7 Bits of “Womanly Wisdom” - Screen Invasion 10/10/13 1:43 PM
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Hbo Premieres the Third Season of Game of Thrones
HBO PREMIERES THE THIRD SEASON OF GAME OF THRONES The new season will premiere simultaneously with the United States on March 31st Miami, FL, March 18, 2013 – The battle for the Iron Throne among the families who rule the Seven Kingdoms of Westeros continues in the third season of the HBO original series, Game of Thrones. Winner of two Emmys® 2011 and six Golden Globes® 2012, the series is based on the famous fantasy books “A Song of Ice and Fire” by George R.R. Martin. HBO Latin America will premiere the third season simultaneously with the United States on March 31st. Many of the events that occurred in the first two seasons will culminate violently, with several of the main characters confronting their destinies. But new challengers for the Iron Throne rise from the most unexpected places. Characters old and new must navigate the demands of family, honor, ambition, love and – above all – survival, as the Westeros civil war rages into autumn. The Lannisters hold absolute dominion over King’s Landing after repelling Stannis Baratheon’s forces, yet Robb Stark –King of the North– still controls much of the South, having yet to lose a battle. In the Far North, Mance Rayder (new character portrayed by Ciaran Hinds) has united the wildlings into the largest army Westeros has ever seen. Only the Night’s Watch stands between him and the Seven Kingdoms. Across the Narrow Sea, Daenerys Targaryen – reunited with her three growing dragons – ventures into Slaver’s Bay in search of ships to take her home and allies to conquer it. -
Academy of Television Arts & Sciences 64Th Primetime Emmy
Academy of Television Arts & Sciences 64th Primetime Emmy Award Nominations Nominations for this year’s Primetime Emmys were announced by the Academy of Television Arts and Sciences, Thursday, July 19, 2012. The Primetime Emmy Awards will be televised September 23, 2012. Below is a listing of the shows nominated this year for Art Direction. Outstanding Art Direction For A Multi-Camera Series Hell's Kitchen • Episode 915 • Episode 916 • FOX • ITV Studios America in association with A. Smith & Co. John Janavs, Production Designer Robert Frye, Art Director Heidi Miller, Set Decorator How I Met Your Mother • Now We're Even • The Magician's Code, Part One • The Magician's Code, Part Two • CBS • 20 th Century Fox Television Stephan G. Olson, Production Designer Susan Eschelbach, Set Decorator Mike & Molly • Goin' Fishin' • Valentine's Piggyback • The Wedding • CBS • Bonanza Productions, Inc. in association with Chuck Lorre Productions, Inc. and Warner Bros. Television John S. Shaffner, Production Designer Lynda Burbank, Set Decorator 30 Rock • Live From Studio 6H • NBC • Broadway Video, Little Stranger, Inc. in association with Universal Television Teresa Masterpierro, Production Designer Keith Raywood, Production Designer Jennifer Greenberg, Set Decorator 2 Broke Girls • And The Rich People Problems • And The Reality Check • And The Pop Up Sale • CBS • Bonanza Productions, Inc. in association with MPK Productions and Warner Bros. Television Glenda Rovello, Production Designer Amy Feldman, Set Decorator Outstanding Art Direction For A Single-Camera -
Archetypes in Female Characters of Game of Thrones
Sveučilište u Zadru Odjel za anglistiku Preddiplomski sveučilišni studij engleskog jezika i književnosti (dvopredmetni) Gloria Makjanić Archetypes in Female Characters of Game of Thrones Završni rad Zadar, 2018. Sveučilište u Zadru Odjel za anglistiku Preddiplomski sveučilišni studij engleskog jezika i književnosti (dvopredmetni) Archetypes in Female Characters of Game of Thrones Završni rad Student/ica: Mentor/ica: Gloria Makjanić dr. sc. Zlatko Bukač Zadar, 2018. Makjanić 1 Izjava o akademskoj čestitosti Ja, Gloria Makjanić, ovime izjavljujem da je moj završni rad pod naslovom Female Archetypes of Game of Thrones rezultat mojega vlastitog rada, da se temelji na mojim istraživanjima te da se oslanja na izvore i radove navedene u bilješkama i popisu literature. Ni jedan dio mojega rada nije napisan na nedopušten način, odnosno nije prepisan iz necitiranih radova i ne krši bilo čija autorska prava. Izjavljujem da ni jedan dio ovoga rada nije iskorišten u kojem drugom radu pri bilo kojoj drugoj visokoškolskoj, znanstvenoj, obrazovnoj ili inoj ustanovi. Sadržaj mojega rada u potpunosti odgovara sadržaju obranjenoga i nakon obrane uređenoga rada. Zadar, 13. rujna 2018. Makjanić 2 Table of Contents 1. Introduction ..................................................................................................................... 