G. Paul Moore Lecture: Unifying the Disciplines of Our Voice Smorgasbord
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Gestalt Therapy Allen Richard Barlow University of Wollongong
University of Wollongong Research Online University of Wollongong Thesis Collection University of Wollongong Thesis Collections 1983 The derivation of a psychological theory: Gestalt therapy Allen Richard Barlow University of Wollongong Recommended Citation Barlow, Allen Richard, The derivation of a psychological theory: Gestalt therapy, Doctor of Philosophy thesis, Department of Psychology, University of Wollongong, 1983. http://ro.uow.edu.au/theses/1685 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] THE DERIVATION OF A PSYCHOLOGICAL THEORY : GESTALT THERAPY A thesis submitted in fulfilment of the requirements for the award of the degree of » DOCTOR OF PHILOSOPHY from THE UNIVERSITY OF WOLLONGONG by ALLEN RICHARD BARLOW, B.A. (Hons.l) DEPARTMENT OF PSYCHOLOGY (1983) -i- TABLE OF CONTENTS Page List of Tables xiv Acknowledgements xv xvi Abstract xvii CHAPTER 1: Introduction 1.1 The aim of this dissertation 1 1.2 Principles of Gestalt therapy 7 CHAPTER 2: Sigmund Freud and psychoanalysis 2.1 Biography 12 2.2 Difficulties in comparing Freud's and Perls' works 13 2. 3 Freud ' s influence on Perls 16 2.4 Structure of the personality 20 2.4.1 Relationship between the three subsystems 22 2.5 Conscious/unconscious 24 2.6 Instincts 28 2. 7 Defence mechanism; 30 2.7.1 Regression 31 2.7.2 Repression 32 2.7.3 Reaction-formation 33 2.7.4 Introj ection 34 2.7.5 Proj ection , 35 2.7.6 Turning against the self (retroflection) 36 2.7.7 Rationalization 37 2.7.8 Denial 37 2.7.9 Identification 38 2. -
4Freud's Moses
UC Berkeley Berkeley Forum in the Humanities Title Freud and Monotheism: Moses and the Violent Origins of Relligion Permalink https://escholarship.org/uc/item/3xk7594z ISBN 9780823280025 Authors Sharvit, Gilad Feldman, Karen S Publication Date 2018 Peer reviewed eScholarship.org Powered by the California Digital Library University of California Freud and Monotheism Berkeley Forum in the Humanities Freud and Monotheism Moses and the Violent Origins of Religion Gilad Sharvit and Karen S. Feldman, editors Townsend Center for the Humanities University of California, Berkeley Fordham University Press New York Copyright © 2018 The Regents of the University of California All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means— electronic, mechanical, photocopy, recording, or any other— except for brief quotations in printed reviews, without the prior permission of the publisher. The publishers have no responsibility for the persistence or accuracy of URLs for external or third- party Internet websites referred to in this publication and do not guarantee that any content on such websites is, or will remain, accurate or appropriate. The publishers also produce their books in a variety of electronic formats. Some content that appears in print may not be available in electronic books. Library of Congress Cataloging- in- Publication Data available online at http://catalog.loc.gov. Printed in the United States of America 20 19 18 5 4 3 2 1 First edition Contents Introduction Gilad Sharvit and Karen S. Feldman 1 1. “Why [the Jews] Have Attracted This Undying Hatred” Richard J. -
This Thesis Has Been Submitted in Fulfilment of the Requirements for a Postgraduate Degree (E.G
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Giving Voice to an Embodied Self: A heuristic inquiry into experiences of healing through vocal creativity Sarah Quinley Doctor of Psychotherapy and Counselling UNIVERSITY OF EDINBURGH 2019 Thesis Declaration I confirm that this thesis, presented to the University of Edinburgh for the degree of Doctor of Psychotherapy and Counselling, has i) been composed entirely by myself ii) been solely the result of my own work iii) not been submitted for any other degree or professional qualification This Declaration is signed the 3rd of May upon final submission. X Sarah Quinley ii Abstract How is the voice healing? Over the past few decades, research has begun to uncover the therapeutic benefits of vocal practices. Research results have evidenced that different forms of vocal expression positively influence the quality of life of an adult emotionally, mentally, physically, psychologically, and spiritually. -
Personality Testing Four Temperaments
FOUR TEMPERAMENTS Astrology & PERSONALITY TESTING Martin and Deidre Bobgan Scripture quotations are from the King James Version of the Bible, unless noted otherwise. FOUR TEMPERAMENTS, ASTROLOGY & PERSONALITY TESTING Copyright © 1992 Martin and Deidre Bobgan Published by EastGate Publishers Santa Barbara, California Library of Congress Catalog Card Number 92-81219 ISBN 0-941717-07-0 All rights reserved. No portion of this book may be reproduced in any form without the written permission of the authors. Printed in the United States of America In this book we name people in reference to what they have taught or written. While we are critical of their promotion and use of psychological theories and techniques, we are not questioning their sincerity or their faith. When we discuss their teachings, we are dealing with issues, not personalities. Martin and Deidre Bobgan Table of Contents 1. Christians and the Four Temperaments --------- 7 2. Occult Origins of the Four Temperaments ---- 23 3. Astrology and the Four Temperaments--------- 37 4. Temperament Teachers------------------------------ 53 5. Personality DiSCovery? ----------------------------- 81 6. A Circus of Personality Types --------------------- 99 7. Typology Problems---------------------------------- 125 8. Psychological Testing ------------------------------ 137 9. Personality Testing --------------------------------- 143 10. Popular Personality Tests ------------------------ 155 11. Why All the Deception?