Introduction Albert J
Total Page:16
File Type:pdf, Size:1020Kb

Load more
Recommended publications
-
Reflections on Sentiment: Essays in Honor of George Starr, Edited by Alessa Johns. Newark: Delaware UP, 2016. Pp. Vii + 215. $75
Reflections on Sentiment: Essays in Honor of George Starr, edited by Alessa Johns. Newark: Delaware UP, 2016. Pp. vii + 215. $75. ISBN: 978-1611495881. This collection of essays dedicated to George Starr concentrates on Professor Starr’s interest in the novel and the ways in which sentimentality impacted fiction during the eighteenth century. More particularly the essays spin off from an essay by Professor Starr, “Only a Boy,” published in Genre in 1977. That essay argued that the male protagonist of sentimental novels could not satisfy the requirement of the hero of the Bildungsroman, because he does not, indeed cannot, grow in any significant way. Professor Starr begins his discussion with Defoe’s Colonel Jack. He argues that Jack never grows out of regarding himself as a child and hence essentially innocent. Although the title of Professor Starr’s essay is based upon a moment in Huckleberry Finn, when the narrator escapes a dangerous situation by pleading his status as a child and hence not guilty of any act that might have been interpreted as evil, Colonel Jack makes similar pleas by way of excusing his actions. Professor Starr argues that Jack resembles the protagonist of the sentimental novel in this continuing naiveté, his blundering attempts at marriage, and his lack of any real growth. This pattern certainly plays its way into Laurence Sterne’s Sentimental Journey and Henry Mackenzie’s Man of Feeling. As for Frances Burney’s Evelina, the female protagonist it shows to possess the characteristics of the hero of sentiment without problems, since some child-like qualities and complete sexual innocence were the ideals of the heroines of the sentimental novel. -
Sentimental Appropriations: Contemporary Sympathy In
SENTIMENTAL APPROPRIATIONS: CONTEMPORARY SYMPATHY IN THE NOVELS OF GRACE LUMPKIN, JOSEPHINE JOHNSON, JOHN STEINBECK, MARGARET WALKER, OCTAVIA BUTLER, AND TONI MORRISON Jennifer A. Williamson A dissertation submitted to the faculty of the University of North Carolina in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English and Comparative Literature Chapel Hill 2011 Approved by: Linda Wagner-Martin William L. Andrews Philip Gura Fred Hobson Wahneema Lubiano © 2011 Jennifer A. Williamson ALL RIGHTS RESERVED ii ABSTRACT JENNIFER A. WILLIAMSON: Sentimental Appropriations: Contemporary Sympathy in the Novels of Grace Lumpkin, Josephine Johnson, John Steinbeck, Margaret Walker, Octavia Butler, and Toni Morrison (Under the direction of Linda Wagner-Martin) This project investigates the appearance of the nineteenth-century American sentimental mode in more recent literature, revealing that the cultural work of sentimentalism continues in the twentieth-century and beyond. By examining working-class literature that adopts the rhetoric of “feeling right” in order to promote a proletarian ideology as well as neo-slave narratives that wrestle with the legacy of slavery, this study explores the ways contemporary authors engage with familiar sentimental tropes and ideals. Despite modernism’s influential assertion that sentimentalism portrays emotion that lacks reality or depth, narrative claims to feeling— particularly those based in common and recognizable forms of suffering—remain popular. It seems clear that such authors as Grace Lumpkin, Josephine Johnson, John Steinbeck, Margaret Walker, Octavia Butler, and Toni Morrison apply the rhetorical methods of sentimentalism to the cultural struggles of their age. Contemporary authors self-consciously struggle with sentimentalism’s gender, class, and race ideals; however, sentimentalism’s dual ability to promote these ideals and extend identification across them makes it an attractive and effective mode for political and social influence. -
The Problem of Sentimentalism in Mackenzie's the Man of Feeling
Studies in Scottish Literature Volume 23 | Issue 1 Article 11 1988 A "sickly sort of refinement": The rP oblem of Sentimentalism in Mackenzie's The aM n of Feeling William J. Burling Follow this and additional works at: https://scholarcommons.sc.edu/ssl Recommended Citation Burling, William J. (1988) "A "sickly sort of refinement": The rP oblem of Sentimentalism in Mackenzie's The aM n of Feeling," Studies in Scottish Literature: Vol. 23: Iss. 1. Available at: https://scholarcommons.sc.edu/ssl/vol23/iss1/11 This Article is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. William J. Burling A "sickly sort of refinement": The Problem of Sentimentalism in Mackenzie's The Man of Feeling Henry Mackenzie's The Man of Feeling, enormously popular when first published in 1771, was acknowledged by an entire generation of readers as the ultimate representation of the sentimental ethos. But outright contradiction now pervades critical discussion of the novel, with interpretation splitting on two central questions: Is Harley, the hero, an ideal man or a fool? And is the novel sympathetic to sentimentalism or opposed to it? The antithetical critical responses to The Man of Feeling may be resolved, however, when we recognize that Mackenzie was neither completely attacking nor condoning sentimentalism in toto. He was attempting to differentiate what he considered to be attributes of genuine and desirable humane sensitivity from those of the affected sentimentality then au courant in the hypocritical beau monde. -
