Dublin City Gallery the Hugh Lane

Dublin City Gallery The Hugh Lane

Programme of Events January–April 2011

Hugh Lane Online: www.hughlane.ie Until 10 April 2011 Richard Tuttle is acknowledged as one of the leading Post-Minimalist artists. He first exhibited in New York in the renowned Betty Parsons Gallery in 1965. His reputation rests on his persistently 3 J a

unconstrained art practice, using improvisational n – A

working procedures and non-traditional materials. p r

He commonly refers to his work as drawing rather 0 1 1

than sculpture, underlining the diminutive scale and R i c h

idea-based nature of his practice. a r d

“The benefits of freeing drawing from a canon T u t t l

are obvious, and I would like it to remain free e :

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forever.” – Richard Tuttle i u m p h s

Dubl in City Gallery The Hugh Lane

Installation detail of Richard Tuttle, Triumphs . © Richard Tuttle. Photography by Denis Mortell. Cover image: Richard Tuttle installs Wire Piece 1972. Executed in Dublin City Gallery The Hugh Lane 2010. © Richard Tuttle, courtesy The Pace Gallery.

Triumphs begins with work from the mid-1960s and continues through to the present. It takes its title from the Italian poet Petrarch (130 4–1374), whose renowned poems ‘The Triumphs’ Tuttle was reading while preparing for this exhibition. Classical Rome in the time of Emperor Augustus, the Augustan aesthetic and its revival in neo-classicism form part of the framework for the exhibition. For Triumphs , The Hugh Lane and its history also became part of the raw material that Richard Tuttle employed. James Caulfeild, the 1st Earl of Charlemont (172 8–1799), translated Petrarch’s poems, a manuscript of which is in the Royal Irish Academy, Dublin. Richard Tuttle has always questioned the perceived supremacy of the verbal as the most elevated form of expression. His oeuvre of books therefore is as radical as his drawings. Richard Tuttle: Books , curated by Logan Sisley, reveals a significant activity for the artist and is on exhibition in Gallery 18. This is Richard Tuttle’s first exhibition at The Hugh 4 Lane and his second in Ireland. He showed at the 5

J Douglas Hyde Gallery in 1997. J a a n n – –

A This exhibition is sponsored by Fáilte Ireland and A p p r r

The Department of Culture, Tourism and Sport. 2 2 0 0 1 1 1 1

R R i i c c h h a TRIUMPHS LECTURE SERIES a r r d d

T T u u t Hugh Lane and NCAD Collaboration t t t l l e e : :

Points of Departure, Lines of Flight T T r r i i u u m m p This seminar series will take place at The Hugh p h h s Lane, in collaboration with NCAD’s MA Art in the s Contemporary World. Over the course of five seminars, artists, critics and curators will respond to the current exhibition and take a point of departure to discuss current arts practice. The format will be a public lecture on Thursdays at 4.30pm, followed by an afternoon seminar on Fridays from 2pm. The lectures are free and open to the public; however, booking is necessary for the seminars.

Participants at the seminars are required to do Richard Tuttle installs Village V in Gallery 19 at Dublin City Gallery The Hugh Lane 2010 background reading and take part in the © Richard Tuttle, courtesy Sperone Westwater. discussion . Each session will look at the work of Tuttle and contemporary arts practice in the context Thursday 24 February, 4.30pm of four overarching themes: aesthetics, philosophy, & Friday 25 February, 2pm science and history. Thursday 10 March, 4.30pm The exceptions to this programme are the events & Friday 11 March, 2pm on 3 February and 4 February, which will both take the format of lectures at 1pm. The seminars will take place on the following dates and times: For further information or to book a place on the Friday seminars, please contact: Thursday 27 January, 4.30pm Logan Sisley, Exhibitions Curator & Friday 28 January, 2pm tel +353 1 2225562 email [email protected] Thursday 3 February, 1pm & Friday 4 February, 1pm: Richard Tuttle and Thomas McEvilley conversation and lecture

