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INSCRIPTIONS on CHINESE PAINTINGS and SCHOLAR OBJECTS EXHIBITION DATES: SEPTEMBER 10 - 17, 2010 GALLERY HOURS: MONDAY – FRIDAY, 11 – 5 Or by APPOINTMENT
CHINA 2 0 0 0 F I N E A R T LITERATI MUSING: INSCRIPTIONS ON CHINESE PAINTINGS AND SCHOLAR OBJECTS EXHIBITION DATES: SEPTEMBER 10 - 17, 2010 GALLERY HOURS: MONDAY – FRIDAY, 11 – 5 or BY APPOINTMENT China 2000 Fine Art takes great pleasure in presenting “Literati Musing: Inscriptions on Chinese Paintings and Scholar Objects” which will be shown in the gallery at 434A East 75th Street in Manhattan and in an online exhibition on our website at China2000FineArt.com. Like the contemporary twitter, ancient inscriptions on Chinese art were the momentary (and now art historically monumental) thoughts about society, relationships, politics, and aesthetics of the literati. For our exhibition, we have gathered together objects for the scholar’s desk and Chinese paintings that bear inscriptions by eminent scholars and calligraphers of Chinese history. Their words literally etched in stone or wood or written with indelible ink on paper provide clues to where they were at particular times in their lives and offer their knowledge about the object or the painting upon which they inscribe their thoughts. Just to illustrate a few of the exhibits, Deng Shiru, a very important calligrapher and seal carver from the 18th century, has carved a Ming dynasty poem on a soapstone seal-paste box, Ding Jing, another important 18th century calligrapher, has carved a Tang dynasty poem on an Anhui inkstone, Chang Dai-chien, the great 20th century painter, has inscribed a painting by a wonderful artist whose works are not generally known but who was with him in Dunhuang in 1941, Lu Yanshao, another famous name in 20th century Chinese art, has inscribed his thoughts on a western style painting of his contemporary, Wu Hufan has given authentication to a painting by Xiao Junxian, and Pu Ru, a great artist and member of the Manchu imperial family, has inscribed a poem on a masterpiece painting by his student, An Ho. -
Real-Time Image-Based Chinese Ink Painting Rendering Lixing Dong
Real-time image-based chinese ink painting rendering Lixing Dong, Shufang Lu & Xiaogang Jin Multimedia Tools and Applications An International Journal ISSN 1380-7501 Multimed Tools Appl DOI 10.1007/s11042-012-1126-9 1 23 Your article is protected by copyright and all rights are held exclusively by Springer Science+Business Media, LLC. This e-offprint is for personal use only and shall not be self- archived in electronic repositories. If you wish to self-archive your work, please use the accepted author’s version for posting to your own website or your institution’s repository. You may further deposit the accepted author’s version on a funder’s repository at a funder’s request, provided it is not made publicly available until 12 months after publication. 1 23 Author's personal copy Multimed Tools Appl DOI 10.1007/s11042-012-1126-9 Real-time image-based chinese ink painting rendering Lixing Dong · Shufang Lu · Xiaogang Jin © Springer Science+Business Media, LLC 2012 Abstract Chinese ink painting, also known as ink and wash painting, is a technically demanding art form. Creating Chinese ink paintings usually requires great skill, concentration, and years of training. This paper presents a novel real-time, automatic framework to convert images into Chinese ink painting style. Given an input image, we first construct its saliency map which captures the visual contents in perceptually salient regions. Next, the image is abstracted and its salient edges are calculated with the help of the saliency map. Then, the abstracted image is diffused by a non-physical ink diffusion process. -