Idhaya College for Women, Kumbakonam
IDHAYA COLLEGE FOR WOMEN, KUMBAKONAM SEMESTER : II SUBJECT : LITERARY FORMS SUBJECT CODE : 16AACEN2 TITLE OF THE PAPER : FICTION CLASS : I BA ENGLISH NAME OF THE FACULTY : M. NANDHINI 1. SHORT STORIES Definitions A short story is a piece of prose fiction that typically can be read in one sitting and focuses on a self-contained incident or series of linked incidents, with the intent of evoking a "single effect" or mood. Key characteristics of the short story include its length, limited number of characters, subject matter, and tendency to begin 'in medias res', which is Latin for 'the middle of things A short story typically takes the form of a brief fictional work, usually written in prose. The earliest precursors to the short story can be found in the oral storytelling tradition, as well as episodes from ancient Mediterranean epics, such as 'The Epic of Gilgamesh' and Homer's 'Iliad.' The true masters at combining the five key elements that go into every great short story: character, setting, conflict, plot and theme. Characteristics Length: Short stories typically range from 1,600 to 20,000 words. Although authors and critics have debated the length of the short story throughout literary history, most agree on a minimum of 1,600 and a maximum of 20,000 words. In his own contribution to the debate, Edgar Allen Poe suggested that a short story should take 30 minutes to two hours to read. Subject: Short stories usually focus on a single subject or theme. Subjects or themes may range from something as mundane as a daily errand or as thrilling as a ghost tale. -
The Domestic Bildungsroman and the American City, 1830-1900
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2016 Idling Women: The omesD tic Bildungsroman and the American City, 1830-1900 Jordan L. Von Cannon Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the English Language and Literature Commons Recommended Citation Von Cannon, Jordan L., "Idling Women: The omeD stic Bildungsroman and the American City, 1830-1900" (2016). LSU Doctoral Dissertations. 1677. https://digitalcommons.lsu.edu/gradschool_dissertations/1677 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. IDLING WOMEN: THE DOMESTIC BILDUNGSROMAN AND THE AMERICAN CITY, 1830-1900 A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of English by Jordan L. Von Cannon B.A., Palm Beach Atlantic University, 2008 M.A., University of Kansas, 2011 August 2016 “When a girl leaves her home at eighteen, she does one of two things. Either she falls into saving hands and becomes better, or she rapidly assumes the cosmopolitan standard of virtue and becomes worse.” “She gazed and gazed, wondering, delighting, longing, and all the while the siren voice of the unrestful was whispering in her ear.” - Theodore Dreiser, Sister Carrie ii ACKNOWLEDGMENTS Throughout this dissertation, I have found myself to be an idling woman at various points. -
Sentimental Appropriations
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Carolina Digital Repository SENTIMENTAL APPROPRIATIONS: CONTEMPORARY SYMPATHY IN THE NOVELS OF GRACE LUMPKIN, JOSEPHINE JOHNSON, JOHN STEINBECK, MARGARET WALKER, OCTAVIA BUTLER, AND TONI MORRISON Jennifer A. Williamson A dissertation submitted to the faculty of the University of North Carolina in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English and Comparative Literature Chapel Hill 2011 Approved by: Linda Wagner-Martin William L. Andrews Philip Gura Fred Hobson Wahneema Lubiano © 2011 Jennifer A. Williamson ALL RIGHTS RESERVED ii ABSTRACT JENNIFER A. WILLIAMSON: Sentimental Appropriations: Contemporary Sympathy in the Novels of Grace Lumpkin, Josephine Johnson, John Steinbeck, Margaret Walker, Octavia Butler, and Toni Morrison (Under the direction of Linda Wagner-Martin) This project investigates the appearance of the nineteenth-century American sentimental mode in more recent literature, revealing that the cultural work of sentimentalism continues in the twentieth-century and beyond. By examining working-class literature that adopts the rhetoric of “feeling right” in order to promote a proletarian ideology as well as neo-slave narratives that wrestle with the legacy of slavery, this study explores the ways contemporary authors engage with familiar sentimental tropes and ideals. Despite modernism’s influential assertion that sentimentalism portrays emotion that lacks reality or depth, narrative claims to feeling— particularly those based in common and recognizable forms of suffering—remain popular. It seems clear that such authors as Grace Lumpkin, Josephine Johnson, John Steinbeck, Margaret Walker, Octavia Butler, and Toni Morrison apply the rhetorical methods of sentimentalism to the cultural struggles of their age. -