Thursday 10 February, 4.30pm & Friday 11 February, 2pm Coffee Lectures on Triumphs Wednesdays at 11am, 2–23 February 2011 Talk followed by tea/coffee with lecturer. Fee €5. To book please contact the Gallery Reception on 6 01 2225564. 7 J J a a n n – – A A

p Wednesday 2 February, 11am p r r

2 2

0 Triumphs: An Introduction 0 1 1 1 1

Lecturer: Michael Dempsey , Head of Exhibitions R R i i c c h h a a r r d d

T Wednesday 9 February, 11am T u u t t t t l l e Richard Tuttle Books e : :

T T r r i Lecturer: Logan Sisley , Exhibitions Curator i u u m m p p h h s Wednesday 16 February, 11am s Agnes Martin , Untitled No. 7 Lecturer: Jessica O’Donnell , Head of Collections

Wednesday 23 February, 11am Tuttle: Physicality, Materiality and Symbolism Lecturer: Emma Betts

Richard Tuttle, Perhaps It’s Over , 1989. Installation in Dublin City Gallery The Hugh Lane 2010. © Richard Tuttle, courtesy Tilton Gallery

Sunday Lectures Sunday 16 January, 1.30pm Curatorial conversation on Richard Tuttle, Triumphs Lecturers: Barbara Dawson , Director, and Michael

Dempsey , Head of Exhibitions Richard Tuttle, Compartmentalization , 2006. Photograph by G.R. Christmas. © Richard Tuttle, courtesy The Pace Gallery Sunday 23 January, 1.30pm Lecturer and critic Caoimhín MacGiolla Leith will give a walk-through response to the current exhibition

Sunday 30 January, 1.30pm Kie Ellens in conversation with Exhibitions Curator Logan Sisley in relation to Richard Tuttle: Books

Sunday 6 February, 1.30pm Richard Tuttle in the Context of Post-Minimalism Lecturer: Yvonne Scott TEMPORARY EXHIBITIONS Frazer’s seminal and influential master work The Golden Bough , first published in 1890. THE GOLDEN BOUGH Irish artist William McKeown was born in Co Tyrone in 1962 and currently lives and works in Edinburgh. 8 Gavin Murphy In 2010 McKeown made two two-person shows: Pool , 9

J Until 16 January 2011 with Irish/International artist Dorothy Cross at the J a a n n – –

A Kerlin Gallery, Dublin; and A Certain Distance, Endless A p p r r

Light , with works by celebrated Cuban/American artist 2 2 0 0 1 1

1 Felix Gonzalez-Torres and curated by Gavin Delahunty, 1 T T e e m at mima, Middlesbrough Institute of Modern Art. m p p o o r r a a r r y y

E E x x h OF DE BLACAM AND MEAGHER h i i b b i i t 4 Marc h–3 April 2011 t i i o o n n s The exhibition of de Blacam and Meagher was s Ireland’s participation at the 12th International Architecture Exhibition La Biennale di Venezia. The installation of five stacks of papers presented Installation detail of Gavin Murphy’s Remember , 2010, for The Golden Bough . © Gavin Murphy, courtesy Dublin City Gallery The Hugh Lane. in the sculpture gallery is both an archive and a reading room. The public are invited to read the William McKeown work and take it away as a folio. Over time the 3 Februar y– 1 May 2011 stacks are depleted by the actions of the public, until finally we are left only with the furnishings. Dublin City Gallery The Hugh Lane presents a new In addition, a film about the exhibition, called installation by William McKeown , entitled Prince dBM San Gallo, by Ruán Magan will be screened. Sunless, as the latest addition to the Gallery’s Using stunning visuals and sound, the film moves innovative The Golden Bough project room, poetically through the processes involved in creating curated by Michael Dempsey. This new installation a national pavilion, from the arrival of the archive by is a response to the chapter entitled ‘Between Earth boat, to the installation and interaction of the and Heaven’ from Scottish writer James George curators, and the final interplay between the visitors and paper scrolls. This new commission is an Irish Architecture Foundation and Ruán Magan production and will be screened at each venue on the of de Blacam and Meagher tour in 2011. The Irish participation at La Biennale di Venezia is an initiative of Culture Ireland in partnership with the Arts Council. The exhibition was curated by Tom dePaor, Peter Maybury, Alice Casey and Cian Deegan, and commissioned by the Irish Architecture Foundation, under the directorship of Nathalie Weadick. The exhibition is also supported by RIAI and the Department of Environment Heritage and Local Installation detail of William McKeown’s Five Working Days At Ormeau Baths Gallery © William McKeown, courtesy Kerlin Gallery Government. 10 11 J J a a n n – – A A p p r r