3 2. Game of Thrones ............................................................................................................. 4 3. Archetypes ...................................................................................................................... -
“Game of Thrones” Season 5 One Line Cast List NO
“Game of Thrones” Season 5 One Line Cast List NO. CHARACTER ARTIST 1 TYRION LANNISTER PETER DINKLAGE 3 CERSEI LANNISTER LENA HEADEY 4 DAENERYS EMILIA CLARKE 5 SER JAIME LANNISTER NIKOLAJ COSTER-WALDAU 6 LITTLEFINGER AIDAN GILLEN 7 JORAH MORMONT IAIN GLEN 8 JON SNOW KIT HARINGTON 10 TYWIN LANNISTER CHARLES DANCE 11 ARYA STARK MAISIE WILLIAMS 13 SANSA STARK SOPHIE TURNER 15 THEON GREYJOY ALFIE ALLEN 16 BRONN JEROME FLYNN 18 VARYS CONLETH HILL 19 SAMWELL JOHN BRADLEY 20 BRIENNE GWENDOLINE CHRISTIE 22 STANNIS BARATHEON STEPHEN DILLANE 23 BARRISTAN SELMY IAN MCELHINNEY 24 MELISANDRE CARICE VAN HOUTEN 25 DAVOS SEAWORTH LIAM CUNNINGHAM 32 PYCELLE JULIAN GLOVER 33 MAESTER AEMON PETER VAUGHAN 36 ROOSE BOLTON MICHAEL McELHATTON 37 GREY WORM JACOB ANDERSON 41 LORAS TYRELL FINN JONES 42 DORAN MARTELL ALEXANDER SIDDIG 43 AREO HOTAH DEOBIA OPAREI 44 TORMUND KRISTOFER HIVJU 45 JAQEN H’GHAR TOM WLASCHIHA 46 ALLISER THORNE OWEN TEALE 47 WAIF FAYE MARSAY 48 DOLOROUS EDD BEN CROMPTON 50 RAMSAY SNOW IWAN RHEON 51 LANCEL LANNISTER EUGENE SIMON 52 MERYN TRANT IAN BEATTIE 53 MANCE RAYDER CIARAN HINDS 54 HIGH SPARROW JONATHAN PRYCE 56 OLENNA TYRELL DIANA RIGG 57 MARGAERY TYRELL NATALIE DORMER 59 QYBURN ANTON LESSER 60 MYRCELLA BARATHEON NELL TIGER FREE 61 TRYSTANE MARTELL TOBY SEBASTIAN 64 MACE TYRELL ROGER ASHTON-GRIFFITHS 65 JANOS SLYNT DOMINIC CARTER 66 SALLADHOR SAAN LUCIAN MSAMATI 67 TOMMEN BARATHEON DEAN-CHARLES CHAPMAN 68 ELLARIA SAND INDIRA VARMA 70 KEVAN LANNISTER IAN GELDER 71 MISSANDEI NATHALIE EMMANUEL 72 SHIREEN BARATHEON KERRY INGRAM 73 SELYSE -
William Hope Hodgson's Borderlands
William Hope Hodgson’s borderlands: monstrosity, other worlds, and the future at the fin de siècle Emily Ruth Alder A thesis submitted in partial fulfilment of the requirements of Edinburgh Napier University, for the award of Doctor of Philosophy May 2009 © Emily Alder 2009 Contents Acknowledgements 3 Abstract 4 Introduction 5 Chapter One. Hodgson’s life and career 13 Chapter Two. Hodgson, the Gothic, and the Victorian fin de siècle: literary 43 and cultural contexts Chapter Three. ‘The borderland of some unthought of region’: The House 78 on the Borderland, The Night Land, spiritualism, the occult, and other worlds Chapter Four. Spectre shallops and living shadows: The Ghost Pirates, 113 other states of existence, and legends of the phantom ship Chapter Five. Evolving monsters: conditions of monstrosity in The Night 146 Land and The Boats of the ‘Glen Carrig’ Chapter Six. Living beyond the end: entropy, evolution, and the death of 191 the sun in The House on the Borderland and The Night Land Chapter Seven. Borderlands of the future: physical and spiritual menace and 224 promise in The Night Land Conclusion 267 Appendices Appendix 1: Hodgson’s early short story publications in the popular press 273 Appendix 2: Selected list of major book editions 279 Appendix 3: Chronology of Hodgson’s life 280 Appendix 4: Suggested map of the Night Land 281 List of works cited 282 © Emily Alder 2009 2 Acknowledgements I sincerely wish to thank Dr Linda Dryden, a constant source of encouragement, knowledge and expertise, for her belief and guidance and for luring me into postgraduate research in the first place. -
