Horace: Odes Book I Free
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Incredulus Odi FINAL
King’s Research Portal DOI: 10.1017/S1750270519000010 Document Version Peer reviewed version Link to publication record in King's Research Portal Citation for published version (APA): Lada-Richards, I. (2019). Incredvlvs odi: Horace and the subliterary aesthetic of the Augustan stage. The Cambridge Classical Journal, 65, 84-112. https://doi.org/10.1017/S1750270519000010 Citing this paper Please note that where the full-text provided on King's Research Portal is the Author Accepted Manuscript or Post-Print version this may differ from the final Published version. If citing, it is advised that you check and use the publisher's definitive version for pagination, volume/issue, and date of publication details. And where the final published version is provided on the Research Portal, if citing you are again advised to check the publisher's website for any subsequent corrections. General rights Copyright and moral rights for the publications made accessible in the Research Portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognize and abide by the legal requirements associated with these rights. •Users may download and print one copy of any publication from the Research Portal for the purpose of private study or research. •You may not further distribute the material or use it for any profit-making activity or commercial gain •You may freely distribute the URL identifying the publication in the Research Portal Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. -
The Poetics of the 'Carmina Priapea'
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2015 The Poetics of the 'Carmina Priapea' Heather Elaine Elomaa University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Classics Commons Recommended Citation Elomaa, Heather Elaine, "The Poetics of the 'Carmina Priapea'" (2015). Publicly Accessible Penn Dissertations. 1698. https://repository.upenn.edu/edissertations/1698 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/1698 For more information, please contact [email protected]. The Poetics of the 'Carmina Priapea' Abstract This dissertation is on the Carmina Priapea (CP). The CP is a collection of 80 Latin epigrams that are about, in dedication to, or in the voice of the Roman god Priapus. The CP is obscene in content, notionally inferior in form and style, and curiously anonymous. The earliest scholarship was concerned with assigning a provenance to the book, but more recent scholars have turned to literary interpretation, paying increased attention to the CP’s formal elements. I aim to fill what I see as a gap in the scholarship yb offering a careful study of the CP’s poetics. Although I do not think either the date of this text or the identity of its author can ever be determined with certainty, I endorse the growing scholarly consensus that the CP was written and organized by a single hand at the end of the 1st century CE. I argue that the CP is informed by a poetic discourse that is both sophisticated and ironic. The poet of the CP is cognizant of the Neoteric and Callimachean aesthetic principles practiced by his literary predecessors and contemporaries, but he adopts these principles by adapting them into a Priapic context, which is often tinged with irony. -
A Stylistic Analysis of Ekphrastic Poetry in English
T.C ANKARA ÜNİVERSİTESİ SOSYAL BİLİMLER ENSTİTÜSÜ BATI DİLLERİ VE EDEBİYATLARI İNGİLİZ DİLİ VE EDEBİYATI A STYLISTIC ANALYSIS OF EKPHRASTIC POETRY IN ENGLISH PhD Dissertation Berkan ULU Ankara-2010 T.C ANKARA ÜNİVERSİTESİ SOSYAL BİLİMLER ENSTİTÜSÜ BATI DİLLERİ VE EDEBİYATLARI İNGİLİZ DİLİ VE EDEBİYATI A STYLISTIC ANALYSIS OF EKPHRASTIC POETRY IN ENGLISH PhD Dissertation Berkan ULU Advisor Asst.Prof.Dr.Nazan TUTAŞ Ankara-2010 T.C ANKARA ÜNİVERSİTESİ SOSYAL BİLİMLER ENSTİTÜSÜ BATI DİLLERİ VE EDEBİYATLARI İNGİLİZ DİLİ VE EDEBİYATI A STYLISTIC ANALYSIS OF EKPHRASTIC POETRY IN ENGLISH PhD Dissertation Advisor : Asst. Prof. Dr. Nazan TUTAŞ Members of the PhD Committee Name and Surname Signature Prof. Dr. Belgin ELBİR ........................................ Prof. Dr. Ufuk Ege UYGUR ........................................ Assoc. Prof. Dr. Lerzan GÜLTEKİN ........................................ Asst. Prof. Dr. Nazan TUTAŞ (Advisor) ......................................... Asst. Prof. Dr. Trevor HOPE ......................................... Date .................................. TÜRKİYE CUMHURİYETİ ANKARA ÜNİVERSİTESİ SOSYAL BİLİMLER ENSTİTÜSÜ MÜDÜRLÜĞÜNE Bu belge ile, bu tezdeki bütün bilgilerin akademik kurallara ve etik davranış ilkelerine uygun olarak toplanıp sunulduğunu beyan ederim. Bu kural ve ilkelerin gereği olarak, çalışmada bana ait olmayan tüm veri, düşünce ve sonuçları andığımı ve kaynağını gösterdiğimi ayrıca beyan ederim.(……/……/200…) …………………………………… Berkan ULU ABSTRACT “A Stylistic Anlaysis of Ekphrastic Poetry in English” -