2 2 0 0 1 1 1 1 T T e e m m p p o o r r a a r r y y

E E x x h h i i b b i i t t i i o o n n s s

of de Blacam and Meagher , installation view of Chiesa di San Gallo, 12th International Architecture Exhibition, Venice 2010. Photography by Alice Clancy.

concrete properties, but also the invisible, and Architectural Lecture Series, March 2010 even the intangible qualities of architecture. The Sunday 6 March, 1.30pm symposium will reveal the importance of curating in Rachael Chidlow , Designer, in conversation with how we communicate architecture, using of de John Meagher , de Blacam and Meagher Architects. Blacam and Meagher as a starting point, and expanding the topic to discuss curating architecture Sunday 20 March, 1.30pm in general. Labour in a Landscape of Pleasure: The Origins of Parnell Square Lecturer: Gary Boyd For information on the temporary exhibitions programme, contact: Michael Dempsey, Head of Exhibitions tel +353 1 2225552 Friday 25 March, 1pm email [email protected] or Curating Architecture Logan Sisley, Exhibitions Curator A symposium organised by the Irish Architecture tel +353 1 2225562 email [email protected] Foundation in partnership with School of Architecture UCD and Art in the Contemporary World NCAD. The symposium will examine how exhibitions can communicate not just literal and GALLERY COLLECTION Swanzy , Norah McGuinness , Louis le Brocquy , William Scott , Agnes Martin , Patrick Scott , Philip Guston , Francis Bacon , Ellsworth Kelly and Elizabeth Magill . 12 13 J J a a n FORTHCOMING PROGRAMME: n – – A A p p r r

Willie Doherty, The Visitor , 2008 2 2 0 0 1 1 1 Following on from the screening of Michael 1 G G a a l l l Hamburger by Tacita Dean, the Gallery continues to l e e r r y y

C showcase recent acquisitions in film and time-based C o o l l l l e media. First exhibited at the Douglas Hyde Gallery e c c t t i i o o n in 2008, The Visitor was shot on location in Belfast n in early 2008 and revisits some of Doherty’s recurrent themes and preoccupations with place, landscape and memory. In this piece the camera moves between the trees of a small forest and scrutinises the surfaces of a block of flats. The Visitor features an enigmatic figure whose intentions and origins are unclear. In addition, a voiceover speculates about the role and nature of the unnamed visitor. The Visitor , by Willie Doherty, was acquired by Dublin City Gallery The Hugh Lane in 2010. Please see www.hughlane.ie for screening dates.

Louis le Brocquy, Child in a Yard , 1953 (Reg 1263)

The Gallery’s prodigious permanent collection, which spans an enormously fruitful period in modern and contemporary art, offers the opportunity for exploring fresh perspectives on key works from the collection articulated through Willie Doherty, The Visitor , 2008. Duration 10 mins. landscape, figuration and abstraction. Highlights of the collection include The Eve of St Agnes by celebrated Irish stained-glass artist Harry Clarke ; renowned paintings from the Hugh Lane Bequest, including La Musique aux Tuileries by Edouard Manet , Bains de Mer (petite fille peignée par sa bonne) by Edgar Degas , Lavacourt under Snow by Claude Monet and The Mantlepiece by Edouard Vuillard ; 20th-century Irish and international art, including Jack B. Yeats , Mary FRANCIS BACON’S STUDIO GALLERY NINE: THE PHOTOGRAPHS OF Francis Bacon’s Studio complex consists of the EADWEARD MUYBRIDGE relocated studio from 7 Reece Mews, London, an audio-visual room showing Melvyn Bragg’s celebrated 14 interview with Francis Bacon, display cases presenting 15 J J a a changing selection of items from the studio, a a n n – – A micro-gallery with touc h-screen terminals and a A p p r r

