DOCSLIB.ORG

EN BANDEJA DE PLATA (1966) EE.UU. 126 Min

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
EN BANDEJA DE PLATA (1966) EE.UU. 126 Min VIERNES 25 21‘30 h. Aula Magna de la Facultad de Ciencias EN BANDEJA DE PLATA (1966) EE.UU. 126 min. Ttulo Orig.- The fortune cookie. Dire tor.- Billy Wilder. Gui"n.- I.A. Diamond y Billy Wilder. Fotografa.- Joseph aSalle (B/N-Panavision). Monta(e.- Daniel Mandell. M)si a.- Andr, Previn. Produ tor.- Billy Wilder. Produ i"n.- Phalan- Prod.-Jalem Prod.-Mirisch .o. para United Artists. Int,rpretes.- Jack emmon (Harry Hinkle), Walter Matthau (Willie Gingrich), 0on 0ich (—Boom Boom“ Jackson), .liff 1smond (Purkey), Judi West (Sandy Hinkle), urene Tuttle (sra. Hinkle), 2arry 2olcombe (O‘Brien). v.o.s.e. 1 Oscar Actor de reparto (Walther Matthau). 3 candidaturas Gui'n Original, Fotograf+a y ,irecci'n Art+stica para film en b.n (Robert 0uthardt 1 2d3ard G. Boyle). Msica de sala: La extraa pareja (The odd couple, 1968) de Gene Saks Banda sonora original de Neal Hefti El autor de comedias neoyorkino, Neil Simon, cuyos ,-itos en Broadway a menudo ,l mismo traslad5 a guiones, consigui5 un gran ,-ito, en 1976, con Walter Matthau y Jack emmon en 8 a e-tra9a pare:a;, la historia de dos amigos, uno de los cuales, despu,s de su divorcio, busca refugio en el otro y que a partir de ah= no cesan de atacarse los nervios mutuamente; es un argumento a prueba de bomba para una pare:a de c5micos. En 1968, Jack emmon (Feli4) y Matthau (Oscar) representaron en la pantalla a esa e-tra9a pare:a en el film hom5nimo de Gene Saks. El peculiar 8cuerpo a cuerpo; de ambos se hiAo e-traordinariamente popular. Aquella pare:a de c5micos, en la que Matthau asum=a siempre el elemento robusto, c=nico y fuerte, y emmon era siempre el mBs ingenuo, el mBs d,bil y el mBs infeliA de los dos, intervino en otras tres comedias posteriores de Billy Wilder, siendo la primera EN BANDEJA DE PLATA. Ca en .on faldas y a lo lo o Tony .urtis hab=a encarnado al 8gemelo; mBs desconsiderado y al parecer mBs realista. emmon ser=a la continuaci5n de Stan aurel, con otros medios. DC MatthauE A veces se tiene la impresi5n de que su mirada melanc5lica reproduce la mirada de perro de 1liver 2ardy. EN BANDEJA DE PLATA, Wilder consigui5 a ambos para una comedia-sobre-gente- insignificante. Se trataba de la historia de un ceniAo a quien su cu9ado quiere convertir en un hombre de suerte, naturalmente con un resultado catastr5fico. 1 me:or: con un e-traordinario fracaso. a idea se le ocurri5 a Wilder -a quien le encantaba seguir apasionadamente las noticias deportivas en la televisi5n- mientras ve=a un partido de fGtbol. —Walter Matthau fue como un chorro de tabasco en la pel+cula y Judi West, 5ue interpretaba a la mu6er 5ue ha abandonado al fracasado 0emmon y 5ue a la vista de las posibilidades de recibir mucho dinero vuelve a su lado, fue otro chorro de tabasco. 8aturalmente en este caso toda la estructura era menos divertida 5ue en El apartamento. 2n esta se trataba del placer de tres o cuatro personas 5ue, constantemente y a cual5uier precio, 5uer+an 6oder, y en EN BANDEJA DE PLATA se trata solo de dinero. 