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86 Chapter 3 Chapter 3 Eloquent Stones Of the critical discourses that this book has examined, one feature is that works of art are readily compared to natural forms of beauty: bird song, a gush- ing river or reflections in water are such examples. Underlying such rhetorical devices is an ideal of art as non-art, namely that the work of art should appear so artless that it seems to have been made by nature in its spontaneous process of creation. Nature serves as the archetype (das Vorbild) of art. At the same time, the Song Dynasty also saw refined objects – such as flowers, tea or rocks – increasingly aestheticised, collected, classified, described, ranked and com- moditised. Works of connoisseurship on art or natural objects prospered alike. The hundred-some pu 譜 or lu 錄 works listed in the literature catalogue in the History of the Song (“Yiwenzhi” in Songshi 宋史 · 藝文志) are evenly divided between those on manmade and those on natural objects.1 Through such dis- cursive transformation, ‘natural beauty’ as a cultural construct curiously be- came the afterimage (das Nachbild) of art.2 In other words, when nature appears as the ideal of art, at the same time it discovers itself to be reshaped according to the image of art. As a case study of Song nature aesthetics, this chapter explores the multiple dimensions of meaning invested in Su Shi’s connoisseur discourse on rocks. Su Shi professed to be a rock lover. Throughout his life, he collected inkstones, garden rocks and simple pebbles. We are told, for instance, that a pair of rocks, called Qiuchi 仇池, accompanied him through his exiles to remote Huizhou and Hainan, even though most of his family members were left behind. -
Identification of the Proto-Inkstone by Organic Residue Analysis: a Case Study from the Changle Cemetery in China
Ren et al. Herit Sci (2018) 6:19 https://doi.org/10.1186/s40494-018-0184-3 RESEARCH ARTICLE Open Access Identifcation of the proto‑inkstone by organic residue analysis: a case study from the Changle Cemetery in China Meng Ren1,2, Renfang Wang3 and Yimin Yang2* Abstract The inkstone is a specifc writing implement in China that was popularized since the Han Dynasty (202 BC–AD 220). A rectangular/round grinding plate accompanied with a grinding stone is considered as a kind of proto-inkstone. How- ever, little scientifc investigation has been performed to support this hypothesis. In this paper, a micro-destructive approach, including Fourier transform infrared spectroscopy (FTIR), Raman spectroscopy and gas chromatography coupled with mass spectrometry (GC–MS), were employed to analyse the black residues on a grinding plate and a grinding stone excavated from the Changle Cemetery (202 BC–AD 8) in northwestern China. The FTIR and Raman analyses indicated that the residues were ancient ink. GC–MS analysis further identifed that the residues were pine- soot ink, based on the relative abundances of the main polycyclic aromatic hydrocarbons, as well as the detection of conifer biomarkers. The trace of animal glue was not detected in the residues; thus, the ink was possibly formed as small pellets and the small grinding stone was necessary to assist during the ink-grinding process. This study confrms that this set of stone implements is indeed an early type of inkstone, and ofers some insight into the co-evolution relationship between ink production and inkstone shapes. Keywords: Chinese inkstone, Shape, Pine-soot ink, Dehydroabietic acid Introduction and culture. -
Chinese Calligraphy: Character Style Recognition Based on Full-Page Document
UNIVERSIDAD AUTONOMA DE MADRID ESCUELA POLITECNICA SUPERIOR TRABAJO FIN DE MÁSTER CHINESE CALLIGRAPHY: CHARACTER STYLE RECOGNITION BASED ON FULL-PAGE DOCUMENT Máster Universitario en Investigación e Innovación en TIC Autor: Wen, Yuanbo Tutor: Sigüenza Pizarro, Juan Alberto Departamento de Ingeniería Informática, Escuela Politécnica Superior, Universidad Autónoma de Madrid FECHA: Noviembre, 2018 I | Page Acknowledgements Before the beginning of the thesis, I want to thank my tutor Professor Juan Alberto Sigüenza. My tutor gave me a lot of help on this road since knowing him till the completion of the thesis. I used to have various problems, including language and the pressure of the course. When I wanted to give it up, my tutor used his wisdom and patience to give me the courage to complete the thesis. He patiently accompanied me to complete the thesis and shared various ideas to guide me do the research. In addition, I would like to thank Professor Manuel Sánchez-Montañés Isla for helping me to improve my thesis and code patiently. So many times, we discussed my thesis after his classes and guide me how to learn deep learning with Python. Also, Professor Luis Lago give us his courses of machine learning which is the key to complete my thesis. Finally, I want to thank my family and my friend Wenji Duo, who have supported me throughout the process and I will always be grateful for your help. II | Page Abstract Calligraphy plays a very important role in the history of China. From ancient times to modern times, the beauty of calligraphy has been passed down to the present. -
