DOCSLIB.ORG

Children & Youth/Series, Specials/Live Action

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Children & Youth/Series, Specials/Live Action CHILDREN & YOUTH/SERIES, SPECIALS/LIVE ACTION & ANIMATED A Different Twist—Scholastic Productions Captain Power and the Soldiers of the Future—MTS Entertainment A Gift for Kate—National Film Board of Canada The Care Bears Family—Neivana Entertainment A Little Girl, on a Farm—Telescreen Inc. The Care Bears Movie II—Neivana Entertainment Abra Kadabra—M&M Syndications Centurions—Worldvision Enterprises Adventures in the High Grass—Raymond International Challenge of the GoBots (a)—Television Prog. Enterprises The Adventures of Albert and Sidney—Cinar Films Chief Hippo's Zoo Diary—Toei Animation The Adventures of Dynamo Duck—Instar Corp Chikun & Takun—Telescreen Inc. Adventures of Teddy Ruxpin—LBS Communications The Children of the Mill Valley—WDR International Adventures of the Galaxy Rangers (a)—Gaylord Production Co. Children's Feature Films—Images Presentations Corp. The Adventures of the Mouse on Mars (a)—Telepool GmbH Children's Package—Coe Film Associates; J.E.D. Productions Corp. The Adventures of the Two-Minute Werewolf—Scholastic Produc- Children's Programming—Discovery International tions Children's Series—Rubicon Corporation The Adventures of Tom Sawyer—Medallion TV Enterprises Children's Specials—Coe Film Associates Air Raders—Sunbow Productions Chuck Norris Karate Kommandos—Worldvision Enterprises Ali Bongo—Link Licensing Ltd. Chuck the Beaver (a)—Enoki Film "Alice" by Walt Disney (a)—Weiss Global Ent. Classic Cartoons—Majestic Entertainment The All New Popeye Show (a)—King Features Clementine (a)—I.D.D.H. The Almost Royal Family—Scholastic Productions Clutch Cargo—Coral Pictures Corp. Alphabet Soup—Raymond International Colour in the Creek—Revcom Television Alvin and the Chipmunks (a)—Lorimar-Telepictures The Comic Strip—Lorimar-Telepictures The Alvin Show—Viacom International Convattler V (a)—Toei Company Andy Robson—Tyne Tees Enterprises Cool McCool (a)—King Features Angel—Coral Pictures Corp. Cosmo Ranger (a)—Enoki Film Animated Flash Gordon—King Features Courageous Cat Cartoon Series (a)—Peter Rodgers Org. Arbegas (a)—Toei Company Cybrog 009 (a)—Toei Company Arsene Lubin vs. Sherlock Holmes—Toei Animation Daemon--Link Licensing Ltd. Aubrey—Coe Film Associates Daikengo (a)—Toei Company Balatak (a)—Toei Animation Danger Mouse (a)—Taffner/Limited, D.L.; Thames Television Int'l Barbie TV Magazine—MTS Entertainment Dartanius (a)—Toei Company Barney Google and Snuffy Smith (a)—King Features Defenders of the Earth (a)—Orbis Communications Batman/Superman/Aquaman (a)—Warner Bros. Dennis the Menace (a)—DFS/Dorland Program Exchange Beachcombers—Blair Entertainment Devlin—DFS/Dorland Program Exchange The Bearwitness News—WesternWorld Television Dick Tracy—UPA Productions of America Beetle Bailey (a)—King Features Dinah Saur Show & Oscar (a)—Cori Films Bely & Lilibit (a)—Enoki Film Dinosaucers—Coca-Cola Telecommunications Betty Boop Cartoons—Republic Pictures Corp. Don Dracula (a)—Enoki Films Big World of Little Adam (a)—Bloom Film Group Don't Touch—New World Pictures Bill the Minder—Link Licensing Ltd. Dr. Manbo & Zibako—From Outer Space with Love—Toei Anima- Bioman—Saban Productions tion The Bionic Six (a)—MCA TV The Door to the Summer—Toei Animation Birth of a Picture (a)—Italtoons Corp. Dragon Ball (a)—Toei Animation Blue Child (a)—I.D.D.H. Dramas for Children—Tyne Tees Enterprises Boomerang—Associated Television Int'l; Joel Cohen Prodns. & Dist. Ducktales (a)—Buena Vista Television The Brady Kids Animated—Paramount Television Dudley Do Right and Friends (a)—DFS/Dorland Program Exchange BraveStarr (a)—Group W Productions The Edison Twins—Neivana Entertainment Brook Corner (a)—JEF Films, Inc. Emu's World—Central Independent Television Bugs Bunny & Friends (a)—Warner Bros. The Enchanting Creamy—Telescreen Inc. Bullwinkle (a)—DFS/Dorland Program Exchange Ewoks—Neivana Entertainment Bunny with the Checkered Ears—Coe Film Associates The Exchange Student—Scholastic Productions Button Nose (a)—Enoki Film The Exercise Bug—M.A. Kempner, Inc. Camp