9 eso proporciona menos satisfacci'n. Tambi;n la decisi'n en favor de la verdad 5ue 0emmon toma en ambos casos es en 2l apartamento m<s forzosa y menos dif+cil“. Te0to1 Billy Wilder 1 Hellmuth Karasek, Nadie es perfe to, Mondadori, 2000 Billy Wilder superar=a el traspi,s taquillero de B,same, tonto con su siguiente film, EN BANDEJA DE PLATA, que al contrario que el anterior tuvo un funcionamiento comercial mucho me:or a pesar de seguir las mismas pautas de la mayor=a de las comedias de su director: empleo del blanco y negro, traAado realista de persona:es y ambientes, y una mirada demoledora sobre diversos aspectos arraigados en la mBs estricta cotidianidad. Al igual que en El apartamento, 4no, dos, tres y B,same, tonto, la obsesi5n por aquello que suele llamarse 8el triunfo;, consistente en ganar rBpidamente mucho dinero por la v=a del ascenso profesional en una gran empresa o del ,-ito en una actividad popular bien remunerada, es lo que mueve la acci5n de EN BANDEJA DE PLATA. Pero, a diferencia de pobres desgraciados como el Ba4ter de El apartamento o el Orville de B,same, tonto - en el fondo incapaces de llevar sus ambiciones hasta sus Gltimas consecuencias-, Willie Gingrich (Walter Matthau), el persona:e arribista de EN BANDEJA DE PLATA es, en cierto sentido, un ,mulo del Mc8amara de 4no, dos, tres: un manipulador que se vale de su profesi5n de abogado para, al igual que el director de la filial de .oca-.ola, alterar la apariencia de los hechos en su propio beneficio. En ambos casos, tanto las maniobras de Mc8amara para convertir al :oven comunista radical en un arist5crata con vistas a asegurarse un cargo directivo como las de Gingrich para sacar la mayor ta:ada posible de una indemniAaci5n por las lesiones supuestamente incurables infligidas a su propio cu9ado, el reportero Harry Hinkle, se saldarBn con un rotundo fracaso por culpa del 8factor humano;: Mc8amara perderB el puesto de traba:o que anhelaba en beneficio del yerno que ,l mismo ha 8creado; para contentar a su :efe, y Gingrich perderB su e-pectativa de lucrarse a causa de la imposibilidad de mantener la farsa por parte de Harry. No de:a de resultar chocante que John 2uston pase por ser el cineasta del fracaso por antonomasia, siendo as= que la filmograf=a de Wilder, tanto sus comedias como sus pel=culas dramBticas, contiene un complet=simo catBlogo de sue9os rotos, anhelos destruidos y frustraciones variadas. Sir ir mBs le:os, hay en EN BANDEJA DE PLATA una cierta sensaci5n como de determinismo propiciada por la inserci5n de hasta diecis,is r5tulos que, a modo de cap=tulos, van delimitando las distintas fases del relato, conduci,ndolo hacia su sarcBstica conclusi5n. A pesar de todo no hay en Wilder el menor asomo de moralismo, ni tan siquiera de fatalismo, sino la mera constataci5n de la imprevisibilidad de la conducta humana: ningGn sue9o o ambici5n, ningGn plan, maniobra o maquinaci5n pueden ser seguros al cien por cien si estBn en manos de seres humanos. Ni siquiera tratBndose de alguien tan poco 8humano; (o segGn como se mire, 8demasiado humano;) como Willie Gingrich, sin duda el gran persona:e de EN BANDEJA DE PLATA; no s5lo gracias a la admirable interpretaci5n de Walter Matthau -creador de un prototipo que este gran actor repetir=a en numerosas ocasiones posteriores, entre ellas para el propio Wilder en Primera plana-, sino tambi,n por la espl,ndida caracteriAaci5n que del mismo brinda el realiAador: v,ase su manera de robar las monedas de un bote de donativos para las madres solteras (sic) cuando necesita cambio para telefonear, su Bcida opini5n sobre Abraham incoln (8buen presidente y mal abogado;), o la aut,ntica representaci5n teatral que lleva a cabo en el reducido espacio de su penoso despacho mientras negocia el monto de la indemniAaci5n con los demandados. A pesar de que, en buena medida, EN BANDEJA DE PLATA 8es;, sobre todo, Gingrich y sus artima9as legales, su ruindad y su cinismo, fruto de su agudo conocimiento de lo peor de las personas (no resisto la tentaci5n de citar una de sus frases lapidarias: —2l matrimonio es como el e6;rcito. Todo el mundo reniega de ;l, pero te sorprender+a ver cu<ntos se