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International Conference on Contemporary Education, Social Sciences and Humanities (ICCESSH 2016) Discussion on Development of Lu Zhe Chengni Inkstone Yongmei Wu Shandong College of Arts Jinan, China 250001 Abstract—As one of the four famous inkstones of China, hometown of Confucius and it has excellent cultural tradition. Chengni inkstone’s popularity is nowhere near Duan inkstone, Pottery making in Zhegou area has a history of at least 5000 She inkstone and Tao inkstone. Besides, Chengni inkstone years. Generations of pottery makers are cultivated here and suffers many mishaps, from making a noise to declining, they have wide consensus and internal enthusiasm towards stopping firing, lose of technology and archaeology and after- development and research of Chengni inkstone. In late 1980s burning. During the intermittent process, Chengni inkstone fails and early 1990s, under the support of local government in to develop well. Until today, under the support of national Shandong, Mr. Shi Ke, a famous inkstone specialist and intangible cultural heritage, new research on and propulsion of sealing cutting specialist, and Mr. Yang Yuzhen organize development of Chengni inkstone appear in various places. Lu burning experiments in Zhegou town, Sishui county and Zhe Chengni inkstone is uniquely owned by Zhegou town, Sishui achieve success in 1991. It attracts general attention from county, Shandong province. It has strong local features and it is worth deeply researching. scholars and inkstone lovers both at home and abroad. When traveling in Japan, Gu Mu, vice president of national Chinese Keywords—Lu Zhe Chengni inkstone; development; People’s Political Consultative Conference at that time, gives innovation Lu Zhe Chengni inkstone to Japanese as a national gift. -
China – Labour Regulations – Working Conditions – Industrial Relations
Refugee Review Tribunal AUSTRALIA RRT RESEARCH RESPONSE Research Response Number: CHN32293 Country: China Date: 29 August 2007 Keywords: China – Labour regulations – Working conditions – Industrial relations This response was prepared by the Research & Information Services Section of the Refugee Review Tribunal (RRT) after researching publicly accessible information currently available to the RRT within time constraints. This response is not, and does not purport to be, conclusive as to the merit of any particular claim to refugee status or asylum. This research response may not, under any circumstance, be cited in a decision or any other document. Anyone wishing to use this information may only cite the primary source material contained herein. Questions 1. Are there labour laws in China that regulate the hours of work? 2. Are there labour laws that regulate salary? 3. Are there labour laws that regulate a worker’s conditions of work such as sick pay? 4. What is the attitude of the Chinese authorities towards workers demanding better working conditions such as a reduction in working hours and an increase in salary? RESPONSE 1. Are there labour laws in China that regulate the hours of work? China has a 1994 Labour Law that includes articles to regulate hours of work in its Chapter 4 (Labour Law of the People’s Republic of China 1994, adopted at the Eighth Meeting of the Standing Committee of the Eighth National People’s Congress of the People’s Republic of China on 5 July 1994, and entering into force on 1 January 1995, All-China Federation of Trade Unions websitehttp://www.acftu.org.cn/labourlaw.htm – Accessed 23 August 2007 – Attachment 1). -
DEFENDING a LANGUAGE: the CANTONESE UMBRELLA MOVEMENT by Joshua S
