokaverkefni til BS prófs við Viðskiptafræðideild, Félagsvísindasvið Háskóla Íslands. © 2013 Bojan Desnica Ritgerðina má ekki afrita nema með leyfi höfundar. Prentun: Samskipti Reykjavík, 2013 3 Foreword This thesis was written as a BS-degree thesis in Business Administration at University of Iceland and is considered to be 12 (ECTS) credits. My supervisor was Þóra H Christiansen, adjunct lecturer in Business Administration at University of Iceland. I want to thank my supervisor for the cooperation and advices while writing this thesis. Also I want to thank my family for the patience and support during my studies. May 2013 Bojan Desnica 4 Abstract In the time of global economy, culture is viewed as a general social concept, but holders of global culture are people with different national and cultural identity. On the other hand, companies are developing an organizational culture with the aim of integrating the values and the steering behavior of employees towards common business goals. In this regard, companies have a continuous job to manage cultural diversity. Globalization means the economic, political and cultural process, driven by the desire of large corporations to enter new markets. Organizational culture differs between companies and countries. In terms of global connectivity and market challenges companies are becoming more numerous and complex. -
National Myths in Interdependence
National Myths in Interdependence: The Narratives of the Ancient Past among Macedonians and Albanians in the Republic of Macedonia after 1991 By Matvey Lomonosov Submitted to Central European University Nationalism Studies Program In partial fulfillment of the requirements for the degree of Master of Arts CEU eTD Collection Advisor: Professor Maria Kovács Budapest, Hungary 2012 Abstract The scholarship on national mythology primarily focuses on the construction of historical narratives within separate “nations,” and oftentimes presents the particular national ist elites as single authors and undisputable controllers of mythological versions of the past. However, the authorship and authority of the dominant national ist elites in designing particular narratives of the communal history is limited. The national past, at least in non- totalitarian societies, is widely negotiated, and its interpretation is always heteroglot . The particular narratives that come out of the dominant elites’ “think-tanks” get into a polyphonic discursive milieu discussing the past. Thus they become addressed to alternative narratives, agree with them, deny them or reinterpret them. The existence of those “other” narratives as well as the others’ authorship constitutes a specific factor in shaping mythopoeic activities of dominant political and intellectual national elites. Then, achieving personal or “national” goals by nationalists usually means doing so at the expense or in relations to the others. If in this confrontation the rivals use historical myths, the evolution of the later will depend on mutual responses. Thus national historical myths are constructed in dialogue, contain voices of the others, and have “other” “authors” from within and from without the nation in addition to “own” dominant national ist elite. -
Albanian Literary Circle in Italy by Leka Ndoja 41
Albanian Literary Circle In Italy by Leka Ndoja Abstract Italy's Literary Circle with its creation after the political emigration wave (1945-1990), in the context of Italian - Arbëresh Colony, as a paradigm of the Albanian Literary System during national Revival, was involved in an aggregate of literary and cultural activities. The Literary Circle of Albanian Diaspora in Italy, marked in production, volume, and norm and determined by university institutions of Palermo - Rome - Naples - Bari. Those universities rendered possible the appropriate climate to set up a national literary sub-system model with all systemic components: production, publications and system-creative magazines as Shêjzat [The Pleiades] (august 1957 - 1978), Koha e Jonë [Our Time] (1962-1992); systemic-center authors as: Father Georg Fishta O.F.M.-Ernest Koliqi and Martin Camaj. But, Ernest Koliqi was as the director of the Albanian Studies Institute at Rome University, the master-key of an increasing in the volume of the intercultural activities, as regards the institutional critique, various national celebrations of emigrants, and international symposiums such as the 20th anniversary of the death of Father George Fishta O.F.M.; or the celebrations on the 500th anniversary of the death of Scanderbeg, in Palermo and Rome (1968). But the main merit of Koliqi was to restore a new Albanian Literary Center in the West and the foundation in Rome of Shêjzat literary magazine. The Albanian Rome Literary Circle was the counterpart of the National Center of Tirana and sometimes even an antagonist. Various outstanding achievements in the visual arts were celebrated by the painter Ibrahim Kodra with about 20 international awards, as well as the iconographic painter Lin Delia who took part in some audiences with the Pope Pole VI etc.. -
Interventions by the Roman Republic in Illyria 230 – 167 BC
Interventions by the Roman Republic in Illyria 230 – 167 BC Submitted by Jack James Willoughby, to the University of Exeter as a thesis for the degree of Doctor of Philosophy in Classics, September 2018. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. (Signature) ……………………………………………………………………………… Page 1 of 181 Abstract This thesis aims to determine how and why Rome undertook a series of interventions in Illyria during the period of 230 – 167 BC. The thesis is based on a detailed examination and consideration of the ancient written sources and the subsequent historiography on the subject. The Roman interventions in Illyria during this period have traditionally been treated as a component of wider studies of Roman expansion, although Rome’s involvement in Illyria has recently been examined by Dzino in his 2010 work Illyricum in Roman Politics 229BC-AD68. This work examined the development and integration of Illyricum in Roman political discourse, in which the Roman interventions were a smaller component in the broader study. A study of the Roman interventions in Illyria during the period of 230 – 167 BC has never previously been treated on this scale, nor effectively with a synthesis of the various approaches and pieces of evidence that are now available. -
Freedom and Chaos Contemporary Albanian Literature
FREEDOM AND CHAOS CONTEMPORARY ALBANIAN LITERATURE Robert Elsie Never in Albanian history have there been so many books on the market and never has so much Albanian literature, prose, poetry and other genres, been produced and published. Never has freedom of thought and creativity reigned throughout the Albanian world as it does today. And yet, it is often said that Albanian literature still finds itself in an age of profound crisis, of loss of identity and of disintegration. From the 1980s, when I first started to take an interest in Albanian literature, and up until the end of the 20th century, it was always possible to keep abreast of Albanian-language publications, to know what had been published, virtually every book, and to know what Albanian intellectuals thought of the works and authors in question. The Stalinist dictatorship imploded in 1991 and the Albanians, after forty-five years of total isolation from the rest of the world, as if they had been living on a different planet, found themselves robbed of any chance they might have had at keeping up with the rest of Europe. In material terms, they had been deprived of all but the barest essentials needed to stay alive. It is difficult for the foreign observer to appreciate what the people of Albania went through when the only world they knew, i.e. the awesome political system set up by the communist aristocracy, and the economy and social order which arose with it, collapsed and was initially replaced by... nothing. For writers and intellectuals it was a period of relief, of joy and of apprehension.