Caribou—Isme Bennie Int'l The Eyes of the Amaryllis—Coe Film Associates Candy Candy—Coral Pictures Corp. Fabulous Festival—Ralph C. Ellis Enterprises Candy, Candy Call of Spring—Toei Animation Fairy Tale Theater: Hans Christian Andersen—Enoki Film Candy's Summer Vacation—Toei Animation Fame and Misfortune—Revcom Television Capital—National Film Board of Canada Family of My Friends—Via le Monde Inc. Captain America (a)—ARP Films Fat Albert and the Cosby Kids (a)—Group W Productions Captain Future—Coral Pictures Corp. Fatty & George—-Cori Films Captain Future-A Brilliant Race Over Solar System—Toei Animation Felix the Cat (a)—CST Entertainment Captain Harlock and the Queen of a Thousand Years—Harmony Ferdy (a)—Telepool GmbH Gold Flash Riders (a)—Enoki Film Captain Nemo- - Coral Pictures Corp. The Froozles—Acama Films .
Load more

Recommended publications
  • French Animation History Ebook
    FRENCH ANIMATION HISTORY PDF, EPUB, EBOOK Richard Neupert | 224 pages | 03 Mar 2014 | John Wiley & Sons Inc | 9781118798768 | English | New York, United States French Animation History PDF Book Messmer directed and animated more than Felix cartoons in the years through This article needs additional citations for verification. The Betty Boop cartoons were stripped of sexual innuendo and her skimpy dresses, and she became more family-friendly. A French-language version was released in Mittens the railway cat blissfully wanders around a model train set. Mat marked it as to-read Sep 05, Just a moment while we sign you in to your Goodreads account. In , Max Fleischer invented the rotoscope patented in to streamline the frame-by-frame copying process - it was a device used to overlay drawings on live-action film. First Animated Feature: The little-known but pioneering, oldest-surviving feature-length animated film that can be verified with puppet, paper cut-out silhouette animation techniques and color tinting was released by German film-maker and avante-garde artist Lotte Reiniger, The Adventures of Prince Achmed aka Die Abenteuer des Prinzen Achmed , Germ. Books 10 Acclaimed French-Canadian Writers. Rating details. Dave and Max Fleischer, in an agreement with Paramount and DC Comics, also produced a series of seventeen expensive Superman cartoons in the early s. Box Office Mojo. The songs in the series ranged from contemporary tunes to old-time favorites. He goes with his fox terrier Milou to the waterfront to look for a story, and finds an old merchant ship named the Karaboudjan. The Fleischers launched a new series from to called Talkartoons that featured their smart-talking, singing dog-like character named Bimbo.
    [Show full text]
  • UNITED STATES SECURITIES and EXCHANGE COMMISSION Washington, D.C
    UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 10-K ☒ ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the fiscal year ended December 31, 2009 OR o TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the transition period from to Commission File Number 001-09553 CBS CORPORATION (Exact name of registrant as specified in its charter) DELAWARE 04-2949533 (State or other jurisdiction of (I.R.S. Employer incorporation or organization) Identification Number) 51 W. 52nd Street New York, NY 10019 (212) 975-4321 (Address, including zip code, and telephone number, including area code, of registrant's principal executive offices) Securities Registered Pursuant to Section 12(b) of the Act: Name of Each Exchange on Title of Each Class Which Registered Class A Common Stock, $0.001 par value New York Stock Exchange Class B Common Stock, $0.001 par value New York Stock Exchange 7.625% Senior Debentures due 2016 American Stock Exchange 7.25% Senior Notes due 2051 New York Stock Exchange 6.75% Senior Notes due 2056 New York Stock Exchange Securities Registered Pursuant to Section 12(g) of the Act: None (Title of Class) Indicate by check mark if the registrant is a well-known seasoned issuer (as defined in Rule 405 of the Securities Act of 1933). Yes ☒ No o Indicate by check mark if the registrant is not required to file reports pursuant to Section 13 or Section 15(d) of the Securities Exchange Act of 1934.
