May 2013 Calendar of Events
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Singapore Dance Theatre Launches 25 Season with Coppélia
ARTISTIC DIRECTOR | JANEK SCHERGEN FOR IMMEDIATE RELEASE MEDIA CONTACT Melissa Tan Publicity and Advertising Executive [email protected] Joseph See Acting Marketing Manager [email protected] Office: (65) 6338 0611 Fax: (65) 6338 9748 www.singaporedancetheatre.com Singapore Dance Theatre Launches 25th Season with Coppélia 14 - 17 March 2013 at the Esplanade Theatre As Singapore Dance Theatre (SDT) celebrates its 25th Silver Anniversary, the Company is proud to open its 2013 season with one of the most well-loved comedy ballets, Coppélia – The Girl with Enamel Eyes. From 14 – 17 March at the Esplanade Theatre, SDT will mesmerise audiences with this charming and sentimental tale of adventure, mistaken identity and a beautiful life-sized doll. A new staging by Artistic Director Janek Schergen, featuring original choreography by Arthur Saint-Leon, Coppélia is set to a ballet libretto by Charles Nuittier, with music by Léo Delibes. Based on a story by E.T.A. Hoffman, this three-act ballet tells the light-hearted story of the mysterious Dr Coppélius who owns a beautiful life-sized puppet, Coppélia. A village youth named Franz, betrothed to the beautiful Swanilda becomes infatuated with Coppélia, not knowing that she just a doll. The magic and fun begins when Coppélia springs to life! Coppélia is one of the most performed and favourite full-length classical ballets from SDT’s repertoire. This colourful ballet was first performed by SDT in 1995 with staging by Colin Peasley of The Australian Ballet. Following this, the production was revived again in 1997, 2001 and 2007. This year, Artistic Director Janek Schergen will be bringing this ballet back to life with a new staging. -
American Modern Ensemble at National Sawdust on Wednesday, November 1, 2017, at 7:00 Pm
American Modern Ensemble at National Sawdust on Wednesday, November 1, 2017, at 7:00 pm: “Lingua Franca,” A Program of Recent and Brand New Music About Mangled Text, ICU Sounds, Rising, Falling, and Clashing Cultures Guest Ensemble: SYBARITE5 Message on chopstick wrapper in David Feurzeig’s Lingua Franca AME pianist Blair McMillen (photo by Bob London), SYBARITE5 The third definition of the phrase “lingua franca” in the Merriam Webster dictionary is: “something resembling a common language.” Lingua Franca is the name of a work by David Feurzeig that titles American Modern Ensemble’s November 1 concert at Brooklyn’s National Sawdust – describing a program that also includes a diversity of recent and new works by three winners of AME’s 10th Annual Composition Competition – Pierce Gradone, Texu Kim, and Aaron Mencher – and AME founder Robert Paterson: • David Feurzeig’s Lingua Franca (2014, New York premiere) for cello and bass, five settings of “unedited texts from around the world, composed in appreciation of the range of global English expression” which are also recited by the players • Pierce Gradone’s The Art of Falling (2011) for solo piano American Modern Ensemble’s Lingua Franca, November 1, 2017, at National Sawdust - Page 2 of 4 • Texu Kim’s Co.Ko. – un poco Loco (2017) for solo piano, “a 10-minute musical essay in three movements, reflecting contemporary Korea, where its own traditions and Western influences mingle in a slightly crazy way” • Aaron Mencher’s Rise (2016) for solo cello, evoking its title both figuratively and literally • Robert Paterson’s Ouvir Estrelas (2017, world premiere), a song setting of a poem in Portuguese by Brazilian Parnassian poet Olavo Bilac • Robert Paterson’s I See You, the New York premiere of a version for string quintet and recording of this 2016 work, originally scored for string orchestra and recording, inspired by a week the composer spent by his father’s bedside in the ICU The acclaimed string quintet SYBARITE5, the program’s guest ensemble, will perform I See You. -
May 2012 Calendar of Events