2 number of fascinating unfinished works by Francis 2 0 0 1 1 1 Bacon. These works offer further insights into the 1 G G a a l l l artist’s creative process and working methods. l e e r r y y

C C o o l l l l e e c Francis Bacon: Art Books c t t i i o o n On view in Display Cases n

Leaf (cut fragment) from book, Eadweard Muybridge, The Human Figure in Motion , 1901 (RM98F128:20)

The work of pioneering English photographer Eadweard Muybridge (183 0–1904) was of crucial importance and enormous interest to Francis Bacon. In an interview with the art critic David Sylvester, Bacon remarked, “Actually, Michelangelo and Muybridge are mixed up in my mind together, and so I perhaps could learn about positions from Muybridge and learn about ampleness, the grandeur of form, from Michelangelo…” Muybridge’s photographs, first published as The Human Figure in Motion (1887) and Animal Locomotion (1887), provided Bacon with an encyclopaedic range of poses from which to draw for his increasingly ambitious figure painting.

Documenta III , exhibition catalogue (RM98F197:6) VIEW GALLERY COLLECTION ONLINE

Over 470 books were found in Francis Bacon’s In great news for students studio on subjects drawn from medicine, wildlife, and the general public, the cinema, literature and sport, among other subjects. gallery’s permanent Many books on art historical subjects, as well as collection of modern and exhibition catalogues of Bacon’s own work and contemporary art is now those of other artists, were found among the items available to view online by in the studio. A selection of these art books are on making a virtual visit to: view in the display cases of the Francis Bacon www.hughlane.ie/collections.php studio from 1st February 2011. PERMANENT COLLECTION LECTURES Coffee Lectures on Permanent Collection Francis Bacon – Artificial Reality Wednesdays at 11am, 2 Marc h–6 April 2011 Sunday 20 February, 1.30pm Talk, followed by tea/coffee with lecturer. Fee a5. Lecturer: Katharina Güenther , Estate of Francis To book, please contact the Gallery Reception on 16 17 Bacon Fellowship tel. 01 2225564. J J a a n n

– Surprisingly literal connections between the print – A Środa, 2 Marca, godz. 11.00 A p p r r

media Francis Bacon held in his studio and the 2 Wykład Eweliny Bubanja pod tytułem: Pracownia 2 0 0

1 details, figures and compositions in his paintings 1 1 Francisa Bacona. Wst ˛ep wolny! Zapraszamy 1 G G a can be established. Isn’t that a contradiction for an a l l l l e e r r y artist who stated that ‘painting has nothing to do Wednesday 9 March, 11am y

