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Star Trek: VOYAGER® on DVD
Star Trek: VOYAGER® on DVD Prod. Season/ Box/ Prod. Season/ Box/ Title Title # Year Disc # Year Disc 11:59 217 5/1999 5/6 Elogium 118 2/1995 2/1 37's, The 120 2/1995 2/1 Emanations 109 1/1995 1/3 Alice 226 6/1999 6/2 Endgame, Part I 271 7/2001 828 7/7 Alliances 131 2/1996 2/4 Endgame, Part II 272 7/2001 Alter Ego 155 3/1997 3/4 Equinox, Part I 220 5/1999 5/7 Ashes to Ashes 238 6/2000 6/5 Equinox, Part II 221 6/1999 6/1 Author, Author 266 7/2001 7/5 Ex Post Facto 108 1/1995 1/2 Barge of the Dead 223 6/1999 6/1 Extreme Risk 197 5/1998 5/1 Basics, Part I 142 2/1996 2/7 Eye of the Needle 107 1/1995 1/2 Basics, Part II 146 3/1996 3/1 Faces 114 1/1995 1/4 Before and After 163 3/1997 3/6 Fair Haven 231 6/2000 6/3 Blink of an Eye 233 6/2000 6/3 Fair Trade 156 3/1997 3/4 Bliss 209 5/1999 5/4 False Profits 144 3/1996 3/2 Blood Fever 157 3/1997 3/4 Favorite Son 162 3/1997 3/5 Body and Soul 255 7/2000 7/2 Fight, The 208 5/1999 5/5 Bride of Chaotica! 207 5/1999 5/3 Flashback 145 3/1996 3/1 Caretaker, Part I 101 1/1995 Flesh and Blood, Part I 253 7/2000 721 1/1 827 7/3 Caretaker, Part II 102 1/1995 Flesh and Blood, Part II 254 7/2000 Cathexis 113 1/1995 1/4 Friendship One 267 7/2001 7/6 Child's Play 239 6/2000 6/5 Fury 241 6/2000 6/6 Chute, The 147 3/1996 3/1 Future's End, Part I 150 3/1996 3/2 Cloud, The 106 1/1995 1/2 Future's End, Part II 151 3/1996 3/3 Coda 158 3/1997 3/4 Gift, The 170 4/1997 4/1 Cold Fire 126 2/1995 2/3 Good Shepherd 240 6/2000 6/5 Collective 235 6/2000 6/4 Gravity 205 5/1999 5/4 Concerning Flight 179 4/1997 4/3 Haunting of Deck -
4.5.1 Los Abducidos: El Duro Retorno En Expediente X Se Duda De Si Las
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Diposit Digital de Documents de la UAB 4.5.1 Los abducidos: El duro retorno En Expediente X se duda de si las abducciones son obra de humanos o de extraterrestres por lo menos hasta el momento en que Mulder es abducido al final de la Temporada 7. La duda hace que el encuentro con otras personas que dicen haber sido abducidas siempre tenga relevancia para Mulder, Scully o ambos, como se puede ver con claridad en el caso de Cassandra Spender. Hasta que él mismo es abducido se da la paradójica situación de que quien cree en la posibilidad de la abducción es él mientras que Scully, abducida en la Temporada 2, siempre duda de quién la secuestró, convenciéndose de que los extraterrestres son responsables sólo cuando su compañero desaparece (y no necesariamente en referencia a su propio rapto). En cualquier caso poco importa en el fondo si el abducido ha sido víctima de sus congéneres humanos o de alienígenas porque en todos los casos él o ella cree –con la singular excepción de Scully– que sus raptores no son de este mundo. Como Leslie Jones nos recuerda, las historias de abducción de la vida real que han inspirado este aspecto de Expediente X “expresan una nueva creencia, tal vez un nuevo temor: a través de la experimentación sin emociones realizada por los alienígenas usando cuerpos humanos adquiridos por la fuerza, se demuestra que el hombre pertenece a la naturaleza, mientras que los extraterrestres habitan una especie de supercultura.” (Jones 94). -
Code Name: Immortal