reenganchan“), lo cierto es que la pel=cula no descuida, ni mucho menos, otros aspectos de inter,s. EstB, por un lado, la relaci5n de sincera amistad que se establece entre Harry y 0uther —Boom Boom“ Jackson (0on 0ich), el :ugador de fGtbol americano que le lesion5 accidentalmente y que, ignorante del timo de Gingrich, cree que ha de:ado a Harry paral=tico: a partir de ese momento, un remordido —Boom Boom“ se entregarB en cuerpo y alma al cuidado de Harry, aGn a costa de malograr su propia carrera deportiva y de empeAar a darse a la bebida. Por otro lado, estB la reaparici5n en la vida de Harry de su e--esposa, Sandy (Judi West), atra=da por un falso sentimiento de piedad que no esconde sino la avaricia ante la posibilidad de sacar ta:ada del plan del abogado. a descripci5n de la relaci5n paralela de Harry con 8Boom Boom; y con Sandy proporciona la clave del film: en ella reside el germen de la reacci5n final de Harry quien, harto de la farsa, la arruinarB demostrando que no estB invBlido. o que EN BANDEJA DE PLATA sugiere de una manera ciertamente elegante es que, en realidad, la aut,ntica 8historia de amor; de la pel=cula es la que e-iste entre Harry y 8Boom Boom;: este Gltimo le regala al primero una costosa silla de ruedas y luego dedica la mayor parte de su tiempo a cuidarle, hacerle compa9=a y prepararle la comida, convirti,ndose de hecho en una especie de 8esposa; de Harry. as escenas que comparten ambos hombres guardan, en este sentido, raAonables ecos del tono delicado y respetuoso que dominaba las que protagoniAaban Ba4ter y Fran en El apartamento, y Wilder tiene el acierto de no cargar las tintas en esta ir5nica variante de sus propios postulados. Por el contrario, en lo que se refiere al persona:e de Sandy, Wilder de:a bien claro ya desde su presentaci5n -conversando con tel,fono con Harry mientras que, detrBs suyo, se intuye la presencia de su Gltimo amante en la ducha- que la mu:er va a actuar en el relato movida por un inter,s que nada tiene que ver con el amoroso.
Load more

Recommended publications
  • Highlands Cleaners and Laundry
    THE GAUX W S AUGUST 35 1967 PAGE 17 Highlands Cleaners and Laundry Phone 526--2136 GOOD CLEANING GIVES A SMART APPEARANCE LOWEST PRICES FOR QUALITY FURNITURE "THE FORTUNE COOKIE" EARLY AMERICAN REPRODUCTIONS "The Fortune Cookie", a MLrisch Cor­ poration presentation in Panavision play­ IN Cherry - Maple - P i n e ing Wednesday, August 9th, at the GALAX THEATRE, is six-time-Academy-Ai^ard winning ANTIQUE GLASS PATTERNS Billy Wilder's latest comedy caper. Starring Jack Lemmon and Walter Mat­ thau, the fun-for-all starts when a TV SPRINGS AND MATTRESSES cameraman gets tran^led by a galloping football player — then sues everybody he LAMPS - GIFTS can think of for a million dollars 1 Ron Rich and Cliff Osmond are featured PICTURES - RUGS in the farce, which introduces Judi West. Wilder both produced and directed and al­ so co-authored the script with longtime partner, I.A.L. Diamond, Andre Previn, (ROTARY OTS, CONTINUED MIOM PAGE FIVE) who earned one of his three Academy A- programs before, and they are always ex­ wards for the music in another Wilder cellent. On the final Tuesday of August, film, "Irma La Douce," scored "The For­ the 29th, Rotarian Nathan Sharp, of Nash­ tune Cookie", ville, Tennessee, who is spending some time at Highlands Country Club, iid.ll pre­ sent a program on Rhodesia, August 3! 3sOO p.m. - Tour of the Botan­ With programs of this magnitude, the ical Garden. Miss fc'tin Wadeqitz, High­ August meetings should produce record at- lands Biological Station, leader# tnedance in both local members and visit­ ing Rotarians.