1. Ut Pictura Poesis 9 Language and Metaphor 9 Epistemological Implications of Horace's Comparison 17 Issues of Practical Literary Criticism 28 2
The Poetics of Historical Perspectivism COLLEGE OF ARTS AND SCIENCES ImUNCI Germanic and Slavic Languages and Literatures From 1949 to 2004, UNC Press and the UNC Department of Germanic & Slavic Languages and Literatures published the UNC Studies in the Germanic Languages and Literatures series. Monographs, anthologies, and critical editions in the series covered an array of topics including medieval and modern literature, theater, linguistics, philology, onomastics, and the history of ideas. Through the generous support of the National Endowment for the Humanities and the Andrew W. Mellon Foundation, books in the series have been reissued in new paperback and open access digital editions. For a complete list of books visit www.uncpress.org. The Poetics of Historical Perspectivism Breitinger’s Critische Dichtkunst and the Neoclassic Tradition jill anne kowalik UNC Studies in the Germanic Languages and Literatures Number 114 Copyright © 1992 This work is licensed under a Creative Commons cc by-nc-nd license. To view a copy of the license, visit http://creativecommons. org/licenses. Suggested citation: Kowalik, Jill Anne. The Poetics of Historical Per- spectivism: Breitinger’s Critische Dichtkunst and the Neoclassic Tradition. Chapel Hill: University of North Carolina Press, 1992. doi: https:// doi.org/10.5149/9781469656632_Kowalik Library of Congress Cataloging-in-Publication Data Names: Kowalik, Jill Anne. Title: The poetics of historical perspectivism : Breitinger’s Critische Dichtkunst and the neoclassic tradition / by Jill Anne Kowalik. Other titles: University of North Carolina Studies in the Germanic Languages and Literatures ; no. 114. Description: Chapel Hill : University of North Carolina Press, [1992] Series: University of North Carolina Studies in the Germanic Languages and Literatures. -
Horace, Odes 4, and the Mausoleum of Augustus
Copyright by Steven Lawrence Jones 2008 The Dissertation Committee for Steven Lawrence Jones certifies that this is the approved version of the following dissertation: UT ARCHITECTURA POESIS: HORACE, ODES 4, AND THE MAUSOLEUM OF AUGUSTUS Committee: __________________________________ Karl Galinsky, Supervisor __________________________________ Timothy J. Moore __________________________________ L. Michael White __________________________________ Penelope J. E. Davies __________________________________ Eleanor Winsor Leach UT ARCHITECTURA POESIS: HORACE, ODES 4, AND THE MAUSOLEUM OF AUGUSTUS by Steven Lawrence Jones, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin December 2008 uJpernikw'men to Willard Eugene Speed (October 23, 1915 – October 31, 1999) Acknowledgements This dissertation can trace its lineage to a paper I wrote as an undergraduate at Baylor University. My fascination with Horace and with Odes 4 began there under Timothy Johnson, now at the University of Florida. It was he and Alden Smith who began me on the path along which this dissertation is a milestone. I also had opportunity to develop ideas contained in this dissertation with R.T. Scott while at Bryn Mawr College. The ideas reached maturity at the University of Texas at Austin. In Karl Galinsky's seminar on Roman Religion, I began thinking about Horace's meditations on death and immortality. It was in Penelope Davies' seminar on Roman Imperial Funeral Monuments that the connection between Odes 4 and the Mausoleum of Augustus first occurred to me. I owe a special debt of gratitude to Karl Galinsky. -
Pope and Horace: Imitation and Independence
Université de Neuchâtel Megumi OHSUMI Doctoral dissertation Pope and Horace: Imitation and Independence Thèse présentée à la Faculté des lettres et sciences humaines Institut d’Histoire Université de Neuchâtel Pour l’obtention du grade de docteur ès lettres Par Megumi OHSUMI Acceptée sur proposition du jury : Prof. Jean-Jacques AUBERT, directeur de thèse Prof. Margaret TUDEAU-CLAYTON, directrice de thèse Prof. Paul DAVIS, rapporteur Prof. Damien NELIS, rapporteur Soutenue le 8 février 2013 Université de Neuchâtel 2013 Université de Neuchâtel Megumi OHSUMI Doctoral dissertation Université de Neuchâtel Megumi OHSUMI Doctoral dissertation Mots clés en français : - Poésie augustéenne - Patronage romain - Poète et politique sous Auguste - Littérature anglaise du dix-huitième siècle - Traduction et imitation - Etudes de réception - Littérature comparée Mots clés en anglais : - Augustan Poetry - Roman Patronage - Poets and Politics under Augustus - Eighteenth-Century English Literature - Translation and Imitation - Reception Studies - Comparative Literature Résumé The present dissertation concerns Alexander Pope’s Horatian Imitations, which were modeled principally on Horace’s Satires and Epistles. It focuses on the parallels which the English poet sought to draw with the Roman poet with regards to his background as an outsider, his rise to success, and his views on the relationship between politics and poetry. The argument lies in the idea that Pope’s motivation for composing the Horatian Imitations was based on multiple factors. Taking a chronological -
