DOCSLIB.ORG

MUSIC of the STATES: TENNESSEE Take This Short Quiz to Test Your Knowledge on the Music of Tennessee

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
MUSIC of the STATES: TENNESSEE Take This Short Quiz to Test Your Knowledge on the Music of Tennessee TODAY’S MUSIC EDUCATION RESOURCE Name: STUDENT QUIZ MUSIC OF THE STATES: TENNESSEE Take this short quiz to test your knowledge on the music of Tennessee. Q1: What are the three Tennessee cities with deep music history? Q2: What is the Grand Old Opry? Q3: Who is Vernon Dalhart? Q4: What were the Bristol Sessions? Q5: What two famous country musicians were part of the Bristol Sessions? Q6: Which city is known as “Music City, U.S.A.”? Q7: Which city is known as “the birthplace of rock and roll”? Q8: Which city is known as “the birthplace of country music”? Q9: What two genres are combined in the “Nashville sound”? Q10: Who wrote “St. Louis Blues”? © 2019 IN TUNE PARTNERS, LLC TODAY’S MUSIC EDUCATION RESOURCE Name: STUDENT QUIZ READING, WRITING AND RHYTHM Take this quick quiz to test your knowledge on rhythm. Q1: How do musicians express themselves other than timbre and pitch? Q2: What type of instrument are African musical rhythms traditionally played upon? Q3: What element of a piece of music indicates the beat? Q4: What types of notes have flags on them? Q5: What joins flagged notes together when they are played one after another? Q6: What type of notation is used to indicate playing of three notes in the same amount of time that would normally be given to two? Q7: What famous movie’s theme song features triplets? Q8: What are the two ways of lengthening note values in standard music notation? Q9: Can you add a dot to a rest? Q10: As opposed to pitches, what do the lines and spaces on a drum set staff epresent?r © 2019 IN TUNE PARTNERS, LLC TODAY’S MUSIC EDUCATION RESOURCE Name: STUDENT QUIZ THE JONAS BROTHERS Take this short quiz to test your knowledge on The Jonas Brothers. Q1: What other boyband did the Jonas Brothers open for in 2005? Q2: What position on the Billboard Hot 100 chart did “Burnin’ Up” place? Q3: Who wrote “Burnin’ Up”? Q4: How many years did the band breakup for? Q5: Who was the first brother to begin his career in music? Q6: What was the name of his first co-written and recorded song? Q7: Who co-wrote it with him? Q8: What Disney Channel movie did the Jonas Brothers star in? Q9: What year did they announce their break-up? Q10: What is the title of the first song they released as a reunited band? © 2019 IN TUNE PARTNERS, LLC TODAY’S MUSIC EDUCATION RESOURCE STUDENT MUSIC OF THE STATES: TENNESSEE 1.Bristol, Nashville and Memphis 2.The most famous country music concert series in the QUIZ country, in Nashville 3.The first recorded country musician to sell one million ANSWERS records 4.A series of country music recordings by Ralph Peer in Bristol,Tennessee April 5.The Carter Family and Jimmie Rodgers 6.Nashville 7.Memphis 2019 8.Bristol 9.Pop and country 10.W.C. Handy READING, WRITING AND RHYTHM 1.Through unique rhythms 2. Drums 3. The time signature 4. Eighth, sixteenth, and anything shorter 5. Bars 6.Tr ip l e t 7. Star Wars 8. Dots and ties 9. Yes 10. Voices THE JONAS BROTHERS 1. The Backstreet Boys 2. No.5 3. All three brothers wrote the song together 4. Six 5. Nick 6. “JoyTo The World (A Christmas Prayer)” 7. His father 8. Camp Rock 9. 2012 10. “Sucker” This month’s quizzes are also available at musicalive.com/the-quiz-zone-april-2019 © 2019 IN TUNE PARTNERS, LLC.