    [Show full text]
  • 132Nd Brigade Conducts Annua Toy Drive
    u' ' Volume 1 Number 40 Published in the interest of personnel at Fort Leonard Wood. Thursday, October 22, 1987 132nd Brigade conducts annua toy drive By Jeffrey Peyton to the back of the closet, now "Before we give any toy to any year, but the project is a brigade given to needy families. we get the toys, the sooner they can restuffed, with eyes sewn on. The child, we make it safe," he said. effort. The entire brigade lends a be repaired and palnted, but we'll Imagine what it would be like for a 132nd Engineer Brigade imagines "For instance, a bicycle may need a hand in dressing the dolls when they "If anyone living off-post wishes to take toys as long as someone is child to awaken Christmas morning come in. And that each year. And every year, one new tire, or it may be rusty so it may Quartermaster donate to the toy drive, they can willing to donate." and find nothing under the Christ- battalion within the brigade spon- need a paint job." Laundry has agreed to clean all leave their toys at the Commissary, mas tree. Imagine the look on a sors a "Toy Drive" to collect enough SSgt. Daniel J. Campbell, a drill cloth toys for us free of charge. Main Exchange, or PX gas station Anyone wishing to donate to the child's face to find his stocking toys to give every child an exciting "When we turn the toys over to sergeant in the battalion, has Saturday and we'll pick them up 132nd Brigade Toy Drive can call empty.
    [Show full text]
  • Star Channels, June 9-15
    staradvertiser.com JUNE 9 - 15, 2019 CALIFORNIA SCHEMIN’ Jane (Shailene Woodley), Madeline (Reese(Reese Witherspoon)Witherspoon),, CelesteCeleste (Nicole(Nicole Kidman)Kidman), Bonnie (Zoë Kravitz) and Renata (Laura Dern) are back when Big Little Lies returns for a second season. The legendary Meryl Streep joins the already stellar cast as a mother searching for answers about her son’s death. Airing Sunday, June 9, on HBO. WE EMPOWER YOUR VOICE, BY EMPOWERING YOU. Tell your story by learning how to shoot, edit and produce your own show. Start your video training today at olelo.org/training olelo.org ON THE COVER | BIG LITTLE LIES Secrets and lies The powerhouse cast of ‘Big Little Lies’ welcomes a familiar face for Season 2 By Kenneth Andeel noteworthy cast began to grow. A additional these women, along with others who seem at TV Media stars signed on, including Shailene Woodley first to be antagonists, come together in a mo- (“Divergent,” 2014), Zoë Kravitz (“Mad Max: ment of great need to resolve a serious case hen the Season 1 finale of “Big Little Fury Road,” 2015) and Laura Dern (“Jurassic of abuse. They kill a man. Lies” aired last year on HBO, few were Park,” 1993), who filled out the group of women It’s here that the story diverges from the Wexpecting it to return for a second central to the story’s plot. source material. In the novel, the woman who season. Not because it wasn’t worthy — the Supporting cast members included does the actual killing admits to her actions show did exceptionally well, and raked in Alexander Skarsgård (“True Blood”), Adam immediately and turns herself in, despite her the accolades during awards season — but Scott (“Parks and Recreation”), Kathryn friends agreeing to lie on her behalf.
    [Show full text]
  • Download Document
    Filmoteca de Andalucía Sala Val Del Omar Programación MAY 2018 ciclo MAY MIÉ JUN VIE BIllY WIlDER 30 20:30 01 18:00 En bandeja de plata Billy Wilder. EEUU. 1966. 125 min. ByN. v.o.s.e. COMENTARIO El maestro Billy Wilder rodó en 1966 En bandeja de plata (The for - tune cookie ), una comedia protagonizada por nada más y nada menos que Jack Lemmon y Walter Matthau, quien obtuvo el Oscar a mejor actor secundario. El guión venía de la mano del mismo director colaborando con I.A.L Diamon y el resultado fue una diver - tida crítica a las ambiciones económicas y el mundo de las compa - ñías de seguros. El argumento nos presenta al ingenuo e influenciable Harry Hinkle, interpretado por el siempre perfecto Jack Lemmon, un cámara de televisión todavía enamorado de su exmujer que sufre una conmo - ción al chocar con un futbolista en mitad de un partido. Entonces aparece en escena Willie Gingrich (Walter Matthau), su cuñado, un abogado sin escrúpulos que le convence para fingir que su acci - FICHA TÉCNICA dente le ha provocado daños graves. Todo eso, con el propósito de Título original: The Fortune Cookie. cobrar una gran indemnización. Título español: En bandeja de plata. Nacionalidad: EEUU. Año de producción: 1966. A ellos dos se le suman la familia de Harry, su hermana y esposa Dirección: Billy Wilder. de Willie y la madre, quien al principio puede resultar graciosa Guión: Billy Wilder, I. A. L. Diamond. pero después de verla llorar durante dos horas termina siendo bas - Producción: United Artist.
