DOCSLIB.ORG

Ten Years of David Raker

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Ten Years of David Raker 1 TIM WEAVER TEN YEARS OF DAVID RAKER THE OUTSTANDING AND BESTSELLING DAVID RAKER SERIES TEN NOVELS, TEN NEW ABSORBING MISSING PERSONS CASES #2 SUNDAY TIMES BESTSELLER TOTAL SALES TOPPED 750,000 COPIES SOLD IN 13 LANGUAGES FILM/TV RIGHTS FOR THE DAVID RAKER SERIES ARE UNDER OPTION SHORTLISTED FOR THE DAGGER IN THE LIBRARY SELECTED FOR RICHARD & JUDY BOOKCLUB NOMINATED FOR THE NATIONAL BOOK AWARD ‘WEAVER MOVES UP A NOTCH – TO EXCELLENCE. I CAN’T REMEMBER A THRILLER CONTAINING SO MANY TWISTS AND SURPRISES’ SUNDAY TIMES ‘IMPRESSIVE NARRATIVE. A LACERATING JOINT INVESTIGATION...IT’S A DARK COMPLEX AND VISCERAL READ’ FINANCIAL TIMES ‘AN INTRIGUING PREMISE THAT GRIPS THE READER FROM THE FIRST PAGE. A FAST-PACED STORY PACKED WITH TWISTS AND SURPRISES’ DAILY EXPRESS CRIME & THRILLERS NEW TITLES LIST LONDON 2019 CONTENTS DÉBUT AND NEW L.V. MATTHEWS 5 EGAN HUGHES 6 C.D. MAJOR 7 LAUREN NORTH 8 G.R. HALLIDAY 9 EMMA KAVANAGH 10 CRIME TANA FRENCH 12 MARTINA COLE 15 TIM WEAVER 18 CHRIS CARTER 20 PSYCHOLOGICAL SUSPENSE PHOEBE MORGAN 23 B.A. PARIS 24 K.L. SLATER 26 THRILLER LEE CHILD 29 JOHN CONNOLLY 32 CATHERINE STEADMAN 35 T.M. LOGAN 36 G.X. TODD 38 JAMES CAROL 40 ERIK STOREY 41 JACQUI ROSE 43 ROB SINCLAIR 44 JACK FORD 46 TOM BALE 47 DARLEY ANDERSON LITERARY, TV & FILM AGENCY Estelle House, 11 Eustace Road, London, SW6 1JB Telephone: +44 20 7386 2674 Head of Rights: [email protected] Rights Agent: [email protected] Rights Agent: [email protected] Dramatic Rights: [email protected] www.darleyanderson.com Cover artwork adapted from Tim Weaver’s NO ONE HOME (p18) 3 DÉBUT AND NEW THRILLER DÉBUT L.V. Matthews THE PRANK STANDOUT DÉBUT THRILLER A YOUNG WOMAN FUELLED BY REVENGE ONE PRANK GONE WRONG. ONE FATEFUL ENCOUNTER. ONE CHANCE TO GET REVENGE El Greene is a waitress at an exclusive restaurant in Bloomsbury. Still grieving the death of her father, El leads a private, quiet life outside of work talking only to her sister and aunty. It is an existence that suits her; serving celebrities and politicians she barely recognises. Until Lucinda Kit comes in for dinner. With no explanation El leaves the restaurant mid-service and follows Lucinda home. What is she doing? She is acting completely out of character and she knows she should just turn around. Because El has never met Lucinda Kit. She had never heard of her until that evening. So why is she hiding in the dark watching a stranger through their kitchen window? This one chance encounter spirals El into a world so far from her own; one of disguise, online friendship and vengeance. UK publication: on submission 326 typescript pages WORLD: Darley Anderson Agency (Camilla Bolton) FILM & TV RIGHTS: Available (Sheila David) L.V. Matthews was born in rural Essex and now lives in Hampshire with her family where she is setting up a writers retreat business. Before pursuing a career in writing, she worked both in domestic and international sales for major UK publishing houses. 