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Reexamining Monster Theory
36 Domestication in the Theater of the Monstrous: Reexamining Monster Theory Michael E. Heyes Abstract: Scholarship on monstrosity has often focused on those beings that produce fear, terror, anxiety, and other forms of unease. However, it is clear from the semantic range of the term “monster” that the category encompasses beings who evoke a wide range of emotions. I suggest that scholars have largely displaced first-person accounts of the monstrous and those accounts which do not rely upon horror or anxiety, and I propose a three-category system to correct this displacement. These categories draw from Derrida’s notion of the domestication of the monster and Žižek’s notion of a “fantasy screen” for the monstrous. These categories encourage further research, both between categories of the monstrous and categories that would not typically fit within this descriptor. Keywords: monster theory, Derrida, Žižek, comparison, Mothman There are an enormous number of creatures that fit under the umbrella of the term “monster”: vampires, Slender Man, Cookie Monster, sightings of strange creatures in the sea,1 Godzilla, and unicorns all fit within the category. However, in Monster Studies, the focus of analysis has primarily been those creatures that induce fear or disgust, and most often on those that rest comfortably within the pages of narratives and the frames of films. Yet this narrows the category to a rather small range of beings and obscures the various ways in which people interact with monstrosity. One such exempted being is Tōfu-kozō, the -
John Keel and the Mothman Prophecies
A new demonology : John Keel and The Mothman Prophecies CLARKE, David <http://orcid.org/0000-0002-6604-9419> Available from Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/11660/ This document is the author deposited version. You are advised to consult the publisher's version if you wish to cite from it. Published version CLARKE, David (2016). A new demonology : John Keel and The Mothman Prophecies. In: HUNTER, Jack, (ed.) Damned Facts : Fortean Essays on Religion, Folklore and the Paranormal. Cyprus, Aporetic Press, 54-68. Copyright and re-use policy See http://shura.shu.ac.uk/information.html Sheffield Hallam University Research Archive http://shura.shu.ac.uk A New Demonology: John Keel and The Mothman Prophecies David Clarke Department of Media and Communications, Sheffield Hallam University Flying Saucers, the Shaver Mystery and the Occult Revival Charles Fort is often credited as one of the founders of the study of unidentified flying objects (UFOs), although he died fifteen years before the origin of the modern UFO phenomenon. The birth of UFOlogy can be traced to the sighting of nine mysterious flying objects above the Cascade Mountains in Washington, USA, by a private pilot, Kenneth Arnold, on the afternoon of 24 July 1947. Arnold’s description of their movement, ‘like a saucer would if you skipped it across water,’ was subsequently transformed by headlines that reported the arrival of flying saucers in North American skies. This mystery was promoted by Ray Palmer, editor of the Ziff-Davis pulp magazine Amazing Stories. Palmer mixed Fortean material with avowed science fiction. -
In Search of
In Search Of . Loren Coleman 50 March 2006 | Sub Rosa LORENTOUCHED COLEMAN . THE HYPER-DIMENSIONALPro AMBASSADORfiler f you’re looking for Bigfoot, then Loren his ability in his chosen field – before moving on Coleman is your man. No, he’s not Bigfoot to post-masters work in anthropology at Bran- (sure, he’s got a bit of facial hair . but deis University. His first cryptozoological arti- that’s where the comparison ends). But he cle, “Mystery Animals in Illinois”, was published Ihas been in pursuit of the legendary ape-man in 1969. In 1975 he co-authored his first book, – as well as numerous other ‘cryptids’ (uniden- The Unidentified, with Jerome Clark. Creatures of tified animals) such as the Loch Ness monster, the Outer Edge, again with Clark, followed this in the African ‘dinosaur’ Mokele-mbembe, and 1978 (both have just been republished in 2006 ‘Mothman’ – for more than four decades, and as a double-edition book, with a new introduc- has conducted his almost life-long search as a tion, by Anomalist Books.) genuine scientific enquiry. He is arguably the Loren Coleman has since authored more most well-known and respected cryptozoolo- than 25 books and over 500 articles, with his gist in the world today. Even skeptics recognize 1983 classic Mysterious America being one of his position: “Among monster hunters, Loren’s the most popular books ever on the subject of one of the more reputable,” says Benjamin Rad- cryptozoology and Fortean topics. What makes ford, who is the managing editor of Skeptical Loren Coleman stand out from the field – lon- Inquirer magazine, the mouthpiece of the ultra- gevity withstanding – is his rigorous application skeptical organization CSICOP. -
