Michelangelo & Forrest

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Michelangelo & Forrest John Travolta Assatto-stampa Martin Landau II plu acclamato per Jodie Foster e II Mscottino $'*egglu*eattl'ov«lonaplu Ha cercato dl cammkiare I plu -Arcune aetWnana to, U lannina <S IMW, John TiMOlta, >l *w wrivo rapMamentonosilMIe, ma Jodie unptanzoln un nsrorante chase, Mllal«*e£pedaaa rosea degll Futor non a rluuiU a avltara k) ho tusvato In un Hacoth) dalla Oscar. altoteme 1MI0 Shrine torch* caadlna dolla ilampa • le fortuna «nMf*eMnopr«niinJtwe: tadttorium. MMrtttun un Doato richieste dl brtenlMe tonoarnvate hoi un vero telente, riceveral H forodattodaltofoledl tan ecvrtosl a ptae^Jodto Foster era tuccesso cha madbS. Qaesto * tutopaU IMomo) hasahrtato I candidate coma mlgUor attrice par quanto ha raccaatato Martin antagonist* dl -Palp Fktton- -Nelh - H «m dbette da Mchael Landau al tarmkta daHa cerhnonla quaado, alia drttW* mil on Aptod die racconta la aterla dl ana dlassegnezkneoegll Oscar II quart* iM pwMffggto. ta -rae^ziaselvaggla--entente a bbcotto anva raglona: sua, krfattj, catpsttato la gukta purpurea WlrmaRyder, Miranda a la statuetta par« mlgur attora Inafamo ila maglB Kelly Preston Richardson, SUM* Sarandoa a MR protegaanta 1995. merits Travolta tantfif per la mWlof JaaaleaUngafchaMvlntal la delta aua Interpnrtazlsae * Bala Mafpratazknea, Iraneamante, M tandatMlma attrlca, nonche lugwlln -Ed Wood., romagglodi la sttebee meritata la stawetta. la raglita « praduttrtce, avava gla TH* Burton al wtglsta pegglore del vera stareatta aetata era proprto AltolainbftastatwMa net Wear mondo-. II Km ha vhtto anche pat I hiL •41 dlanrtodagHlnrweantk trucco Due «provinciali» trionfano a Los Angeles. Per «Pulp Fictions solo un Oscar di consolazione FILM. -Forrest Gump. REGI8TA, Robert Zemeckis «Forresl Gump. ATTOREPR0TAGONISTA. Tom Hanks -FomestGump. ATTRICEI>ROTAGttNISTA.Jess>caUnge -BlueSky. ATT0REN0NPROTAG0NISTA. Martin Landau -Ed Wood. ATTRfCE NON PROTMONISTA. Dianne Wiesl .Pallottole su Broad way- FILM STRANIERO. «ll sole ingannatore. di Nikila Michalkov (Francis Russia) SCENEGtHATURA ORlOWALE. Quentin Taranuno e Roger Avary •Pulp Fiction. SCENEflSIATURA NON ORKINALE. Enc Roih Forrest Gump- (adat lamento dal roma nzo dt Winston Groom) FOTOGRAFIA. John Toll "Vento di passioni. MONTAGfllO. Arthur Schmidt -Forrest Gump» SCENOGRAFtA. Ken Adam e Carolyn Scott -The Madness ol King George. C0STUMI. Tim Channel e Lizzy Gardiner «Pnscilla la regina del deser to- TRUCCO VeNeill RrckBakereYolandaToussiene -EdWood" C0LONNAS0NORA HansZimmer <HreUone» CANZONE ORKINALE. -Can You Feel (tie Love Tonight. di Ellon John eTimRice "lifeLeone- EFFETTISPEOAU HSIVf. Ken Ralston George Murphy Stephen Ro­ sen hatime Allen Hall -Forrest Gump- EFFETTI SPEOAU SONORI. Stephen Hunter Flick. -Speed SONORO Giegg Landaker Steve Mask™ Bob Beemer e Dawd MacMil Ian -Speed" DOGUMENTARIO -Maya Un A Strong Clear Vision* di Freida Lee Mot k e Terry Sa nders CORTOMETRAGGIO DOCUMENTARtO. -A Tune for JUSIMW di Char les Guggenheim C0RT0METRA6CW. ex aequo -Franz Kafka It s A Wonderful Life- di Peter Capaldi e Ruth Ktnley Lens e -Trevor* di Peggy Raiskie Rand} Stone CORTOMETRAGQIO ANIMATO .Rob s Birthday di Alison Snowden e David Fine OSCAR ALLACARRIERA. Michelangelo Antonioni PREMH) SPECIALE -IRVING THAIBERG MEMORIAL.. CI ml East wood ^NkrrO*»ncoii**^r©Mtr*Mlclielan^ Heed