The COE Bookshelf Antiracism and Intersectional Oppression Resources
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Women's History Is Everywhere: 10 Ideas for Celebrating in Communities
Women’s History is Everywhere: 10 Ideas for Celebrating In Communities A How-To Community Handbook Prepared by The President’s Commission on the Celebration of Women in American History “Just think of the ideas, the inventions, the social movements that have so dramatically altered our society. Now, many of those movements and ideas we can trace to our own founding, our founding documents: the Constitution and the Bill of Rights. And we can then follow those ideas as they move toward Seneca Falls, where 150 years ago, women struggled to articulate what their rights should be. From women’s struggle to gain the right to vote to gaining the access that we needed in the halls of academia, to pursuing the jobs and business opportunities we were qualified for, to competing on the field of sports, we have seen many breathtaking changes. Whether we know the names of the women who have done these acts because they stand in history, or we see them in the television or the newspaper coverage, we know that for everyone whose name we know there are countless women who are engaged every day in the ordinary, but remarkable, acts of citizenship.” —- Hillary Rodham Clinton, March 15, 1999 Women’s History is Everywhere: 10 Ideas for Celebrating In Communities A How-To Community Handbook prepared by the President’s Commission on the Celebration of Women in American History Commission Co-Chairs: Ann Lewis and Beth Newburger Commission Members: Dr. Johnnetta B. Cole, J. Michael Cook, Dr. Barbara Goldsmith, LaDonna Harris, Gloria Johnson, Dr. Elaine Kim, Dr. -
Taking a Stand in History
Taking A Stand In History NEWSPAPERS IN EDUCATION Taking a Stand in History Table of Contents Thinking Like a Historian, 2-3 Thinking Like a Historian 4 Taking a Stand: Sequoyah Being a History Detective and Cherokee Syllabary National History Day is a yearlong program engaging more than half a Taking a Stand: Clara Luper million students in the research, writing, interpretation, and presentation of 5 historical projects at a regional, state, and national level. Each year thousands 6 Politics in Oklahoma of Oklahoma students become young historians through participation in this program. Here is one activity that can help you be a young historian, too! 7 Taking a Stand: Dr. Zhudi What exactly IS of her speaking in that particular National History Day: Taking a considered an important time period. There are several types Stand in History project, his bypass historical event. While doing history? of primary documents so let’s take heart is an artifact that can be research for your National Simply, history is about people a look at a few examples. found on display at the Oklahoma History Day: Taking a Stand in from and events that have happened History Center. History project, you can go to the in the past. Historians are people OHS Research Library to find oral who study and sometimes write Written Documents histories that have been recorded about the past, and are thought of Most of the research historians Images or written down for use as primary as experts in their field of study. do is based on this type of evidence. -
Race and College Football in the Southwest, 1947-1976
UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE DESEGREGATING THE LINE OF SCRIMMAGE: RACE AND COLLEGE FOOTBALL IN THE SOUTHWEST, 1947-1976 A DISSERTATION SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the Degree of DOCTOR OF PHILOSOPHY By CHRISTOPHER R. DAVIS Norman, Oklahoma 2014 DESEGREGATING THE LINE OF SCRIMMAGE: RACE AND COLLEGE FOOTBALL IN THE SOUTHWEST, 1947-1976 A DISSERTATION APPROVED FOR THE DEPARTMENT OF HISTORY BY ____________________________ Dr. Stephen H. Norwood, Chair ____________________________ Dr. Robert L. Griswold ____________________________ Dr. Ben Keppel ____________________________ Dr. Paul A. Gilje ____________________________ Dr. Ralph R. Hamerla © Copyright by CHRISTOPHER R. DAVIS 2014 All Rights Reserved. Acknowledgements In many ways, this dissertation