    [Show full text]
  • THE ANIMATED TRAMP Charlie Chaplin's Influence on American
    THE ANIMATED TRAMP Charlie Chaplin’s Influence on American Animation By Nancy Beiman SLIDE 1: Joe Grant trading card of Chaplin and Mickey Mouse Charles Chaplin became an international star concurrently with the birth and development of the animated cartoon. His influence on the animation medium was immense and continues to this day. I will discuss how American character animators, past and present, have been inspired by Chaplin’s work. HISTORICAL BACKGROUND (SLIDE 2) Jeffrey Vance described Chaplin as “the pioneer subject of today’s modern multimedia marketing and merchandising tactics”, 1 “(SLIDE 3). Charlie Chaplin” comic strips began in 1915 and it was a short step from comic strips to animation. (SLIDE 4) One of two animated Chaplin series was produced by Otto Messmer and Pat Sullivan Studios in 1918-19. 2 Immediately after completing the Chaplin cartoons, (SLIDE 5) Otto Messmer created Felix the Cat who was, by 1925, the most popular animated character in America. Messmer, by his own admission, based Felix’s timing and distinctive pantomime acting on Chaplin’s. 3 But no other animators of the time followed Messmer’s lead. (SLIDE 6) Animator Shamus Culhane wrote that “Right through the transition from silent films to sound cartoons none of the producers of animation paid the slightest attention to… improvements in the quality of live action comedy. Trapped by the belief that animated cartoons should be a kind of moving comic strip, all the producers, (including Walt Disney) continued to turn out films that consisted of a loose story line that supported a group of slapstick gags which were often only vaguely related to the plot….The most astonishing thing is that Walt Disney took so long to decide to break the narrow confines of slapstick, because for several decades Chaplin, Lloyd and Keaton had demonstrated the superiority of good pantomime.” 4 1 Jeffrey Vance, CHAPLIN: GENIUS OF THE CINEMA, p.
    [Show full text]
  • Free Catalog
    Featured New Items DC COLLECTING THE MULTIVERSE On our Cover The Art of Sideshow By Andrew Farago. Recommended. MASTERPIECES OF FANTASY ART Delve into DC Comics figures and Our Highest Recom- sculptures with this deluxe book, mendation. By Dian which features insights from legendary Hanson. Art by Frazetta, artists and eye-popping photography. Boris, Whelan, Jones, Sideshow is world famous for bringing Hildebrandt, Giger, DC Comics characters to life through Whelan, Matthews et remarkably realistic figures and highly al. This monster-sized expressive sculptures. From Batman and Wonder Woman to The tome features original Joker and Harley Quinn...key artists tell the story behind each paintings, contextualized extraordinary piece, revealing the design decisions and expert by preparatory sketches, sculpting required to make the DC multiverse--from comics, film, sculptures, calen- television, video games, and beyond--into a reality. dars, magazines, and Insight Editions, 2020. paperback books for an DCCOLMSH. HC, 10x12, 296pg, FC $75.00 $65.00 immersive dive into this SIDESHOW FINE ART PRINTS Vol 1 dynamic, fanciful genre. Highly Recommened. By Matthew K. Insightful bios go beyond Manning. Afterword by Tom Gilliland. Wikipedia to give a more Working with top artists such as Alex Ross, accurate and eye-opening Olivia, Paolo Rivera, Adi Granov, Stanley look into the life of each “Artgerm” Lau, and four others, Sideshow artist. Complete with fold- has developed a series of beautifully crafted outs and tipped-in chapter prints based on films, comics, TV, and ani- openers, this collection will mation. These officially licensed illustrations reign as the most exquisite are inspired by countless fan-favorite prop- and informative guide to erties, including everything from Marvel and this popular subject for DC heroes and heroines and Star Wars, to iconic classics like years to come.
