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GLORIA ESTEFAN & MIAMI SOUND MACHINE: a Benefit Concert For
GLORIA ESTEFAN & MIAMI SOUND MACHINE: A Benefit Concert for Viva Broadway One Night Only: To Kick Off Hispanic Heritage Month! MONDAY, SEPTEMBER 14, 2015 AT THE MINSKOFF THEATRE TICKETS ON SALE SATURDAY, JANUARY 24, 2015 @ 7:00am CONCERT DIRECTED BY SERGIO TRUJILLO PRODUCED BY THE BROADWAY LEAGUE New York, NY - January 14, 2015 – The Broadway League announces the date for Gloria Estefan & Miami Sound Machine: A Benefit Concert for Viva Broadway. The concert will take place on Monday, September 14th at 8:00pm at the Minskoff Theatre, 200 West 45th Street in Manhattan. Tickets will go on sale on Saturday, January 24, 2015 at 7:00 a.m. Gloria Estefan & Miami Sound Machine return to New York City to perform a special concert comprising their greatest hits including: “Get On Your Feet,” “Conga,” “Rhythm is Gonna Get You,” “Mi Tierra,” and more! The Broadway League’s Viva Broadway initiative is an audience development partnership with the Hispanic community to help bridge the world of Broadway with Latino audiences around the country. The long-term initiative aims to increase awareness about Broadway while culturally enriching lives, bringing families together, and building new careers in the theatre. Proceeds will go towards The Broadway League's Family First Nights®, a nationwide program specifically designed to encourage economically at-risk families to attend theatre on a regular basis. Tickets will range from $69.00 to $169.00. In addition, a limited number of VIP Packages will be available to the general public and include a pre-show champagne reception with Emilio Estefan, premium seats to the concert and post-show meet and greet cast party with Gloria Estefan and the band. -
Rhythm Is Gonna Get You”-- Gloria Estefan and the Miami Sound Machine (1987) Added to the National Registry: 2017 Essay by Ilan Stavans (Guest Post)*
“Rhythm Is Gonna Get You”-- Gloria Estefan and the Miami Sound Machine (1987) Added to the National Registry: 2017 Essay by Ilan Stavans (guest post)* “Let It Loose” album cover 45rpm single Enrique Garcia Gloria Estefan’s “Rhythm Is Gonna Get You,” which represents the apex of Cuban influence on American R&B, also serves as a thermometer for Latino assimilation to the United States, especially in Miami, which was always Estefan’s base. The song came about shortly before her bus accident in 1990, as she was touring, an event that marked her profoundly, physically and creatively. As such, it represents her “early” style and approach, in comparison with a later period in which Estefan would invoke her Cuban roots and upbringing in more concrete fashion. Along with “Conga,” “Bad Boy,” “Get on Your Feet,” “Party Time,” and about half a dozen more, the song made Estefan internationally known. Performed together with Estefan’s group, Miami Sound Machine, founded by her husband Emilio Estefan, it is part of the immensely successful album “Let It Loose” (1987), which went multi-platinum. The song itself was Top 5 on the US Billboard Top 100. It came to define R&B and become a staple of the post-disco disco era because of its eminently danceable qualities. Indeed, most people associate it with an Americanized version of Latin twirl. Estefan is originally from Havana (she was born in 1957). She and her family—her father was a motor escort for dictator Fulgencio Batista’s wife—were part of a massive wave of mostly upper- and middle-class Cubans who moved to the United States in the 1960s, absconding Fidel Castro’s Communist regime. -
For Immediate Release Press Contact: Amanda Meyer/Tori Bryan Margie Korshak, Inc