    [Show full text]
  • Mexico Film Industry Takes Part in 42 Int'l Film Fests to Spark Worldwide
    Wed, May 8,1974 I.I INTERNATIONAL Afda/Efr Mexico Film Industry Takes Israel Developing Six Int'l Actors In Manila Part In 42 Int'l Film Fests Auxiliary Aids To To Do 'Pacific Connection/ Dubbing, Filming By JACK PITMAN Three With Hollywood Roots To Spark Worldwide Deals London, May 7 — Zinkoe Prods., BySAMASKINAZY multilingual dubbing and postpro- By AARON PINES Mexico City, May 7—The local film industry spent 1,000,000 pesos ($80,- duction facility in Tel Aviv, is per• Manila, May 7—Six international film actors arrived to make a pic 000) during 1973 participating in 42 international film events where more haps typical of the embryonic here, met the press and talked on various topics—from streaking and than 70 features and 20 shorts turned out here were shown, per National satellite industry developing in international film trends to bullfighting and samurai swords. Film Bank director Rodolfo Echeverria, who hosted a recent luncheon Israel spurred by the inception of a The six, all toplined in "The here for local and foreign press at ChurubuscoStudios domestic tv service and the spurt 12 swords to be used in the film), For the current year, he added, Pacific Connection," a multimil- in film production there. lion-peso Nepomuceno production, said: "Streaking is exciting." the schedule calls for the nine Headed by Pennsylvania-born are Hollywood's Gilbert Roland, Roland, who plays the role of events already held plus another 40 Mexico Pix Sent Harry Zinder, who started the John Drew Barrymore, Dean Allan, the father of the principal scheduled throughout the world, company three years ago, Zinkoe Stockwell and Cole Mallard; character in "The Pacific Connec• including international festivals is chiefly into dubbing of Israeli Japan's Hiroshi Tanaka, and tion," asked producer Luis Nepo• and film weeks devoted to Mexican To Latin America features from Hebrew to English, Argentina's Alejandro Rey muceno how he would die in the cinema.
    [Show full text]
  • 1 Marzo 2008 in Collaborazione Con LAB 80 Bergamo
    Omaggio a “Billy Wilder, vecchia volpe libidinosa…” BillyWild(FrançoiseTruffaurt) 8 gennaio – 1 marzo 2008 in collaborazione con LAB 80 Bergamo Circolo del cinema Bellinzona Cinema Forum 1+2 mar 8 gennaio, 20.30 Double Indemnity La fiamma del peccato, 1944 mar 15 gennaio, 20.30 Love in the Afternoon Arianna, 1957 sab 19 gennaio, 18.00 Witness for the Prosecution Testimone d’accusa, 1957 mar 22 gennaio, 20.30 One, Two, Three Uno, due, tre, 1961 sab 26 gennaio, 18.00 Circolo del cinema Locarno Kiss Me, Stupid! Cinema Morettina Baciami, stupido!, 1964 LuganoCinema 93 ven 11 gennaio, 20.30 Cinema Iride mar 29 gennaio, 20.30 Double Indemnity The Fortune Cookie mar 8 gennaio, 20.30 La fiamma del peccato, 1944 Non per soldi… ma per denaro, 1966 Love in the Afternoon ven 18 gennaio, 20.30 Arianna, 1957 mar 12 febbraio, 20.30 Love in the Afternoon Sunset Boulevard gio 10 gennaio, 20.30 Arianna, 1957 Viale del tramonto, 1950 Double Indemnity lun 21 gennaio, 20.30 La fiamma del peccato, 1944 mar 19 febbraio, 20.30 Witness for the Prosecution The Seven Year Itch gio 17 gennaio, 20.30 Testimone d’accusa, 1957 Quando la moglie è in vacanza, 1955 Witness for the Prosecution ven 25 gennaio, 20.30 sab 23 febbraio, 18.00 Testimone d’accusa, 1957 Kiss Me, Stupid! Some Like It Hot mar 22 gennaio, 20.30 Baciami, stupido!, 1964 A qualcuno piace caldo, 1959 Kiss Me, Stupid! lun 28 gennaio, 20.30 sab 1 marzo, 18.00 Baciami, stupido!, 1964 The Fortune Cookie The Apartment gio 24 gennaio, 20.30 Non per soldi… ma per denaro, 1966 L’appartamento, 1960 One, Two, Three ven 15 febbraio, 20.30 Uno, due, tre, 1961 Sunset Boulevard » h c t Viale del tramonto, 1950 I r a gio 31 gennaio, 20.30 e Y n e v lun 18 febbraio, 20.30 e The Fortune Cookie S e Non per soldi… ma per denaro, 1966 h T Some Like It Hot « e l A qualcuno piace caldo, 1959 a n i g i r o o t ven 22 febbraio, 20.30 s e f i n a The Apartment m n L’appartamento, 1960 u a d a t Entrata: fr.