The Mothman and Other Strange Tales: Shaping Queer Appalachia Through Folkloric Discourse in Online Social Media Communities
University of Kentucky UKnowledge Theses and Dissertations--Linguistics Linguistics 2020 The Mothman and Other Strange Tales: Shaping Queer Appalachia Through Folkloric Discourse in Online Social Media Communities Brenton Watts University of Kentucky, [email protected] Author ORCID Identifier: https://orcid.org/0000-0002-6153-4327 Digital Object Identifier: https://doi.org/10.13023/etd.2020.378 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Watts, Brenton, "The Mothman and Other Strange Tales: Shaping Queer Appalachia Through Folkloric Discourse in Online Social Media Communities" (2020). Theses and Dissertations--Linguistics. 37. https://uknowledge.uky.edu/ltt_etds/37 This Master's Thesis is brought to you for free and open access by the Linguistics at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Linguistics by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
Cryptid Tourism and the Performance of Monster-Hunting
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 6-18-2021 The Cryptid Tourist Gaze: Cryptid Tourism and the Performance of Monster-Hunting Sara Brooke Christian Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Theatre and Performance Studies Commons Recommended Citation Christian, Sara Brooke, "The Cryptid Tourist Gaze: Cryptid Tourism and the Performance of Monster- Hunting" (2021). LSU Doctoral Dissertations. 5566. https://digitalcommons.lsu.edu/gradschool_dissertations/5566 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. THE CRYPTID TOURIST GAZE: CRYPTID TOURISM AND THE PERFORMANCE OF MONSTER-HUNTING A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the Requirements for the degree of Doctor of Philosophy in The School of Theatre by Sara Brooke Christian B.A., Vanguard University, 2011 M.A., Texas State University, 2016 August 2021 ACKNOWLEDGMENTS I am very happy to be writing my acknowledgments because it means that this is nearly over. Working on the longest and most important project of your life is challenging. I had the added bonus of trying to write this during a global pandemic. Thankfully, I was able to accomplish everything I needed to in order to finish this dissertation. Of course, I did not do it alone. -
Gray Barker's Book of Bunk Mothman, Saucers, and MIB
Gray Barker's Book of Bunk Mothman, Saucers, and MIB Those who seek the elusive truth behind the "Men in Black" and "Mothman" myths should know that material touched by Gray Barker's enterprising hand is tainted by self-serving deceit. He launched hoaxes, joined others' deceptions, and manipulated people's belief. "And I," says our author, "was one of those who helped. " JOHN C. SHERWOOD n the film of The Mothman Prophecies, a phone rings and I Richard Gere cringes. So does the informed moviegoer. Pseudohistory from the 1960s is twisted into fiction for the new millennium, and a questionable account of bizarre events is reshaped into fantasy. I say so because I have a good idea who's making that phone call. I accuse Gray Barker. Only naive audiences believe film dramas show history accurately. Fortunately, the mixed reviews for Sony Pictures' Mothman suggest few moviegoers or critics take its eerie SKEPTICAL INQUIRER May/June 2002 39 story seriously. Still, someone might trust the movie promot- Albert K. Bender's International Flying Saucer Bureau. ers' hints that truth exists out there. If they go searching they'll In 1953 Bender dissolved the fast-growing group, blaming find only more questions. unidentified commands. The puzzled Barker sifted through The curious will find a new mass-market paperback edition Bender's story and similar talcs, producing one of UFOIogy's of John A. Keel's The Mothman Prophecies, labeled by UFO classics, They Knew Too Much About Flying Saucers (Barker writer Jacques Vallee as "significant" and "intriguing" (Hynek 1956). Barker's prose gave Bender's story sufficient credibility and Vallee 1975) and cited by Colin Wilson in Alien Dawn to sustain an urban legend: Strange aircraft are observed, but, (Wilson 1998). -
124 Mothman V2