C C o with illustration’? This lecture is trying to answer o l Degas in The Hugh Lane Collection l l l e e c c t that question by following the image’s journey t i Lecturer: Evelyn Power i o o n from its source onto Bacon’s canvas. n Wednesday 16 March, 11am Irish Scenes in Celebration of St Patrick’s Day Film Screening: A Revel in Blue Lecturer: Mark Aherne Sunday 27 February, 1.30pm Using enhanced special effects and copious Wednesday 23 March, 11am interviews, this documentary captures the life and Brian Maguire, Jail Visiting work of Harry Clarke in all its uniqueness and Lecturer: Jean O’Donovan , Collections Intern colour. Many of Clarke’s stained-glass windows are Wednesday 30 March, 11am featured, including The Eve of St. Agnes in The Dorothy Cross in The Hugh Lane Collection Hugh Lane collection. The film is narrated by Rory Lecturer: Frances Lambe Mullen ( Hunger , Anton ). Duration 72 mins. Wednesday 6 April, 11am One City One Book Festival Edouard Manet , Music in the Tuileries Gardens John Millington Synge, Art and the West Lecturer: Jessica O’Donnell , Head of Collections Sunday 17 April, 1.30pm Lecturer: Dr Eimear O’Connor HRHA, Clare and For further information, please contact: Tony White post-doctoral research fellow Jessica O’Donnell, Head of Collections tel +353 1 2225558 John Millington Synge’s name is synonymous with Irish email [email protected] culture in general, and with the Abbey Theatre in particular. This lecture will initially examine Synge’s artistic response to the west of Ireland through his own photography and text . It will then consider the extent to which Irish visual artists responded to, and, in fact, re-imagined and expanded, the stories told in Synge’s photographs and texts, analogous to the creation of their own personal and public artistic identities. CONCERTS EDUCATION

Following another successful year in 2010, when over 30 concerts were presented to full houses, the 18 Sundays at Noon series resumes on January 9th 19 J J

a with internationally renowned Irish tenor Paul a n n – –

A McNamara in a programme of Wagner, Stanford A p p r r

2 and Meyerebeer. Contemporary Jazz will feature on 2 0 0 1 1

1 Sunday 16th January, when Trilogue make a return 1 C E d o u

n visit, following their amazing debut here last year. c c a e t r

Ensemble Avalon continue their now regular CHILDREN’S AREA AND EDUCATION i t o s performances at the Gallery on January 23rd, and RESOURCE ROOM n Virginia Kerr (soprano) and Therese Fahy (piano) Children, teachers, families and adults can participate perform on Sunday 30th January. in innovative and enjoyable learning opportunities Check the website www.hughlane.ie for details that explore the collection and temporary exhibitions about these concerts and forthcoming events in in the Gallery’s children’s area and education February. The concerts will take a brief break in resource room. To date, the collection has been March but will return in April for the remainder of explored by children aged three to adults in their the season. eighties during successful and popular programmes.

The National Chamber Choir performing on Culture Night 2010 GUIDED TOURS AND SCHOOLS ART WORKSHOPS Guided tours of the collection and temporary exhibitions may be booked for schools or visiting groups, with a minimum of two weeks’ notice. Tours cost €25 per group, up to a maximum of 30 people. For an additional cost, it is also possible to book a sketching tour, or a combined tour and workshop, during your visit. These may be booked by prior arrangement with the Education Curator.

PUBLIC TOURS Free public tours take place weekly on Sundays at 1.30pm (excluding the Sundays when our public lectures take place).

Oprowadzanie po ekspozycji stałej w j˛ezyku polskim Zapraszamy do zwiedzania ekspozycji stałej w niedziel ˛e 13 lutego 2011 r. w j ˛ezyku polskim. Oprowadza c´ po kolekcji b ˛edzie Pani Ewelina Bubanja . Wst ˛ep bezpłatny. SEACHTAIN NA GAEILGE EDUCATION COURSES Ar an Domhnach 13 Márta, mar chuid d’imeachtaí Sheachtain na Gaeilge 2011, beidh turas treoraithe ADULT DRAWING CLASSES ag 1.30pm, agus do pháistí d’aois 7+, beidh Taster Workshops for Adult Drawing and 20 Sceitseáil an Domhnaigh ag 3pm. Déanfar an dá Painting Classes 21 J J a imeacht seo a reáchtáil trí mheán na Gaeilge. Is í an Saturday 22 January 2011, 11a m–1pm a n n – –

A t-ealaíontóir Sinéad Ní Mhaonaigh a bheidh i A p Adults are invited to join The Hugh Lane artists in p r r

2 gceannas ar imeachtaí an lae. 2 0 these half-hour taster sessions in life drawing, 0 1 1 1 1 E drawing from the collection and painting. Feel free E d d u For further information on any of the education events, u c to drop in at 11am, 11.30am, 12pm or 12.30pm to c a a t or to book a tour, please contact the t i i o try your hand at a sample from our regular adult o n n