For Immediate Release Press Contact: Amanda Meyer/Tori Bryan Margie Korshak, Inc. 312.751.5559/5528 [email protected]/[email protected] TICKETS GO ON SALE FRIDAY, FEBRUARY 13 AT 10 AM THE NEW BROADWAY MUSICAL BASED ON THE LIFE AND MUSIC OF SEVEN-TIME GRAMMY AWARD WINNER & INTERNATIONAL SUPERSTAR GLORIA ESTEFAN AND NINETEEN-TIME GRAMMY WINNING PRODUCER, MUSICIAN & ENTREPRENUER EMILIO ESTEFAN PRE-BROADWAY WORLD PREMIERE IN CHICAGO JUNE 2 – JULY 5 AT THE ORIENTAL THEATRE CHICAGO (Feb. 9, 2015) – Broadway In Chicago, The Nederlander Organization and Estefan Enterprises, Inc are pleased to announce that tickets for ON YOUR FEET!, a new musical based on the life story of seven- time GRAMMY® winning international superstar Gloria Estefan and her husband, legendary producer- musician-entrepreneur Emilio Estefan, go on-sale to the public on Friday, February 13 at 10 AM. ON YOUR FEET! will have its Pre-Broadway World Premiere in Chicago at Chicago’s Oriental Theatre June 2 – July 5, 2015. Directed by two-time Tony Award® winner Jerry Mitchell (Kinky Boots, Hairspray), ON YOUR FEET! tells the story of two people who — through an unwavering dedication to one another and their pursuit of the American dream — showcased their talent, their music and their heritage to the world in a remarkable rise to global superstardom. Set to Gloria’s chart-topping, smash hits such as “Rhythm Is Gonna Get You,” “Conga,” “1-2-3,” “Get On Your Feet,” “Don’t Want To Lose You Now,” and “Coming Out Of The Dark,” in addition to new music penned by the Estefans, the musical will be choreographed by four-time Drama Desk nominee Sergio Trujillo (Jersey Boys, Memphis) with a book by Academy Award® nominee Alexander Dinelaris (Birdman film, The Bodyguard Musical). -
Get on Your Feet! and Head to PPAC
Get On Your Feet! and Head to PPAC The hit musical On Your Feet will be presented at Providence Performing Arts Center from January 30 through February 4. On Your Feet tells the inspiring story of pop music superstar Gloria Estefan, who with her husband, Emilio, was responsible for several hits in the 1980s and ’90s, including “1-2-3,” “Conga,” “Rhythm Is Gonna Get You” and “Get On Your Feet.” Nancy Ticotin Broadway veteran Nancy Ticotin plays Gloria Fajardo, the headstrong and controlling mother of Gloria Estefan, who left Cuba in search of a better life in the United States. Ticotin said Fajardo was jealous of her daughter’s success in the music business and “resented” Emilio. “She was awful to him,” Ticotin explained. “Even after they got married, she was really disrespectful to him and mean to him.” However, Fajardo became much closer to her daughter and son-in-law after Estefan was badly injured in a tour bus crash. “(Fajardo) finds Emilio in a closet crying,” Ticotin said. “From that moment on, she saw he never left (Estefan’s) side. “There’s a beautiful song in the second act, (If I Never Got to Tell You) that is the only song written for the show,” Ticotin continued. “That’s the drama in the story that most people don’t know, which is what makes (On Your Feet) more interesting.” Ticotin has plenty of stage experience, including appearances in The King and I, West Side Story, Jerome Robbins’ Broadway and Damn Yankees. On Your Feet has been striking a chord with audiences due to the continuing debate about immigration in our country, Ticotin noted. -
Heritage Month
HARRIS BEACH RECOGNIZES NATIONAL HISPANIC HERITAGE MONTH National Hispanic Heritage Month in the United States honors the histories, cultures and contributions of American citizens whose ancestors came from Spain, Mexico, the Caribbean and Central and South America. We’re participating at Harris Beach by spotlighting interesting Hispanic public figures, and facts about different countries, and testing your language skills. As our focus on National Hispanic Heritage Month continues, this week we focus on a figure from the world of sports: Roberto Clemente, who is known as much for his accomplishments as humanitarian as he is for his feats on the field of play. ROBERTO CLEMENTE Roberto Enrique Clemente Walker of Puerto Rico, born August 18, 1934, has the distinction of being the first Latin American and Caribbean player to be inducted in the National Baseball Hall of Fame. He played right field over 18 seasons for the Pittsburgh Pirates. Clemente’s untimely death established the precedent that, as an alternative to the five-year retirement period, a player who has been deceased for at least six months is eligible for entry into the Hall of Fame. Clemente was the youngest of 7 children and was raised in Barrio San Antón, Carolina, Puerto Rico. During his childhood, his father worked as foreman of sugar crops located in the municipality and, because the family’s resources were limited, Clemente worked alongside his father in the fields by loading and unloading trucks. Clemente was a track and field star and Olympic hopeful before deciding to turn his full attention to baseball. His interest in baseball showed itself early on in childhood with Clemente often times playing against neighboring barrios. -