MAY 2012 CALENDAR OF EVENTS For complete up-to-date information on the campus-wide performance schedule, visit www.LincolnCenter.org. Calendar information LINCOLN CENTER THEATER JUILLIARD SCHOOL NEW YORK PUBLIC LIBRARY is current as of 4000 Miles Yiwen Shen, composition FOR THE PERFORMING ARTS A play by Amy Herzog Paul Hall 6 PM Music of the Revue Era April 2, 2012 Directed by Daniel Aukin Bruno Walter Aud. 6 PM Mitzi E. Newhouse Theater 8 PM JUILLIARD SCHOOL May 1 Tuesday Jun Sun, piano May 3 Thursday FILM SOCIETY OF NEW YORK CITY BALLET Paul Hall 8 PM DAVID RUBENSTEIN ATRIUM LINCOLN CENTER First Position Discussion AT LINCOLN CENTER LINCOLN CENTER THEATER To view the Film Society's Join NYCB docents for an informal Target Free Thursdays April schedule, visit discussion on the program. 4000 Miles Lindigo FREE for all ticketholders www.filmlinc.com A play by Amy Herzog Reunion Island music David H. Koch Theater 7:10 PM Directed by Daniel Aukin David Rubenstein Atrium FREE JAZZ AT LINCOLN CENTER Mitzi E. Newhouse Theater 8:30 PM NEW YORK CITY BALLET 2 & 8 PM Ethel Waters: All Balanchine Blues, Broadway, and Jazz JAZZ AT LINCOLN CENTER Serenade LINCOLN CENTER THEATER Juilliard Jazz Orchestra Hosted by Michael Feinstein with Kammermusik No. 2 Adriane Lenox, Catherine Russell Other Desert Cities The Music of Duke Ellington Brahms-Schoenberg Quartet on Broadway & Tracie Thoms David H. Koch Theater 7:30 PM & Dizzy Gillespie The Allen Room 7:30 PM A Play by Jon Robin Baitz With Frank Wess NEW YORK PUBLIC LIBRARY Directed by Joe Mantello James Burton III, conductor Booth Theatre 2 & 8 PM JAZZ AT LINCOLN CENTER FOR THE PERFORMING ARTS Dizzy's Club Coca-Cola Juilliard Jazz Orchestra 7:30 & 9:30 PM Star Quality: LINCOLN CENTER THEATER The Music of Duke Ellington The World of Noël Coward & Dizzy Gillespie War Horse JUILLIARD SCHOOL An exhibition of Coward's career. -
Reggie Workman Working Man
APRIL 2018—ISSUE 192 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM REGGIE WORKMAN WORKING MAN JIM JONNY RICHARD EDDIE McNEELY KING WYANDS JEFFERSON Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East APRIL 2018—ISSUE 192 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : JIM Mcneely 6 by ken dryden [email protected] Andrey Henkin: [email protected] Artist Feature : JONNY KING 7 by donald elfman General Inquiries: [email protected] ON The COver : REGGIE WORKMAN 8 by john pietaro Advertising: [email protected] Encore : RICHARD WYANDS by marilyn lester Calendar: 10 [email protected] VOXNews: Lest WE Forget : EDDIE JEFFERSON 10 by ori dagan [email protected] LAbel Spotlight : MINUS ZERO by george grella US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or vOXNEWS 11 by suzanne lorge money order to the address above or email [email protected] Obituaries by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Stuart Broomer, FESTIvAL REPORT Robert Bush, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD REviews 14 Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, Suzanne -
Finding Aid for Bolender Collection
KANSAS CITY BALLET ARCHIVES BOLENDER COLLECTION Bolender, Todd (1914-2006) Personal Collection, 1924-2006 44 linear feet 32 document boxes 9 oversize boxes (15”x19”x3”) 2 oversize boxes (17”x21”x3”) 1 oversize box (32”x19”x4”) 1 oversize box (32”x19”x6”) 8 storage boxes 2 storage tubes; 1 trunk lid; 1 garment bag Scope and Contents The Bolender Collection contains personal papers and artifacts of Todd Bolender, dancer, choreographer, teacher and ballet director. Bolender spent the final third of his 70-year career in Kansas City, as Artistic Director of the Kansas City Ballet 1981-1995 (Missouri State Ballet 1986- 2000) and Director Emeritus, 1996-2006. Bolender’s records constitute the first processed collection of the Kansas City Ballet Archives. The collection spans Bolender’s lifetime with the bulk of records dating after 1960. The Bolender material consists of the following: Artifacts and memorabilia Artwork Books Choreography Correspondence General files Kansas City Ballet (KCB) / State Ballet of Missouri (SBM) files Music scores Notebooks, calendars, address books Photographs Postcard collection Press clippings and articles Publications – dance journals, art catalogs, publicity materials Programs – dance and theatre Video and audio tapes LK/January 2018 Bolender Collection, KCB Archives (continued) Chronology 1914 Born February 27 in Canton, Ohio, son of Charles and Hazel Humphries Bolender 1931 Studied theatrical dance in New York City 1933 Moved to New York City 1936-44 Performed with American Ballet, founded by -