---------------------------- 179 12. Christ in You: The Hope of Glory --------------- 189 Notes ---------------------------------------------------- 207 1 Christians and the Four Temperaments Numerous Christians believe they can gain great insight into themselves and others by studying the personality characteristics of the four temperaments. Authors claim to tell you “why you act the way you do” and how to: • “Analyze your strengths and weaknesses.” • “Discover how God can use your gifts.” • “Improve your relationships with others.” • “Get ahead in your career.”1 Testimonies abound. -
Pontifícia Universidade Católica De São Paulo PUC-SP Denisse Elena
Pontifícia Universidade Católica de São Paulo PUC-SP Denisse Elena Iturra Marambio Voz humana sem amarras: abordagem a partir de Wolfsohn MESTRADO EM FONOAUDIOLOGIA São Paulo 2012 ii Pontifícia Universidade Católica de São Paulo PUC-SP Denisse Elena Iturra Marambio Voz humana sem amarras: abordagem a partir de Wolfsohn Mestrado em Fonoaudiologia Dissertação apresentada à Banca Examinadora da Pontifícia Universidade Católica de São Paulo, como exigência parcial para obtenção do título do Mestre em Fonoaudiologia sob a orientação do Prof. Dr. Luiz Augusto de Paula Souza. São Paulo 2012 iii Autorizo, exclusivamente para fins acadêmicos e científicos, a reprodução total ou parcial desta dissertação por processos de fotocopiadoras ou eletrônicos. _____________________________________ São Paulo iv Banca Examinadora v AGRADECIMENTOS A meu querido orientador professor Luiz Augusto de Paula Souza, Tuto, quem acreditou no meu trabalho desde o começo. Por meio de suas palavras, sempre me incentivou a seguir com meu trabalho, sem perder o foco, e sem desistir. Pela dedicação que deu a meu texto, traduzindo meus pensamentos e convertendo-os em verdadeira poesia. Pela paciência, entendendo que, no inicio, foi muito difícil me comunicar em português. Obrigada pelas suas aulas, que para mim foram um ensino de vida. Á professora Marta Assumpção de Andrada e Silva, pelo carinho e preocupação com meu trabalho. Pela oportunidade que me deu de fazer o estágio docente com, o que permitiu obter uma grande experiência e me aproximar da Fonoaudiologia. Também, pela colaboração com material relevante para esta pesquisa. Ao professor João Batista Del Faro, Zebba, por ter aceitado ser parte da banca, contribuindo com suas ideias e expressando sensibilidade e apoio. -
Spacing Freud: Space and Place in Psychoanalytic Theory
Spacing Freud: Space and Place in Psychoanalytic Theory by Nicholas Dion A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department for the Study of Religion University of Toronto © Copyright by Nicholas Dion 2012 Spacing Freud: Space and Place in Psychoanalytic Theory Nicholas Dion Doctor of Philosophy Centre for the Study of Religion University of Toronto 2012 Abstract This project is interested in developing a spatial reading of Sigmund Freud’s work to understand how psychoanalysis employs a variety of different spatial categories. Proceeding by way of a close and analytical reading of Freud’s texts, I begin by surveying theories of space coming from both philosophy and geography before applying these understandings to consider Freud’s use of topographical metaphors, the formation of the subject as presented through descriptions of the fort-da game and the oceanic feeling, and Freud’s description of the limits of phantasy and reality. Freud’s writings on religion figure prominently here. I conclude by examining the deployment of individual relations through social space in Freud’s writings and the link between place and character laid out in Moses and Monotheism. The result demonstrates the importance of space in a number of aspects of Freudian psychoanalysis and frames Freud as a thinker with important contributions to make to the spatial turn in the humanities and social sciences. ii Acknowledgments Before beginning, I want to take a moment to thank the many parties whose participation made this project possible. Fittingly, this project is a tale of two ‘places’, of Montreal and Toronto. -
Cely Preklad