    [Show full text]
  • Morrie Gelman Papers, Ca
    http://oac.cdlib.org/findaid/ark:/13030/c8959p15 No online items Morrie Gelman papers, ca. 1970s-ca. 1996 Finding aid prepared by Jennie Myers, Sarah Sherman, and Norma Vega with assistance from Julie Graham, 2005-2006; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] ©2016 The Regents of the University of California. All rights reserved. Morrie Gelman papers, ca. PASC 292 1 1970s-ca. 1996 Title: Morrie Gelman papers Collection number: PASC 292 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 80.0 linear ft.(173 boxes and 2 flat boxes ) Date (inclusive): ca. 1970s-ca. 1996 Abstract: Morrie Gelman worked as a reporter and editor for over 40 years for companies including the Brooklyn Eagle, New York Post, Newsday, Broadcasting (now Broadcasting & Cable) magazine, Madison Avenue, Advertising Age, Electronic Media (now TV Week), and Daily Variety. The collection consists of writings, research files, and promotional and publicity material related to Gelman's career. Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Creator: Gelman, Morrie Restrictions on Access Open for research. STORED OFF-SITE AT SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UC Regents. Literary rights, including copyright, are retained by the creators and their heirs.
    [Show full text]
  • Send in the Clones
    Send in the Clones Chaplin Imitators from Stage to Screen, from Circus to Cartoon Ulrich Ruedel The Chaplin craze of the teens is often cited as one of the main indicators of the unprecedented popularity of Chaplin's little tramp. Chaplin imitators, cartoons, songs were abound. While Chaplin may indeed qualify as the most imitated character in film history, this "sincerest form of flattery" was not limited to him. Indeed, one of the historically most remarkable Chaplin imitations, that of former Chaplin understudy Stan Laurel, was part of a Keystone Trio stage act, which also included likenesses of Mabel Normand and Chester Conklin. Nor does the phenomenon of comic clones end there. Throughout film history, we find carbon copies of then- popular film clowns, sometimes unidentified today, often though probably quite justly forgotten.1 1 The Museum of Modern Art, for example, holds footage of an unidentified Snub Pollard imitator; imitations of Harold Lloyd's glasses character have been reported, and Wolfram Tichy's 1979 Harold Lloyd bioography presents an unidentified photo of what might have been such an imitator. Europe had their own, unique comedy success in the 20s and 30s, in the Danish comedy tramp duo of Fy og Bi / Long and Short / Pat & Patachon, and this author's research into this team (easily rivaling in popularity Chaplin, Keaton and Lloyd in countries like Germany and Russia) has so far confirmed at east four imitators, or "parodists," asppearing well into the 1950s. The Three Stooges are unique in this regard as their likenesses can claim a certain degree of legitimacy, either having gone through the same school as the original trio, Stooge inventor Ted Healy's act, that is, or in a couple instances even having the privilege of featuring former original Stooges.
    [Show full text]
  • Silent Comedies and Cartoons
    Funny Business Silent Comedies and Cartoons Tuesday, May 14, 2013 Grand Illusion Cinema The Sprocket Society Seattle, WA Alice Comedies Alice Rattled by Rats Released November 15, 1925 M.J. Winkler Productions Directed and written by Walt Disney. Animated by Ub Iwerks, Rollin Ham Hamilton, Thurston Harper, Hugh Harman, & Rudolf Ising. Produced by Margaret J. Winkler With Margie Gay as Alice. Music and effects soundtrack added by Raytone Productions, 1930 Left to protect Alice’s house, Julius the cat soon falls into a vat of home-brew liquor in the basement and drinks himself into oblivion. The rats, free to play, entertain themselves by dancing, playing phonograph records, cavorting with the player piano, and using the bathtub for a swimming pool. Soon the party gets completely out of control. (Why Alice was brewing alcohol in her basement remains an open question.) “Speaking of his studio in later years, Disney was fond of saying that ‘it all started with a little mouse’ – but in fact the foundation was laid in 1924 by a little girl.” – Merritt & Kaufman, Walt in Wonderland Young Walt Disney broke into the movie business in Kansas City, as an illustrator for a company that produced glass slides and advertising shorts for theaters. Along with his buddy Fred Harman, he struck out on his own, hoping to jump-start their new company with a partly-animated comical short called Laugh-O-Grams, produced for the influential local theater owner, Frank L. Newman. This was successful enough that they were able to secure funding to hire additional animators, including now- legendary pioneers Ubbe “Ub” Iwerks, Hugh Harman, Rudolph Ising, and Friz Freleng.