Readers R / Mayor and Council Hold Regular Session How Belmar
Library. Public X Christmas Greetings and Cheer to all “Advertiser” Readers ♦ BOTH +♦ ♦ ♦ ♦ Vol. XXIE.—Whole No. 1901 BELMAR, N. J., FRIDAY DECEMBER 24, 1915. Single Copy Three Cents COLLECTING THE TAXES r Mayor and Council Under the amendment of the law ' Week’s Activities passed by the legislature last winter, Hold Regular SessionMonday was the last day on which | at Avon-by-the-Sea this year’s taxes could be paid with A ATTENTION IS CALLED TO DAN out the imposition of a fee of from EVENTS WHICH HAVE INTER GEROUS STREET JUNCTION seven to eight per cent., at the dis cretion of the collector. Many dilin- ESTED PEOPLE OF THE BORO / quents who had waited the limit Mrs. Davis Problem is Threshed paid on Monday, Collector Abram Sewer and Water Ordinances Passed Over Again—Paul T. Zizinia Files Borton receiving on that day about by Council—Other Matters of Petition. $14,000. On Monday and Tuesday News in the Borough. he collected $26,400. BELMAR CHURCHES Among the communications re Mr. Borton reports that taxes are DOINGS IN AVON COUNCIL ceived at the meeting of the mayor being paid very well this year and anti council and placed on file Tues of a total of $114,377 which is on the Mayor and Council Meet and Trans day night was one from the commis 1915 duplicate*he had received up act Important Business. sion of Motor Vehicles calling atten to Wednesday morning more than $75,000. tion to the dangei-ous conditions of The Borough Fathers appeared on the street junction on the Belmar Mr. -
Question Paper
Write your name here Surname Other names Centre Number Candidate Number Edexcel GCE Music Technology Advanced Subsidiary Unit 2: Listening and Analysing Monday 28 May 2012 – Morning Paper Reference Time: 1 hour 45 minutes 6MT02/01 You must have: Total Marks Individual CD player, headphones and audio CD of recorded extracts. Instructions Use black ink or ball-point pen. t Fill in the boxes at the top of this page with your name, centre number and candidate number. t Answer all questions. t Answer the questions in the spaces provided t – there may be more space than you need. If you are using a computer to play the CD, access to sequencing software is t NOT permitted. t You must ensure that the left and right earpieces of your headphones are worn correctly. Information The total mark for this paper is 80. t The marks for each question are shown in brackets t – use this as a guide as to how much time to spend on each question. Questions labelled with an asterisk (*) are ones where the quality of your written t communication will be assessed – you should take particular care with your spelling, punctuation, grammar and clarity of expression on these questions. Each question number refers to the relevant track number on the audio CD, eg Question 1 t refers to Track 1, Question 2 to Track 2 etc. You may listen to each track as many times as you wish within the overall time limit of the paper. t The use of the words ‘instrument’ or ‘sounds’ refers to vocals, acoustic instruments, t electric/electronic instruments and electronically-generated sounds unless otherwise stated. -
Les Archives Du Sombre Et De L'expérimental
