WDSF - Manual De Reglas Y Regulaciones Breaking
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Revue De Presse JEUX DE LA FRANCOPHONIE Avril 2021
Revue de presse JEUX DE LA FRANCOPHONIE Avril 2021 Réalisée par le Comité international des Jeux de la Francophonie (CIJF) SYNTHESE Ce document fait la synthèse de la presse parue sur internet portant sur les Jeux de la Francophonie au cours du mois d’octobre 2020. à partir du site internet des Jeux de la Francophonie ww.jeux.francophonie.org La fréquentation du site du 1er au 30 avril 2021 Sessions : 6 828 *Il s'agit du nombre total de sessions sur la période. Une session est la période pendant laquelle un utilisateur est actif sur son site Web, ses applications, etc. Toutes les données d'utilisation (visionnage de l'écran, événements, e-commerce, etc.) sont associées à une session. Utilisateurs: 5 158 *Utilisateurs qui ont initié au moins une session dans la plage de dates sélectionnée. Pages vues : 18 415 *Il s'agit du nombre total de pages consultées. Les visites répétées d'un internaute sur une même page sont prises en compte. Au niveau de l’Internet : 103 articles de presse ou brèves recensés publiées sur divers sites internet o 90 concernant les IXes Jeux de la Francophonie o 1 sur les Jeux de la Francophonie en général o 12 articles sur les lauréats des Jeux de la Francophonie 2 SOMMAIRE I. Articles sur les IXes Jeux de la Francophonie .................................................................... 9 Culture : Jean-Marie Lukundji ambitionne de gagner 6 médailles d’or lors de la Participation Culturelle de la RDC aux 9èmes jeux de la Francophonie en 2022. ............................................ 9 A la recherche de perles rares francophones ........................................................................... 11 Jeux de la Francophonie : l’agenda culturel chamboulé .......................................................... -
13661 Sunday MAY 10, 2020 Ordibehesht 21, 1399 Ramadan 16, 1441 U.S
WWW.TEHRANTIMES.COM I N T E R N A T I O N A L D A I L Y 12 Pages Price 40,000 Rials 1.00 EURO 4.00 AED 42nd year No.13661 Sunday MAY 10, 2020 Ordibehesht 21, 1399 Ramadan 16, 1441 U.S. ridicules TEDPIX notches Beiranvand shortlisted Lebanese publisher Dar Al international law record high, hitting for AFC Player Hadaek acquires rights to 2 one million points 4 of the Year 2020 11 Persian book “The Boxer” 12 Zarif to Guterres: U.S. trying illegal See page 9 paths to reverse Resolution 2231 TEHRAN – In a letter addressed to UN (A/72/869-S/2018/453), I would like to Secretary General Antonio Guterres, For- bring to your attention several matters eign Minister Mohammad Javad Zarif has related to the unlawful withdrawal of the elaborated on the U.S. violation of the 2015 United States of America from the Joint nuclear deal – JCPOA - and gross violation Comprehensive Plan of Action (JCPOA) of the UN Charter in a continuous manner. and the unlawful imposition of its uni- Following is an excerpt of his letter lateral sanctions against the people and published on the Foreign Ministry website government of the Islamic Republic of on Saturday: Iran in clear violation of its obligations Further to my letter of 10 May 2018 under international law. 2 Iranian galleries prefer to continue lockdown in pandemic TEHRAN — Art galleries across Iran are the Persian service of ISNA on Saturday. allowed to resume activities during the new The Visual Arts Office of the Ministry of coronavirus pandemic, however, gallery Culture and Islamic Guidance has agreed since owners prefer to continue the lockdown April 20 that art galleries may reopen after an since there are no visitors, buyers, or dealers. -
Shot and Captured Turf Dance, YAK Films, and the Oakland, California, R.I.P