VOICE MOVEMENT THERAPY A KRÁSA ODVAHY SEBEVYJÁDŘENÍ Krátký úvod do historie a účelu VMT Anne Brownell, MA, LMHC, VMTR Prezentováno na každoroční konferenci International Association for Voice Movement Therapy (IAVMT), Outdshoorn, South Africa, 2 října 2011. Poprvé představeno v němčině na konferenci IAVMT v Stiermark, Rakousko v roce 2009. Překlad: Sebastiana Markéta Black Edice: Zbyněk Ludvík Gordon © Říjen 2013 Voice Movement Therapy a Krása odvážného výrazu : Krátký úvod do Historie a účelu VMT Jakřekl Alexander Lowen, zakladatel Bioenergetics v polovině 20. století: “Pouze naše vlastní omezení v nás vytváří smutek, hněv a strach. Pokud chceme změnit náš character (a já bych dodala, změnit návyky těla, duše a hlasu, které nás omezují) nestačí o citech jen mluvit, musí být prožity a vyjádřeny.” (Alexander Lowen, Fear of Life- Strach ze života) Lidský hlasodráží jaktělesné, tak psychické stavy a je schopný propojit kognitivní význam semočním vyjádřením. Je to náš prvotní nástroj v komunikaci jak myšlenek, tak citů a je schopný nás dojmout slovy či beze slov. Je to jediný nástroj, kde „hráč“ a „hrané“ jsou součástí stejné organické formy a může tedy dosáhnout svého plného výrazu, když je pevně integrován v těle. Hlas má dva hlavní komunikační kanály. Prvním jsou mluvená slova; symboly, které používáme kesdělení našich myšlenek. Druhým jezpůsob, kterým slova říkáme; tóny a kvality hlasu vyjadřující emoce a pocity, zatím co mluvíme, nebo zpíváme. At‘ už pracujeme s naším vlastním hlasem, se zpěváky, nebo jinými umělci, s klienty v psychoterapii, nebo s jedinci, kteří prožívají překážky v komunikaci spojené s vývojovou vadou nebo úrazem, změna bude nevyhnutelnou součástí tohoto procesu. Ať už bylanaše schopnostvyjádření sezpěvem či mluvou narušena díky problémům apodmínkám vdětství, či zdůvodu traumat z dospělejšího věku, je to právě prozkoumání těchto problémů včetně toho, co bylo vytěsněno zvědomí, které nás posune kvytouženému plnějšímu a hlubšímu výrazu a kvalitnější komunikaci následně vyjádřené v písni a příběhu. -
1 SC 660 Instructor: Dr. Wayne G. Rollins Fall, 2018 275 Steele Rd. A
1 SC 660 Instructor: Dr. Wayne G. Rollins Fall, 2018 275 Steele Rd. A 512 Wed., 7 to 9:45 pm West Hartford, CT 06117 [email protected] 860-523-8784 Psychological Insight into Scripture: New Directions in Biblical Studies An introduction to psychological biblical criticism, exploring the contributions of analytical psychologists C. G. Jung, Sigmund Freud, and Viktor Frankl, along with insights from cognitive, developmental and behavioral psychology, toward an understanding of the human psyche (soul) and its role in the history of the Bible and biblical interpretation. It will examine biblical stories (from Adam and Eve to the Wedding at Cana), biblical religious experience (dreams, visions, conversion, speaking in tongues) and biblical portraits (Ezekiel, Paul, Moses, and Jesus). It will also study the transaction between biblical texts and readers, noting therapeutic and pathogenic effects. Activities include sessions with Walter Wink’s “transforming Bible study.” “Everything to do with religion, everything it is and asserts, touches the human soul so closely that psychology least of all can afford to overlook it.” - C. G. Jung “The fate of the world is determined by what happens in the human soul.” - Hans Carossa “We do not yet grasp what historical forces brought forth and determined early Christianity. But beside and within this external history there is an inner history . Anyone who thinks that this religion can be illumined historically and factually without psychological reflection is just as much in error as one who pretends that everything about this religion can be said in this fashion.” -Gerd Theissen “. Words not only convey something, but are something . -
Alfred Wolfsohn in Charlotte Salomon's Life? Or Theater? Natalie Marie Vaieland Brigham Young University
Brigham Young University BYU ScholarsArchive All Theses and Dissertations 2016-06-01 Shadow, Gender, Transference: Alfred Wolfsohn in Charlotte Salomon's Life? or Theater? Natalie Marie Vaieland Brigham Young University Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the Classics Commons BYU ScholarsArchive Citation Vaieland, Natalie Marie, "Shadow, Gender, Transference: Alfred Wolfsohn in Charlotte Salomon's Life? or Theater?" (2016). All Theses and Dissertations. 6433. https://scholarsarchive.byu.edu/etd/6433 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in All Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Shadow, Gender, Transference: Alfred Wolfsohn in Charlotte Salomon’s Life? or Theater? Natalie Marie Vaieland A thesis submitted to the faculty of Brigham Young University in partial fulfillment of the requirements for the degree of Master of Arts Martha M. Peacock, Chair James R. Swensen Hans-Wilhelm Kelling Department of Comparative Arts and Letters Brigham Young University June 2016 Copyright © 2016 Natalie Marie Vaieland All Rights Reserved ABSTRACT Shadow, Gender, Transference: Alfred Wolfsohn in Charlotte Salomon’s Life? or Theater? Natalie Marie Vaieland Department of Comparative Arts and Letters, BYU Master of Arts Charlotte Salomon’s Life? or Theater? is a complex compilation of painting, musical notations, autobiography, cinematic layouts, and literary text. Salomon scholars have neglected a crucial element of Life? or Theater?, which is the significant influence of Salomon’s friend, Alfred Wolfsohn. This thesis fills this void by examining the correlation between stylistic influences in Salomon’s work and by exploring Wolfsohn’s theoretical practices.