HIGHLANDER IMAGINE CODE NAME: IMMORTAL A NOVEL BY WENDY JONES & LILIANA BORDONI & ANTHONY DE LONGIS FICTION: ACTION & ADVENTURE/ROMANCE/HISTORICAL "This train can't take a Quickening, it will be destroyed! How many people will die because of us?" IT'S SPY VS SPY with Duncan MacLeod of the Clan MacLeod caught in the middle. When Connor suddenly disappears, Annelise’s desperate plea for Duncan to help her find him pulls the Highlander into a deadly game of cat and mouse. Soon, Duncan is face-to-face with the head of the Hunters’ organization and their darkest secrets. Master of the sword, Anthony De Longis weaves a deadly tale of suspense, intrigue and no-holds-barred sword fights between the Mac Leods and those seeking their Quickenings. This work was fully authorized by Davis-Panzer Productions and Studiocanal Films Ltd; however the content is wholly an RK Books original fan creation. “Since when do Immortals need an excuse to kill Watchers?” Annelise snapped. “It was just evening the score for what those people do to you people. I would’ve done the same,” she finished, coldly. Aghast, Duncan did a double take. “Kill Watchers—what are you saying? What score are you talking about?” “I know now who’s responsible for what happened to my brother,” she continued. “Connor promised he would help me free him—he’s on his way there now, but I know it’s a trap. You’ve got to help me, Duncan. Take me to Connor before it is too late for both of them.” Follow Solo Highlander Imagine Code Name: Immortal An RK Books production www.RK-books.com ISBN: 978-0-9777110-6-2 Copyright © January 4, 2018 by Wendy Lou Jones Library of Congress Cataloguing in Publication Data Jones, Wendy Lou Highlander Imagine: Code Name Immortal by Wendy Lou Jones Fiction: Historical │ Mystery Detective / Historical │ Romance / Action & Adventure Library of Congress Control Number: 2017963943 All rights reserved Highlander Imagine Series This work was fully authorized by Davis-Panzer Productions and Studiocanal Films Ltd; however the content is wholly an RK Books original fan creation. -
The Complete Star Trek Voyager Checklist
The Complete Star Trek Voyager Checklist Base Cards # Card Title [ ] 001 The Complete Star Trek: Voyager [ ] 002 SEASON ONE [ ] 003 Caretaker, Part I [ ] 004 Caretaker, Part II [ ] 005 Parallax [ ] 006 Time and Again [ ] 007 Phage [ ] 008 The Cloud [ ] 009 Eye of the Needle [ ] 010 Ex Post Facto [ ] 011 Emanations [ ] 012 Prime Factors [ ] 013 State of Flux [ ] 014 Heroes andDemons [ ] 015 Cathexis [ ] 016 Faces [ ] 017 Jetrel [ ] 018 Learning Curve [ ] 019 SEASON TWO [ ] 020 The 37's [ ] 021 Initiations [ ] 022 Projections [ ] 023 Elogium [ ] 024 Non Sequitur [ ] 025 Twisted [ ] 026 Parturition [ ] 027 Persistence of Vision [ ] 028 Tattoo [ ] 029 Cold Fire [ ] 030 Maneuvers [ ] 031 Resistance [ ] 032 Prototype [ ] 033 Alliances [ ] 034 Threshold [ ] 035 Meld [ ] 036 Dreadnought [ ] 037 Death Wish [ ] 038 Lifesigns [ ] 039 Investigations [ ] 040 Deadlock [ ] 041 Innocence [ ] 042 The Thaw [ ] 043 Tuvix [ ] 044 Resolutions [ ] 045 Basics, Part I [ ] 046 SEASON THREE [ ] 047 Basics, Part II [ ] 048 Flashback [ ] 049 The Chute [ ] 050 The Swarm [ ] 051 False Profits [ ] 052 Remember [ ] 053 Sacred Ground [ ] 054 Future's End, Part I [ ] 055 Future's End, Part II [ ] 056 Warlord [ ] 057 The Q and the Grey [ ] 058 Macrocosm [ ] 059 Fair Trade [ ] 060 Alter Ego [ ] 061 Coda [ ] 062 Blood Fever [ ] 063 Unity [ ] 064 Darkling [ ] 065 Rise [ ] 066 Favorite Son [ ] 067 Before and After [ ] 068 Real Life [ ] 069 Distant Origin [ ] 070 Worst Case Scenario [ ] 071 Displaced [ ] 072 Scorpion, Part I [ ] 073 SEASON FOUR [ ] 074 Scorpion, Part II [ ] -
Darin Morgan – Humbug Eller Ekte Vare?