Novel Addiction: Consuming Popular Novels in Eighteenth-Century Britain By
Novel Addiction: Consuming Popular Novels in Eighteenth-century Britain by Jayoung Min Department of English Duke University Date:_______________________ Approved: ___________________________ Charlotte Sussman, Supervisor ___________________________ Srinivas Aravamudan ___________________________ Nancy Armstrong ___________________________ Kathy Psomiades Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English in the Graduate School of Duke University 2011 ABSTRACT Novel Addiction: Consuming Popular Novels in Eighteenth-century Britain by Jayoung Min Department of English Duke University Date:_______________________ Approved: ___________________________ Charlotte Sussman, Supervisor ___________________________ Srinivas Aravamudan ___________________________ Nancy Armstrong ___________________________ Kathy Psomiades An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English in the Graduate School of Duke University 2011 Copyright by Jayoung Min 2011 ABSTRACT This dissertation explores the ways in which British popular novels of the eighteenth century functioned as commodities. “Novel Addiction”, the title of this dissertation has a double meaning: Addiction was a new conceptual framework developed during the eighteenth century in order to manage the increasing anxiety brought upon the culture of consumption, and the novel, one of the most popular commodities of the same period, was addictive. Both as successful commodities and efficient cultural agents, popular novels that were categorized as the sentimental or the gothic participated in the process of creating and disseminating models of addiction that warranted perpetual discipline. However, this discipline does not aim at preventing or eliminating addiction. It rather manages addiction as “habit” in a way that guarantees proliferation of the market economy. -
11 the Early American Novel and Sentimentalism 215
Philipp Schweighauser 11 The Early American Novel and Sentimentalism Abstract: This essay proposes three ways of reading the first sentimental American novels from a transatlantic perspective. The first, most established account tells the story of American novelists’ transformations of Richardsonian literary formulae and negotiations of Lockean empiricism and liberalism. Inspired by the transnational turn in American Studies, the second narrative expands the scope of inquiry as it traces early sentimental fictions’ imbrication in a transatlantic colonial and post-co- lonial network that significantly transcends English-American relations to include the Western hemisphere, Europe, and Africa. My third reading draws on the systems- theo retic notion of “functional differentiation” to explore convergences between eighteenth-century European reflections on art and sensuous cognition under the heading of ‘aesthetics’ and early American novelistic production. My second section focuses on a little-studied sentimental novel, William Hill Brown’s posthumously published Ira and Isabella (1807), to test the strengths and limitations of my three transatlantic reading strategies. Key Terms: Sentimental novel, early republic, aesthetics, systems theory, transna- tional turn 1 Transatlantic Perspectives on the Early American Sentimental Novel: Approaches, Theories, Concepts Revisiting early American sentimental novels such as William Hill Brown’s The Power of Sympathy (1789) and Hannah Webster Foster’s The Coquette (1797) from a transat- lantic perspective -
A STUDY of the WORKS of CÂTHARIÎÎE Ivîâriâ SEDGWICK
A STUDY OF THE WORKS OF CÂTHARIÎÎE IvîÂRI SEDGWICK DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By RICHARD BANUS GIDEZ, B.A., A, ***** THE OHIO STATE UNIVERSITY 1958 Approved by Aaviselr Department of English ACKNOWLEDGMENTS The author wishes to express his thanks to Mrs. Grace Wilcox of the Stockbridge Public Library for her information on the Sedgwick family, the staff of The Massachusetts His torical Society, and Professor William Charvat of The Ohio State University for his guidance and patience. - 11 - TABLE OF CONTENTS Chapters Page I ......................................... 1 II ............................ 32 III .......................................... 135 IV .......................................... 229 V .......................................... 285 Bibliographies ............................... 310 111 CHAPTER I Catharine Maria Sedgwick (1789 - 1867) of Berkshire County, Massachusetts, wrote six novels, six long didactic tales devoted to the education of young people and social reform, two short biographies, a novella, a travel tale about Canada, four collections of short stories, and two volumes of letters concerning her European trip of 1839» In addition, she contributed one hundred stories, sketches, and didactic tales to various annuals and periodicals. Her first book appeared in 1822, her last in 1857» During her lifetime she enjoyed both critical and popular success: "No equal this side of the Atlantic" -
TRISTRAM SHANDY and EIGHTEENTH-CENTURY WOMEN SATIRISTS by NATASHA L GATIAN