STRAVINSKY's NEO-CLASSICISM and HIS WRITING for the VIOLIN in SUITE ITALIENNE and DUO CONCERTANT by ©2016 Olivia Needham Subm
STRAVINSKY’S NEO-CLASSICISM AND HIS WRITING FOR THE VIOLIN IN SUITE ITALIENNE AND DUO CONCERTANT By ©2016 Olivia Needham Submitted to the graduate degree program in School of Music and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Musical Arts. ________________________________________ Chairperson: Paul Laird ________________________________________ Véronique Mathieu ________________________________________ Bryan Haaheim ________________________________________ Philip Kramp ________________________________________ Jerel Hilding Date Defended: 04/15/2016 The Dissertation Committee for Olivia Needham certifies that this is the approved version of the following dissertation: STRAVINSKY’S NEO-CLASSICISM AND HIS WRITING FOR THE VIOLIN IN SUITE ITALIENNE AND DUO CONCERTANT ________________________________________ Chairperson: Paul Laird Date Approved: 04/15/2016 ii ABSTRACT This document is about Stravinsky and his violin writing during his neoclassical period, 1920-1951. Stravinsky is one of the most important neo-classical composers of the twentieth century. The purpose of this document is to examine how Stravinsky upholds his neoclassical aesthetic in his violin writing through his two pieces, Suite italienne and Duo Concertant. In these works, Stravinsky’s use of neoclassicism is revealed in two opposite ways. In Suite Italienne, Stravinsky based the composition upon actual music from the eighteenth century. In Duo Concertant, Stravinsky followed the stylistic features of the eighteenth century without parodying actual music from that era. Important types of violin writing are described in these two works by Stravinsky, which are then compared with examples of eighteenth-century violin writing. iii Igor Stravinsky (1882-1971) was born in Oranienbaum (now Lomonosov) in Russia near St. -
Summer 2007 X
BARGEMUSIC Unique floating concert hall— in residence to the community at large all year long. Summer 2007 X “It doesn’t take long to hear what makes Bargemusic the perfect chamber music hall… ” —Allan Kozinn, The New York Times “Bargemusic—New York’s favorite floating concert hall.” —Anne Midgette, The New York Times w www.bargemusic.org [email protected] 718.624.2083 718.624.4061 Fulton Ferry Landing, Brooklyn w Reservations W Call: 718.624.2083 in the office or 718.624.4061 on the Barge. Seats are assigned in order of phone call or email. Email: [email protected] Ticket Prices: Regular: $35 / Enhanced: $40 Seniors: $30 (Wednesdays, Thursdays and Fridays) / Full-time Students: $20 Special concerts as listed, for everyone. Purchase tickets at the concert by cash or check only, please. Ask about group sales. Credit Cards by Phone: Purchase tickets with MasterCard or VISA, only by telephone at 718.624.2083. Cancellations: Please let us know before the concert if you cannot attend so that your seat can be reassigned. If you have already paid by check or credit card, you may donate your tickets for a tax deduction. We are not able to refund payments. w Directions W Bargemusic is in Brooklyn on the Fulton Ferry Landing near the Brooklyn Bridge By Subway: From Manhattan, ride in the rear of the A train to High Street station in Brooklyn. (From Brooklyn, ride in the front of the train). Use the FULTON STREET EXIT. Walk downhill on Cadman Plaza West to the East River, 3 blocks. -
Author David Hajdu Makes Songwriter Debut with Waiting for the Angel