Load more

Recommended publications
  • Can You Sing Or Play Old-Time Music?': the Johnson City Sessions Ted Olson East Tennessee State University, [email protected]
    East Tennessee State University Digital Commons @ East Tennessee State University ETSU Faculty Works Faculty Works 2013 'Can You Sing Or Play Old-Time Music?': The Johnson City Sessions Ted Olson East Tennessee State University, [email protected] Follow this and additional works at: https://dc.etsu.edu/etsu-works Part of the Appalachian Studies Commons, and the Music Commons Citation Information Olson, Ted. 2013. 'Can You Sing Or Play Old-Time Music?': The oJ hnson City Sessions. The Old-Time Herald. Vol.13(6). 10-17. http://www.oldtimeherald.org/archive/back_issues/volume-13/13-6/johnsoncity.html ISSN: 1040-3582 This Article is brought to you for free and open access by the Faculty Works at Digital Commons @ East Tennessee State University. It has been accepted for inclusion in ETSU Faculty Works by an authorized administrator of Digital Commons @ East Tennessee State University. For more information, please contact [email protected]. 'Can You Sing Or Play Old-Time Music?': The ohnsonJ City Sessions Copyright Statement © Ted Olson This article is available at Digital Commons @ East Tennessee State University: https://dc.etsu.edu/etsu-works/1218 «'CAN YOU SING OR PLAY OLD-TIME MUSIC?" THE JOHNSON CITY SESSIONS By Ted Olson n a recent interview, musician Wynton Marsalis said, "I can't tell The idea of transporting recording you how many times I've suggested to musicians to get The Bristol equipment to Appalachia was, to record Sessions—Anglo-American folk music. It's a lot of different types of companies, a shift from their previous music: Appalachian, country, hillbilly.
    [Show full text]
  • Cannon Chair Maker Carving Niche in World
    Business Honor Roll Winter bitter foe celebrates Cannon County during Civil War See Section, Pages 6-7 See, Page 5 Home of SARA MOORE 131st YEAR - NO. 29 Wednesday, January 27, 2016 TWO SECTIONS - 50¢ PER COPY Cannon chair maker carving niche in world DAN WHITTLE Courier Contributor READYVILLE – A small furniture man- ufacturing company is rocking the world. In keeping with a multiple-century Cannon County wood-working tradition, craftsman/artist/designer Alan Daigre and associates are creating chairs and rock- ers that are being sought in Europe and throughout the U.S. Alan Daigre Designs began 15 years ago in a remote wooded area off Ferrell Hol- It was still spitt ing snow when Courier reader CJ Hughes ventured out with a camera low Road. to capture some rare, winter-time fun. “We’ve shipped ‘rope chairs’ to Eu- rope,” Daigre shared. “Although we’ve only branched out from rocking chairs the past 10 years, we’ve already sold product in 35 U.S. states, with a goal of marketing in all states.” More about rope chairs and rockers… “Our signature is a line of ‘rope and block rockers’ that comforts everyone who tries them,” Daigre noted. “Our de- signs are not forced … inspired by natu- ral wood textures, and clean, simple lines. Our chairs are all wood components that fl ex and mold to the individual seated, with the one-piece rope that helps tie it all Alan Daigre Designs began 15 years ago uniquely together for more comfort.” off Ferrell Hollow Road. “Our chairs are frequently compliment- ed by people with back problems,” diag- man shared.
    [Show full text]
  • Record V19.05
    Hip-hop historian Inside this edition: ‘PopMaster Fabel’ to offer Scholarships are group effort, page 2 personal perspective Sept. 7 Feel ‘Vibrations of Laughter,’ page 2 see page 8 Tasty fish a ‘Grand Slam’ option, page 6 Get more fit this fall, page 6 a publication for the Middle Tennessee State University community www.mtsunews.com • Sept. 6, 2010 • Vol. 19/No. 5 Aerospace-ISR Birthday present Professor’s 3rd pact will create Fulbright takes new tech jobs him to Malaysia by Tom Tozer by Gina K. Logue [email protected] [email protected] partnership between Middle r. Sean Foley, an assistant Tennessee State University professor of history at Aand ISR Group will provide a D MTSU, will embark in mid- hands-on training ground for MTSU September on a 10-month research students, attract industry and excursion in Southeast Asia after knowledge-based workers to winning the third Fulbright Tennessee and generate permanent Fellowship of his career. jobs that cannot be exported to other Foley will work and study pri- countries. marily in Malaysia, where he will Principal players say the collab- examine religious links between oration is unique to the southeastern Southeast Asia and the Arab- United States and will one day wield dominated Middle East region global influence. under the auspices of International MTSU officials signed a memo- Islamic University Malaysia in the randum of understanding on Aug. capital city of Kuala Lumpur. 20 with ISR Group, a Savannah, In addition, Foley’s study and Tenn.-based provider of Unmanned lecture itinerary will take him to Aircraft System, or UAS, services.