Education Curator, tel. +353 1 2225553 C

courses. The workshops are free and no booking is o u r s

necessary. If you find something you like, you can e

Tickets and reservations for Children’s Art Workshops and s Coffee lectures are available from the Gallery Reception register for one of our 8-week courses on the day. desk (Tuesda y– Sunday), tel. 01 2225564. Please see below, for further information on all of our courses:

8-week Drawing and Painting Courses for Adults New Perspectives through Drawing 10am–12pm ( €110) Saturdays, 5 Februar y– 26 March Life Drawing , 12.30–2.30pm (€110) Saturdays, 5 Februar y– 26 March Aspects of Drawing , 10.30a m–12pm (€85) Tuesdays, 8 Februar y– 29 March Exploring the Collection through Contemporary Painting & Mixed Media Current exhibition of portfolio course artwork 2.30–4.30pm (€110) Wednesdays, 9 Februar y– 30 March

Led by artists Felicity Clear and Beth O’Halloran , New Perspectives Through Drawing will see participants engaging with modern and contemporary art through an experimental approach to drawing and an exploration of artists’ techniques, concepts, subject matter and ideas in a format which will both emphasise innovation and provide a technical basis for participants coming to drawing for the first time. These explorations will be manifested through life drawing from the clothed figure and through the artworks in the Gallery’s collection. *KIDSCLUBSECTION!*

Led by artists Felicity Clear and Beth O’Halloran , If you would like to join the Life Drawing is for those with previous drawing Kids’ Club mailing list, or if you have any experience. These classes explore drawing techniques queries, please contact entirely through life drawing from the clothed figure. Education Curator, 22 Tuesday’s Aspects of Drawing , led by artist John tel +353 1 2225553.

J Adye-Curran , will explore traditional drawing a n –

A techniques through experimental observation. p r

These explorations will be manifested through life 2 0 1

1 drawing from the clothed figure and through the E d artworks in the Gallery’s collection. u c a t Exploring the Collection through Contemporary i y o or all the Famil n Free Events f

C Painting and Mixed Media is led by artists Felicity o u

r Clear and Kitty Rogers . In this course, you will be s Saturday 15 January, 3–4pm e s learning about modern and contemporary art from RICHARD TUTTLE FAMILY DAY the collection in a series of workshops using paint, all relief, collage, mixed media and print-making. (Paints will Join artist MICHELLE PHELAN in creating a w need to be purchased for this class) collage or 3D object inspired by Richard Tuttle by using everyday materials. Registration opens after 11am on Saturday 22 January 2011. To book, please contact the Gallery Reception Saturday 5 February, 3–4pm on tel. 01 2225565. CHINESE NEW YEAR CELEBRATION Please note : Come celebrate the Chinese New Year with the • Bookings can only be made from 11am onwards; Hugh Lane! This year, it’s the year of the Rabbit. • Places cannot be booked without payment of In China, they use big bright red dragons in their full course fee; reet celebrations. Artist JANINE DAVIDSON will • Payment for all courses is strictly non-refundable. st lead you in an oriental-flavoured workshop where you can make your very own red dragon.

Saturday 12 March, 3–4pm ‘OF BOOKS AND BUILDINGS’ To celebrate Ireland at Venice 2010, a workshop, in partnership with the Irish Architecture Foundation, led by artists/architects AOIFE BANIM and MARIA TARSOULI.

To book, please contact Gallery Reception on tel. 01 2225564.