Author David Hajdu Makes Songwriter Debut With Waiting for the Angel, Culminating A 5-Year Collaboration with Esteemed Multi-Genre Composers Jill Sobule, Fred Hersch, Renee Rosnes & Michael “Mickey” Leonard Out August 28th on Miranda Music Album Features Top-Call Vocalists & Musicians Including Jo Lawry, Karen Oberlin, Michael Winther, Steve Wilson, Steven Bernstein, Charles Pillow, Peter Bernstein, Dave Eggar, Sean Smith & Carl Allen After years of writing about songs in books and essays, David Hajdu has taken up writing them. Over the past five years, Hajdu has been working with several esteemed composers of jazz, pop and theater music: the pianists Renee Rosnes and Fred Hersch, the alternative-folk singer-songwriter Jill Sobule, and the veteran Broadway composer Michael (Mickey) Leonard. The result is Waiting for the Angel, a collection of quirkily artful songs that defy easy categorization. The album will be released by Miranda Music as a CD and digital download, with a bonus track, on August 28. An all-star group of artists came together to record the material: singers Jo Lawry, Karen Oberlin, and Michael Winther; pianists Rosnes and Hersch, playing the songs they composed; additional pianist Tedd Firth; and a band with saxophonist Steve Wilson, trumpeter Steven Bernstein, guitarist Peter Bernstein; oboist Charles Pillow, cellist Dave Eggar, bassist Sean Smith, and drummer Carl Allen. Much like Hajdu's writing in prose, the lyrics on Waiting for the Angel tell unexpected tales from unconventional vantage points. "David Hajdu's lyrics tell complex and moving stories -- always from his unique point of view," says Fred Hersch. "They are so easy to work with, the songs almost write themselves." Jill Sobule adds, "I wish I wrote those lyrics myself." As Renee Rosnes says, "When David first asked if I might be interest to write some songs together, I was very intrigued. -
State Dinners - 5/8/75 - Singapore” of the Sheila Weidenfeld Files at the Gerald R
The original documents are located in Box 31, folder “State Dinners - 5/8/75 - Singapore” of the Sheila Weidenfeld Files at the Gerald R. Ford Presidential Library. Copyright Notice The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Gerald Ford donated to the United States of America his copyrights in all of his unpublished writings in National Archives collections. Works prepared by U.S. Government employees as part of their official duties are in the public domain. The copyrights to materials written by other individuals or organizations are presumed to remain with them. If you think any of the information displayed in the PDF is subject to a valid copyright claim, please contact the Gerald R. Ford Presidential Library. Revised (Pg. 2} May 8, 1975 10:00 a.m. THE WHIT£ HOUSE. WASHINGTON DINNER IN HONOR OF HIS EXCELLENCY THE PRIME MINISTER OF THE REPUBLIC OF SINGAPORE AND MRS. LEE May 8, 1975 8:00 p. m. Dress: Black tie ... long dresses for the ladies Arrival: 8:00 p. m .... at North Portico Entrance ... Prime Minister and Mrs. Lee, Ambassador and Mrs. Catto You and Mrs. Ford will greet Photo coverage of greeting Yellow Oval Room: Secretary and Mrs. Kissinger; His Excellency Sinnathamby Rajaratnam, Minister of Foreign Affairs of the Republic of Si~gapore; His Excellency The Ambassador of the Republic of Singapore and Mrs. Monteiro will assemble just prior to the 8: 00 p. m. arrival of Prin1e Minister and Mrs. Lee and Ambassador and Mrs. -
Mostly Modern Festival, Robert Paterson, Artistic
Contact: Jennifer Wada Communications 718-855-7101 [email protected] www.wadacommunications.com MAY UPDATE: See Complete Programs! MOSTLY MODERN FESTIVAL, ROBERT PATERSON, ARTISTIC DIRECTOR: THE INAUGURAL SEASON OF A NEW FESTIVAL CELEBRATING MUSIC OF OUR TIME LAUNCHES AT ARTHUR ZANKEL MUSIC CENTER, SARATOGA SPRINGS, NEW YORK EIGHT CONCERTS JUNE 8-17, 2018, BY FESTIVAL & GUEST ENSEMBLES, AND THE MOSTLY MODERN FESTIVAL INSTITUTE (MMFI) FOR COMPOSERS, CONDUCTORS, AND INSTRUMENTALISTS 30+ WORLD PREMIERES OF NEW WORKS BY MMFI COMPOSERS • Ensembles: American Modern Ensemble, American Modern Orchestra, Imani Winds, Atlantic Brass Quintet, Euclid Quartet, and Albany Pro Musica Masterworks Chorus • Conductors: Alan Pierson, Christopher Rountree, and Kent Tritle • Composers: Robert Beaser, Stephen Cabell, David Del Tredici, Hannah Lash, and Robert Paterson • 100+ MMFI Composers, Instrumentalists, and Conductors, with Faculty of 20+ “These composers are all over the map, and that’s what makes our first season so exciting.” – Robert Paterson, Composer & MMF Co-Founder Victoria & Robert Paterson (photo by Lisa-Marie Mazzucco) Arthur Zankel Music Center at Skidmore College (photo courtesy of Skidmore College) Mostly Modern Festival Launches June 4-18, 2018 – Update – Page 2 of 8 For its inaugural launch in June, Mostly Modern Festival (MMF), a new summer music festival that flips the traditional programming model by devoting most of its attention to the music of our time, will present eight concerts featuring an illustrious array of guest artists and ensembles, an orchestra largely made up of Mostly Modern Festival Institute (MMFI) participants, music by esteemed resident composers … and more than 30 brand-new works in world premiere performances by more than 30 MMFI participating composers (see list below). -