represents the culmination of a lifelong passion for both sports and history. One of my most vivid early childhood memories comes from the fall of 1972 when, as a five year-old, I was reading the sports section of one of the Dallas newspapers at my grandparents’ breakfast table. I am not sure how much I comprehended, but one fact leaped clearly from the page—Nebraska had defeated Army by the seemingly incredible score of 77-7. Wild thoughts raced through my young mind. How could one team score so many points? How could they so thoroughly dominate an opponent? Just how bad was this Army outfit? How many touchdowns did it take to score seventy-seven points? I did not realize it at the time, but that was the day when I first understood concretely the concepts of multiplication and division. Nebraska scored eleven touchdowns I calculated (probably with some help from my grandfather) and my love of football and the sports page only grew from there. -
Twin Peaks’ New Mode of Storytelling
ARTICLES PROPHETIC VISIONS, QUALITY SERIALS: TWIN PEAKS’ NEW MODE OF STORYTELLING MIKHAIL L. SKOPTSOV ABSTRACT Following the April 1990 debut of Twin Peaks on ABC, the TV’, while disguising instances of authorial manipulation evi- vision - a sequence of images that relates information of the dent within the texts as products of divine internal causality. narrative future or past – has become a staple of numerous As a result, all narrative events, no matter how coincidental or network, basic cable and premium cable serials, including inconsequential, become part of a grand design. Close exam- Buffy the Vampire Slayer(WB) , Battlestar Galactica (SyFy) and ination of Twin Peaks and Carnivàle will demonstrate how the Game of Thrones (HBO). This paper argues that Peaks in effect mode operates, why it is popular among modern storytellers had introduced a mode of storytelling called “visio-narrative,” and how it can elevate a show’s cultural status. which draws on ancient epic poetry by focusing on main char- acters that receive knowledge from enigmatic, god-like figures that control his world. Their visions disrupt linear storytelling, KEYWORDS allowing a series to embrace the formal aspects of the me- dium and create the impression that its disparate episodes Quality television; Carnivale; Twin Peaks; vision; coincidence, constitute a singular whole. This helps them qualify as ‘quality destiny. 39 SERIES VOLUME I, SPRING 2015: 39-50 DOI 10.6092/issn.2421-454X/5113 INTERNATIONAL JOURNAL OF TV SERIAL NARRATIVES ISSN 2421-454X ARTICLES > MIKHAIL L. SKOPTSOV PROPHETIC VISIONS, QUALITY SERIALS: TWIN PEAKS’ NEW MODE OF STORYTELLING By the standards of traditional detective fiction, which ne- herself and possibly The Log Lady, are visionaries as well. -
Episode 9 - Transcript
Episode 9 - Transcript I’m Gustav Söderström. I head up product, engineering, data and design for Spotify. And this is the season finale of Spotify: A Product Story. On this show, we’ve brought you the untold stories behind Spotify’s biggest product launches -- from building a full-stack solution that let us stream audio faster than ever before: Daniel Ek: Already from day one, the ambition was always to revolutionize the music industry. It was never about being a so, so start up. To inventing, and then re-inventing, our entire business model just in time for the smartphone revolution: Petra Hansson: The access model and subscription, I think that scared the music rights holders a little bit. To entering the realm of hardware, and upending some conventions along the way: Nicole Burrow: You have to just stay focused on the end user. Like, for them it's about getting what they're playing from their device to their speaker. It's just important that the experience remains consistent for them. To pioneering the machine-learning that helps you find your next favorite song: Ajay Kalia: We were seeing like a 100 percent increase, like 2x increase. Like I've never seen numbers that high in a first test in Spotify and probably never will again. In retrospect, these decisions often look obvious. But that’s only because they worked -- you might know this as “survivor bias”. But in the moment, they are absolutely not obvious -- at all. And that’s really what this episode is about. Because on today’s show, we’re going to talk about what we’re up to right now. -