Guts Of Darkness Les archives du sombre et de l'expérimental avril 2006 Vous pouvez retrouvez nos chroniques et nos articles sur www.gutsofdarkness.com © 2000 - 2008 Un sommaire de ce document est disponible à la fin. Page 2/249 Les chroniques Page 3/249 ENSLAVED : Frost Chronique réalisée par Iormungand Thrazar Premier album du groupe norvégien chz le label français Osmose Productions, ce "Frost" fait suite au début du groupe avec "Vikingligr Veldi". Il s'agit de mon album favori d'Enslaved suivi de près par "Eld", on ressent une envie et une virulence incroyables dans cette oeuvre. Enslaved pratique un black metal rageur et inspiré, globalement plus violent et ténébreux que sur "Eld". Il n'y a rien à jeter sur cet album, aucune piste de remplissage. On commence après une intro aux claviers avec un "Loke" ravageur et un "Fenris" magnifique avec son riff à la Satyricon et son break ultra mélodique. Enslaved impose sa patte dès 1994, avec la très bonne performance de Trym Torson à la batterie sur cet album, qui s'en ira rejoindre Emperor par la suite. "Svarte vidder" est un grand morceau doté d'une intro symphonique, le développement est excellent, 9 minutes de bonheur musical et auditif. "Yggdrasill" se pose en interlude de ce disque, un titre calme avec voix grave, guimbarde, choeurs et l'utilisation d'une basse fretless jouée par Eirik "Pytten", le producteur de l'album: un intemrède magnifique et judicieux car l'album gagne en aération. Le disque enchaîne sur un "Jotu249lod" destructeur et un Gylfaginning" accrocheur. -
Hollywood Pantages Theatre Los Angeles, California Hollywood Pantages Theatre
® HOLLYWOOD PANTAGES THEATRE LOS ANGELES, CALIFORNIA HOLLYWOOD PANTAGES THEATRE JAMES L. NEDERLANDER ESTEFAN ENTERPRISES, INC. BERNIE YUMAN ROY FURMAN TERRY ALLEN KRAMER CATHERINE ADLER CAIOLA PRODUCTIONS REG • GROVE IPN/ALBERT NOCCIOLINO MARC DAVID LEVINE EVA PRICE IRIS SMITH BROADWAY ACROSS AMERICA LARRY HIRSCHHORN/DOUBLE GEMINI BURNT UMBER PRODUCTIONS/PITTSBURGH CLO STELLA LA RUE/LAWRENCE S. TOPPALL PRESENT Book by Featuring Music Produced and Recorded by Alexander Dinelaris Emilio & Gloria Estefan & Miami Sound Machine Starring Christie Prades Mauricio Martínez Debra Cardona Jason Martinez Carlos Carreras Ana-Sofia Rodriguez Carmen Sanchez Jordan Vergara and Nancy Ticotin Anthony Alfaro Michelle Alves Jonathan Arana Skizzo Arnedillo Danny Burgos Sarita Colón Shadia Fairuz Adriel Flete Devon Goman Ilda Mason Claudia Mulet Eddie Noel Marina Pires Jeremey Adam Rey Gabriel Reyes Joseph Rivera Maria Rodriguez Shani Talmor Claudia Yanez Scenic Design Costume Design Lighting Design Sound Design David Rockwell Emilio Sosa Kenneth Posner SCK Sound Design Projection Design Casting by Wig and Hair Design Music Coordinator Music Direction Darrel Maloney Telsey + Company Charles G. Patrick Clay Ostwald LaPointe Vaccariello Orchestrations Additional Arrangements Dance Music Arrangements Orchestrations and Dance Orchestrations Gloria Estefan Lon Hoyt Clay Ostwald Oscar Hernández Emilio Estefan Jorge Casas Tour Marketing Tour Booking Agency Production Supervisor Production Stage Manager Company Manager Amy Katz The Booking Group Troika Entertainment Eric Insko Susan C. Guszynski Phillip Aleman Meredith Blair Kara Gebhart Associate Director Associate General Manager Andy Señor, Jr. Choreographers Troika Entertainment Maria Torres Karen Berry Natalie Caruncho Choreographed by Sergio Trujillo Directed by Jerry Mitchell Original Cast Album recorded live at the Marquis Theatre available April 29, 2016, on Masterworks Broadway. -
2021 Breeze Show Choir Catalog
Previously Arranged Titles (updated 2/24/21) Specific details about each arrangement (including audio samples and cost) are available at https://breezetunes.com . The use of any of these arrangements requires a valid custom arrangement license purchased from https://tresonamusic.com . Their licensing fees typically range from $180 to $280 per song and must be paid before you can receive your music. Copyright approval frequently takes 4-6 weeks, sometimes longer, so plan accordingly. If changes to the arrangement are desired, there is an additional fee of $100. Examples of this include re-voicing (such as from SATB to another voice part), rewriting band parts, making cuts, adding an additional verse, etc. **Arrangements may be transposed into a different key free of charge, provided that the change does not make re-voicing necessary** For songs that do not have vocal rehearsal tracks, these can be created for $150/song. To place an order, send an e-mail to [email protected] or submit a license request on Tresona listing Garrett Breeze as the arranger, Tips for success using Previously Arranged Titles: • Most arrangements can be made to work in any voicing, so don’t be afraid to look at titles written for other combinations of voices than what you have. Most SATB songs, for example, can be easily reworked for SAT. • Remember that show function is one of the most important things to consider when purchasing an arrangement. For example, if something is labelled in the catalog as a Song 2/4, it is probably not going to work as a closer. -