Download 1St Season of Game of Thrones Free Game of Thrones, Season 1
download 1st season of game of thrones free Game of Thrones, Season 1. Game of Thrones is an American fantasy drama television series created for HBO by David Benioff and D. B. Weiss. It is an adaptation of A Song of Ice and Fire, George R. R. Martin's series of fantasy novels, the first of which is titled A Game of Thrones. The series, set on the fictional continents of Westeros and Essos at the end of a decade-long summer, interweaves several plot lines. The first follows the members of several noble houses in a civil war for the Iron Throne of the Seven Kingdoms; the second covers the rising threat of the impending winter and the mythical creatures of the North; the third chronicles the attempts of the exiled last scion of the realm's deposed dynasty to reclaim the throne. Through its morally ambiguous characters, the series explores the issues of social hierarchy, religion, loyalty, corruption, sexuality, civil war, crime, and punishment. The PlayOn Blog. Record All 8 Seasons Game of Thrones | List of Game of Thrones Episodes And Running Times. Here at PlayOn, we thought. wouldn't it be great if we made it easy for you to download the Game of Thrones series to your iPad, tablet, or computer so you can do a whole lot of binge watching? With the PlayOn Cloud streaming DVR app on your phone or tablet and the Game of Thrones Recording Credits Pack , you'll be able to do just that, AND you can do it offline. That's right, offline . -
Cheat Sheet to Westeros and Beyond, Your Guide on Catching up to “Game of Thrones” Before Season 8 Starts April 14
“Game of Thrones” has several great battle scenes, and the sixth season features the Battle of the Bastards, one of the most epic battle scenes ever filmed, movie or television. COURTESY/HBO ith the final season of “Game of Thrones” fast approaching, you might feel a little left out of the pop culture phenomenon as ‘GAME OF your friends and family discuss Targaryens, Starks and Lan- nisters. But it’s not too late to get caught up, if you’re willing to Wtake a crash course in the Seven Realms. THRONES’ Today we’re giving you a cheat sheet to Westeros and beyond, your guide on catching up to “Game of Thrones” before Season 8 starts April 14. This is by no means complete. We definitely recommend you take time later to go back and watch the entire series, which is epic in scale and qual- TV ity. We’ve boiled the show’s 67 episodes down to 28, or a little over 26 hours ‘Game of CHEAT Thrones’ season of viewing. While you won’t get every detail, this list will give you what you 8 premiere need to understand the major plot points. With a bit of dedication, you can 8 p.m. April 14, HBO get through it all in a week. SHEET And if you’re already familiar with Game of Thrones, you can use this as a guide to re-familiarize yourself with the world you’ve been missing for the last 18 months. Your guide to catching up on the Seven Tip: Wikipedia has pretty good summaries for each episode. -
Ugens Tv-Tal
Seertal uge 13 (24. marts 2014 - 30. marts 2014) Eftertryk/citat må kun ske mod flg. kildeangivelse: "TNS Gallup TV-Meter" Klik her for at hente en udskriftsvenlig udgave i PDF-format (kræver Adobe Acrobat Reader). TNS Gallup måler hvert døgn på vegne af Danmarks Radio, TV 2/DANMARK, TV3, SBS Discovery Media, Turner Broadcasting, Viacom International Media Networks og The Walt Disney Company Nordic tv-seningen i Danmark i tv-husstande ved hjælp af tv-metre. I uge 13 har i alt 1017 husstande og 2128 personer deltaget i TV-Meter-systemet. Alle seertal i pressemeddelelsen er beregnet ud fra universet 3 år og derover, med mindre andet er anført. Det bemærkes at alle tal er LIVE + VOSDAL (Viewing On Same Day As Live) og beregnet som "net ratings". Hvor meget tv ser danskerne? I uge 13 så en gennemsnitsdansker på 3 år og derover i gennemsnit 20 timer og 11 minutters tv, hvoraf 13 timer og 28 minutter fandt sted i perioden 17.00-00.00. Hele døgnet, alle Kl. 17-24, alle 15-50 år Tmin Pct. Tmin Pct. Tmin Pct. 4t 13m 21 2t 58m 22 3t 24m 20 0t 26m 2 0t 16m 2 0t 40m 