DEFENDING A LANGUAGE: THE CANTONESE UMBRELLA MOVEMENT by Joshua S. Bacon A Thesis Submitted to the Faculty of Purdue University In Partial Fulfillment of the Requirements for the degree of Master of Arts Department of Communication at Purdue Fort Wayne Fort Wayne, Indiana May 2020 THE PURDUE UNIVERSITY GRADUATE SCHOOL STATEMENT OF COMMITTEE APPROVAL Dr. Wei Luo, Chair Department of Communication Dr. Steven A. Carr Department of Communication Dr. Assem A. Nasr Department of Communication Dr. Lee M. Roberts Department of International Language and Culture Studies Approved by: Dr. Wei Luo 2 Dedicated to the Cantonese people 3 TABLE OF CONTENTS ABSTRACT ...............................................................................................................................5 CHAPTER 1. INTRODUCTION ................................................................................................6 CHAPTER 2. LITERATURE REVIEW.................................................................................... 15 Cantonese as a Hong Kong Identity Language ........................................................................ 15 Putonghua as a Colonizing Language ..................................................................................... 18 Cantonese in the Umbrella Movement .................................................................................... 23 Summary ................................................................................................................................ 24 CHAPTER 3. THEORY AND METHODS -
Chinese Workers Vs. Walmart: Brainstorming Solutions to Funding Strategic Labor Litigation in the Wake of China’S 2017 Foreign Ngo Law
40776-nyu_93-6 Sheet No. 220 Side B 12/14/2018 11:29:27 \\jciprod01\productn\N\NYU\93-6\NYU610.txt unknown Seq: 1 12-DEC-18 11:01 CHINESE WORKERS VS. WALMART: BRAINSTORMING SOLUTIONS TO FUNDING STRATEGIC LABOR LITIGATION IN THE WAKE OF CHINA’S 2017 FOREIGN NGO LAW AUDREY WINN* Over the past two years, China’s treatment of labor advocates was full of conflicting norms: Though the Party remained hostile toward labor organizing directed at domestic employers, certain conditions caused state officials to hesitate in violently cracking down on labor organizing directed at Western companies. Against this backdrop, groups like the Walmart Chinese Workers’ Association (WCWA) were leading successful campaigns to fight worker exploitation through organizing and legal remedies. In order to fund litigation against Walmart, the WCWA received litigation funding from nonprofit groups like the Hong Kong-based China Labour Bulletin (CLB). However, in January 2017, China passed a new Foreign Non- Governmental Organization Law (FNGO), which requires both foreign and Hong Kong nonprofits, like CLB, to register and submit themselves to greater govern- ment control in order to continue working in China. As a result, labor nonprofits like CLB are no longer able to fund litigation for groups like the WCWA. This Note proposes one way that Chinese labor organizations and NGOs could address the funding issues caused by the FNGO Law. Part I will discuss the state-controlled All-China Federation of Trade Unions (ACFTU), explain the role it plays in the larger Communist Party agenda, and discuss the conditions in China that have cre- ated an opportunity for labor groups like the WCWA to form. -
PDF Full Report
Heightening Sense of Crises over Press Freedom in Hong Kong: Advancing “Shrinkage” 20 Years after Returning to China April 2018 YAMADA Ken-ichi NHK Broadcasting Culture Research Institute Media Research & Studies _____________________________ *This article is based on the same authors’ article Hong Kong no “Hodo no Jiyu” ni Takamaru Kikikan ~Chugoku Henkan kara 20nen de Susumu “Ishuku”~, originally published in the December 2017 issue of “Hoso Kenkyu to Chosa [The NHK Monthly Report on Broadcast Research]”. Full text in Japanese may be accessed at http://www.nhk.or.jp/bunken/research/oversea/pdf/20171201_7.pdf 1 Introduction Twenty years have passed since Hong Kong was returned to China from British rule. At the time of the 1997 reversion, there were concerns that Hong Kong, which has a laissez-faire market economy, would lose its economic vigor once the territory is put under the Chinese Communist Party’s one-party rule. But the Hong Kong economy has achieved generally steady growth while forming closer ties with the mainland. However, new concerns are rising that the “One Country, Two Systems” principle that guarantees Hong Kong a different social system from that of China is wavering and press freedom, which does not exist in the mainland and has been one of the attractions of Hong Kong, is shrinking. On the rankings of press freedom compiled by the international journalists’ group Reporters Without Borders, Hong Kong fell to 73rd place in 2017 from 18th in 2002.1 This article looks at how press freedom has been affected by a series of cases in the Hong Kong media that occurred during these two decades, in line with findings from the author’s weeklong field trip in mid-September 2017. -