Shot and Captured Turf Dance, YAK Films, and the Oakland, California, R.I.P. Project Naomi Bragin When a group comprised primarily of African-derived “people” — yes, the scare quotes matter — gather at the intersection of performance and subjectivity, the result is often [...] a palpable structure of feeling, a shared sense that violence and captivity are the grammar and ghosts of our every gesture. — Frank B. Wilderson, III (2009:119) barred gates hem sidewalk rain splash up on passing cars unremarkable two hooded figures stand by everyday grays wash street corner clean sweeps a cross signal tag white R.I.P. Haunt They haltingly disappear and reappear.1 The camera’s jump cut pushes them abruptly in and out of place. Cut. Patrol car marked with Oakland Police insignia momentarily blocks them from view. One pulls a 1. Turf Feinz dancers appearing in RIP RichD (in order of solos) are Garion “No Noize” Morgan, Leon “Mann” Williams, Byron “T7” Sanders, and Darrell “D-Real” Armstead. Dancers and Turf Feinz appearing in other TDR: The Drama Review 58:2 (T222) Summer 2014. ©2014 New York University and the Massachusetts Institute of Technology 99 Downloaded from http://www.mitpressjournals.org/doi/pdf/10.1162/DRAM_a_00349 by guest on 01 October 2021 keffiyah down revealing brown. Skin. Cut. Patrol car turns corner, leaving two bodies lingering amidst distended strains of synthesizer chords. Swelling soundtrack. Close focus in on two street signs marking crossroads. Pan back down on two bodies. Identified. MacArthur and 90th. Swollen chords. In time to the drumbeat’s pickup, one ritually crosses himself. -
Sezione Break Dance
Sabato 1 Aprile 2017 concorso coreografico hip hop battle 1vs1 break dance Palazzetto dello sport di Brendola (VI) INFORMAZIONI GENERALI Alla sua 5a edizione il concorso “Street Dance Battle 5” ha come finalità quella di offrire alle scuole di danza, ai numerosi appassionati, ai cultori della filosofia Hip Hop, l’opportunità di esibirsi di fronte ad una giuria di livello esprimendo le doti tecniche ed artistiche maturate durante gli anni di studio, in un confronto costruttivo e stimolante. La manifestazione si svolgerà Sabato 1 Aprile 2017 con inizio alle ore 14.00 circa presso il nuovo palazzetto dello sport di Brendola (VI), Piazzale del Donatore 5, a 3 minuti dall’uscita del casello autostradale di Montecchio Maggiore (VI). La struttura dispone di un ampio parcheggio, di 600 posti a sedere, di ampi spogliatoi e di un adiacente punto ristoro presente per tutto il giorno. L’iscrizione va effettuata entro il 18 Marzo 2017. La scaletta con l’orario definitivo sarà inviata tramite e-mail alle scuole iscritte entro la mezzanotte del giorno 28 Marzo 2017. Il costo del biglietto per l’entrata al pubblico è di € 6,00. A tutti i ballerini e al responsabile verrà consegnato un pass per l’ingresso. La zona per l’esibizione è di mt. 14x12, con un fondale che consente un corridoio per passaggi dietro scena e due quinte laterali. Segreteria Organizzativa TEL. 0444.760945 – CELL. 338/2391024 e-mail: [email protected] Pagina Facebook: https://www.facebook.com/pages/Street-Dance-Battle 1 REGOLAMENTO - SEZIONE HIP HOP ISCRIZIONI E QUOTE DI PARTECIPAZIONE L’iscrizione al contest hip hop è di € 120 a coreografia per tutte le categorie. -
Nefalšovaná Hip Hopová Atmosféra Už Tento Víkend Na Festivale the Legits Blast V Banskej Bystrici
TLAČOVÁ SPRÁVA - Bratislava, 27. júl 2017 NEFALŠOVANÁ HIP HOPOVÁ ATMOSFÉRA UŽ TENTO VÍKEND NA FESTIVALE THE LEGITS BLAST V BANSKEJ BYSTRICI Hiphopová legenda ONYX, americký raper R. A. the Rugged Man, RYTMUS, Vec, Tono S., Škrupo, Joe Trendy, Supa, Jožis Engerer, PJ & DJ FunkDat či česká crew PSH vystúpia už túto sobotu 29. júla na festivale The Legits Blast na streche banskobystrického nákupného centra Europa Shopping Center. Okrem kvalitnej hudby sa návštevníci môžu tešiť na tanečné kreácie, ktoré medzi inými predvedie aj úradujúci majster sveta v breaku Thesis či Jesse CASPER Brown, známy z hollywoodskych filmov. O prestížne tanečné tituly a hodnotné ceny sa v rámci hudobno-tanečného festivalu The Legits Blast „pobijú“ jednotlivci, dvojice i krajiny. Tancovať sa bude ako o život, veď víťaz Undisputed postupuje priamo na celosvetové finále najlepších bboyov do San Diega, na prestížne súťaže Silverback Open vo Philadelphii a na Bboy Gala do Portu. Inšpirovať k tancu budú tanečníci z desiatok krajín, len vlani prišli zástupcovia 72 národov. Z Kanady do Banskej Bystrice zavíta Jesse CASPER Brown, ktorý má na konte spoluprácu s tými najlepšími streetovými tanečníkmi. Svojou originalitou a šikovnosťou sa dostal do filmov ako Kickin´ It Old Skool, Battle of the Year a Step Up All In, ktorý je zatiaľ poslednou časťou série týchto tanečných filmov. V nej si zahral aj s českou tanečníčkou Jajou Vaňkovou, ktorá aktuálne žije v USA. Predstaví sa aj „nenápadný“ Bboy THESIS, úradujúci majster sveta v bboyingu. Tancoval po boku amerického rapera a hudobníka, držiteľa GRAMMY, známeho pod pseudonymom Macklemore a už v sobotu môže tancovať aj po vašom boku. -