    [Show full text]
  • Vernon Dalhart: His Rural Roots and the Beginnings of Commercial Country Music*
    VERNON DALHART: HIS RURAL ROOTS AND THE BEGINNINGS OF COMMERCIAL COUNTRY MUSIC* by Walter Darrell Haden English Department University of Tennessee Martin, Tennessee Most country music history fans know of the North American folk songs which launched Vernon Dalhart as the first country music artist of national importance. The Wreck of the Old 97 and The Prisoner's Song were also the beginnings of the commercial country music industry in this country. Before Dalhart recorded these songs, there had been, it is true, an effort to market some country music: Henry Whitter, Riley Puckett, Kelly Harrell, and other country vocalists had begun or were beginning their record­ ing careers. But there had been no country hit songs and no country singing star to record them. Fiddlers like John Carson and other country instrumentalists had recorded, it is true, and some of these musicians had thrown in a vocal chorus or perhaps even a stanza or so of song lyrics. But before Dalhart there had been no country recording of national importance and certainly no hit. Today knowledge­ able record collectors and musicologists are making the truth increasingly well known that Dalhart's pairing of The Prisoner's Song with The wreck of the Old 97 on more than 30 different labels sold over 25,000,000 copies. Victor 19427 alone sold close to 6,000,000 copies of this famous pairing of hits. (1) In 1924, Dalhart, dropping his current "pop" music career to take up country music, even more native to his upbringing, stepped before an accoustical recording horn at Thomas A.
    [Show full text]
  • Collecting Policy for the Center for Popular Music
    COLLECTIONS DEVELOPMENT and MANAGEMENT POLICY INTRODUCTION The Center for Popular Music (CPM) archives materials having to do with American popular and vernacular music, terms that are broadly defined here. This Collections Development and Management Policy articulates the scope and content of the CPM’s collections and addresses how the CPM acquires, cares for, and makes its collections accessible for research. This policy is divided into four sections. • Purpose and Scope • Collections Development: Special Collections • Collections Development: Reading Room Books, Videos, DVDs, Periodicals • Collections Development: Sound Recordings. PURPOSE AND SCOPE Mission The Center for Popular Music at Middle Tennessee State University was created in 1985 as a “Center of Excellence” by the Tennessee Higher Education Commission. In 2009 it became a constituent unit in the University's College of Mass Communication, where it supports both student development and scholarly research. The Center’s mission is “to promote research and scholarship on American vernacular music and to foster an understanding of the nation’s diverse musical culture and its global reach.” Establishing Current Collecting Priorities and Targeted Collecting Areas To accomplish this mission, the Center maintains an archive of materials relating to American vernacular music and its dissemination. Collection policy is driven by the belief that this music must be studied through time, within the context of society and culture, and in relation to commercial and technological factors
    [Show full text]
  • BEAR FAMILY RECORDS TEL +49(0)4748 - 82 16 16 • FAX +49(0)4748 - 82 16 20 • E-MAIL [email protected]