5 SUSPENSE THRILLER DÉBUT Egan Hughes THE ONE WHO GOT AWAY CLAUSTROPHOBIC AND TENSE DÉBUT THRILLER - AN ORIGINAL TAKE ON THE GENRE TWO WOMEN DISCOVER THE MAN THEY MARRIED IS NOT WHO HE SAYS HE IS. THIS IS NOT A ‘WOMEN IN JEOPARDY’ STORY FOR FANS OF B.A. PARIS AND FIONA BARTON Mia Mia Fallon is rebuilding her life following a difficult divorce - until the police visit with the news that her ex-husband has been murdered. As the investigation focuses on his new wife, Mia becomes obsessed with what happened on the night of the murder. Someone knows the truth. Someone also knows that Mia wasn’t where she says she was. Jessica Jessica Handley believes in love, she’s just never found the one. Then, on New Year’s Eve, he walks into her life. He’s like no one else she’s ever met: rich, spontaneous, passionate. Once married, they leave everything behind and sail on his yacht to the Mediterranean. Everything is perfect, until they hit the open water. As their relationship disintegrates, Jessica realises he isn’t the perfect man after all. In fact, who is he? UK publication: 2nd April 2020 393 typescript pages WORLD: Darley Anderson Agency (Camilla Bolton) FILM & TV RIGHTS: Available (Sheila David) UK & COMMONWEALTH: Little, Brown (Lucy Dauman) AUDIO: Little, Brown POLISH: Albatros Egan Hughes was born in North Devon and grew up in Hampshire. She is now based on the South Coast of England and works in marketing as a freelance copyeditor. An early version of THE ONE WHO GOT AWAY was shortlisted for the First Novel Prize, and the most recent Richard and Judy Search for a Bestseller Competition. She is currently writing her new novel, THE CUCKOO’S NEST. 6 HISTORICAL SUSPENSE C.D. Major THE OTHER GIRL DARK HISTORICAL SUSPENSE NOVEL SET IN THE AFTERMATH OF A FATAL FIRE AT A WOMEN’S ASYLUM - INSPIRED BY TRUE EVENTS I’M EDITH. I’M A PATIENT. I’M INNOCENT. I’M GUILTY. I’M A VICTIM. I’M A VILLAIN. I LIE. I TELL THE TRUTH. PERFECT FOR FANS OF SEE WHAT I HAVE DONE AND BEHIND HER EYES 1942, New Zealand Twenty-year-old Edith Garrett is an in-patient at Seacliff Lunatic Asylum. Admitted at the age of five by her parents she has very few memories of life before. Diagnosed with schizophrenia and multiple personality disorder she has undergone invasive treatments in an effort to cure her. The morning after a terrible fire kills 37 in-patients she is questioned by police. She is one of only two survivors. Declan Harris, a newly qualified psychiatric doctor, is present at this meeting and becomes intrigued by Edith’s case. When he looks into her history it seems a lot of what he reads simply doesn’t add up. Investigating some of the things Edith said as a young girl Declan becomes even more embroiled in her case: can the impossible things she told them actually be true? Intrigue soon becomes obsession. Could it be that Edith was telling them the truth all those years ago? Could it be possible she shouldn’t even be in an institution at all? And will Declan lose his own mind as he sets out to save her? UK publication: on submission 182 typescript pages WORLD: Darley Anderson Agency (Clare Wallace) UK & COMMONWEALTH: Under offer FILM & TV RIGHTS: Available (Sheila David) C.D. Major studied History at Bristol University and went on to work in television as a runner, researcher and presenter. She taught History for seven years before becoming a housemistress at a secondary boarding school in Berkshire. She lives in Pangbourne with her husband and three children and has previously published two titles with Corvus, THE SILENT HOURS and THE LAST NIGHT. 