    [Show full text]
  • Flash Gordon. La Expansión Del Héroe Intergaláctico Como Ejemplo De Arqueología Transmedia
    ARTÍCULOS Historia y comunicación social ISSN: 1137-0734 http://dx.doi.org/10.5209/hics.69226 Flash Gordon. La expansión del héroe intergaláctico como ejemplo de arqueología transmedia Teresa Piñeiro-Otero 1 Recibido el: 13 de enero de 2018. / Aceptado: 18 de diciembre de 2019. Resumen: La industria del entretenimiento ha promovido la expansión de contenidos de éxito en universos transmedia como una estrategia de rentabilización y atracción de públicos. Si bien estas narrativas están viviendo su máxima expresión gracias a la convergencia de medios y formatos, la expansión de una historia a través de diversas plataformas y lenguajes no constituye un fenómeno nuevo. El presente trabajo tiene por objeto analizar el universo Flash Gordon desde la perspectiva de la arqueología transmedia y, más concretamente, dentro de las franquicias basadas en el personaje. Palabras clave: Franquicia transmedia; arqueología transmedia; cultura de masas; Flash Gordon; superhéroe; serialidad. [en] Flash Gordon. The expansion of the intergalactic hero as an example of transmedia archaeology. Abstract: The entertainment industry has promoted the expansion of successful content in transmedia universes as a profitable strategy and attraction of audiences. Although these narratives are experiencing their maximum expression thanks to the convergence of media and formats, the expansion of a story through different platforms and languages is not a new phenomenon. The present work aims to analyze the Flash Gordon universe from the perspective of transmedia archaeology and, more specifically, within character-based franchises. Keywords: Transmedia franchise; transmedia archaeology; mass culture; Flash Gordon; superhero; seriality. Sumario: 1. Introducción; 2. Universos basados en personajes. El eslabón perdido; 3.
    [Show full text]
  • Cat Trivia! Question 1: There Are About 83 Million Pet Dogs in the U.S
    presents Cat Trivia! Question 1: There are about 83 million pet dogs in the U.S. How many pet cats are there? A. 14 million B. 45 million C. 75 million D. 96 million Question 1: There are about 83 million pet dogs in the U.S. How many pet cats are there? A. 14 million B. 45 million C. 75 million D. 96 million Question 2: What often happens to a cat’s whiskers when the cat is feeling threatened or aggressive? A. They point forward. B. They lie flat against the cat’s face. C. They retract into the cat’s body. D. They fall out. Question 2: What often happens to a cat’s whiskers when the cat is feeling threatened or aggressive? A. They point forward. B. They lie flat against the cat’s face. C. They retract into the cat’s body. D. They fall out. Question 3: What color are kittens’ eyes when they are born? A. Blue. B. Brown. C. Red. D. Green. Question 3: What color are kittens’ eyes when they are born? A. Blue. B. Brown. C. Red. D. Green. Question 4: How many hours do cats typically sleep in one day? A. 4-6 hours B. 8-11 hours C. 12-16 hours D. 20-23 hours Question 4: How many hours do cats typically sleep in one day? A. 4-6 hours B. 8-11 hours C. 12-16 hours D. 20-23 hours Question 5: What breed of cat is this? A. Chihuahua B. Turkish C. Persian D.
    [Show full text]
  • “The Rook” Information Guide
    The Return of “The Rook” Information Guide There is a clear void in today’s American pop culture that is The Rook. It all began in the early 1960’s. Bill, or his adventure hero alter-identity “Billy De” began working in comics before he grew his first whisker. His fascination with comic books was shared by his partner in crime Marty Arbunich. Together they created some of the very first comic book fanzines; Fantasy Hero, Fantasy Illustrated, Yancy Street Journal and Voice of Comicdom, starting at the ripe age of 14. Bill and Marty worked tirelessly to meet self-imposed deadlines as if their loyal fans relied on their publications. On one occasion Bill even snuck into Sacred Heart High School’s art room and used the Dot printer to mass produce their fanzine. Before Comic Con became the premier pop-culture comic event, there was the World Science Fiction Convention (now known as WorldCon) and in 1964 it was in Oakland. Although only 523 were in attendance, this show would have resounding impacts on Bill’s career in comics. Also in attendance was maybe the greatest science fiction fan of all time Forrest J. Ackerman, who contributed to the first science fiction fanzine, The Time Traveler. In the same year, The Time Travelers, a science fiction film, would go into production. The cast included Forry Ackerman. The Rook’s return to comics is nearly 50 years to the date of the event that would inspire Bill’s creative direction. Forrest Ackerman would later go on to create the highly popular alternative comic character Vampirella in 1969.