Anniversary of the Thalhimers Lunch Counter Sit-In
TH IN RECOGNITION OF THE 50 ANNIVERSARY OF THE THALHIMERS LUNCH COUNTER SIT-IN Photo courtesy of Richmond Times Dispatch A STUDY GUIDE FOR THE CLASSROOM GRADES 7 – 12 © 2010 CenterStage Foundation Table of Contents Acknowledgements 3 Standards of Learning 4 Historical Background 6 The Richmond 34 10 Thalhimers Sit-Ins: A Business Owner’s Experience 11 A Word a Day 15 Can Words Convey 19 Bigger Than a Hamburger 21 The Civil Rights Movement (Classroom Clips) 24 Sign of the Times 29 Questioning the Constitution (Classroom Clips) 32 JFKs Civil Rights Address 34 Civil Rights Match Up (vocabulary - grades 7-9) 39 Civil Rights Match Up (vocabulary - grades 10-12) 41 Henry Climbs a Mountain 42 Thoreau on Civil Disobedience 45 I'm Fine Doing Time 61 Hiding Behind the Mask 64 Mural of Emotions 67 Mural of Emotions – Part II: Biographical Sketch 69 A Moment Frozen in Our Minds 71 We Can Change and Overcome 74 In My Own Words 76 2 ACKNOWLEDGEMENTS Contributing Authors Dr. Donna Williamson Kim Wasosky Elizabeth Thalhimer Smartt Janet Krogman Jon King The lessons in this guide are designed for use in grades 7 – 12, and while some lessons denote specific grades, many of the lessons are designed to be easily adapted to any grade level. All websites have been checked for accuracy and appropriateness for the classroom, however it is strongly recommended that teachers check all websites before posting or otherwise referencing in the classroom. Images were provided through the generous assistance and support of the Valentine Richmond History Center and the Virginia Historical Society. -
Print › Chapter 18 the Civil Rights Movement | Quizlet
Chapter 18 The Civil Rights Movement Study online at quizlet.com/_1pftrv 1. 24th 5. Civil Rights Amendment Act 1957 Prohibited the use poll tax for elections. 2. Birmingham Campaign Legislation to investigate violations of civil rights and voting rights. It lacked any real power. First Civil Rights bill passed by Congress since the Civil War. 6. Civil Rights Act 1964 Civil rights effort to desegregate Birmingham, AL, where shocking images of police brutality prompted Kennedy to push for a federal civil rights act. Children's March 3. Black Panthers Legislation that banned segregation in businesses and places open to public (restaurants & public schools) and prohibited racial and gender discrimination in employment. 7. de jure and de facto segregation policies Militant civil rights group dedicated to armed self-defense, racial pride, and inner-city renewal. 4. Brown v De jure is segregation by law and de facto is Board of segregation by custom or tradition. Education of Topeka, Kansas Supreme Court decision that segregated schools violated the equal protection clause of the Fourteenth Amendment 8. Freedom 11. Lunch Rides counter sit- down strikes in OKC and elsewhere An interstate bus journey by black and white activists who entered segregated bus facilities together throughout the South to ensure federal law was followed. They meet violent resistance along journey. Nonviolent demonstrations where civil rights protesters employed the tactic of civil 9. Freedom disobedience to occupy seats at white-only Summer counters. On August 19, 1958, school teacher Clara Luper and thirteen members of the Oklahoma City NAACP Youth Council went to the whites-only lunch counter at the Katz Drug Store in downtown Oklahoma City. -
Joyce Henderson As a Child of the Civil Rights Era, Her Mentor, Clara Luper, Taught Her to Stand up for Equality