7 PSYCHOLOGICAL THRILLER DÉBUT Lauren North THE PERFECT BETRAYAL / THE PERFECT SON TENSION-FILLED DÉBUT WITH POWERFUL EMOTIONAL RESONANCE TESS IS SURE OF THESE THINGS: SHE’S BEEN STABBED, HER SON IS MISSING, CLOSE FRIENDS ARE INVOLVED. AND NO ONE IS LISTENING... ‘A SENSE OF IMPENDING DOOM AND FOREBODING GRIPPED ME FROM THE FIRST PAGE...THE ENDING IS STUNNING AND POWERFUL’ Mary Torjussen When Tess Clarke wakes up in the hospital the day after her son Jamie’s eighth birthday, she’s sure of these things: She’s been stabbed, her son is missing, her brother-in-law and her grief counsellor are involved. But no one is listening to her. After her husband, Mark, died suddenly in a terrible accident a few months earlier, the only thing keeping Tess together is Jamie. As they struggle to make sense of their new life without Mark, they find joy in brief moments of normalcy like walking to school and watching television together. Life is hard without Mark, but Tess has Jamie, and that's what matters. But there in the hospital, confused and surrounded by people who won’t listen, Tess’ world falls apart. To save her son, she must piece together what happened between Mark's death and Jamie’s birthday, but the truth might just be too much for her to bear. UK publication: 14th March 2019 US publication: 13th August 2019 368 pages Praise for THE PERFECT BETRAYAL ‘A captivating, suspenseful thriller that draws you in - with a twist that will take your breath away’ T.M. Logan ‘A heart-rending evocation of grief that packs a devious punch. It left me reeling’ Lesley Kara WORLD: Darley Anderson Agency (Tanera Simons) CZECH: Euromedia UK & COMMONWEALTH: Transworld (Natasha Barsby) FRENCH: Marabout / Hachette NORTH AMERICAN: Berkley (Danielle Perez) FILM & TV RIGHTS: Available (Sheila David) AUDIO: Transworld CHINESE (simp.): Under offer Lauren North studied psychology before moving to London where she lived and worked for many years. She loves writing novels that delve into the darker side of relationships and family. She now lives with her family in the Suffolk countryside and is writing her second novel. 8 CRIME DÉBUT G.R. Halliday FROM THE SHADOWS A STUNNING, ATMOSPHERIC DÉBUT FEATURING AN UNFORGETTABLE NEW FEMALE SERIES LEAD SET AGAINST THE GRIT AND RAW BEAUTY OF THE SCOTTISH HIGHLANDS - FOR FANS OF THE DRY AND MISSING, PRESUMED ‘ATMOSPHERIC, CREEPY AND PERFECTLY PLOTTED, WITH A PROTAGONIST WHO’S TRULY INTRIGUING’ Dead Good Books Sixteen-year-old Robert arrives home late. Without a word to his dad, he goes up to his bedroom. Robert is never seen alive again. A body is soon found on the coast of the Scottish Highlands. Detective Inspector Monica Kennedy stands by the victim in this starkly beautiful and remote landscape.