Dossier De Presse
[Tapez une citation prise dans le document, ou la synthèse d’un passage T intéressant. Vous pouvez placer la zone de texte n’importe où dans le document et modifier sa TELECHARGEZ LES PHOTOS DOSSIER DE PRESSE INFOS PRATIQUES Evénement Ville de Cannes en coproduction avec le Groupe Barrière, réalisation Palais des Festivals et des Congrès Organisation et Renseignements Palais des Festivals et des Congrès - Direction de l’Evénementiel La Croisette CS 30051 - 06414 CANNES Cedex - Tél. : 04 92 99 33 83 Points de vente BILLETTERIE Palais des Festivals : Sur place : Esplanade G.Pompidou – Accès par l’Office de Tourisme de Cannes Par téléphone : avec transmission carte bancaire +33 (0)4 92 98 62 77 Par mail : [email protected] Du lundi au samedi de 10h à 18h et 1 heure avant chaque représentation sur le lieu du spectacle. Par internet : www.palaisdesfestivals.com En vente également dans les points de ventes habituels Tarifs Spectacle 1re série orchestre Tarif Public : 30 € Tarif Réduit / Groupe : 27 € Abonné : 24 € -26 ans : 24 € / -10 ans : 12 € 2e série balcon Tarif Public : 24 € Tarif Réduit/Groupe : 21 € Abonné : 18 € -26 ans : 18 € / -10 ans : 12 € Parking Forfait parking du Palais des Festivals : 5,50€ pour 7 heures de stationnement. Nouveau fonctionnement : Billet de sortie à retirer à la billetterie ou à l’accueil du spectacle et règlement directement aux bornes de sortie du parking. Suivez-nous sur les réseaux sociaux Contacts Presse : Elisabeth LARA – Tél : 04 92 99 84 46 – [email protected] Blandine Dugenetay – Tél : 04 92 99 84 45 – [email protected] BREAK THE FLOOR INTERNATIONAL Durée : 2H20 avec entracte Pour sa 12e soirée, l’esthétique et la créativité s’expriment par la performance technique et sportive hors normes, dans le cadre d’une compétition acharnée entre plusieurs équipes de danseurs qui s’affrontent au fil de « battles » à couper le souffle. -
A Street Dance Toolkit
University of Northern Colorado Scholarship & Creative Works @ Digital UNC Master's Theses Student Research 12-8-2020 FROM CONCRETE TO THE CLASSROOM: A STREET DANCE TOOLKIT Tarayjah Hoey-Gordon [email protected] Follow this and additional works at: https://digscholarship.unco.edu/theses Recommended Citation Hoey-Gordon, Tarayjah, "FROM CONCRETE TO THE CLASSROOM: A STREET DANCE TOOLKIT" (2020). Master's Theses. 182. https://digscholarship.unco.edu/theses/182 This Dissertation/Thesis is brought to you for free and open access by the Student Research at Scholarship & Creative Works @ Digital UNC. It has been accepted for inclusion in Master's Theses by an authorized administrator of Scholarship & Creative Works @ Digital UNC. For more information, please contact [email protected]. © 2020 TARAYJAH HOEY-GORDON ALL RIGHTS RESERVED UNIVERSITY OF NORTHERN COLORADO Greeley, Colorado The Graduate School FROM CONCRETE TO THE CLASSROOM: A STREET DANCE TOOLKIT A Thesis Submitted in Partial Fulfillment Of the Requirements for the Degree Of Masters of Arts Tarayjah Hoey-Gordon College of Performing and Visual Arts School of Theatre Arts and Dance Dance Education December 2020 This Thesis by: Tarayjah Hoey-Gordon Entitled: From Concrete to the Classroom: A Street Dance Toolkit has been approved as meeting the requirements for the Degree of Master of Arts in College of Performing and Visual Arts in School of Theatre Arts and Dance, Program of Dance Education Accepted by the Thesis Committee: _______________________________________________________ Christy O’Connell-Black, M.A., Chair, Advisor ___________________________________________ Sandra L. Minton, Ph.D., Committee Member Accepted by the Graduate School: __________________________________________________________ Jeri-Anne Lyons, Ph.D. -
Apollo Theater Presents Breakin' Convention Festival In