    BEAR FAMILY RECORDS TEL +49(0)4748 - 82 16 16 • FAX +49(0)4748 - 82 16 20 • E-MAIL [email protected] ARTIST Various TITLE The Knoxville Sessions 1929-1930 Knox County Stomp LABEL Bear Family Productions CATALOG # BCD 16097 PRICE-CODE DL EAN-CODE ÇxDTRBAMy160974z FORMAT 4-CD Box-Set (LP-size) with 156-page hardcover book GENRE Country / Historical TRACKS 99 PLAYING TIME 303:58 G With this set, BEAR FAMILY RECORDS completes the map of commercial recording in East Tennessee in the late 1920s and early 1930s. G 'The Bristol Sessions, 1927-928: The Big Bang Of Country Music' documented epoch-making sessions by VICTOR RECORDS that launched the careers of Jimmie Rodgers and The Carter Family, while G 'The Johnson City Sessions, 1928-1929: Can You Sing Or Play Old-Time Music?' focused on COLUMBIA RECORDS' similar search for early country music talent in Appalachia, sessions that yielded many other seminal recordings. INFORMATION 'The Knoxville Sessions, 1929-1930: Knox County Stomp' features the music made at two sessions conducted by BRUNSWICK RECORDS at downtown St. James Hotel – music remarkable both for its variety and for the rarity of the records that preserved it. Whereas the recordings made in Bristol and Johnson City were almost exclusively of old-time country and gospel music, the Knoxville sessions captured a more diverse gathering of Appalachian voices and sounds. Amidst old-time stringbands like the Ten- nessee Ramblers, the Southern Moonlight Entertainers, and the Smoky Mountain Ramblers, we also hear the majestic African American blues and gospel singer Leola Manning, the hot dance music of Maynard Baird & His Southern Serenaders, the virtuoso string ragtime of Howard Armstrong and the Tennessee Chocolate Drops, sacred songs by white and African American quartet- tes, songsters such as Will Bennett and Haskell Wolfenbarger, a unique recorded playlet about the Hatfield-McCoy feud – and even an address by the businessman whose enterprise brought BRUNSWICK RECORDS to Knoxville, Colonel J.G.
    [Show full text]
  • Houstonfest 2015 “A Celebration of Song & Service” Felts Park; Galax, VA May 1-2, 2015 (Always the 1St Weekend in May)
    HoustonFest 2015 “A Celebration of Song & Service” Felts Park; Galax, VA May 1-2, 2015 (Always the 1st weekend in May) In the spirit of Ralph Peer's original call to artists, please join us as HoustonFest proudly presents: _______________ “The 1927 Bristol Sessions Revisited” hosted by Carl Jackson & featuring an incredible lineup of performers from the upcoming “ORTHOPHONIC JOY: THE 1927 BRISTOL SESSIONS REVISITED” recording project including: Marty Stuart - Steep Canyon Rangers Doyle Lawson - The Chuck Wagon Gang Shotgun Rubies - Ashley & Shannon Campbell The Church Sisters - The Virginia Luthier Band Corbin Hayslett - Larry Cordle Jesse McReynolds “The Bristol Sessions is the single most important event in the history of country music.” JOHNNY CASH Camp Houston Unique stage & area dedicated to youth In 1927, there was a magical recording Music & activities session in Bristol that would shape the Jam Sessions future of country music. Known as the “Big Bang of Country Music”, the Bristol Sessions took country music to a new level & produced pioneers of the FEATURING: genre including: The Stoneman Family, Blue Highway - Jeff Little Trio Jimmy Rodgers, and The Carter Family. Sierra Hull – Sigmon Strings Terry Baucom & The Dukes of Drive GalaX's Ernest “Pop” Stoneman played Clay Hess Band – Ash Breeze an integral role in helping Ralph Peer Fiddling Carson Peters Band Amber Collins &Branch House Pavilion comb the Appalachian Region for rural Mountain Park Old Time Band talent. Other musicians from the GalaX ShadowGrass – Changing Lanes area included Eck Dunford, Henry Kitty & The Stray Cats Whitter,The Shelor Family, Norman White Top Mountain Band Edmonds, and J.P.