Atheneum Nantucket Dance Festival
NANTUCKET ATHENEUM DANCE FESTIVAL 2011 Featuring stars of New York City Ballet & Paris Opera Ballet Benjamin Millepied Artistic Director Dorothée Gilbert Teresa Reichlen Amar Ramasar Sterling Hyltin Tyler Angle Daniel Ulbricht Maria Kowroski Alessio Carbone Ana Sofia Scheller Sean Suozzi Chase Finlay Georgina Pazcoguin Ashley Laracey Justin Peck Troy Schumacher Musicians Cenovia Cummins Katy Luo Gillian Gallagher Naho Tsutsui Parrini Maria Bella Jeffers Brooke Quiggins Saulnier Cover: Photo of Benjamin Millepied by Paul Kolnik 1 Welcometo the Nantucket Atheneum Dance Festival! For 177 years the Nantucket Atheneum has enriched our island community through top quality library services and programs. This year the library served more than 200,000 adults, teens and children year round with free access to over 1.4 million books, CDs, and DVDs, reference and information services and a wide range of cultural and educational programs. In keeping with its long-standing tradition of educational and cultural programming, the Nantucket Atheneum is very excited to present a multifaceted dance experience on Nantucket for the fourth straight summer. This year’s performances feature the world’s best dancers from New York City Ballet and Paris Opera Ballet under the brilliant artistic direction of Benjamin Millepied. In addition to live music for two of the pieces in the program, this year’s program includes an exciting world premier by Justin Peck of the New York City Ballet. The festival this week has offered a sparkling array of free community events including two dance-related book author/illustrator talks, Frederick Wiseman’s film La Danse, Children’s Workshop, Lecture Demonstration and two youth master dance classes. -
ROCKPORT CHAMBER MUSIC FESTIVAL PROGRAMS 1997-2001 LOCATION: ROCKPORT ART ASSOCIATION 1997 June 12-July 6, 1997 David Deveau, Artistic Director
ROCKPORT CHAMBER MUSIC FESTIVAL PROGRAMS 1997-2001 LOCATION: ROCKPORT ART ASSOCIATION 1997 June 12-July 6, 1997 David Deveau, artistic director Thursday, June 12, 1997 Opening Night Gala Concert & Champagne Reception The Piano Virtuoso Recital Series Russell Sherman, piano Ricordanza, No. 9 from The Transcendental Etudes Franz Liszt (1811-86) Wiegenlied (Cradle-song) Liszt Sonata in B minor Liszt Sech Kleine Klavierstucke (Six Piano Piece), OP. 19 (1912) Arnold Schoenberg (1874-1951) Sonata No. 23 in F minor, Op. 57 “Appassionata” Ludwig van Beethoven (1770-1827) Friday, June 13, 1997 The International String Quartet Series The Shanghai Quartet Quartet in G major, Op. 77, No. 1, “Lobkowitz” Franz Josef Haydn (1732-1809) Poems from Tang Zhou Long (b.1953) Quartet No. 14 in D minor, D.810 “Death and the Maiden” Franz Schubert (1797-1828) Saturday, June 14, 1997 Chamber Music Gala Series Figaro Trio Trio for violin, cello and piano in C major, K.548 (1788) Wolfgang A. Mozart (1756-91) Duo for violin and cello, Op. 7 (1914) Zoltan Kodaly (1882-1967) Trio for violin, cello and piano in F minor, Op. 65 (1883) Antonín Dvořák (1841-1904) Sunday, June 15, 1997 Chamber Music Gala Series Special Father’s Day Concert Richard Stoltzman, clarinet Janna Baty, soprano (RCMF Young Artist) | Andres Diaz, cello Meg Stoltzman, piano | Elaine Chew, piano (RCMF Young Artist) | Peter John Stoltzman, piano David Deveau, piano The Great Panjandrum (1989) Peter Child (b.1953) Sonata for clarinet and piano (1962) Francis Poulenc (1899-1964( Jazz Selections Selected Waltzes and Hungarian Dances for piano-four hands Johannes Brahms (1833-1897) Trio in A minor for clarinet, cello and piano, Op.