    [Show full text]
  • The Big 6 Entertainment Corporations
    THE BIG 6 ENTERTAINMENT CORPORATIONS ------------------------------------------------------------------------------------------------------------ News Corporation (abbreviated to News Corp) (NYSE: NWS) is one of the world's largest media conglomerates. Its chief executive officer is Rupert Murdoch, an influential and controversial media tycoon. News Corporation is a public company listed on the New York Stock Exchange and as a secondary listing on the London Stock Exchange (LSE: NCRA). Formerly incorporated in Adelaide, Australia, the company was re- incorporated in the United States state of Delaware after a majority of shareholders approved the move on 12 November 2004. The company is still listed on the Australian Stock Exchange (ASX: NWS). News Corporation's United States headquarters is on Sixth Avenue (Avenue of the Americas) in New York City, in the 1960s-1970s portion of the Rockefeller Center complex. Revenue for the year ended 30 June 2005 was $23.859 billion. This does not include News Corporation's share of the revenue of businesses in which it owns a minority stake, which include two of its most important assets, DirecTV and BSkyB. Almost 70% of the company's sales come from its US businesses. Holdings: Film/TV Production and Distribution 20th Century Fox 20th Century Fox Home 20th Century Fox TV Fox Filmed Entertainment Fox 2000 Blue Sky Studios Fox Searchlight Pictures Fox Animation Studios(defunct) Fox Family World Wide Fox Sports Fox News IGN Entertainment Inc New World Communications Direct TV News Papers/Magazines/Publishers (select) New York Post The Times(Eng) The Sun (Eng) HarperCollins Ecco Press Perennial The Weekly Standard TV Guide Radio/Multimedia (select) Sky Radio Fox Sports Radio News American The Street.com Line One Orbis ------------------------------------------------------------------------------------------------------------ The Walt Disney Company (most commonly known as Disney) (NYSE: DIS) is one of the largest media and entertainment corporations in the world.
    [Show full text]
  • SHSU Video Archive Basic Inventory List Department of Library Science
    SHSU Video Archive Basic Inventory List Department of Library Science A & E: The Songmakers Collection, Volume One – Hitmakers: The Teens Who Stole Pop Music. c2001. A & E: The Songmakers Collection, Volume One – Dionne Warwick: Don’t Make Me Over. c2001. A & E: The Songmakers Collection, Volume Two – Bobby Darin. c2001. A & E: The Songmakers Collection, Volume Two – [1] Leiber & Stoller; [2] Burt Bacharach. c2001. A & E Top 10. Show #109 – Fads, with commercial blacks. Broadcast 11/18/99. (Weller Grossman Productions) A & E, USA, Channel 13-Houston Segments. Sally Cruikshank cartoon, Jukeboxes, Popular Culture Collection – Jesse Jones Library Abbott & Costello In Hollywood. c1945. ABC News Nightline: John Lennon Murdered; Tuesday, December 9, 1980. (MPI Home Video) ABC News Nightline: Porn Rock; September 14, 1985. Interview with Frank Zappa and Donny Osmond. Abe Lincoln In Illinois. 1939. Raymond Massey, Gene Lockhart, Ruth Gordon. John Ford, director. (Nostalgia Merchant) The Abominable Dr. Phibes. 1971. Vincent Price, Joseph Cotton. Above The Rim. 1994. Duane Martin, Tupac Shakur, Leon. (New Line) Abraham Lincoln. 1930. Walter Huston, Una Merkel. D.W. Griffith, director. (KVC Entertaiment) Absolute Power. 1996. Clint Eastwood, Gene Hackman, Laura Linney. (Castle Rock Entertainment) The Abyss, Part 1 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss, Part 2 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss. 1989. (20th Century Fox) Includes: [1] documentary; [2] scripts. The Abyss. 1989. (20th Century Fox) Includes: scripts; special materials. The Abyss. 1989. (20th Century Fox) Includes: special features – I. The Abyss. 1989. (20th Century Fox) Includes: special features – II. Academy Award Winners: Animated Short Films.
    [Show full text]