4 0t 44m 4 0t 31m 4 0t 13m 1 0t 05m 0 0t 03m 0 0t 04m 0 0t 44m 4 0t 15m 2 0t 31m 3 0t 09m 1 0t 06m 1 0t 06m 1 5t 00m 25 4t 03m 30 3t 17m 19 0t 52m 4 0t 36m 4 0t 32m 3 0t 20m 2 0t 14m 2 0t 26m 3 0t 24m 2 0t 16m 2 0t 13m 1 0t 21m 2 0t 08m 1 0t 14m 1 0t 12m 1 0t 06m 1 0t 04m 0 1t 03m 5 0t 44m 5 1t 27m 9 0t 50m 4 0t 25m 3 1t 07m 7 0t 20m 2 0t 11m 1 0t 21m 2 0t 18m 1 0t 13m 2 0t 10m 1 0t 08m 1 0t 05m 1 0t 06m 1 0t 42m 3 0t 27m 3 0t 50m 5 0t 21m 2 0t 14m 2 0t 27m 3 0t 19m 2 0t 13m 2 0t 24m 2 0t 02m 0 0t 01m 0 0t 02m 0 0t 18m 1 0t 06m 1 0t 17m 2 0t 05m 0 0t 02m 0 0t 02m 0 0t 09m 1 0t 05m 1 0t 13m 1 0t 09m 1 0t 04m 0 0t 10m 1 0t 03m 0 0t 01m 0 0t 02m 0 0t 01m 0 0t 00m 0 0t 00m 0 0t 03m 0 0t 01m 0 0t 06m 1 0t 01m 0 0t 00m 0 0t 00m 0 0t 08m 1 0t 03m 0 0t 04m 0 0t 03m 0 0t 01m 0 0t 05m 0 Andre 1t 40m 8 0t 56m 7 1t 29m 9 Total TV 20t 11m 100 13t 28m 100 17t 03m 100 Hvor mange ser kanalerne pr. -
Mariana Lima Terres FEMININE POWER in the HBO TV SERIES GAME of THRONES: the CASE of DAENERYS TARGARYEN
Mariana Lima Terres FEMININE POWER IN THE HBO TV SERIES GAME OF THRONES: THE CASE OF DAENERYS TARGARYEN Dissertação submetida ao Programa de Pós-Graduação em Inglês: Estudos Linguísticos e Literários da Universidade Federal de Santa Catarina para a obtenção do Grau de Mestre em Inglês. Orientadora: Profª. Drª. Viviane M. Heberle FLORIANÓPOLIS 2019 Mariana Lima Terres FEMININE POWER IN THE HBO TV SERIES GAME OF THRONES: THE CASE OF DAENERYS TARGARYEN Esta Dissertação foi julgada adequada para obtenção do Título de “Mestre” e aprovada em sua forma final pelo Programa de Pós Graduação em Inglês: Estudos Linguísticos e Literários. Florianópolis, 27 de fevereiro de 2019. ________________________ Prof. Dr. Celso H. Soufen Tumolo Coordenador do Curso Banca Examinadora: ________________________ Prof.ª Dr.ª Viviane M. Heberle Orientadora Universidade Federal de Santa Catarina ________________________ Prof.ª Dr.ª Susana Bornéo Funck Universidade Federal de Santa Catarina ________________________ Profª. Drª. Renata Kabke Pinheiro Universidade Federal de Pelotas – via interação virtual This is dedicated to my family and friends. ACNOWLEDGEMENTS Firstly, I would like to thank my family, friends and those who helped me going through this incredible journey, which is to produce a Master thesis; for all the support in moments of doubt and anxiety you gave me; for sharing so many moments of happiness and joy during these two years. I know that this would not have happened if I did not have you by my side. Thank you mother and father, Sonia and Ubirajara, for your unconditionally love and help. Thank you dear sisters, Gabriela and Alanna, who gave me strength and persistence all the way. -
Non-Conforming Femininity in Game of Thrones: an Analysis of Arya Stark and Brienne of Tarth
Dearcadh: Graduate Journal of Gender, Globalisation and Rights Volume 1, 2020 DOI: 10.13025/4nzq-hb04 URL: https://doi.org/10.13025/4nzq-hb04 ORIGINAL ARTICLE________________________________ Non-Conforming Femininity in Game of Thrones: An Analysis of Arya Stark and Brienne of Tarth Trejo Morales, Cristina M.A. Gender, Globalisation, and Rights National University of Ireland, Galway Abstract The male gaze is a theory that was developed by Laura Mulvey (1975), addressing the objectification of women in classic Hollywood films. While the male gaze is highly criticized, it is still applicable today and is presented in the representation of women in current media, like the television show Game of Thrones. The power of the male gaze can be seen in the female character’s nudity, the sexual violence directed towards female characters, and how women access political power through sexuality and fertility (Ferreday, 2015; Genz, 2016; Frankel, 2014). While women in Game of Thrones are not powerless, their access to power is through conforming to typical forms of femininity, which means that their access to power is restrained and controlled. However, not all female characters conform to gender ideals, like Arya Stark and Brienne of Tarth. The objective of this paper is to examine how the male gaze can account for the treatment of non-gender-conforming female characters in Game of Thrones, using feminist qualitative content analysis. Looking at non-gender- conforming characters is critical to understanding the diverse ways the male gaze is used to punish female characters, coercing them into femininity. Based on the analysis undertaken as part of a MA thesis, this paper found that although non-gender- conforming female characters were given more liberties than female characters in Game of Thrones, they were still subjected to the control, coercion, and discipline of the male gaze, even if in non-sexual ways. -
