Brigham Young University BYU ScholarsArchive All Theses and Dissertations 2016-06-01 Shadow, Gender, Transference: Alfred Wolfsohn in Charlotte Salomon's Life? or Theater? Natalie Marie Vaieland Brigham Young University Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the Classics Commons BYU ScholarsArchive Citation Vaieland, Natalie Marie, "Shadow, Gender, Transference: Alfred Wolfsohn in Charlotte Salomon's Life? or Theater?" (2016). All Theses and Dissertations. 6433. https://scholarsarchive.byu.edu/etd/6433 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in All Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact
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[email protected]. Shadow, Gender, Transference: Alfred Wolfsohn in Charlotte Salomon’s Life? or Theater? Natalie Marie Vaieland A thesis submitted to the faculty of Brigham Young University in partial fulfillment of the requirements for the degree of Master of Arts Martha M. Peacock, Chair James R. Swensen Hans-Wilhelm Kelling Department of Comparative Arts and Letters Brigham Young University June 2016 Copyright © 2016 Natalie Marie Vaieland All Rights Reserved ABSTRACT Shadow, Gender, Transference: Alfred Wolfsohn in Charlotte Salomon’s Life? or Theater? Natalie Marie Vaieland Department of Comparative Arts and Letters, BYU Master of Arts Charlotte Salomon’s Life? or Theater? is a complex compilation of painting, musical notations, autobiography, cinematic layouts, and literary text. Salomon scholars have neglected a crucial element of Life? or Theater?, which is the significant influence of Salomon’s friend, Alfred Wolfsohn. This thesis fills this void by examining the correlation between stylistic influences in Salomon’s work and by exploring Wolfsohn’s theoretical practices.