Load more

Recommended publications
  • Sarah Greene
    Sarah Greene Sarah has most recently completed filming on Frank of Ireland for Amazon Studios and she will next be seen in Roadkill for BBC/The Forge, a 4 x 60 minute new political thriller series, written by David Hare. Sarah was most recently seen playing the lead role of Cassie Maddox in The Dublin Murders for BBC/Starz. The series is based on Tana French's highly successful Dublin Murder Squad series of novels. She will be next appearing on screen in the new television adaptation of Sally Rooney's critically acclaimed Normal People. Agents Dallas Smith Associate Agent Sarah Roberts [email protected] +44 (0) 20 3214 0800 Assistant Alexandra Rae [email protected] +44 (0) 20 3214 0800 Sophie Austin Assistant [email protected] Emma Collier [email protected] Roles Film Production Character Director Company ROSIE Rosie Davis Paddy Breathnach Element Pictures BLACK 47 Ellie Lance Daly Ascot Elite Entertainment Group DUBLIN OLDSCHOOL Lisa Dave Tynan MDV | Warrior Films United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Character Director Company BURNT Kaitlin John Wells Double Feature Films NOBLE Middle Christina Stephen Bradley THE GUARD John McDonagh Element Films MY BROTHERS Rose Paul Fraser TreasureFilms LOVE AND Cathleen John N Smith Company/Subotica/Park Ex Pictures SAVAGERY EDEN Imelda Declan Recks Samson Films Television Production Character Director Company FRANK OF IRELAND Aine Amazon Studios ROADKILL Charmian
    [Show full text]
  • The Contemporary Irish Detective Novel
    The Contemporary Irish Detective Novel Edited by Elizabeth Mannion General Editor: Clive Bloom Crime Files Series Editor Clive Bloom Emeritus Professor of English and American Studies Middlesex University London Since its invention in the nineteenth century, detective fi ction has never been more popular. In novels, short stories, fi lms, radio, television and now in computer games, private detectives and psychopaths, poisoners and overworked cops, tommy gun gangsters and cocaine criminals are the very stuff of modern imagination, and their creators one mainstay of popular consciousness. Crime Files is a ground-breaking series offering scholars, students and discerning readers a comprehensive set of guides to the world of crime and detective fi ction. Every aspect of crime writing, detective fi ction, gangster movie, true-crime exposé, police procedural and post-colonial investigation is explored through clear and informative texts offering comprehensive coverage and theoretical sophistication. More information about this series at http://www.springer.com/series/14927 Elizabeth Mannion Editor The Contemporary Irish Detective Novel Editor Elizabeth Mannion Philadelphia , Pennsylvania , USA Crime Files ISBN 978-1-137-53939-7 ISBN 978-1-137-53940-3 (eBook) DOI 10.1057/978-1-137-53940-3 Library of Congress Control Number: 2016933996 © The Editor(s) (if applicable) and The Author(s) 2016 The author(s) has/have asserted their right(s) to be identifi ed as the author(s) of this work in accordance with the Copyright, Designs and Patents Act 1988. This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifi cally the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfi lms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or here- after developed.
    [Show full text]
  • It Reveals Who I Really Am”: New Metaphors, Symbols, and Motifs in Representations of Autism Spectrum Disorders in Popular Culture
    “IT REVEALS WHO I REALLY AM”: NEW METAPHORS, SYMBOLS, AND MOTIFS IN REPRESENTATIONS OF AUTISM SPECTRUM DISORDERS IN POPULAR CULTURE By Summer Joy O’Neal A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in English Middle Tennessee State University 2013 Dissertation Committee: Dr. Angela Hague, Chair Dr. David Lavery Dr. Robert Petersen Copyright © 2013 Summer Joy O’Neal ii ACKNOWLEDGEMENTS There simply is not enough thanks to thank my family, my faithful parents, T. Brian and Pamela O’Neal, and my understanding sisters, Auburn and Taffeta, for their lifelong support; without their love, belief in my strengths, patience with my struggles, and encouragement, I would not be in this position today. I am forever grateful to my wonderful director, Dr. Angela Hague, whose commitment to this project went above and beyond what I deserved to expect. To the rest of my committee, Dr. David Lavery and Dr. Robert Petersen, for their seasoned advice and willingness to participate, I am also indebted. Beyond these, I would like to recognize some “unofficial” members of my committee, including Dr. Elyce Helford, Dr. Alicia Broderick, Ari Ne’eman, Chris Foss, and Melanie Yergau, who graciously offered me necessary guidance and insightful advice for this project, particularly in the field of Disability Studies. Yet most of all, Ephesians 3.20-21. iii ABSTRACT Autism has been sensationalized by the media because of the disorder’s purported prevalence: Diagnoses of this condition that was traditionally considered to be quite rare have radically increased in recent years, and an analogous fascination with autism has emerged in the field of popular culture.