DARIN MORGAN – HUMBUG ELLER EKTE VARE? Analyse av Darin Morgans episoder i tv-seriene X-Files og Millennium Erik Eikedalen Masteroppgave i Medievitenskap Det Samfunnsvitenskapelige Fakultet Våren 2013 1 Innholdsfortegnelse 1.0 Introduksjon 1.1Introduksjon til prosjektet s.04 1.2Problemstilling og andre forskningsspørsmål s.05 1.3Analyseobjektene s.06 2.0 Introduksjon av tv-seriene 2.1X-Files s.08 2.2Millennium s.10 3.0 Introduksjon av Darin Morgan 3.1Darin Morgan s.12 3.2Morgans Episoder s.13 3.3Morgans påvirkning s.14 3.4Darin Morgan – En tv-auteur? s.14 4.0 Auteurteori 4.1Historie s.15 4.2Cahiers du cinéma s.17 4.3Motstandere s.18 5.0 Auteurteori på tv 5.1Auteurer på tv s.21 6.0 Genreteori – Auteurteoriens arvtager 6.1Genres grammatikk s.25 6.2Genrekonvensjoner s.26 2 7.0 Auteur-strukturalisme 7.1En kritisk konstruert person s.28 7.2Kritikk s.29 7.3Problemer med genreteorien s.31 7.4Auteur- og genreteori i dag s.32 8.0 Analyse av X-Files 8.1Første til tredje sesong s.34 8.2Fjerde og femte sesong s.40 8.3Sjette og syvende sesong s.44 8.4Åttende og niende sesong s.47 9.0 Analyse av Millennium 9.1Første sesong s.49 9.2Andre sesong s.51 9.3Tredje sesong s.53 10.0 Analyse av Darin Morgans episoder 10.1Introduksjon til analysene s.55 10.2Humbug s.56 10.3Clyde Bruckman's Final Repose s.61 10.4War of the Coprophages s.67 10.5Jose Chung's From Outer Space s.70 10.6Jose Chung's Doomsday Defense s.75 10.7Somehow, Satan Got Behind Me s.77 11.0 Konklusjon s.81 12.0 Litteraturliste s.83 3 1.0 Introduksjon 1.1 Introduksjon til prosjektet I 1994 kom det en tv-serie på norske skjermer som fort ble populær i alle aldre. -
Darkest Knight Illumination
Darkest Knight Illumination Darkness. It is not merely the absence of light. For one, it is a permanent state of being. Some claim that a moonless night is the poetic epitome of darkness. They are wrong. Some poor souls who have been trapped underground tell of the oppressive, velvet blackness, of how they whimpered with fear as the encroaching darkness swallowed their sanity within hours. They are closer. There is one being alive who truly knows what darkness is. Has embraced it, welcomed it, even accepted it into his being. He could hardly do otherwise. For longer than any normal man could imagine, he has lain alone, in a clay coffin the precise size and dimensions of his body. For an eternity he has been held in stasis, as the rigid slate around him prevented him from moving; even prevented him from breathing. Not that, to this being, being prevented from breathing was anything more than an annoyance. His ancient heart still beat strongly, exactly as strongly as it had for thousands of years, pumping blood with no oxygen around his body. His muscles had not atrophied, nor would they, no matter how long he remained trapped in the eternal darkness. One thing, and one thing alone allowed this being to focus his mind, to keep the hounds of insanity at bay. Hatred. And with it, a deep, smouldering desire for revenge. Suddenly, like the birth of a star, the earth shuddered, and the darkness finally broke. The bright yellow vehicle drew to a halt outside an antiques store on Hudson Street. -
White Rabbit
Dargelos White Rabbit A Chronicle of the Old Dead Guys Bound in Leather Press Chicago Glen Ellyn Dedicated to the memory of Bill Reynolds Long ago, it must be, I have a photograph. Preserve your memories, they’re all that’s left you. Paul Simon, Bookends Theme 2 Introduction If you remember the sixties, you weren’t there. For those old enough to remember the Old Dead Guys, the name alone is synonymous with an entire era. For me, at least, they summed up the sixties in a way few other bands could do, and even though they never became as widely known as bands like the Beatles or the Rolling Stones, I believe that had they not broken up when they did, they might well have achieved the fame they deserved within a very short time. This is not an “official” biography of the group by any means, though I did have access to a great deal of material that belonged to band members, and much which has been out of circulation for nearly three decades. For that I would like to thank my sources, most of whom prefer to remain anonymous. However, two of them I can thank publicly: Michael Altman was a great help to me in compiling and interpreting this material. He gave me access to unpublished material which has shed a lot of new light on the group and its members; in order to be clear on exactly what it is you’re reading, please see Michael’s note which follows this introduction. Sydney Ember, who has been incredibly kind and supportive of this effort, gave me complete access to his superb collection of ODG memorabilia as well as sharing a great many memories of the group with me. -