    [Show full text]
  • Rating Guide Ty Hungerford
    ADAM’S RIB 5555 Romance-Com- light. Tammin Sursok, Travis Van Winkle, edy Married lawyers clash in and out of Tiffany Hines, Stephen Boss. (2:00) ’15 court over a woman’s right to shoot her HALL 185 Jan. 8 2p husband and his lover. Spencer Tracy, The Adventures of Huckleberry Finn Perrey Reeves, Kim Shaw, Gord Rand, Katharine Hepburn, Judy Holliday, Tom 555 Comedy-Drama Mark Twain’s boy 9 A Kristin Booth. (TV14, 2:00) ’20 LMN 109 Ewell. (NR, 1:41) ’49 TCM 132 Jan. hero rafts the Mississippi with slave Jim 19 10p Aaliyah: The Princess of R&B Jan. 21 12p and meets a bogus king and duke. Tony 55 Docudrama The story of the Abduction 56 Action A young man must The Addams Family 556 Comedy Randall, Eddie Hodges, Archie Moore, A Gomez, Morticia and their ghoulish house- Patty McCormack. (NR, 1:47) ’60 TCM music sensation, from her discov- run for his life soon after learning that the ery on the TV show Star Search folks who raised him are not his real par- hold are prey to a scam involving long-lost 132 Jan. 30 12p to her tragic death in a plane crash. Alex- ents. Taylor Lautner, Lily Collins, Alfred Uncle Fester. Anjelica Huston, Raul Julia, The Adventures of Pluto Nash 5 andra Shipp, Rachael Crawford, Sterling Molina, Jason Isaacs. (1:50) ’11 EPIX 380 Christopher Lloyd, Dan Hedaya. (PG-13, Comedy In the future, the owner of a Jarvis, A.J. Saudin. (TVPG, 2:00) ’14 LIFE Jan. 29 5:15a, EPIXHIT 382 Jan.
    [Show full text]
  • The MGM Soundtrack Treasury
    FSM Box 03 The MGM Soundtrack Treasury Supplemental Liner Notes Contents The Apartment 1 The Fortune Cookie 3 How to Murder Your Wife 4 Duel at Diablo 7 The Russians Are Coming, The Russians Are Coming 9 The Fugitive Kind 11 A Rage to Live 15 Goodbye Again 17 The Happy Ending 21 Billion Dollar Brain 26 Shake Hands With the Devil 31 The Charge of the Light Brigade 35 The Honey Pot 37 Pussycat, Pussycat, I Love You 40 The Hills Run Red 43 Hornets’ Nest 45 The 7th Dawn 47 The Glory Guys 50 Hannibal Brooks 53 The Final Option 56 Liner notes ©2008 Film Score Monthly, 6311 Romaine Street, Suite 7109, Hollywood CA 90038. These notes may be printed or archived electronically for personal use only. For a complete catalog of all FSM releases, please visit: http://www.filmscoremonthly.com The Apartment © P 1960, 2008 Metro-Goldwyn-Mayer Studios Inc. The Fortune Cookie © P 1966, 2008 Metro-Goldwyn- Mayer Studios Inc. How to Murder Your Wife © P 1965, 2008 George Axelrod and Jalem Productions Inc. Duel at Di- ablo © P 1965, 2008 Meredith Nelson Wiltsie, Peter Nelson, Theodore Nelson, Ralph Nelson Jr. and Fred Engel. The Russians Are Coming, The Russians Are Coming © P 1966, 2008 Metro-Goldwyn-Mayer Studios Inc. The Fugitive Kind © P 1960, 2008 Metro-Goldwyn-Mayer Studios Inc. A Rage to Live © P 1965, 2008 Metro-Goldwyn-Mayer Studios Inc. and U.S. Trust Company. Goodbye Again © P 1961, 2008 Metro-Goldwyn-Mayer Studios Inc. The Happy Ending © P 1969, 2008 Pax Enterprises Inc.