    [Show full text]
  • Volume 17 2016 Hard Work and Sweat
    ime kills buildings he alien’s opaque Tas much as it kills Thelmet turned people. The shattered toward me. A single windows and the pinpoint of crimson empty space felt light glowed dully crowded. Even years at its crest. So far later, it smelled of as I could tell, the Volume 17 2016 hard work and sweat. helmet was made Light came in every entirely of a matte crack and hole like black alloy. The water in a sinking armor was similarly ship, and I loved flat and nondescript, the way the light sharpened and played in the room. I angular at the joints preferred to come to the silos during the day; I but relatively light-looking, made of thin layers loved the way the place looked, almost sad and of some metal I’d already seen deflect bullets at broken and empty inside, but beautiful in all its point-blank range. Lights blinked at his elbows mysterious ways. I often thought maybe people and knees. In the smoke and dust-dimmed could be that way, too. light of the half-wrecked hallway, I could make Brandon James Poppert, out a single symbol etched into the breastplate, “Empty Building, Empty Soul” a circle bisected by a stylized shape not unlike the Nike swoosh. I considered reaching for a gun, but I knew that was pointless. I n small intervals across the kitchen table, considered trying a hand-to-hand fight, but Ihe shared the mayhem of that time spent even if that armor didn’t have strength assists, overseas, revealing sounds that echoed through it was still a combat-trained alien in a suit of the night and images of an astonishing orange super dense metal armor against unarmored, glow that burst in the sky so close that he non-combat-trained me.
    [Show full text]
  • Secret Place Discussion Questions by Tana French
    The Secret Place Discussion Questions by Tana French Author Bio: (Reading Group Guides, Tana French website, & Fantastic Fiction) Born in Vermont, Tana French grew up in Ireland, Italy, the United States, and Malawi. She has lived in Dublin since 1990 with her family. She trained as a professional actress and has worked in theater and film. Her debut novel, “In The Woods”, was honored with the Edgar, Barry, Macavity and Anthony awards. “Secret Place” was nominated in the Anthony Awards Best Novel (2015) category. Characters: Detective Stephen Moran – Police officer working in Cold Case division. Antoinette Conway – Detective in the Murder squad. Lead on the Harper case. Frank Mackey – Holly’s father. A police officer friend of Detective Moran. St. Kilda’s – Elite boarding school for girls in Dublin. Holly Mackey – 16 year old girl. Goes to St. Kilda’s boarding school. Finds a secret note she takes to Detective Moran. Father is a police officer. She was a witness in another trial when she was younger. Julia Harte – Holly’s boarding school friend/roommate. Boss of group. Tends to be a smart alec. Becca O’Mara – Holly’s boarding school friend/roommate. Naïve. Selina Wynne – Holly’s boarding school friend/roommate. Very pretty. Dating Harper before his murder. She says she can see his ghost. Miss McKenna – Headmistress at St. Kilda’s. Joanne Heffernan – Student at St. Kilda’s. A popular “mean girl.” In charge of the “the Daleks.” Gemma – Part of “The Daleks” group. Pretty and smart. Alison – Part of “The Daleks” group. Timid. Afraid of everything. Orla – Bottom of “The Daleks” group.
    [Show full text]
  • The Witch Elm by Tana French
    The Witch Elm by Tana French Left for dead by burglars while partying with friends, a happy-go-lucky charmer takes refuge at his dilapidated ancestral home before a grisly discovery reveals an unsuspected family history. Why you'll like it: Intricately plotted. Suspenseful. Well-crafted dialogue. About the Author: Tana French grew up in Ireland, Italy, the US and Malawi. She trained as a professional actress at Trinity College, Dublin, and has worked in theatre, film and voiceover. Her first novel, In the Woods, won the 2007 Edgar Award for Best First Novel. Her other books include The Likeness, Faithful Place, Broken Harbor, and The Secret Place. The Trespasser and The Witch Elm made the New York Times bestseller list. Questions for Discussion 1. The novel opens and closes with Toby telling the reader that he considers himself a lucky person. Do you agree that he is lucky? When he says his luck is part of who he is, what do you think he means? 2. The novel begins with Toby getting caught covering for his coworker Tiernan, who is pretending to be an underprivileged teen artist. Toby is relieved at having dodged serious consequences, and doesn’t think his lie was particularly important. How did you feel when you first encountered Toby at the beginning of the novel? As the story progressed, did he absorb the significance of his lie? 3. Rather than focusing purely on who committed the crime, much of THE WITCH ELM examines how many people’s actions contributed to Dominic’s death. When you finished the novel, how did you feel about these questions of culpability? Did you see Toby as a victim, an accessory, or something more complicated? 4.
