25 CHAPTER 4 ANALYSIS 4.1. Plot Khan Kluay Is the Story of a Curious
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Thai Animations and Folklore the POPULAR CONTENT in THAI ANIMATION Thai Folklore
Thai Animations and Folklore THE POPULAR CONTENT IN THAI ANIMATION Thai folklore Thai folklore is a diverse set of mythology and traditional beliefs held by the Thai people. Most Thai folklore has a regional background for it originated in rural Thailand. With the passing of time, and through the influence of the media, large parts of Thai folklore have become interwoven with the wider popular Thai culture. List of Thai Animation Movies 1979 The Adventure of Sudsakorn by Payut Ngaokrachang, Traditional animation. The only cel-animated feature film ever made in Thailand 2006 Khan Kluay directed by Kompin Kemgumnird, Kantana Animation CG animation. An Indian redubbed version Jumbo was released in 2008 List of Thai Animation Movies 2007 The Life of Buddha Kritsaman Wattananarong, Media Standard Co., Ltd. CG animation 2008 Nak Natthaphong Ratanachoksirikul, Sahamongkol Film International. CG animation 2009 Khan Kluay 2 Taweelap Srivuthivong Kantana Animation CG animation An Indian redubbed version Jumbo 2: The Return of the Big Elephant was released in 2011. List of Thai Animation Movies 2012 Echo Planet Kompin KeamkumnedKantana Animation CG animation Yak: The Giant King Prapas Cholsaranont Workpoint Entertainment CG animation 2018 The Legend of Muay Thai: 9 Satra Popular Thai Myths and Legends Phra Aphai Mani An epic poem written by the Thai legendary poet, Sunthorn Phu, also known as "the Bard of Rattanakosin". It is considered to be one of Thailand's national epics. It is also one of well-known Thai folklores that has been heavily adapted into films and comics. The main protagonists are Prince Aphai Mani, the mermaid, and the Pisue Samutr; a female yak who can transmute herself into a beautiful girl Popular Thai Myths and Legends Sunthorn Phu 26 June 1786 – 1855), is Thailand's best-known royal poet.[1] He wrote during the Rattanakosin period. -
Waltz with Bashir’ (2008)
วารสารวิชาการ Veridian E-Journal Volume 7 Number 4 January – June 2014 ผลงานสร้างสรรค์ ฉบับ International The Memory Machine Millie Young Abstract The purpose of this paper aims to discuss the suitability of material for the animated documentary, looking specifically at texts of a biographical nature, and discussing the mechanisms employed and issues with interpreting oral narratives and memory. From the analysis, I aim to suggest guidelines to my Thai undergraduate animation students so that they may gain ideas about the suitability of material and mechanisms that may help to create an animated documentary. The paper will discuss materiality: i) in terms of animation and it’s suitability for documentary. ii) with regard to the subject material to tackle an animated documentary iii) in relation to creating a story structure from oral narratives and memories and the mechanics of construction to get an authentic truth in an animated documentary Because the nature of animated documentaries is so broad, I have, for this paper, narrowed it to the sub category: subjective autobiographical and biographical works that encapsulate personal oral narratives from memories. I will focus on traumatic memories, which retell a event from a personal perspective, which is skewed by the teller’s own perspective in order to discuss the difficulties of memory itself. This category offers many examples of works to support further analysis and investigation by the students and appears to be particularly suited to the animated form. Introduction The purpose of this paper is to discuss the suitability and materiality of the animated documentary, looking specifically at texts of a biographical nature, and discussing the mechanisms employed and issues pertaining to interpreting oral narratives and memory. -
P.001-003 Thai Film Directory 2019-2020++.Indd
THAI FILM DIRECTORY 2019 – 2020 泰国电影指南 2019-2020 Publisher: Office of the Permanent Secretary, Ministry of Culture 10 Tiamruammit Rd., Huaykwang, Bangkok 10310, Thailand Tel: +66 2209 3519-20 Fax: +66 2209 3522 E-mail: [email protected], [email protected] Facebook: Content Thailand Line id: @contentthailand Editor: Alongkorn Klaisikaew Downlaod Art Director: Job Quality Thai Flim @ Office of the Permanent Secretary, Ministry of Culture, May 2020 Directory CONTENTS 074 2020 Releases (January-March) 088 Selected Future Releases 101 Cover Story: Happy Old Year 102 Thai Film Projects at International Film Market 2020 103 Experienced Co-production Producers 104 Film Organization & Company Addresses 112 Index 004 Message from Minister of Culture 006 Foreword by Permanent Secretary for Culture 008 Thai Film in 2019: The Big Picture 014 2019 Top-Grossing Thai Films 015 2019 Thai Films Industry by the Numbers 016 All-time Top Grossing Thai Films 018 2019 Releases สารจาก Message from นายอิทธิพล คุณปลื ม Itthiphol Kunplome รัฐมนตรีว่าการกระทรวงวัฒนธรรม Minister of Culture อุตสาหกรรมภาพยนตร์นับเป นหนึ่งในอุตสาหกรรมเศรษฐกิจสร้างสรรค์ ที่มีส่วนสําคัญในการขับเคลื่อน Film industry is one of Thailand’s creative activities which significantly boosts เศรษฐกิจของประเทศไทยด้วยความคิดสร้างสรรค์และนวัตกรรม ตามนโยบายไทยแลนด์ ๔.๐ โดยในช่วง the local economy through creativity and innovation as per the national policy, เวลาที่ผ่านมาอุตสาหกรรมภาพยนตร์ไทยได้พัฒนาศักยภาพจนเป นที่ยอมรับในตลาดภาพยนตร์นานาชาติ Thailand 4.0. Thailand has a well-established film industry