Chapter 6 Hong Kong
CHAPTER 6 HONG KONG Key Findings • The Hong Kong government’s proposal of a bill that would allow for extraditions to mainland China sparked the territory’s worst political crisis since its 1997 handover to the Mainland from the United Kingdom. China’s encroachment on Hong Kong’s auton- omy and its suppression of prodemocracy voices in recent years have fueled opposition, with many protesters now seeing the current demonstrations as Hong Kong’s last stand to preserve its freedoms. Protesters voiced five demands: (1) formal with- drawal of the bill; (2) establishing an independent inquiry into police brutality; (3) removing the designation of the protests as “riots;” (4) releasing all those arrested during the movement; and (5) instituting universal suffrage. • After unprecedented protests against the extradition bill, Hong Kong Chief Executive Carrie Lam suspended the measure in June 2019, dealing a blow to Beijing which had backed the legislation and crippling her political agenda. Her promise in September to formally withdraw the bill came after months of protests and escalation by the Hong Kong police seeking to quell demonstrations. The Hong Kong police used increasingly aggressive tactics against protesters, resulting in calls for an independent inquiry into police abuses. • Despite millions of demonstrators—spanning ages, religions, and professions—taking to the streets in largely peaceful pro- test, the Lam Administration continues to align itself with Bei- jing and only conceded to one of the five protester demands. In an attempt to conflate the bolder actions of a few with the largely peaceful protests, Chinese officials have compared the movement to “terrorism” and a “color revolution,” and have im- plicitly threatened to deploy its security forces from outside Hong Kong to suppress the demonstrations. -
ENCROACHMENTS on PRESS FREEDOM in HONG KONG Threatened Harbor Encroachments on Press Freedom in Hong Kong
THREATENED HARBOR ENCROACHMENTS ON PRESS FREEDOM IN HONG KONG Threatened Harbor Encroachments on Press Freedom in Hong Kong January 16, 2015 © PEN American Center 2015 All rights reserved PEN American Center is the largest branch of PEN International, the world’s leading literary and human rights organization. PEN works in more than 100 countries to protect free expression and to defend writers and journalists who are imprisoned, threatened, persecuted, or attacked in the course of their profession. PEN America’s 3,700 members stand together with more than 20,000 PEN writers worldwide in international literary fellowship to carry on the achievements of such past members as James Baldwin, Robert Frost, Allen Ginsberg, Langston Hughes, Arthur Miller, Eugene O’Neill, Susan Sontag, and John Steinbeck. For more information, please visit www.pen.org. Cover photograph: © Gareth Hayes, Creative Commons CONTENTS Introduction 4 Report Framework and Methodology 6 Legal Framework 7 Challenges to Press Freedom in Hong Kong 9 Physical Assaults on Journalists 9 Attacks on and Obstruction of Media During the Pro-Democracy Protests 11 Threats to Free Expression Online 14 Politically Motivated Censorship and Removal of Media Figures 17 Politically Motivated Economic Pressures on Media Outlets 20 Recommendations 22 References 23 Appendix: Alleged Incidents of Violence Against Journalists During the 2014 Pro-Democracy Protests As Reported to the Hong Kong Journalists Association 23 INTRODUCTION Hong Kong has long enjoyed a vibrant, diverse, and independent passed in 1990 by the Chinese National People’s Congress, also media and a unique position as a window into mainland China. explicitly protects the rights of Hong Kong’s residents through Local and foreign correspondents make use of Hong Kong’s the year 2047, including the freedom of speech, freedom of unique geopolitical position, cosmopolitanism, and strong the press, and freedom of assembly.