    [Show full text]
  • Academic Master Plan Update 2007
    Academic Master Plan Update 2007 - 2017 Objectives noted in blue are completed Strategic Direction Strategies 2007-17 Objectives Responsible Time GOAL 1: Enhance Academic Quality Increase retention and graduation rates; Develop Middle Tennessee State University will implement the targeted programs for non-traditional students; Open UP; Associate VP for Admissions and Student Access, Engagement, and Achievement Plan night student services offices; Establish a Annual Middle Tennessee State Enrollment Services; Dean UC University will increase to increase retention and graduation rates. comprehensive tutoring center; Develop more on-line student academic services. attainment and encourage students to engage in life- STATUS UPDATE: long learning. 2007-2008 Fall 2006 - Fall 2007 retention rate 78.69% as compared to 80.85% for Fall 2005 - Fall 2006; 2000-06 graduation rate is 46.84%, 2001-2007 rate is 48.39%, an increase of 1.55%; Activities for non-traditional students include: Expanded Adult Services Center to Off-campus Student Services (90% of MTSU students live off-campus); Revised OSS website; Revised Adult Students Services on-line Handbook; Partnered with Off-Campus Partners (national off-campus housing service); Hosted national ANTSHE conference; Conducted on-line student survey (approximately 2,000 responses) 2008-2009 Fall 2007 - Fall 2008 retention rate was 79.96% as compared to 78.69% Fall 2006 - Fall 2007 (an increase of 1.27%); 2001-07 graduation rate is 48.39%, 2002-08 rate is 50.49% (an increase of 2.1%); OSS activities included: Idea Mapping Workshop for students with Jamie Nast; hosted annual Adult Learning Conference on "Using Technology to Prepare for Your Career!"; initiated 10 students into Pinnacle Honor Society.
    [Show full text]
  • Jemf Quarterly
    JEMF QUARTERLY JOHN EDWARDS MEMORIAL FOUNDATION VOL. XII SPRING 1976 No. 41 THE JEMF The John Edwards Memorial Foundation is an archive and research center located in the Folklore and Mythology Center of the University of California at Los Angeles. It is chartered as an educational non-profit corporation, supported by gifts and contributions. The purpose of the JEMF is to further the serious study and public recognition of those forms of American folk music disseminated by commercial media such as print, sound recordings, films, radio, and television. These forms include the music referred to as cowboy, western, country & western, old time, hillbilly, bluegrass, mountain, country ,cajun, sacred, gospel, race, blues, rhythm' and blues, soul, and folk rock. The Foundation works toward this goal by: gathering and cataloguing phonograph records, sheet music, song books, photographs, biographical and discographical information, and scholarly works, as well as related artifacts; compiling, publishing, and distributing bibliographical, biographical, discographical, and historical data; reprinting, with permission, pertinent articles originally appearing in books and journals; and reissuing historically significant out-of-print sound recordings. The Friends of the JEMF was organized as a voluntary non-profit association to enable persons to support the Foundation's work. Membership in the Friends is $8.50 (or more) per calendar year; this fee qualifies as a tax deduction. Gifts and contributions to the Foundation qualify as tax deductions. DIRECTORS ADVISORS Eugene W. Earle, President Archie Green, 1st Vice President Ry Cooder Fred Hoeptner, 2nd Vice President David Crisp Ken Griffis, Secretary Harlan Dani'el D. K. Wilgus, Treasurer David Evans John Hammond Wayland D.
    [Show full text]
  • Today a Commercially Successful, Internationally Appreciated Genre Of
    18 had appeared on "hillbilty" records were from this region. On July 22, 1927, Peer and his two engineers set up a temporary studio on the Tennessee side of State Street in downtown Bristol; and on Monday, July 25, the now-famous "Bristol .. hillbilly music," a catch-all term for Sessions" began, showcasing a well­ much of the white folk and popular known local musician, Ernest music composed and performed in Stoneman (from the nearby Virginia the Southern United States during Blue Ridge, Stoneman had already Today a commercially successful, that era. Musicians from across the enjoyed several "hillbilly" hit internationally appreciated genre of South-including many from recordings). By their completion on American music, country music was Appalachia-traveled to those cities, Friday, August 5, the Bristol Sessions first commercially recorded in the for the experience of making records yielded 76 recorded performances by early 1920s. Since then, it has been and the possibility of financial 19 separate musical acts. Utilizing strongly influenced by traditional reward. The music recorded at these what was then state-of-the-art and popular music genres from studios, incorporating essentially the equipment, Peer and his engineers several regions of the United same repertoire then being performed ensured that the recordings exceeded States-by gospel and blues from on front porches and at other com­ all previous .. hillbilly" recordings in the South, cowboy music from the munity events in the South, sold far sound quality. Equally significant was West, and Tin Pan Alley music from more copies than record companies the high quality of the performances the North.