*KIDSCLUBSECTION!* *KIDSCLUBSECTION!* *KIDSCLUBSECTION!*

What ’s on for 3 -6 year olds What’ s on for 6- 10 year olds Saturday 26 March, 3– 4 pm Saturday 22 January, 3–4pm UNIQUE CONSTRUCTIO NS WALLPAPER PRINT WORKSHOP As part of t he Ireland at Venice 2010 exhibition, join ar Taking inspiration from Richard Tuttle’s use of tist A SHLEIGH DOWNEY in a fun construction workshop painted walls, join artist KITTY ROGERS in making inspired by the award-winning Wooden Building in Temple and printing your own strips of wallpaper. Bar, by Dublin architects D E BLACA M AND MEAGHER. Get as creative as you like with your decoration by The workshop will comprise an inte ractive tour of painting onto the wallpaper or adding glitter. the gallery s pace, after which the group will creatively respond by making individual, per sonalised Saturday 19 February, 3–4pm constructions from everyday ob jects. ART & ABSTRACTION – INSPIRED BY RICHARD TUTTLE Create your own kaleidoscopes and draw the world in Saturday 23 April, 3– 4 pm colour, dots and shapes, before developing your own ‘MY PICTURE TELLS A STORY’ abstract geometric works with artist EMMA O’TOOLE. Celebrate s pring with a narrative-based art workshop. Join O LIVE KNOX in a look-listen-create workshop, where participants w ill engage with spring-themed art from the Gallery’s coll ection and, through poetry and stories, use their imagination to respond visually.

d Cost 5. To book, please contact Gallery Reception on tel. 01 2225564.

Saturday 9 April, 3–4pm POP–UP BOOKS Create a torn-paper, pop-up, Richard Tuttle-inspired book. In today’s workshop, artist CIARA O’HARA will help you make and bind your very own folded–paper, or origami, pop-u p book.

*KIDSCLUBSECTION!* *KIDSCLUBSECTION!* Galleries Screening 1–13 Irish and International Gallery 12 Gallery 13 GROUND FLOOR Room Modern and Contemporary Art

FRANCIS BACON STUDIO SEAN SCULLY COLLECTION HARRY CLARKE STAINED GLASS ROOM LIFT SEAN SCULLY GALLERY Gallery 10 BOOKSHOP

Lift Gallery 9 The Golden Bough

FRANCIS RECEPTION BACON STUDIO Gallery 5 Gallery 4 Gallery 3 Gallery 2 Gallery 1 FRONT HALL MAIN ENTRANCE HARRY

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S LEARNING RESOURCE CENTRE

Galleries 14–22 Temporary exhibition galleries Gallery 14 Gallery 15 Gallery FIRST FLOOR 16 (see exhibition guide for details)

Lift

LECTURE Gallery 17 SPACE

Lift

Gallery 19 Gallery TEMPORARY 20 EXHIBITION Gallery GALLERIES 22 Gallery 21

LOWER GARDEN GROUND FLOOR COURTYARD

CAFÉ

Admission to the gallery is free. The café and bookshop are open Lift during gallery hours. Visitors may not touch the exhibits. m o

WC o r k C

Photography / video is not a o W l

permitted. WC C Mobile phones must be turned off and may not be used in the gallery. Smoking, eating and drinking are prohibited in the gallery space. How to Get There Buses: 3, 7, 10, 11, 13, 16, 19, 46 A, 123 pass close to the Gallery. DART : The Gallery is approximately 15 minutes from Connolly Station & Tara Street Station. LUAS : Abbey Street Dublin Bikes Stand: Parnell Square North

Dublin City Gallery The Hugh Lane e r

D l l Joyce u e b n Museum l i r Gate n a

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Bachelor’s Walk g Eden Quay d i r B

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River Liffey n n o C ’

Aston Quay O Burgh Quay

Opening Hours: Tuesday to Thursday 10.0 0am–6.0 0pm Friday & Saturday 10.0 0am–5.0 0pm Sunday 11.0 0am– 5.0 0pm Closed Mondays.

Admission to the Gallery is free.

The café and bookshop are open during Gallery hours.

Dublin City Gallery The Hugh Lane Tel +353 1 2225564 Charlemont House, Fax +353 1 8722182 Parnell Square North, Email [email protected] Dublin 1 Web www.hughlane.ie

Hugh Lane Online: www.hughlane.ie