    [Show full text]
  • Character Interrelation in Tana French's Novels
    Character Interrelation in Tana French’s Novels An Analysis of In the Woods, The Likeness and Faithful Place Master Thesis presented by Fabiola Fliegel (Matr. No 1021425) to the Department of English and American Studies Assoz. Prof. Mag. Dr. Sarah Herbe Ass.-Prof. Mag. Dr. Wolfgang Görtschacher in partial fulfilment of the requirements for the degree of Master of Arts in the subject of English Studies and the Creative Industries University of Salzburg Salzburg, August 2018 Statutory Declaration I declare that I have authored this thesis independently, that I have not used other than the declared sources, and that I have explicitly marked all material which has been quoted either literally or by content from the used sources. ………………………………………….. ………………………………… (date) (signature) Abstract This thesis investigates the concept of character interrelation and interfigurality in the novels written by Tana French and its effects on the characterisation process. The use of side characters as protagonists in following novels is analysed to establish how these interrelations, as well as the use of shifting narrators influences character development. The corpus for analysis includes the first three novels by Tana French, In the Woods, The Likeness, and Faithful Place. The text- based approach of close reading is applied to use quotes from the novels to underline the argumentation. The genre-based approach allows for a close analysis of typical crime fiction genre characteristics and their effect on character expectation and character development in the novels as well as a narrative analysis and comparison thereof, while the use of a character-based approach offers a close analysis of characterisation processes and character interrelation across the novels.
    [Show full text]
  • The Perplexities of Penalty-Phase-Only Retrials
    Switching Juries in Midstream*: The Perplexities of Penalty-Phase-Only Retrials David McCord** This article addresses the oft-recurring, but seldom analyzed scenario where a capital conviction is affirmed, but the sentence is reversed, and the prosecutor elects to retry the penalty phase before a new jury. There are not many doctrinal issues raised in these circumstances, but there are a host of practical ones, including: how the jury is to be apprised of the facts underlying the conviction; whether the defense can challenge the underlyingfacts; how the long delay affects the prospects for each party; how the defendant's behavior in the interim may affect the verdict; and many more. Since these are not mainly doctrinalissues that have generated much case law, the article approaches the topic through a transcript of a panel discussion of capitalprosecutors and defense lawyers who have retried penalty-phase-only cases (constructedfrom individual interviews). These attorneys present a kaleidoscopic set of perspectives that are sometimes consistent, but often in conflict. This reflects the unpredictability of proceedings where such momentous decisions are made so long after the original incident. Yet despite some contradictions, the discussion provides much valuable guidance for lawyers andjudges who become involved in penalty-phase-only retrials. I. INTRODUCTION Death sentences are frequently reversed.' Sometimes this is due to an error in the guilt/innocence phase that would necessitate a complete retrial; sometimes the error is in the penalty phase that would necessitate retrial of sentencing only. * This is a take-off on the well-known advice, "Don't switch horses in mid-stream." See A DICTIONARY OF AMERICAN PROVERBS 311 (Wolfgang Mieder et al.