Dressing in American Telefantasy
Volume 5, Issue 2 September 2012 Stripping the Body in Contemporary Popular Media: the value of (un)dressing in American Telefantasy MANJREE KHAJANCHI, Independent Researcher ABSTRACT Research perspectives on identity and the relationship between dress and body have been frequently studied in recent years (Eicher and Roach-Higgins, 1992; Roach-Higgins and Eicher, 1992; Entwistle, 2003; Svendsen, 2006). This paper will make use of specific and detailed examples from the television programmes Once Upon a Time (2011- ), Falling Skies (2011- ), Fringe (2008- ) and Game of Thrones (2011- ) to discover the importance of dressing and accessorizing characters to create humanistic identities in Science Fiction and Fantastical universes. These shows are prime case studies of how the literal dressing and undressing of the body, as well as the aesthetic creation of television worlds (using dress as metaphor), influence perceptions of personhood within popular media programming. These four shows will be used to examine three themes in this paper: (1) dress and identity, (2) body and world transformations, and (3) (non-)humanness. The methodological framework of this article draws upon existing academic literature on dress and society, combined with textual analysis of the aforementioned Telefantasy shows, focussing primarily on the three themes previously mentioned. This article reveals the role transformations of the body and/or the world play in American Telefantasy, and also investigates how human and near-human characters and settings are fashioned. This will invariably raise questions about what it means to be human, what constitutes belonging to society, and the connection that dress has to both of these concepts. KEYWORDS Aesthetics, Body, Dress, Falling Skies, Fringe, Game of Thrones, Identity, Once Upon a Time, Telefantasy. -
Final Draft Thesis Corrected
REDEFINING MASCULINITY IN GAME OF THRONES !1 Redefining Masculinity through Disability in HBO’s Game of Thrones A Capstone Thesis Submitted to Southern Utah University in partial fulfillment of the requirements for the degree of Master of Arts in Professional Communication April 2016 By Amanda J. Dearman Capstone Committee: Dr. Kevin A. Stein, Ph.D., Chair Dr. Arthur Challis, Ed.D. Dr. Matthew H. Barton, Ph.D. Running head: REDEFINING MASCULINITY IN GAME OF THRONES !3 Acknowledgements I have been blessed with the support of a number of number of people, all of whom I wish to extend my gratitude. The completion of my Master’s degree is an important milestone in my academic career, and I could not have finished this process without the encouragement and faith of those I looked toward for support. Dr. Kevin Stein, I can’t thank you enough for your commitment as not only my thesis chair, but as a professor and colleague who inspired many of my creative endeavors. Under your guidance I discovered my love for popular culture studies and, as a result, my voice in critical scholarship. Dr. Art Challis and Dr. Matthew Barton, thank you both for lending your insight and time to my committee. I greatly appreciate your guidance in both the completion of my Master’s degree and the start of my future academic career. Your support has been invaluable. Thank you. To my family and friends, thank you for your endless love and encouragement. Whether it was reading my drafts or listening to me endlessly ramble on about my theories, your dedication and participation in this accomplishment is equal to that of my own.