Cold Open: The mythology of the cryptozoological creature known as “Mothman” begins on November 12th, 1966. On that day, five men were digging a grave at a cemetery near Clendenin [clin DEN in], West Virginia, and one of them claimed to witness a man- like creature fly over their heads. A creature they and other witnesses in the coming days would describe as a terrifying, large, man-like, grey monster with glowing red eyes and a roughly ten foot wing span that could fly at speeds anywhere from impossibly slow to over 100 mph. The Mothman creature would be described by someone as not having a head at all - two huge, ominous red eyes set inside its chest - eyes consistently reported to be glowing, or at least reflective. The details of his face, if “he” even has a face - if he is even a “he”, and his feet have never been adequately described. One witness who did claim to see its face, saw its face clearly, could only say that the details were horrible and monstrous. She had terrible nightmares and nearly suffered a nervous breakdown. Most who report getting a close look at the Mothman seems to suffer from extreme fear and psychological distress, sometimes lasting for months or years afterwards. In particular, people say that a sense of pure evil overcomes them when they see Mothman's eyes. The legend of Mothman, and most of the sightings, strangely center around the collapse of a bridge. On December 15, 1967, the Silver Bridge that rose above the Ohio River and connected Point Pleasant, West Virginia with Gallipolis (gal uh POLICE), Ohio - collapsed and took the lives of forty-six people. -
Mothman: the Hidden Truth
Mothman: The Hidden Truth “Truth is stranger than fiction” - Mark Twain Cryptids, creatures and monsters that plague our folktales and infest our oldest towns and settlements. Over the years they have become nothing more than myths, tourist gimmicks, and movie monsters. But what if there is more truth to the existence of these creatures than we think, what if these creatures are be actively suppressed, hidden and/or exterminated by the government. While it may not seem plausible at first, there is actually a lot of evidence that supports this theory and much of it is in plain view for the public to see. That brings to mind one very well-known cryptid that may have or currently exists that the government has gone to great lengths to cover up. One of the first Cryptids in the U.S. to garner national attention was the elusive “Mothman.” The original tale of the Mothman goes something like this: a pair of couples were driving down a road in Point Pleasant, West Virginia. When one of the girls noticed an enormous pair of blood red eyes staring at them from the darkness as they drove past the old North Power Plant. As the got closer to the power plant, they soon realized that these eyes belonged to something that looked quite human and roughly about 7 feet tall with wings folded against its back. When the creature unfolded it’s massive wings and the couples realized that it was definitely not a large bird they drove away as fast as possible clocking in at around 100mph with the creature nearly matching their speed. -
West Virginia Urban Legends and Their Impact on Cultures Both Local and Abroad
WEST VIRGINIA URBAN LEGENDS AND THEIR IMPACT ON CULTURES BOTH LOCAL AND ABROAD Devin Michael Elliott A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2021 Committee: Jeremy Wallach, Advisor Esther Clinton Montana Miller © 2021 Devin Elliott All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor Monstrous urban legends (or cryptids) from the Appalachian state of West Virginia, specifically Mothman, the Flatwoods Monster, and the Grafton Monster, have gone from local tales of horror to international popular culture icons known and loved around the world. While the stories of these creatures have long been familiar to cryptid enthusiasts, more recently these legends have had an impact on the communities surrounding them and entire cultures abroad. Using models from dark tourism studies, first-hand interviews, on-location observations, translated documents, and various folkloric and monster study sources, the effects of these cryptids upon the areas from which they hail are observed and compared as well as the impact they have made upon popular culture both in the United States and in other countries such as Japan. This thesis will explore how the towns of Point Pleasant, Flatwoods, and Grafton, West Virginia use these legends as a means of financial income and how they are integral parts of their cultural identities. Keywords: monsters, urban legends, West Virginia, folklore, Mothman, dark tourism, yōkai iv To the friends and family that have cared about my life and well-being way more than I have these last three years, without you all I would not even still be here.