Joyce Henderson As a child of the civil rights era, her mentor, Clara Luper, taught her to stand up for equality. Chapter 01 – 1:13 Introduction Announcer: Joyce Henderson was an Oklahoma City high school student in the mid-1960’s. She served as the song leader on Saturday mornings at Calvary Baptist Church when the city’s civil rights giants gathered to plan marches and protests across Oklahoma City. Henderson’s early work with the NAACP was helped by her relationship with one of her high school teachers, Clara Luper. It was Clara Luper who led thirteen children into Katz Drug store in Oklahoma for the nation’s first lunch counter sit-in demonstration. And Clara Luper chaperoned Joyce and a large group of black students who attended the 1963 March on Washington where they heard Martin Luther King deliver his “I Have a Dream Speech.” Clara Luper became Joyce’s teacher, mentor, and personal guidance counselor. Of her thirty-seven years in education, Joyce spent twenty of those years as principal at five different area public high schools in Oklahoma City. Her many honors include induction into the Oklahoma City Public Schools Foundation Wall of Fame. She is featured in the Children of the Civil Rights Documentary Film along with others who participated in the Sit-In Movement in Oklahoma City. And now you will hear Joyce Henderson tell her story which includes the sit-in demonstrations leading to the successful Civil Rights movement on VoicesofOklahoma.com. Chapter 02 – 7:42 Joyce and Music John Erling: Today’s date is March 1, 2016. -
Ally, the Okla- Homa Story, (University of Oklahoma Press 1978), and Oklahoma: a History of Five Centuries (University of Oklahoma Press 1989)
Oklahoma History 750 The following information was excerpted from the work of Arrell Morgan Gibson, specifically, The Okla- homa Story, (University of Oklahoma Press 1978), and Oklahoma: A History of Five Centuries (University of Oklahoma Press 1989). Oklahoma: A History of the Sooner State (University of Oklahoma Press 1964) by Edwin C. McReynolds was also used, along with Muriel Wright’s A Guide to the Indian Tribes of Oklahoma (University of Oklahoma Press 1951), and Don G. Wyckoff’s Oklahoma Archeology: A 1981 Perspective (Uni- versity of Oklahoma, Archeological Survey 1981). • Additional information was provided by Jenk Jones Jr., Tulsa • David Hampton, Tulsa • Office of Archives and Records, Oklahoma Department of Librar- ies • Oklahoma Historical Society. Guide to Oklahoma Museums by David C. Hunt (University of Oklahoma Press, 1981) was used as a reference. 751 A Brief History of Oklahoma The Prehistoric Age Substantial evidence exists to demonstrate the first people were in Oklahoma approximately 11,000 years ago and more than 550 generations of Native Americans have lived here. More than 10,000 prehistoric sites are recorded for the state, and they are estimated to represent about 10 percent of the actual number, according to archaeologist Don G. Wyckoff. Some of these sites pertain to the lives of Oklahoma’s original settlers—the Wichita and Caddo, and perhaps such relative latecomers as the Kiowa Apache, Osage, Kiowa, and Comanche. All of these sites comprise an invaluable resource for learning about Oklahoma’s remarkable and diverse The Clovis people lived Native American heritage. in Oklahoma at the Given the distribution and ages of studies sites, Okla- homa was widely inhabited during prehistory. -
Civil Rights Protestors Marched at the Oklahoma State Capitol on June 7, 1964
Civil rights protestors marched at the Oklahoma State Capitol on June 7, 1964. 46 January/February 2019 OklahomaToday.com 46_Civil Rights.indd 46 12/5/18 4:08 PM FREEDOM ROAD At the convergence of cultures and history, Oklahoma’s place in the nation’s civil rights story is unlike any other. In this feature, a Tulsa writer and researcher team up to track the currents of the Civil Rights Movement from before statehood through the turbulent days of the 1950s and ’60s, following the heroic path of those who fought for their freedom in the Sooner State. By QURAYSH ALI LANSANA with research by BRACKEN KLAR Portraits by SHANNON NICOLE HE 1960S GENERALLY are considered ment is important and unique. e state’s red the heart of the modern struggle earth served as battleground and litmus test Tfor African American civil rights, for the movement dating all the way back to and many of that era’s most well-known before statehood. ough great progress has moments happened in the Deep South. But been achieved here, many of those old growing Oklahoma’s place in the Civil Rights Move- pains continue to ache. OKLAHOMA HISTORICAL SOCIETY January/February 2019 OklahomaToday.com 47 46_Civil Rights.indd 47 12/5/18 4:08 PM OKLAHOMA HISTORICAL SOCIETY OKLAHOMA HISTORICAL SCOIETY 48 January/February 2019 OklahomaToday.com 46_Civil Rights.indd 48 12/5/18 4:08 PM OST BLACKS INITIALLY These former slaves, known as Infantry and the mostly white “Boom- arrived in Indian Territory Freedmen, attained significant eco- ers” negatively affected race relations Min the middle of the nine- nomic and political gains amid great in the state for decades. -