    [Show full text]
  • Artist with Title Writer Label Cat Year Genre
    Artist With Title Writer Label Cat Year Genre Notes Album Synopsis_c Anonymous Uncle Tom’s Cabin No Label 0 Comedy Anonymous - Uncle Tom’s Cabin, No Label , 78, ???? Anonymous The Secretary No Label 0 Comedy Anonymous - The Secretary, No Label , 78, ???? Anonymous Mr. Speaker No Label 0 Comedy Anonymous - Mr. Speaker, No Label , 78, ???? Anonymous The Deacon No Label 0 Comedy Anonymous - The Deacon, No Label , 78, ???? Anonymous First Swimming Lesson Good-Humor 10 0 Comedy Anonymous - First Swimming Lesson, Good-Humor 10, 78, ???? Anonymous Auto Ride Good-Humor 4 0 Comedy Anonymous - Auto Ride, Good-Humor 4, 78, ???? Anonymous Pioneer XXX, Part 1 No Label 0 Comedy Anonymous - Pioneer XXX, Part 1, No Label , 78, ???? Anonymous Pioneer XXX, Part 2 No Label 0 Comedy Anonymous - Pioneer XXX, Part 2, No Label , 78, ???? Anonymous Instrumental w/ lots of reverb No Label 0 R&B Anonymous - Instrumental w/ lots of reverb, No Label , 78, ???? Coy and Helen Tolbert There’s A Light Guiding Me Chapel Tone 775 0 Gospel with Guitar Coy and Helen Tolbert - There’s A Light Guiding Me, Chapel Tone 775, 78, ???? Coy and Helen Tolbert Old Camp Meeting Days R. E. Winsett Chapel Tone 775 0 Gospel with Guitar Coy and Helen Tolbert - Old Camp Meeting Days (R. E. Winsett), Chapel Tone 775, 78, ???? Donna Lane and Jack Milton Henry Brandon And His Orchestra Love On A Greyhound Bus Blane - Thompson - Stoll Imperial 1001 0 Vocal Donna Lane and Jack Milton - Love On A Greyhound Bus (Blane - Thompson - Stoll), Imperial 1001, 78, ???? G. M. Farley The Works Of The Lord Rural Rhythm 45-EP-551 0 Country G.
    [Show full text]
  • The Rise and Fall of the Hillbilly Music Genre, a History, 1922-1939. Ryan Carlson Bernard East Tennessee State University
    East Tennessee State University Digital Commons @ East Tennessee State University Electronic Theses and Dissertations Student Works 12-2007 The Rise and Fall of the Hillbilly Music Genre, A History, 1922-1939. Ryan Carlson Bernard East Tennessee State University Follow this and additional works at: https://dc.etsu.edu/etd Part of the Musicology Commons Recommended Citation Bernard, Ryan Carlson, "The Rise and Fall of the Hillbilly Music Genre, A History, 1922-1939." (2007). Electronic Theses and Dissertations. Paper 2059. https://dc.etsu.edu/etd/2059 This Thesis - Open Access is brought to you for free and open access by the Student Works at Digital Commons @ East Tennessee State University. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ East Tennessee State University. For more information, please contact [email protected]. The Rise and Fall of the Hillbilly Music Genre: A History, 1922-1939. ___________________ A thesis presented to the faculty of the Department of Liberal Studies East Tennessee State University In partial fulfillment of the requirements for the degree Masters of Arts in Liberal Studies ___________________ by Ryan Carlson Bernard December, 2006 ___________________ Dr. Richard Blaustein, Chair Dr. Ted Olson Dr. Kevin O’Donnell Keywords: Hillbilly, Music, Stereotype, Genre, Phonograph, Radio ABSTRACT The Rise and Fall of the Hillbilly Music Genre: A History, 1922-1939 by Ryan Carlson Bernard This research will examine the rise in popularity of the hillbilly music genre as it relates to the early part of the twentieth century as well as its decline with the arrival of the western hero, the cowboy.
    [Show full text]