    [Show full text]
  • Lee Child 35 Polly Ho-Yen 6 John Connolly 38 C.M
    1 2 CRIME & THRILLERS NEW TITLES LIST FRANKFURT 2019 CONTENTS DÉBUT AND NEW THRILLER VICKI BRADLEY 5 LEE CHILD 35 POLLY HO-YEN 6 JOHN CONNOLLY 38 C.M. EWAN 7 T.M. LOGAN 41 C.D. MAJOR 8 CATHERINE STEADMAN 43 EGAN HUGHES 9 JAMES CAROL 44 MARTYN FORD 10 ROB SINCLAIR 45 G.X. TODD 47 ERIK STOREY 49 CRIME MARTINA COLE 12 TANA FRENCH 14 TIM WEAVER 17 CHRIS CARTER 19 G.R. HALLIDAY 21 EMMA KAVANAGH 22 ROB SINCLAIR 23 JACQUI ROSE 24 PSYCHOLOGICAL SUSPENSE B.A. PARIS 26 PHOEBE MORGAN 28 SANDIE JONES 29 LAUREN NORTH 30 K.L. SLATER 31 DARLEY ANDERSON LITERARY, TV & FILM AGENCY Estelle House, 11 Eustace Road, London, SW6 1JB Telephone: +44 20 7386 2674 Head of Rights: [email protected] Rights Agent: [email protected] Rights Agent: [email protected] Dramatic Rights: [email protected] www.darleyanderson.com Cover artwork adapted from B.A. Paris’ THE DILEMMA (p26) 3 DÉBUT AND NEW 4 PSYCHOLOGICAL THRILLER DÉBUT Vicki Bradley BEFORE I SAY I DO A COMPELLING AND DARK PSYCHOLOGICAL THRILLER FROM LONDON METROPOLITAN DETECTIVE CONSTABLE JULIA IS MARRYING MARK TODAY. SHE WANTS TO LEAVE THE PAST BEHIND. BUT THE GROOM IS MISSING. AND HER PAST IS CLOSER THAN SHE THINKS. PERFECT FOR FANS OF HEIDI PERKS AND JESSICA KNOLL It’s Julia’s wedding day. Her nerves are to be expected - every bride feels the same - but there’s another layer to her fear, one that she cannot explain to her soon-to-be husband, Mark. She’s never told him the details - and she is determined he never finds out.
    [Show full text]
  • Darley Anderson Literary, Tv & Film Agency
    1 NEW TITLES LIST LONDON BOOK FAIR 2018 CONTENTS DÉBUT AND NEW PSYCHOLOGICAL SUSPENSE HAZEL PRIOR 4 B.A. PARIS 48 EMMA KAVANAGH 5 K.L. SLATER 50 BETH O’LEARY 6 PHOEBE MORGAN 52 SANDIE JONES 7 MANDY BAGGOT 8 POPULAR FICTION CATHERINE STEADMAN 9 KERRY FISHER 54 JACQUI ROSE 10 PHAEDRA PATRICK 56 RACHEL BURTON 11 JO PLATT 58 ROSIE BLAKE 59 ACCESSIBLE LITERARY & BOOKCLUB ABI OLIVER 61 TANA FRENCH 13 SAMANTHA TONGE 62 G.X. TODD 14 MARGARET DICKINSON 63 IMRAN MAHMOOD 16 ANNIE MURRAY 64 JOHN CONNOLLY 18 GLORIA COOK 65 CRIME INSPIRATIONAL/RELIGIOUS MARTINA COLE 20 ADRIAN PLASS 67 TIM WEAVER 22 CHRIS CARTER 24 TANA FRENCH 26 GILLIAN MCALLISTER 28 A.J. CROSS 30 THRILLER LEE CHILD 32 JOHN CONNOLLY 36 T.M. LOGAN 39 ERIK STOREY 40 JAMES CAROL 41 ROB SINCLAIR 42 JACK FORD 44 TOM BALE 45 DARLEY ANDERSON LITERARY, TV & FILM AGENCY Estelle House, 11 Eustace Road, London, SW6 1JB Telephone: +44 20 7386 2674 Head of Rights: [email protected] Rights Executive: [email protected] Rights Assistant: [email protected] Dramatic Rights: [email protected] www.darleyanderson.com 2 DÉBUT AND NEW 3 POPULAR FICTION DÉBUT Hazel Prior THE HARP-MAKER (working title) AN INSPIRING, MOVING AND OFFBEAT DÉBUT LOVE STORY WITH AN UNFORGETTABLE ENSEMBLE OF CHARACTERS DAN AND ELLIE ARE PERFECT FOR EACH OTHER - BUT IT WILL TAKE A HARP, A PET PHEASANT AND A BIG SECRET TO BRING THEM TOGETHER ‘THE LIGHTNESS IS DECEPTIVE FOR BENEATH IT ARE BEAUTIFUL MESSAGES ABOUT FRIENDSHIP, RELATIONSHIPS, PARENTHOOD AND THE ENVIRONMENT THAT WILL STRIKE A CHORD’ Francesca Best In the rolling hills of beautiful Exmoor, there’s a barn.