ORANGE IS the NEW BLACK Season 1 Cast List SERIES
ORANGE IS THE NEW BLACK Season 1 Cast List SERIES REGULARS PIPER – TAYLOR SCHILLING LARRY BLOOM – JASON BIGGS MISS CLAUDETTE PELAGE – MICHELLE HURST GALINA “RED” REZNIKOV – KATE MULGREW ALEX VAUSE – LAURA PREPON SAM HEALY – MICHAEL HARNEY RECURRING CAST NICKY NICHOLS – NATASHA LYONNE (Episodes 1 – 13) PORNSTACHE MENDEZ – PABLO SCHREIBER (Episodes 1 – 13) DAYANARA DIAZ – DASCHA POLANCO (Episodes 1 – 13) JOHN BENNETT – MATT MCGORRY (Episodes 1, 2, 3, 4, 5, 6, 7, 9, 10, 11, 12, 13) LORNA MORELLO – YAEL MORELLO (Episodes 1, 2, 3, 4, 5, 6, 7, 8, 10, 11, 12, 13) BIG BOO – LEA DELARIA (Episodes 1, 2, 3, 4, 5, 6, 7, 9, 10, 11, 12, 13) TASHA “TAYSTEE” JEFFERSON – DANIELLE BROOKS (Episodes 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 12, 13) JOSEPH “JOE” CAPUTO – NICK SANDOW (Episodes 1, 2, 4, 6, 7, 8, 9, 10, 11, 12, 13) YOGA JONES – CONSTANCE SHULMAN (Episodes 1, 2, 4, 5, 6, 7, 9, 10, 11, 12, 13) GLORIA MENDOZA – SELENIS LEYVA (Episodes 1, 2, 4, 5, 6, 7, 8, 9, 11, 12, 13) S. O’NEILL – JOEL MARSH GARLAND (Episodes 1, 2, 3, 4, 5, 6, 7, 9, 10, 12, 13) CRAZY EYES – UZO ADUBA (Episodes 2, 3, 4, 5, 6, 8, 9, 10, 11, 12, 13) POUSSEY – SAMIRA WILEY (Episodes 2, 3, 4, 5, 6, 7, 8, 9, 10, 12, 13) POLLY HARPER – MARIA DIZZIA (Episodes 1, 2, 3, 5, 6, 7, 8, 9, 10, 12) JANAE WATSON – VICKY JEUDY (Episodes 1, 2, 3, 4, 7, 9, 10, 11, 12, 13) WANDA BELL – CATHERINE CURTIN (Episodes 1, 2, 3, 5, 6, 7, 9, 10, 11, 13) LEANNE TAYLOR – EMMA MYLES (Episodes 2, 3, 5, 6, 7, 9, 10, 11, 12, 13) NORMA – ANNIE GOLDEN (Episodes 2, 3, 5, 6, 7, 8, 9, 11, 12, 13) ALEIDA DIAZ – ELIZABETH RODRIGUEZ -
How Twin Peaks Changed the Face of Contemporary Television
“That Show You Like Might Be Coming Back in Style” 44 DOI: 10.1515/abcsj-2015-0003 “That Show You Like Might Be Coming Back in Style”: How Twin Peaks Changed the Face of Contemporary Television RALUCA MOLDOVAN Babeş-Bolyai University, Cluj-Napoca Abstract The present study revisits one of American television’s most famous and influential shows, Twin Peaks, which ran on ABC between 1990 and 1991. Its unique visual style, its haunting music, the idiosyncratic characters and the mix of mythical and supernatural elements made it the most talked-about TV series of the 1990s and generated numerous parodies and imitations. Twin Peaks was the brainchild of America’s probably least mainstream director, David Lynch, and Mark Frost, who was known to television audiences as one of the scriptwriters of the highly popular detective series Hill Street Blues. When Twin Peaks ended in 1991, the show’s severely diminished audience were left with one of most puzzling cliffhangers ever seen on television, but the announcement made by Lynch and Frost in October 2014, that the show would return with nine fresh episodes premiering on Showtime in 2016, quickly went viral and revived interest in Twin Peaks’ distinctive world. In what follows, I intend to discuss the reasons why Twin Peaks was considered a highly original work, well ahead of its time, and how much the show was indebted to the legacy of classic American film noir; finally, I advance a few speculations about the possible plotlines the series might explore upon its return to the small screen. Keywords: Twin Peaks, television series, film noir, David Lynch Introduction: the Lynchian universe In October 2014, director David Lynch and scriptwriter Mark Frost announced that Twin Peaks, the cult TV series they had created in 1990, would be returning to primetime television for a limited nine episode run 45 “That Show You Like Might Be Coming Back in Style” broadcast by the cable channel Showtime in 2016.