Apollo Theater Presents The Critically Acclaimed Global Hip-Hop Dance Theatre Festival Breakin’ Convention Festival In Collaboration with London’s Sadler’s Wells Theatre Headline programming includes groundbreaking works from internationally renowned dance crews, a special performance by popping icon Popin’ Pete, and appearance by Hip-Hop Legend and Co-Host Biz Markie Festival Expands to Week-long Celebration to Include: Artist Talks, Workshops, Dance Master Class with Jon Boogz and Lil Buck, a Unique Art Exhibition Created by Internationally Celebrated Sculptor/Painter Carlos “Mare139” Rodriguez, and Much More October 20 – 28, 2017 (Harlem, NY – October 12, 2017) – The Apollo Theater presents the return of London’s Sadler’s Wells’ critically acclaimed international hip-hop dance theatre festival—Breakin’ Convention, one of the world’s greatest celebrations of hip-hop culture. The festival, a collaboration with London’s Sadler’s Wells and now in its third year at the Apollo, provides a platform for the Theater to celebrate its hip-hop legacy and to highlight the global impact of contemporary hip-hop culture through both mainstream and experimental dance. This year’s festival will directly address several pressing issues that are part of America’s current sociopolitical landscape through performances and accompanying events, with highlights including an artist talk with dancers Jon Boogz and Lil Buck centered on dance as a tool for social justice and prison reform. Curated and hosted by nationally recognized U.K. hip-hop emcee and theater pioneer Jonzi D, Breakin’ Convention will take over the entire Apollo building and will include performances by world renowned dance companies and local crews. -
De Dansopleiding (Bol, Mbo) BOL - Niveau 4
www.creativecollege.nu De Dansopleiding (bol, mbo) BOL - Niveau 4 In het kort Leerweg / Niveau Duur Start BOL / 4 3 jaar Eind augustus 2021 Locatie Lesgeld Crebonummer en naam Utrecht € 1.216- 25652 Danser Brandenburchdreef 20 Daarom kies jij voor Hip-Hop Dance op het Creative College Op het Creative College bruist het van de energie! Hip-Hop vliegt je om de oren. Studenten zijn gedreven en hebben grootse plannen voor hun toekomst. Naast jouw opleiding adem je ook the Culture and Community. Dé plek waar jouw Hip-Hop hart blij van wordt. Je bent een fanatieke danser en barst je van de creativiteit, ideeën, dromen en energie. Je hebt doorzettingsvermogen en zit vol passie en vuur. Ons uitgangspunt is creativiteit. Hoe werkt creativiteit in jouw voordeel? Met welke gekke ideeën kom jij? Wat wil jij vertellen door middel van je art? Wij leren jou om je gedachten onder woorden te brengen en om te zetten in te gekke optredens, video’s, lessen of events. Wij zijn een hechte opleiding, docenten spreek je aan bij de voornaam en zij weten goed wie jij bent en hoe jij je ontwikkelt. Omdat de docenten in het werkveld actief zijn kom je ze ook tegen bij battles en events. Ook kunnen zij je vragen voor opdrachten. Wij vinden het belangrijk dat onze studenten uitspreken wat hun dromen en ambities zijn, zodat we ze daar in kunnen begeleiden en een goed plan maken. Iedereen bewandelt zijn eigen pad en daar hoort ook een eigen aanpak bij! Ons docententeam bestaat uit de crème de la crème van Nederlandse bodem. -
Phd Thesis June 2018
Cadences of Choreomusicality: Investigating the Relationship Between Sound and Movement in Staged Performances of Popping and Animation in the United Kingdom Jo Read A thesis submitted for the degree of Doctor of Philosophy (PhD) School of Visual and Performing Arts (Dance) De Montfort University September 2017 1 Abstract This practice-led doctoral research explores the relationship between staged performances of popping, closely related movement practices such as animation (in dance) and music in the United Kingdom. Through an experiential, choreographic and critical methodology, I consider the ways that popping artists are able to shift, bend and distort perceptions of their performances through complex uses of musicality. Popping is a dance form that is included under the umbrella of street dance, which encompasses a wide range of dance practices with their origins in social and vernacular contexts. I scrutinise the musical trends and characteristics of popping and animation specifically, despite street dance forms usually being considered as a collective. This extensive focus reveals a range of selective rhythmical and textural nuances that engage the spectator in a world of choreomusical play. Placing practice at the centre of my investigation, I carry out a series of choreographed projects and reflect on these experiences from the position of dancer/performer and choreographer. Additionally, I consider the work of other popping artists in the field, presenting extensive choreomusical analysis of a selection of their work. Drawing from interviews that I conducted with nine UK street dance artists, I use a range of practitioner-led terminology to demonstrate the metaphorical vocabulary that they have employed to articulate their choreomusical practices and complicate notions of musicality. -