The Whole World in Your Hands: an Exploration of the Benefits Diverse Literature Has on Students Emily Wiegand
Bridgewater State University Virtual Commons - Bridgewater State University Honors Program Theses and Projects Undergraduate Honors Program 5-9-2017 The Whole World in Your Hands: An Exploration of the Benefits Diverse Literature Has on Students Emily Wiegand Follow this and additional works at: http://vc.bridgew.edu/honors_proj Part of the Curriculum and Instruction Commons, and the Curriculum and Social Inquiry Commons Recommended Citation Wiegand, Emily. (2017). The Whole World in Your Hands: An Exploration of the Benefits Diverse Literature Has on Students. In BSU Honors Program Theses and Projects. Item 232. Available at: http://vc.bridgew.edu/honors_proj/232 Copyright © 2017 Emily Wiegand This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. The Whole World in Your Hands: An Exploration of the Benefits Diverse Literature Has on Students Emily Wiegand Submitted in Partial Completion of the Requirements for Commonwealth Honors in English Bridgewater State University May 9, 2017 Dr. Allyson Ferrante, Thesis Director Dr. John Kucich, Committee Member Dr. Sarah Thomas, Committee Member 2 The Whole World in Your Hands: An Exploration of the Benefits Diverse Literature Has on Students The Current State of Affairs The United States purports to be one of the world’s leading nations in accepting its citizens’ diverse backgrounds, however the country continues to misrepresent and ignore non- European ethnicities in its secondary education literary curriculums. Since independence, the United States has modeled its education system on that of its colonial predecessor, England. The US, although freeing itself from Europe, adopted a prescribed colonial canon of literature, still regarded as global classics, which depict white characters, living in white societies, recording white experiences as if they were universal. -
Tanzen Macht Selbstbewusst
KEVELAER · WEEZE KEVELAER | 25. WOCHE MITTWOCH 19. JUNI 2013 UNSERE THEMEN Anbindung über Haagschen Weg KEVELAER. (KK) Die Kevela- erer Bürgervereinigung (KBV) stellt erneut für die Sitzung des Ausschuss für Stadtentwicklung am morgigen Donnerstag, 20. Juni, 18.30 Uhr, einen Antrag zur Anbindung des Gewerbegebiets Süd in Kevelaer. WEEZE Danach soll das Gewerbege- Open-Air-Konzert biet über den Haagschen Weg auf Schloss Wissen erreichbar sein. Die derzeitige Insgesamt drei Konzerte gibt Anbindung der Gelderner Stra- das Sinfonieorchester der ße an die Bundesstraße 9 soll Kreismusikschule Kleve in geschlossen, die Gelderner Stra- den kommenden Wochen. ße aber bis auf den Haagschen Das erste findet am Sonntag, Weg in unmittelbarer Nähe der 23. Juni, 17 Uhr, open-air auf B9 weitergeführt werden. Zur Schloss Wissen statt. Regulierung der Verkehrsströ- me schlägt die KBV vor, an der Seite 2 A Kreuzung Velder Dyck/B9 eine Ampelanlage zu errichten. Der KBV-Fraktionsvorsitzende Gün- ther Krüger begründet seinen Antrag damit, dass Fahrzeuge aus Richtung Geldern bei dieser Anbindung einen kürzeren Weg hätten. Außerdem würde einige Gewerbegrundstücke bereits am Haagschen Weg liegen. WINNEKENDONK Spielplatz soll Aquarelle im halbiert werden Katharinenhaus Schießt er oder schießt er nicht? Eine komödiantische Variante der berühmten Apfelschussszene aus Wilhelm Tell erlebten die Besucher beim Tag der offenen Tür in der Weezer Firma Jomo. Gemeinsam mit Mitarbeitern, deren Familienangehörigen, Kunden und Geschäftspartnern feierte die Firmenleitung das 90-jährige Bestehen des Fami- KEVELAER. (KK) Die SPD- „Querbeet“ gehr‘s im Kathari- lienunternehmens, das einst als Margarine-Versandunternehmen in Goch gegründet wurde und mittlerweile seit 40 Jahren am Standort Weeze ansässig ist. NN-Foto: R.Dehnen Mitglieder im Kevelaerer Rat nenhaus Winnekendonk.