Enthymema XXVI 2020 Tradurre Un Mito Letterario: Tradurre Orazio Antonio Iurilli Università Di Palermo
Enthymema XXVI 2020 Tradurre un mito letterario: tradurre Orazio Antonio Iurilli Università di Palermo Abstract – Quinto Orazio Flacco è fra i più tradotti auctores latini nelle culture let- terarie d’Europa, soprattutto nei secoli XVI, XVII, XVIII. La ricostruzione repertoriale e critica delle traduzioni che hanno avuto per oggetto il suo corpus si offre, quindi, come documento particolarmente significativo della fortuna traduttiva di un mito letterario, in quanto attesta il rapporto di imitatio/aemulatio che numerosi autori hanno stabilito con il modello nel momento in cui hanno deciso di assimilarlo, at- traverso le traduzioni, alle lingue e alle culture nazionali cui essi appartengono. Parole-chiave: Quinto Orazio Flacco; Traduzioni secc. XVI-XVIII; Editoria. Abstract – Quintus Oratius Flaccus is among the most translated Latin auctores in European literary cultures, especially in the 16th, 17th, and 18th centuries. The rep- ertory and critical reconstruction of the translations concerning his corpus is there- fore offered as a particularly significant document of the fortune of the translation of a literary myth, as it attests to the relationship of imitatio/aemulatio that many Authors established with the model at the time when they decided to assimilate it, through translations, to the National languages and cultures to which they belong. Keywords: Quintus Horatius Flaccus; Translations 16th-18th centuries; Publishing. Iurilli, Antonio. “Tradurre un mito letterario: tradurre Orazio”. Enthymema, n. XXVI, 2020, pp. 281-291. http://dx.doi.org/ 10.13130/2037-2426/13737 https://riviste.unimi.it/index.php/enthymema Creative Commons Attribution 4.0 Unported License ISSN 2037-2426 Tradurre un mito letterario: tradurre Orazio Antonio Iurilli Università di Palermo Nei tre secoli e mezzo in cui si snoda, per convenzione, l’età del libro antico, il corpus di Quinto Orazio Flacco è stato accolto nelle officine tipografiche di tutta Europa, a vario titolo, circa tremila volte, da circa millecinquecento tipografi/editori. -
Medieval Ut Pictura Poesis
[Recepción del artículo: 29/06/2019] [Aceptación del artículo revisado: 04/09/2019] MEDIEVAL UT PICTURA POESIS: RHETORIC, AESTHETICS, AND MONSTROSITY IN A TWELFTH-CENTURY ILLUSTRATED HORACE1 UT PICTURA POESIS MEDIEVAL: RETÓRICA, ESTÉTICA Y MONSTRUOSIDAD EN UN HORACIO ILUSTRADO DEL SIGLO XII JEFFREY F. HAMBURGER Harvard University [email protected] ABSTRACT A little-known, but extensively illuminated twelfth-century manuscript of Horace’s poetical works, among them the Ars poetica, provides an occasion to reexamine interrelationships among rhetoric, the monstrous, and the grotesque in Romanesque art within the context of the poet’s theorization of aesthetic norms and ideals. While hardly paradigmatic, the manuscript’s numerous historiated initials nonetheless provide insight into how the myriad monstrous forms of medieval art were read by monastic audiences and, no less, how they can be interpreted today. KEYWORDS: Horace, Ars poetica, grotesque, monsters, the monstrous, historiated initials, my- thology, antiquity. RESUMEN Un manuscrito del siglo XII, poco conocido pero ricamente iluminado, contiene las obras poéticas de Horacio, entre ellas el Ars poetica. Este códice ofrece una excelente ocasión para reexaminar las interrelaciones entre la retórica, lo monstruoso y lo grotesco en el arte románico dentro del contexto de la teorización del poeta de las normas estéticas y sus ideales. Aunque no resulten paradigmáticas, las numerosas iniciales historiadas del manuscrito proporcionan una idea de cómo deben ser leídas por las audiencias monásticas originales y, también, cómo pueden ser interpretadas hoy. PALABRAS CLAVE: Horacio, Ars poetica, grotesco, monstruos, monstruosidad, iniciales historia- das, mitología, Antigüedad. 1 To the various friends who kindly read this essay or offered advice, among them Barbara Shailor, Richard Tarrant, and the pair of anonymous readers, my thanks for their valuable suggestions.