Saxon IAp PREMtO SPECIALE UMANITARIO -JEAN HEftSHOLT* Quincy Jones Michelangelo & Forrest Un genio e un picchiatello a spasso nella Storia JCHELANGELO Antonio sthermo non e conoseiula da noi UttOCAMIUMiHI nle Forrest Gump quale non essendo ancora apparw il bizzarro accostamenlo maidiessersivolulrfmenleschitra men accosta Mlchalkov a Stalin) re gli inteipreti da "Oggetli- Speria dim di Tim Burton che la contiene Non ci sarebbe mai venuto In men to al lianco di Roosevell Come si polcvano liberare Forrest Gump da mo abbiate ascollalo nello s(>ecia Etl Wood dedicato allautorc piu te se non ci avesso ponsato to zio schiera Forrest Gump non e do una cert ana statna da una opa^ le dell allra sera in telensione co­ «cane» del mondo Ma il profilo di Oscar metlendoli al centre dell e- manda da laic anche |>enhc ta ripelilrra tome di uno slesso me Tonhw Guerra inquadtava la ChauPalminterl il gangster sent dlzione del tentenano (del Line- buono innocenle e minoialo Co leil mottvsuonatotroppoalungo sua arte e la -nous" che I arte pro­ tore di Palhllole sit Broadway era ma) epremiandolimsiemL EffeMi me nclla liadizione cullnrale di Per questo anche noi avremmo duce (ossia I anenzione necessa di quelli eccellenh Delia stessa vamentt la •camera^ dei due si di tanla proi/incia amencana (.^ecie votato il him di Quentln Tarantl- ria a penetrarla) come Alain Cu- magistrale commedid di Woody stende press -i poco nello stesso del sud] in letleratura teatro e ti no menoemotiwjmapiueniozio- ny nevocata la tcmbile gicxnala di Alton eranti in lizzabendueattrici lasso di tempo alcuni decenni di nema egl1 nonedolaloduervdb nanlt e ncco di sorprese pur sa Cannes quando il pubblrco ftschie^ JennlferTllysvampiiaragazzadel queslo intermmabile dopoguerra (mo come gli spilungom (Gary pendo bemssimo the quando in e ndicolizzo Lawenlura come boss e Okanne Wfest maironale Per la venta I italiano aveva comin Coopar Jamas Stewart) clip lo qal i *i ptesenta il Grande senti parlavano di lui gli atton ingles di ex diva del leatro Si t prefenta la cialo ain.he prima con Ossessiu/'e antciparono Anil quanto meno meiito non c e competizione pos fitom Up o come restarono di stuc seconds Ma se fosse WMiura fuon dl VtocmU che cambio la laccia at spn7za mtelligenza lanlo p\u e ba sibik. Ce slalo in lempi recculi co gli americani quando il registd UmaThurman partner dt I ni^(ni IJCtsonaggl e ai paesaggi nazionali ciato da] successo ed entra d cor Idimo di Kramu mniro Kramer lete sgombrare il set di Zabnskte fico Travolta nella -nolle delle al e continua tultora visto che gia si sa nel mito Straordinanamentc quetlo di fog/po c/i tetierezzo qnel- Point per potersi concenlrare nel lucinazioni-difli/pflclion andaua atlendecon ansla il suo ultimo him ^passosa ^ la delu&ione di chi vive 10 di Horn Mart che gia sommava lavoro I unrca parold -grazie- egualmenle bene Senonch* il RriMrtZernsddsrkMvelXIwarttStewttSpMlMfg Dan OOEliDfigrAnsa appena giroto Lawenlura di For di idol; quandoluisianestadicol commozionea minorazione rl film che quest unmo inffessibile e tene- Mm bomod di Quentm Tarantino restGumpabbracciaircdeLennidi po in pteno deserto -E ora c he fac di Zcmwkis talcva mfmitamente nssnno ha pronunciato al micnilo (daltronde gia premnto a L^n evenh americani neiquali leioee ciamo»' di pitl md tutto sommato nentran no davanti alia platea clic lo dp nes) era destmalo all unica