UC San Diego UC San Diego Electronic Theses and Dissertations
UC San Diego UC San Diego Electronic Theses and Dissertations Title Filipino youth cultural politics and DJ culture Permalink https://escholarship.org/uc/item/4gh239b3 Author Tiongson, Antonio T. Publication Date 2006 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA, SAN DIEGO Filipino Youth Cultural Politics and DJ Culture A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Ethnic Studies by Antonio T. Tiongson Jr. Committee in charge: Professor Jane Rhodes, Co-Chair Professor Yen Le Espiritu, Co-Chair Professor Rick Bonus Professor Lisa Park Professor Anthony Davis Professor Dylan Rodriguez 2006 Copyright Antonio T. Tiongson Jr., 2006 All rights reserved. Table of Contents Signature Page………………………………………………………………… iii Table of Contents……………………………………………………………… iv Vita…………………………………………………………………………….. v Abstract………………………………………………………………………… vi I. Framing Culture: The Politics of Youth Culture and the Negotiation of Cultural Meanings and Identities………………………………………. 1 II. Contextualizing Filipino Migration and Racial Formations…………… 55 III. Hip Hop, DJ Culture, and Filipino Youth……………………………… 92 IV. Reconfiguring the Boundaries of Filipinoness Within the Contexts of U.S. Racial Formations and the Filipino Diaspora…………………….. 129 V. Conclusion: Critical Considerations…………………………………… 181 Appendix A…………………………………………………………………….. 187 Bibliography……………………………………………………………………. 206 iv VITA 1987-1991 B.A. in Psychology at the University of California, Berkeley 1992-1994 M.A. in Clinical Psychology at San Francisco State University 1994 Completed a Master’s Thesis, Sexual and Contraceptive Knowledge and Efficacy Among Pilipinos and Other Ethnic Groups, exploring sexual and contraceptive knowledge among Filipino youth compared to other ethnic groups using both quantitative and qualitative methods. San Francisco State University, San Francisco, California 1994-1995 M.A. -
UNIVERSITY of CALIFORNIA RIVERSIDE Cypher to Classroom: an Ethnography and Choreographic Reading on Teaching and Learning and E
UNIVERSITY OF CALIFORNIA RIVERSIDE Cypher to Classroom: An Ethnography and Choreographic Reading on Teaching and Learning and Embodied Hip Hop Pedagogies Otherwise A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Critical Dance Studies by Maïko Le Lay June 2020 Dissertation Committee: Dr. Imani Kai Johnson, Chairperson Dr. Jacqueline Shea Murphy Dr. Begoña Echeverria Copyright by Maïko Le Lay 2020 The Dissertation of Maïko Le Lay is approved: Committee Chairperson University of California, Riverside ABSTRACT OF THE DISSERTATION Cypher to Classroom: An Ethnography and Choreographic Reading on Teaching and Learning and Embodied Hip Hop Pedagogies Otherwise by Maïko Le Lay Doctor of Philosophy, Graduate Program in Critical Dance Studies University of California, Riverside, June 2020 Dr. Imani Kai Johnson, Chairperson This ethnographic research on embodied hip hop pedagogies bridges the fields of dance studies, hip hop, and education. This dissertation sheds light on the transgressive possibilities of embodied hip hop pedagogies, a curricular and pedagogical model I developed, which resists traditional Western teaching and learning systems by placing students’ realities at the center and capitalizing on the multidisciplinary, kinesthetic, and engaged nature of hip hop culture. In this dissertation, I perform choreographic readings of Western pedagogical and institutional spaces such as missionary buildings or classrooms and participate in action research in schools in the Inland Empire. I am particularly interested in the tensions between hip hop and Western hegemonic epistemologies. My analysis focuses on how bodies navigate their agency in these Western institutional spaces and how they resist and challenge such spaces through movement and hip hop.