“THE PRODUCTION OF A RATIONAL BEING”: TRISTRAM SHANDY AND EIGHTEENTH-CENTURY WOMEN SATIRISTS by NATASHA L GATIAN A thesis submitted to the Graduate School-Camden Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Master of Arts Graduate Program in English written under the direction of Dr. Geoffrey M. Sill and approved by ______________________________ Dr. Geoffrey M. Sill ______________________________ Dr. Holly Blackford ______________________________ Dr. Carol Singley Camden, New Jersey May 2014 i THESIS ABSTRACT “THE PRODUCTION OF A RATIONAL BEING”: TRISTRAM SHANDY AND EIGHTEENTH-CENTURY WOMEN SATIRISTS by NATASHA L GATIAN THESIS DIRECTOR: Dr. Geoffrey M. Sill The eighteenth century saw the emergence of two primary literary forms aimed at influencing public life: the satire and the sentimental novel. While these two forms pursued similar goals, they were produced separately until Laurence Sterne’s mingling of the two genres in The Life and Opinions of Tristram Shandy, Gentleman. This text combines two previously gendered genres while also undermining male authority with its narrative false starts and symbolically impotent narrator. It also displays satirical and sentimental impulses with the character parson Yorick, who embodies both the Quixote figure and the philosopher-physician who “heals” him. Sterne’s collapsing of these gender and generic boundaries, I argue, would open a discursive space for women to enter the literary world as satirists, as this study will demonstrate using works by Charlotte Lennox and Frances Burney. Lennox’s The Female Quixote, which came before Sterne’s novel, will be considered for its satire of female readers of romances, while Burney’s play The Witlings will show how women engaged in satiric regulation of the public sphere post-Tristram Shandy. -
European Romanticism 1405110392 1 Pretoc Final Proof Page Iii 10.9.2005 7:59Am
Ferber: Companion to European Romanticism 1405110392_1_pretoc Final Proof page iii 10.9.2005 7:59am A C O M P A N I O N T O EUROPEAN R OMANTICISM EDITED BY MICHAEL FERBER Ferber: Companion to European Romanticism 1405110392_3_posttoc Final Proof page xiv 10.9.2005 7:58am Ferber: Companion to European Romanticism 1405110392_1_pretoc Final Proof page i 10.9.2005 7:59am A Companion to European Romanticism Ferber: Companion to European Romanticism 1405110392_1_pretoc Final Proof page ii 10.9.2005 7:59am Blackwell Companions to Literature and Culture This series offers comprehensive, newly written surveys of key periods and movements and certain major authors, in English literary culture and history. Extensive volumes provide new perspectives and positions on contexts and on canonical and post- canonical texts, orientating the beginning student in new fields of study and provid- ing the experienced undergraduate and new graduate with current and new directions, as pioneered and developed by leading scholars in the field. 1. A Companion to Romanticism Edited by Duncan Wu 2. A Companion to Victorian Literature and Culture Edited by Herbert F. Tucker 3. A Companion to Shakespeare Edited by David Scott Kastan 4. A Companion to the Gothic Edited by David Punter 5. A Feminist Companion to Shakespeare Edited by Dympna Callaghan 6. A Companion to Chaucer Edited by Peter Brown 7. A Companion to Literature from Milton to Blake Edited by David Womersley 8. A Companion to English Renaissance Literature and Culture Edited by Michael Hattaway 9. A Companion to Milton Edited by Thomas N. Corns 10. A Companion to Twentieth-Century Poetry Edited by Neil Roberts 11. -
The Neoclassical Poetry
Aula 6 THE NEOCLASSICAL POETRY META Apresentar ao estudante as principais características da poesia neoclássica inglesa, bem como suas condições de produçãoo, circulaçãoo e recepção. OBJETIVOS Ao final desta aula, o aluno deverá: Compreender o modo como o contexto sócio-político do século XVIII afetou sua produção literária. Familiarizar o estudante com fragmentos da obra de Pope. PRÉ-REQUISITOS History of English literatrute until the eighteenth century. Luiz Eduardo Oliveira Literatura de Língua Inglesa II INTRODUÇÃO The eighteenth century in England is sometimes called The Augustan Age, and sometimes The Age of Reason. Augustan literature (sometimes referred to misleadingly as Georgian literature) is a style of British literature produced during the reigns of Queen Anne, King George I, and George II in the first half of the 18th century and ending in the 1740s, with the deaths of Alexander Pope and Jonathan Swift, in 1744 and 1745, respec- tively. It was a literary epoch that featured the rapid development of the novel, the explosion of satire, the mutation of drama from political satire into melodrama and an evolution toward poetry of personal exploration. In philosophy, it was an age increasingly dominated by empiricism, while in the writings of political economy, it marked the evolution of mercantilism as a formal philosophy, the development of capitalism and the triumph of trade. As for the Age of Reason, it was an eighteenth-century movement which followed hard after the mysticism, religion, and superstition of the Middle Ages. The Age of Reason represented a genesis in the way man viewed himself, the pursuit of knowledge, and the universe.