Iranians and Greeks After 90 Years: a Religious History of Southern Russia in Ancient Times*
doi: 10.2143/AWE.10.0.2141816 AWE 10 (2011) 75-159 IRANIANS AND GREEKS AFTER 90 YEARS: A RELIGIOUS HISTORY OF SOUTHERN RUSSIA IN ANCIENT TIMES* CASPAR MEYER Abstract This introductory essay places Rostovtzeff’s interpretative model of northern Black Sea archaeology in the context of contemporary historical imagination in Russia and Europe. The discussion focuses in particular on Rostovtzeff’s approach to Graeco-Scythian metal- work, as pioneered in his 1913 article on ‘The conception of monarchical power in Scythia and on the Bosporus’, and the possibilities which religious interpretation of the objects’ figured scenes offered in developing the narrative of cultural fusion between Orientals and Occidentals best known in the West from his Iranians and Greeks in South Russia (1922). The author seeks to bring out the teleological tendencies of this account, largely concerned with explaining Russia’s historical identity as a Christian empire between East and West. I think that it is good for people to read Rostovtzeff, even where he isn’t quite up-to-date. (C. Bradford Welles) Western specialists of northern Black Sea archaeology have a particular reason to welcome the recent proliferation of print-on-demand publishing. Not so long ago, the most influential synthesis of the region’s history and archaeology in the Classi- cal period, Michael Ivanovich Rostovtzeff’s Iranians and Greeks in South Russia (Oxford 1922), realised exorbitant prices on the antiquarian book market, beyond the reach of most students and many university academics. Its status as a biblio- phile treasure was assured by the fact that, in contrast to Rostovtzeff’s other major works, Iranians and Greeks had never been reprinted by his preferred publisher, Clarendon Press at the University of Oxford. -
ACTORS and ACTRESSES WHO HAVE ... -.:: GEOCITIES.Ws
ACTORS AND ACTRESSES WHO HAVE APPEARED WITH GABRIELLE MILLER NAME PRODUCTION CHARACTER A.J. Buckley The Disappearance of Vonnie Robbie Aaron Douglas Breaking News Greg Johnson Aaron Douglas Inspectors 2: A Shred of Evidence Worker Aaron Douglas Just Cause: Hide and Seek Aaron Feser Corner Gas Assistant Aaron Joseph In The Doghouse Zee Aaron Pearl Outer Limits: From Within Clark Aaron Pearl Voyage of Terror Randy Haynes Aaron Smolinski The Sentinel: Smart Alec Jaron Howell Adam Hann-Byrd Digger Digger Adrian Paul Highlander Duncan MacLeod Adrien Dorval Dead Man's Gun Heckler (segment "The Great McDonacle") Ahnee Boyce Madison: Bad Girls Dee-Dee Aidan Drummond The Collector Gabriel Slate Aidan Pendleton The Disappearance of Vonnie Debby Ajay Karah Sliders: Summer of Love Seeker Aki Aleong Breaking the Surface (Louganis) Dr. Sammy Lee Akiko Morison As Time Runs Out News Anchor #2 (as Akiko Ann Morison) Alan Bratt Corner Gas Man Alan C. Peterson Judgment Day: The John List Story Pete DiCicco Alan Scarfe Highlander: Rite of Passage Craig Alan Simpson Pasadena Henry Bellow Alex Bruhanski Neon Rider: Where the Buffalo Roam C.C. Dechardon (1991-1994) Alex Diakun Da Vinci's Inquest Chick Savoy Alex Diakun Dead Man's Gun Crandall (segment "Fool's Gold") Alex Diakun Starlight Pallas Alex Zahara The Immortal: Forest for the Trees Demon Assistant Alexa Gilmour Highlander: Rite of Passage Sharon Alexander Pollock Floating Away Bret (Kyle) Alexander Pollock Video Voyeur: The Susan Wilson Story Orin Wilson Alexandra Purvis Marine Life Adele Nordstrom Alexandra Purvis Poltergeist - The Legacy: The Covenant Katherine 'Kat' Corrigan Alexandra Purvis The Disappearance of Vonnie Amy Pickman Alexis Ioannidis Marine Life Chloe Alf Humphreys Breaking News Robert Jenkins (as Alfred E. -
Fantastic Beasts of the Eurasian Steppes: Toward a Revisionist Approach to Animal-Style Art