    [Show full text]
  • In the Supreme Court of Florida Eric Lee Simmons
    IN THE SUPREME COURT OF FLORIDA ERIC LEE SIMMONS, Petitioner, v. CASE NO. SC11-1353 L.T. No. 01-CF-2577 KENNETH S. TUCKER, Secretary, Florida Department of Corrections, etc., Respondents. _______________________________/ RESPONSE TO PETITION FOR WRIT OF HABEAS CORPUS AND MEMORANDUM OF LAW COMES NOW, Respondents, Kenneth S. Tucker, Secretary, Florida Department of Corrections, etc., by and through the undersigned counsel, and hereby respond to the Petition for Writ of Habeas Corpus filed in the above-styled case. Respondents respectfully submit that the petition should be denied, and state as grounds therefore: FACTS AND PROCEDURAL HISTORY The following factual history is taken from this Court’s opinion from the direct appeal of Simmons’ convictions and sentences, Simmons v. State, 934 So. 2d 1100 (Fla. 2006). The charges against appellant, Eric Simmons, resulted from the kidnapping, sexual battery, and stabbing and beating of Deborah Tressler, who was found dead in a wooded area in Sorrento, Florida. Simmons was tried and found guilty of kidnapping, sexual battery using force likely to cause serious injury, and first-degree murder. The jury unanimously recommended death as the penalty for the murder. The trial court sentenced Simmons to death on the charge of first-degree murder and life in prison for each of the kidnapping and sexual battery charges respectively. Prosecution Evidence The evidence presented at trial indicated that on December 3, 2001, at approximately 11:30 a.m., John Conley, a Lake County Sheriff’s Office (LCSO) deputy, discovered the body of Tressler in a large wooded area commonly used for illegal dumping.
    [Show full text]
  • Digging up Dirt Alexandria Yeager
    DIGGING UP DIRT AND REPORTING LIES: The Image of the Journalist in the Television Series Bones By Alexandria Yeager Yeager 1 ABSTRACT Corrupt. Pushy. Apathetic. Concerned only about money and getting the story first, the facts second. These are just a few of the descriptions the audience may give journalists after watching how news reporters are portrayed on the television series Bones. Journalists are often seen as obstacles in the effort to successfully solve crimes, usually reporting on facts that later turn out to be untrue. Many times the media are nameless and faceless, just in the background shouting out questions and flashing their cameras. Sometimes journalists aren’t even present – the characters on the show speak negatively about them. They are usually justified for doing so. For the most part, this negative image of journalists continues throughout the show’s first five seasons. However, a change in season six occurs when a journalist becomes a recurring character. She is war correspondent Hannah Burley (Katheryn Winnick) and the love interest of one of the main characters, FBI Agent Seeley Booth (David Boreanaz). As a show centered on the sexual tension of the leads, the series works to make Burley, yet another obstacle coming between the main characters, likeable. Although the show revolves around crime solvers and journalists are not weekly fixtures on the show, the subtle comments, along with the journalists who do appear throughout the series, give viewers a negative image of the press. An added layer is that many of the cases mirror real-life, headline-making stories that the press reported on extensively: from high school pregnancy pacts, to the murder of a young beauty pageant contestant, to a pregnant woman allegedly murdered by her husband.
    [Show full text]