soddi Immerso in pnma persona senza Come si diventamito in Amenta do in un solco ablxjiidantemente plaudiva in piedi come aveva farto slazionc della sceneggialura ongi Per Antonioni In Usa una targe accorgersene e i! tenia divertenie ma anche am aralo U travolgenie campagnd di conFellmi sitramulaoggiin milro- nale premio clie pereltro glispel biguoeinqieiantedelfilm nel sen t^tdq-.ls etie lo ha dccompagnato ni di grazieche ideaImcnle gli am lava di dintio t che nessuno nem I compliment) rlcordera E qui 6 la dillerenza abissale Ira i so che non e facile stabilire ?e gli in paina (allromolivopernoncre vano da lulio il mondo meno Wtiody Allen glipotevasot due -praniKiali" Antanlonl gli dl D'Alema II vincitore auton lo cnticano oppure «ci mar derci trop|io) rendeva il suo trion Mighore interprete femminilo e tratre cvonll (italiani c mondial!) Il ha clano» Cenoeche il pertorso pd fo sKiiro anctie se alia resa del nsultaia Jessica Lange per il him Per la regia Anton lorn avrebhe pteccduh ci e entraio det no fin A WuhelangeKi Antonioni I •fount a nato la quel cottage In rallelo della ragazza delcuort vr> (onli mank nulo in limit! accetiabi poslumo di Tony Richardson s^elio Kleslowald {Film maol c ndl anlma e li ha capiti pnma del compDmentl dl Massimo D Arama. Alabama, petcha 1 Wtmtom lutamenle lascialo sulb sfondo si 11 hi qicslicasi le tras^reK.K.ni so­ Blue Stty non usolo in llalid md cnmeddrglitorto'Tultavidilpolac loro swluppo spesso sciaguraro II •Non lo congratulazianl dl un Qnram ha comlndato a scrivere II nsolve in una sequela di calamity no potlic Qualche annofadnvel prewnlato lem|x> la dal nostro eo ippdrtiene dllesigua schierd povero Foiresl Gump I suoi h ha crlrjco-scdve nel suo me*MUlD I Wo cha ha dato tama, successo e Irequontare I «atlra» Amem i speri tc subtntrare la pechczii del con giomdli che ncordava la line del deigrandi iiivenion di einenn die sriltanlo accoslati li ha vissuli lutli H scCretario dMFds-madlano sal Oscar al wo narsonagldo- mentare la diversita prtileslarc i omnle moglio piaz;ato in candi rogrsta mglese e le sue disawcntu non ha nidi godutodi mollaconsi spettaton attento, che ha pcrcoso gli sono piovuti addosso EWK w quel cottage wana contro la guerra in Viclnam scm ilaiure che era Bussy pciche un re a Hollywood escluso // com derazione a Hollywood Dove al conosduto ed apprezzata II suo come quella piuniu che volteggia apposta una tarea, .Bkthplace of bra condurre mesorabilmenli al licl film come li-jten^to (fai't "t'to- e>lmtne beranleso lOseara Tom contrano lanno scmpn. im|»eS5to lavoroculturale lostHeel Forrest Gump* •Quia nato Forrest rlel cieh> t viem. u radere ai suoi I Aid- HiifiriU'icissc d La|KAiili(trc It pre Jones. Inelfelti tc lavontc della vrgi no git irtefn i (tisinvolli e nidganun contonutlde) sua film. L Oscar* Gump- OW.Latamita,p«raltro piodi lIclnemadlAnlonioniemito Tom Hanks gia prolagonisla di vision 1 lid non i iniu 11 Jodie Foster die ]>o mlfiani che sdnntf raci oniarc •un attoche pranila lamlgNor* idsnUca a que Ha che si vede nel tivolto al luluro in una nterca aril Ptuladitphw quesli valid in t con Neil mirdvi iricoii^niaincnle ton solidn c kiioso maimristii) cuttura Italians, M riccheiza e ta film, un cottage griglosa due sllca Initai prtmonitricc qucllodi DiW-rsamcnte da (|ui llodi Fetli- esente ma npete I etpbil di vinn.
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