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2018 Fantastic Beasts Of The Eurasian Steppes: Toward A Revisionist Approach To Animal-Style Art Petya Andreeva University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Asian Studies Commons, and the History of Art, Architecture, and Archaeology Commons Recommended Citation Andreeva, Petya, "Fantastic Beasts Of The Eurasian Steppes: Toward A Revisionist Approach To Animal- Style Art" (2018). Publicly Accessible Penn Dissertations. 2963. https://repository.upenn.edu/edissertations/2963 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/2963 For more information, please contact [email protected]. Fantastic Beasts Of The Eurasian Steppes: Toward A Revisionist Approach To Animal-Style Art Abstract Animal style is a centuries-old approach to decoration characteristic of the various cultures which flourished along the urE asian steppe belt in the later half of the first millennium BCE. This astv territory stretching from the Mongolian Plateau to the Hungarian Plain, has yielded hundreds of archaeological finds associated with the early Iron Age. Among these discoveries, high-end metalwork, textiles and tomb furniture, intricately embellished with idiosyncratic zoomorphic motifs, stand out as a recurrent element. While scholarship has labeled animal-style imagery as scenes of combat, this dissertation argues against this overly simplified classification model which ignores the variety of visual tools employed in the abstraction of fantastic hybrids. I identify five primary categories in the arrangement and portrayal of zoomorphic designs: these traits, frequently occurring in clusters, constitute the first comprehensive definition of animal-style art. -
Escapade 25Th Anniversary Fanzine a Multi-Media Anthology Copyright © March 2015 by Escapade
Blake’s Penguins Escapade 25th Anniversary Fanzine a multi-media anthology copyright © March 2015 by Escapade. Copyright not intended to infringe on any legally existing copyrights or trademarks held by any person or corporation. This publication is printed under 17 U.S. Code section 107 citing Fair Use. These works are transformative, adding new meaning and messages to the original; they are limited, not copying the entirety of the original [work(s)]; and they do not substitute for the original work(s). Table of Contents Drifting by Astolat [Person of Interest x] ............................. 1 The Plan by Natasha Solten [Wiseguy] .................................................. 18 Pseudacris Crucifer by Franzeska [Veritas] .......................................... 22 One Night in LA by Raine Wynd [Highlander] ..................................... 26 As the Years Multiply by PFL [The Professionals] ................................ 31 Comet by Devo [Highlander] .................................................................. 41 An Offer in the Form by Charlotte C. Hill [Almost Human] ................ 44 The 12 (and more) years of Escapade by Anonymous ........................... 72 Under The Stairs by Dovya Blacque [Sentinel] ..................................... 75 Brazen it Out by Megan Kent [MCU] .................................................... 84 Intervention by Glacis [Multi] ................................................................ 94 Moving Up by KatBear [Star Trek] ..................................................... -
Highlander Imagine: Beyond Infinity
Duncan MacLeod becomes embroiled in an adventure, which takes him to the Temple of the Feathered Serpent in Teotihuacán. Having purchased a rare set of ancient South American llama statues, Duncan is unaware of their ritual significance to an immortal Olmec, named Kawill, who intends to repeat a dark ritual, written on a codex in the Olmec language, and stop time, as the Aztecs understood it. Can Duncan stop this Immortal before time is up? Highlander Imagine: Beyond Infinity Order the complete book from Booklocker.com http://www.booklocker.com/p/books/8660.html?s=pdf or from your favorite neighborhood or online bookstore. Enjoy your free excerpt below! “This is impossible!” Paula exclaimed. “It’s just superstition and primitive ignorance— nothing more. It can’t be real.” “But what if it is?” Kawill asked quietly. “What if there is a great beyond?” “There is no such thing,” Paula insisted. Kawill grinned to himself as he rose. “Maybe you’re right,” he replied, patronizingly, “here,” and he pulled the llama statues from the disk, “take these talismans back to MacLeod, where they belong—I took them to perform a primitive, superstitious ritual that has no meaning in our twentieth-century. I’m just a foolish, sick man, ashamed of my ignorance.” Paula stepped in front of the man she had once held in dread and grabbed his arm, halting him. Her eyes passed from the large Aztec calendar to the codex on the table before her. “It cannot be real,” she said emphatically, trying to deny any trace of the words she had just read.