    [Show full text]
  • THE FORTUNE COOKIE / 1966 (Como Ganhar Um Milhão)
    CINEMATECA PORTUGUESA-MUSEU DO CINEMA E A VIDA CONTINUA 13 e 22 de julho de 2020 THE FORTUNE COOKIE / 1966 (Como Ganhar um Milhão) um filme de Billy Wilder Realização: Billy Wilder / Argumento: Billy Wilder e I..A.L. Diamond / Fotografia: Joseph LaShelle / Direcção Artística: Robert Luthardt / Décors: Edward G. Boyle / Efeitos Especiais: Sess Bedig / Música: André Prévin / Som: Robert Martin / Montagem: Daniel Mandell / Interpretação: Jack Lemmon (Harry Hinkle), Walter Matthau (Willie Gingrich), Ron Rich (Boom- Boom Jackson), Cliff Osmond (Purkey), Judi West (Sendy), Lurene Tuttle (a mãe de Harry), Harry Holcombe (O’Brien), Les Tremayne (Thompson), Marge Redmond (a mulher de Willie), Noam Pitlik (Max), Harry Davis (Dr. Krugman), Ann Shoemaker (a Irmã Verónica), Maryesther Denver (a enfermeira feia), Sig Ruman (Professor Winterhalter), Ned Glass (Dr. Schindler), etc. Produção: Billy Wilder para Mirisch Films / Distribuição: United Artists / Cópia: 35mm, preto e branco, legendada em espanhol e eletronicamente em português, 124 minutos / Estreia Mundial: 8 de Novembro de 1966 / Estreia em Portugal: Cinema S. Jorge, a 16 de Novembro de 1967. A sessão de dia 13 tem lugar na Esplanada e decorre com intervalo _____________________________ Antes de mais, convém sublinhar — nunca é demais fazê-lo — que neste filme nasceu “the odd couple”: Jack Lemmon - Walter Matthau. Se Lemmon, em 1966, era já uma celebridade (e um actor- fetiche de Wilder, em obras como Some Like It Hot, The Apartment e Irma La Douce) foi The Fortune Cookie que fez de Walter Matthau, uma estrela de idêntico brilho. No ano seguinte, The Odd Couple (Gene Saks, 1967 em adaptação da peça de Neil Simon) confirmava o triunfo da parelha.
    [Show full text]
  • The Front Page Pdf, Epub, Ebook
    THE FRONT PAGE PDF, EPUB, EBOOK Ben Hecht | 146 pages | 27 Sep 2010 | Samuel French Inc | 9780573609121 | English | Hollywood, CA, United States The Front Page PDF Book The film is in fullscreen format with an audio track in English and subtitles in English, Spanish, and French. User Reviews. Schwartz as Herbert Edelman Martin Gabel I would have liked to overlap to the point where you lost some of the dialogue. October Streaming Picks. Back to School Picks. This role may well be impossible, however, since it requires the actress to play for straight melodrama while everyone around her is going for laughs. But Billy, the writer, wanted to hear all of the words clearly, and he wanted the audience to hear the words. Hildy Johnson Mary Brian Wikimedia Commons has media related to The Front Page play. The play was restaged four more times on Broadway. The court press room is full of lame reporters who invent stories as much as write them. Films directed by Billy Wilder. Was this review helpful to you? However, Walter Burns, the Post's editor, is slow to repay Hildy back, hoping that he will stay on the story. Meanwhile, each of the papers has a man on the story trying to get a scoop or angle for themselves. Getting a major scoop looks possible when Hildy stumbles onto the bewildered escapee and hides him in a roll-top desk in the press room. Burnett said in This Time Together that she was so displeased with her performance that when she was on an airplane where the film was shown, she apologized on the plane's intercom.
    [Show full text]